Re: [Finale] OT: Vocal Underlay of "Mrs.:

There are a number of examples of this in Britten's operas -- not exactly au courant, but I've always found him to be a model of notational clarity. He used both "Missus" and "Mrs."; a quick flip through some scores shows more of the latter than the former. Aaron. On Mon, Sep 2, 2019 at 5:21

Re: [Finale] OT: Vocal Underlay of "Mrs.:

I would consider using the word extension symbol; although it is intended for a melisma, it might point out the composer’s intention and, as Jennifer Higdon points out, the singer should be able to find the best placing. Giovanni Andreani www.giovanniandreani.com www.ga-music.com > On

Re: [Finale] OT: Vocal Underlay of "Mrs.:

This is a pretty trivial matter, but since it is being discused, might as well get it right Interesting that you say MISSUS is the preferred form of the abbreviation “Mrs.”. Please provide your reference source. Missis and Missus are two different words with different uses: missis is the

Re: [Finale] OT: Vocal Underlay of "Mrs.:

"Mis-sus" is the accepted spelling/syllabification in music and in text. There's also at least one movie title that uses it. It's not offensive (the dictionary's reference to "dialect" is not prohibitive or damning). If everyone refuses to accept a century of precedent, I have nothing further. On

Re: [Finale] OT: Vocal Underlay of "Mrs.:

In “Me and Mrs. Jones” the publisher spells it “mis-sus”, which I am not sure about. I would have spelled it as “miss-es”, since it is pronounced the same as “hits and misses” with the last “s” voiced (“z”) and nobody has to question whether it’s actually unvoiced the way they would if you

Re: [Finale] OT: Vocal Underlay of "Mrs.:

[ Robert Patterson: ] FWIW (joking aside) my copy of Merriam Webster correctly identifies "missus" as dialect in one of the definitions, and I would rather avoid that implication. In that case, how would "Mr - s." go? But that might cause the singer to start pronouncing "Mister" -

Re: [Finale] OT: Vocal Underlay of "Mrs.:

ubject: Re: [Finale] OT: Vocal Underlay of "Mrs.: Sometimes spellings errors are there to match the rhyming patterns. AWALNATION does “Bad Wolf” with: “Oh my God I think I might’ve made a mustake Waiting patiently was waiting taking up space We are waiting taking up space.” But all I got

Re: [Finale] OT: Vocal Underlay of "Mrs.:

Sometimes spellings errors are there to match the rhyming patterns. AWALNATION does “Bad Wolf” with: “Oh my God I think I might’ve made a mustake Waiting patiently was waiting taking up space We are waiting taking up space.” But all I got was “how do you notate “Mrs.”, a one syllable word,

Re: [Finale] OT: Vocal Underlay of "Mrs.:

Or, along the lines of my earlier idea: "Mrs." centered under the notes and "missus" or the dictionary spelling of the pronunciation in parentheses, right below. Wouldn't that avoid any sort of implication? On Tue, Aug 27, 2019 at 11:23 AM Robert Patterson < rob...@robertgpatterson.com> wrote:

Re: [Finale] OT: Vocal Underlay of "Mrs.:

FWIW (joking aside) my copy of Merriam Webster correctly identifies "missus" as dialect in one of the definitions, and I would rather avoid that implication. On Tue, Aug 27, 2019 at 11:12 AM Jon Delfin wrote: > On Tue, Aug 27, 2019 at 12:08 PM timothy price > wrote: > > > Missus isn’t even a

Re: [Finale] OT: Vocal Underlay of "Mrs.:

On Tue, Aug 27, 2019 at 12:08 PM timothy price wrote: > Missus isn’t even a word. (What else could you expect from composers?) Or Merriam Webster. What do *they* know about words? ___ Finale mailing list Finale@shsu.edu

Re: [Finale] OT: Vocal Underlay of "Mrs.:

> placing. It seems to be clearer for them. >>> >>> >>> >>> -Original Message- >>> From: Robert Patterson >>> To: finale >>> Sent: Tue, Aug 27, 2019 9:28 am >>> Subject: [Finale] OT: Vocal Underlay of

Re: [Finale] OT: Vocal Underlay of "Mrs.:

setting this > > typed out as one word, under 2 notes, and letting the singer do the > > placing. It seems to be clearer for them. > > > > > > > > -Original Message- > > From: Robert Patterson > > To: finale > > Sent: Tue, Aug 27, 20

Re: [Finale] OT: Vocal Underlay of "Mrs.:

g to a > libretto, sometimes you must follow exactly)...I've started setting this > typed out as one word, under 2 notes, and letting the singer do the > placing. It seems to be clearer for them. > > > > -Original Message- > From: Robert Patterson > To: finale &

Re: [Finale] OT: Vocal Underlay of "Mrs.:

Patterson To: finale Sent: Tue, Aug 27, 2019 9:28 am Subject: [Finale] OT: Vocal Underlay of "Mrs.: Has anyone ever had to divide "Mrs." into two syllables for vocal underlay? Any suggestions? ___ Finale mailing list Finale

Re: [Finale] OT: Vocal Underlay of "Mrs.:

on Sent: Tuesday, August 27, 2019 9:54 AM To: finale mailto:finale@shsu.edu>> Subject: Re: [Finale] OT: Vocal Underlay of "Mrs.: Technically, "Mrs." is the abbreviation of "Mistress", but no one says that any more. Hence, there is no generally accepted way to spell it out how w

Re: [Finale] OT: Vocal Underlay of "Mrs.:

" "mizz." > > Dalvin > > -Original Message- > From: Finale On Behalf Of Robert Patterson > Sent: Tuesday, August 27, 2019 9:54 AM > To: finale > Subject: Re: [Finale] OT: Vocal Underlay of "Mrs.: > > Technically, "Mrs." is the

Re: [Finale] OT: Vocal Underlay of "Mrs.:

How about "Ms-es?" "Ms" is an common sub for Mrs. and most know to pronounce "Ms" "mizz." Dalvin -Original Message- From: Finale On Behalf Of Robert Patterson Sent: Tuesday, August 27, 2019 9:54 AM To: finale Subject: Re: [Finale] OT: Voc

Re: [Finale] OT: Vocal Underlay of "Mrs.:

Merriam Webster says "mis-sus." On Tue, Aug 27, 2019 at 9:50 AM timothy price wrote: > Isn’t Mrs. the abbreviation of Missis? Mis-sis. > > > On Aug 27, 2019, at 9:28 AM, Robert Patterson < > rob...@robertgpatterson.com> wrote: > > > > Has anyone ever had to divide "Mrs." into two syllables for

Re: [Finale] OT: Vocal Underlay of "Mrs.:

Technically, "Mrs." is the abbreviation of "Mistress", but no one says that any more. Hence, there is no generally accepted way to spell it out how we pronounce it. On Tue, Aug 27, 2019 at 8:51 AM timothy price wrote: > Isn’t Mrs. the abbreviation of Missis? Mis-sis. > > > On Aug 27, 2019, at

Re: [Finale] OT: Vocal Underlay of "Mrs.:

Isn’t Mrs. the abbreviation of Missis? Mis-sis. > On Aug 27, 2019, at 9:28 AM, Robert Patterson > wrote: > > Has anyone ever had to divide "Mrs." into two syllables for vocal underlay? > Any suggestions? > ___ > Finale mailing list > Finale@shsu.edu

Re: [Finale] OT: Vocal Underlay of "Mrs.:

I'd probably spell out phonetically and maybe put Mrs. in parentheses somewhere to clarify. On Tue, Aug 27, 2019 at 8:31 AM GERALD BERG wrote: > Perhaps Mrs-ses? > GJB > > On Tuesday, August 27, 2019, 9:28:45 AM EDT, Robert Patterson < > rob...@robertgpatterson.com> wrote: > > Has anyone

Re: [Finale] OT: Vocal Underlay of "Mrs.:

On 8/27/2019 9:28 AM, Robert Patterson wrote: Has anyone ever had to divide "Mrs." into two syllables for vocal underlay? Any suggestions? I've seen it "miss-us" -- * David H. Bailey dhbaile...@comcast.net http://www.davidbaileymusicstudio.com

[Finale] OT: Vocal Underlay of "Mrs.:

Has anyone ever had to divide "Mrs." into two syllables for vocal underlay? Any suggestions? ___ Finale mailing list Finale@shsu.edu https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: finale-unsubscr...@shsu.edu

Re: [Finale] OT: pop orchestration

Thank you, Doug. One advantage of the book — something over which I had little control, is that Gary Garritan (who insisted I write it in the first place), created an accompanying CD that scrolls each score and plays the music with tweaked Garritan sounds — somewhat more realistic sounds than

Re: [Finale] OT: pop orchestration

On 6/2/2019 1:49 PM, Greg Scheer wrote: I turn to this list often for Finale therapy; this time I’d like to pick your brains about the music itself. I’m on a lifelong quest to become a better orchestrator. For classical orchestration the path is fairly clear, with a host of orchestration books

Re: [Finale] OT: pop orchestration

hi there I have a problem with Finale 25 I use PC all of my changes / chords have disappeared I see them in the chord dialog box but I am unable to enter any chords just getting small mf of very small cleffs could somebody help thanks Martin On Sun, Jun 2, 2019 at 7:49 PM Doug Walter wrote: >

Re: [Finale] OT: pop orchestration

You’ll probably get a lot of good answers; here are a few great examples I can vouch for from personal experience: Don Sebesky - “The Contemporary Arranger” Rayburn Wright - “Inside the Score: A Detailed Analysis of 8 Classic Jazz Ensemble Charts by Sammy Nestico, Thad Jones, and Bob

Re: [Finale] OT: pop orchestration

https://www.amazon.com/Jazz-Composition-Orchestration-William-Russo/dp/0226732088/ref=dp_ob_title_bk was one I always liked... GJB On Sunday, June 2, 2019, 1:50:07 PM EDT, Greg Scheer wrote: I turn to this list often for Finale therapy; this time I’d like to pick your brains about

[Finale] OT: pop orchestration

I turn to this list often for Finale therapy; this time I’d like to pick your brains about the music itself. I’m on a lifelong quest to become a better orchestrator. For classical orchestration the path is fairly clear, with a host of orchestration books and scores/recordings available for

Re: [Finale] [OT] voice part only

i find really very little of what clients ask me to be unusual ;-) and providing what they request is my usual approach. but in any case, it turns out the other musicians are transposing on sight and only the singer wanted a transposed part to perform from. jef At 11:10 AM +0200

Re: [Finale] [OT] voice part only

It is quite an unusual request, to my experience. I would contact the client for further details if not I’d provide the single vocal score, as requested, plus the piano-vocal part. Giovanni Giovanni Andreani www.giovanniandreani.com www.ga-music.com > On 5 May 2019, at 11:59, SN jef

Re: [Finale] [OT] voice part only

To: finale@shsu.edu Subject: Re: [Finale] [OT] voice part only raymond, it is for voice (singular) and the part needs to be transposed down a major second. yeah i have cues for the entry and at the end of the longer multi-measure rests. cheers, jef I don¹t know what a transposed score for voices

Re: [Finale] [OT] voice part only

On 5/5/19 8:53 PM, Dalvin Boone wrote: Sorry to waste your time, but I have to ask: why does a singer need a transposed part? Even if one doesn't have perfect pitch, one tends to set the vocal apparatus for the pitches seen instead of the pitches to be produced. If I have to sing notation at

Re: [Finale] [OT] voice part only

On 5/5/2019 8:53 PM, Dalvin Boone wrote: Sorry to waste your time, but I have to ask: why does a singer need a transposed part? [snip] It's common for singers to need a piece transposed to suit their particular vocal strengths. Often it's done on the spot, if the accompanying musicians

Re: [Finale] [OT] voice part only

not a waste at all. but i don't know, didn't ask and don't really need to know. they asked me to transpose it in exchange for some eurobucks and are a highly skilled 35-yr old ensemble so i will assume they know what they're doing and take them up on their offer :P At 8:53 PM -0400

Re: [Finale] [OT] voice part only

Maybe if their bowtie is too tight it acts like a capo?? Then the transposed notes would match the sounds they make…. > On 6 May 2019, at 7:48 AM, SN jef chippewa > wrote: > > > raymond, it is for voice (singular) and the part needs to be transposed down > a major second. yeah i have cues

Re: [Finale] [OT] voice part only

Sorry to waste your time, but I have to ask: why does a singer need a transposed part? Dlavin Boone -Original Message- From: Finale On Behalf Of SN jef chippewa Sent: Sunday, May 05, 2019 6:18 PM To: finale@shsu.edu Subject: Re: [Finale] [OT] voice part only raymond, it is for voice

Re: [Finale] [OT] voice part only

raymond, it is for voice (singular) and the part needs to be transposed down a major second. yeah i have cues for the entry and at the end of the longer multi-measure rests. cheers, jef I don¹t know what a transposed score for voices would be, unless they are talking about the Tenor

Re: [Finale] [OT] voice part only

I don’t know what a transposed score for voices would be, unless they are talking about the Tenor part written an octave higher than sounding, but I will say that you do not need to Do a piano reduction for choir, really anytime in a larger ensemble. Just give them some cues To help them get

Re: [Finale] [OT] voice part only

yeah they explicitly said they don't need the score, only a transposed part (i don't know where the transposed score is or if there in fact is one), and there is a fixed (small) budget that is just too small for me to do the entire score even if i wanted to. thanks! In my experience, the

Re: [Finale] [OT] voice part only

In my experience, the singer reads from score, with the proviso that the vocal line is immediately above the piano line and that the other instruments on are reduced-size staves above the vocal line. (See, for example, the score of Pierrot Lunaire

[Finale] [OT] voice part only

i only rarely encounter voice in the ensemble scores i do, so any advice would be appreciated. i've been asked to create the vocal part (no other parts) for a late-18th century french song for voice, violin, cello and piano. just wanted to make sure that nothing aside from a couple of cues

[Finale] [OT] piano fingering position

are there specific rules or a general best practice for the positioning of fingering numbers in piano music? i'm not home and have no scores to consult. looked a little around the internet. is it basically position them on the notehead side and as close to the notehead as possible, avoid

Re: [Finale] OT: Katherine Hoover (1937-2018)

Thank you for letting us know. Another sad day for music. David H. Bailey On 9/25/2018 3:15 PM, Robert Patterson wrote: Hello List, The composer Katherine Hoover was a long-time lurker on this list and occasionally posted. She passed a way a few days ago. For anyone who's interested, here is

[Finale] OT: Katherine Hoover (1937-2018)

Hello List, The composer Katherine Hoover was a long-time lurker on this list and occasionally posted. She passed a way a few days ago. For anyone who's interested, here is an obituary .

Re: [Finale] OT Sibelius list

make sure you weren't subbed with 2 separate addresses (one of which is no longer subbed) - i see this regularly with people who use both a personal and academic address, or set up a separate "lists" email address. At 5:08 PM +0200 8/4/18, Lawrence wrote: Does anybody know how to get off

Re: [Finale] OT Sibelius list

On 8/4/2018 11:08 AM, Lawrence wrote: Hi Does anybody know how to get off the Sibelius list? I’ve unsubscribed and it won’t let me post anything but I still keep getting the posts. When I try to reply to them it tells me I’m unsubscribed. I don't know how to get off it completely, but if

[Finale] OT Sibelius list

Hi Does anybody know how to get off the Sibelius list? I’ve unsubscribed and it won’t let me post anything but I still keep getting the posts. When I try to reply to them it tells me I’m unsubscribed. Cheers Sent from my iPhone ___ Finale

[Finale] [OT] notation panels in darmstadt 24/27 jul

anyone around for the summer courses? i'm one of the invited guests on 2 panel discussions this week: "notation as imperative" (tuesday) and "open form" (friday). the starting point for tomorrow's discussion is "pression" (lachenmann), which i scored several years ago. the series is led by

Re: [Finale] OT: score order for a chamber group

Thanks very much to everyone for their responses! I appreciate it. — Mike Meyer On June 11, 2018 at 3:17:01 PM, Michael Meyer (mlmli...@gmail.com) wrote: Hoping for the (not-necessarily-Finale) knowledge of the list! A student of mine wrote their end-of-year composition project for my Music

Re: [Finale] OT: score order for a chamber group

Sop, clar, bass clar, violin, cello for me too, no question. Steve P. > On 11 Jun 2018, at 20:32, j...@thomastudios.com wrote: > > Forgot bass clarinet, I’d put it under the clarinet. > > *** > J D Thomas > ThomaStudios > > > >> On Jun 11, 2018, at 12:28 PM, Michael

Re: [Finale] OT: score order for a chamber group

Forgot bass clarinet, I’d put it under the clarinet. *** J D Thomas ThomaStudios > On Jun 11, 2018, at 12:28 PM, Michael Edwards wrote: > > [Michael Meyer:] > >> A student of mine wrote their end-of-year composition project for my Music >> Theory class for soprano

Re: [Finale] OT: score order for a chamber group

[Michael Meyer:] A student of mine wrote their end-of-year composition project for my Music Theory class for soprano accompanied by clarinet, violin, bass clarinet, and cello. For a chamber group, what order would you put the instruments in? It seems weird to put them in strict orchestral

Re: [Finale] OT: score order for a chamber group

My preference for that instrumentation would be: Soprano, clarinet, violin, & cello. Orchestra order be damned! *** J D Thomas ThomaStudios > On Jun 11, 2018, at 12:17 PM, Michael Meyer wrote: > > Hoping for the (not-necessarily-Finale) knowledge of the list! > >

Re: [Finale] OT: score order for a chamber group

Chamber music is most usually ordered high to low, with solo instrument or voice at the top, and piano at the bottom. So for this consort I would put it almost exactly as you wrote it (violin above clarinet, though): voice violin clarinet bass clarinet cello Christopher > On Mon Jun 11, at

[Finale] OT: score order for a chamber group

Hoping for the (not-necessarily-Finale) knowledge of the list! A student of mine wrote their end-of-year composition project for my Music Theory class for soprano accompanied by clarinet, violin, bass clarinet, and cello. For a chamber group, what order would you put the instruments in? It seems

[Finale] [OT] TENOR 2018 Performer Lab - upcoming deadline

last call, DEADLINE is 5 april for the performer lab during TENOR in montréal in late may. TENOR 2018 -- Fourth International Conference on Technologies for Music Notation and Representation. >Date: Thu, 29 Mar 2018 09:33:31 -0700 (PDT) >From: Terri Hron >To:

Re: [Finale] [OT] article: notation for electroacoustic/digital media

Congrats on your achievement, Jef. > On Mar 8, 2018, at 4:07 PM, SN jef chippewa > wrote: > > > sooo yeah. finally got around to starting to commit some of this > music notation stuff in my head to "paper". perhaps of interest to > some here. was

Re: [Finale] [OT] article: notation for electroacoustic/digital media

Nice! Keep up the good work, jef! Christopher > On Thu Mar 8, at ThursdayMar 8 4:07 PM, SN jef chippewa > wrote: > > > sooo yeah. finally got around to starting to commit some of this > music notation stuff in my head to "paper". perhaps of interest to

Re: [Finale] [OT] article: notation for electroacoustic/digital media

On 8-3-2018 22:07, SN jef chippewa wrote: > > sooo yeah. finally got around to starting to commit some of this > music notation stuff in my head to "paper". perhaps of interest to > some here. was published in the latest issue of the online journal > eContact! Thank you for those

[Finale] [OT] article: notation for electroacoustic/digital media

sooo yeah. finally got around to starting to commit some of this music notation stuff in my head to "paper". perhaps of interest to some here. was published in the latest issue of the online journal eContact! Typology and Problematics of Fixed Notation for the Representation of

[Finale] [OT] eContact! 19.3 - Notation for EA and Digital Media

perhaps of interest to some here. i coordinated the recent issue of eContact! and finally started writing down some of my own research and experiences in notation. -- PRESS RELEASE -- for immediate diffusion / pour diffusion immédiate Please forward at large. Communauté électroacoustique

Re: [Finale] OT: iKey vs yKey

To follow up: yKey is indeed the successor to iKey. They probably had to change the name because of this iKey . Anyway I downloaded the latest version of yKey. It seems to have recognized my license and works essentially the same as iKey did. (I have not noticed any changes.)

Re: [Finale] OT: iKey vs yKey

i'm on a different partition/system right now than where i use F2014.5 , so can't check the name, but it seems that the software was sold and auto-updated itself. i'm still using it (in its new manifestation), all is fine. the interface is a little different but nothing radical to adjust

[Finale] OT: iKey vs yKey

Does anyone on this list use yKey? It seems to be the replacement for iKey. Can it use the iKey shortcuts I already have? ___ Finale mailing list Finale@shsu.edu https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message

[Finale] [OT] concert in edmonton with LUX:NM

my fellow users of finale will inevitably ask about the notation i used for cooking of the classic italian tomato sauce? and what about the walnut cracked open, the shell's shards falling on the stage? and are the bike bells notated on a pitched 5-line staff or a 1-line percussion staff?

Re: [Finale] OT: More Xenakis

I did not get to know Xenakis myself, but many people who studied and worked with him. Regarding his electronic music, there is an anecdote told by Takemitsu, were he observed that in spite of having planned many things very meticulously, he would then listen to parts and change things on the

[Finale] OT: More Xenakis

Earlier I posted a question about getting musicxml out of descendants of the programs that Xenakis used for stochastic processing. But a more basic question is, does anyone know how Xenakis himself worked? Did he simply listen to the electronic output and transcribe it for instruments? Or was

[Finale] [OT] CALL for eContact! 18.4 - Notation in EA...

i am coordinating this issue on notation and the deadline is approaching, let me know if you had been thinking about submitting to this issue on the NOTATION of Sonic Art and Digital Audio. cheers, jef -- We are pleased to now invite submissions for an upcoming issue of eContact! on the

[Finale] [OT] Notation for New Instruments and Musical Expression (22 Sep)

Notation for New Instruments and Musical Expression IRCAM 22 September as i understand, this will be webcast, apparently at http://video.ircam.fr maybe also check the audio icon top-right of this page: http://www.ircam.fr/calendrier.html?date=20160922=1678=1 programme and list of presenters:

[Finale] [OT: FINAL CALL] Animated Notation Online Symposium 2016

could be some people interested here. this is an exciting project i am involved in that will give an overview of and help delineate the various practices in "animated notation". feel free to contact me for further details / questions / comments. cheers, jef chippewa -- please forward!

[Finale] [OT] davies' 8 songs - vocal range

anyone have a copy of the score and could tell me the specific highest and lowest notes? various sources state over 4, or over 5... roy hart (who premiered it) was said to have an "8-octave range" which as far as i can tell is really 7 (C to C = 1 octave, 2 C's)

Re: [Finale] OT Music theory question

, but I'd have to see what else was happening around it. As a >>>> chord symbol it would be: >>>> BbMaj/C >>>> >>>> Steve Larsen >>>> >>>> -Original Message- >>>> From: Marcello Noia [mailto:marcellon...@gm

Re: [Finale] OT Music theory question

ways, but I'd have to see what else was happening around it. As a >>> chord symbol it would be: >>> BbMaj/C >>> >>> Steve Larsen >>> >>> -Original Message- >>> From: Marcello Noia [mailto:marcellon...@gmail.com] >>> Sent: Wed

Re: [Finale] OT Music theory question

>> -Original Message- >> From: Marcello Noia [mailto:marcellon...@gmail.com] >> Sent: Wednesday, March 23, 2016 2:41 AM >> To: finale@shsu.edu >> Subject: [Finale] OT Music theory question >> >> Hi, due to my huge lackness in harmonical theory, I

Re: [Finale] OT Music theory question

ail.com] > Sent: Wednesday, March 23, 2016 2:41 AM > To: finale@shsu.edu > Subject: [Finale] OT Music theory question > > Hi, due to my huge lackness in harmonical theory, I ask this: > is there a technical term to define a chord formed by (starting from low > note) perfect fourt

Re: [Finale] OT Music theory question

23, 2016 2:41 AM To: finale@shsu.edu Subject: [Finale] OT Music theory question Hi, due to my huge lackness in harmonical theory, I ask this: is there a technical term to define a chord formed by (starting from low note) perfect fourth-perfect fourth-major third (for example C-F-Bb-D). I see

Re: [Finale] OT Music theory question

That difficulty seems to be making the rounds.  On Wednesday, March 23, 2016, Marcello Noia wrote: > Yes! Gene Puerling largely used that thing, besides of many > "unconventional" harmonization tricks. > I rehearsed yesterday that arrangement too, very hard to pick

Re: [Finale] OT Music theory question

I wonder if some expert in contemporary classical music could address me to some examples of that voicing used also in instrumental compositions. I would like to know who was the "inventor" of this harmonic solution Il 23/03/2016 15:04, Don Hart ha scritto: > It really depends on harmonic context

Re: [Finale] OT Music theory question

Yes! Gene Puerling largely used that thing, besides of many "unconventional" harmonization tricks. I rehearsed yesterday that arrangement too, very hard to pick those intervals for the singers singing the harmony parts Il 23/03/2016 15:04, Don Hart ha scritto: > It really depends on harmonic

Re: [Finale] OT Music theory question

It really depends on harmonic context and function. Was at a rehearsal the other day of Gene Puerling's "A Nightingale Sang in Berkeley Square" and he used a similar voicing for the tonic chord at the end of a cadence--9th in the bass. Seems this is an example of where chord symbols fail. In most

Re: [Finale] OT Music theory question

From a jazz perspective, I would call it a C9sus4 chord, or Bb/C (these two symbols are considered to be interchangeable and mean the same chord function.) It’s a suspended dominant chord, where the suspensions don’t need to resolve, but sometimes they do, to a C7 or some other form of C7

Re: [Finale] OT Music theory question

Thanks, in fact I was not clear. In terms of chord symbol I know where I am, I meant if this sequence of intervals gas a specific academic name. Thnx I would use C sus. All the best, Diddi Sigurdur Jonsson 27, Von der Heydt 66115, Saarbrücken Deutschland diddiste...@gmail.com > On 23. mar.

Re: [Finale] OT Music theory question

Or just C11 Harold On 23/03/2016, at 05:43, Klaus Smedegaard Bjerre wrote: > C9sus4 > > Klaus > > Sendt fra min iPad > >> Den 23. mar. 2016 kl. 08.40 skrev Marcello Noia : >> >> Hi, due to my huge lackness in harmonical theory, I ask this: >> is there a technical term

Re: [Finale] OT Music theory question

I would use C sus. All the best, Diddi Sigurdur Jonsson 27, Von der Heydt 66115, Saarbrücken Deutschland diddiste...@gmail.com > On 23. mar. 2016, at 09:43, Klaus Smedegaard Bjerre > wrote: > > C9sus4 > > Klaus > > Sendt fra min iPad > >> Den 23. mar. 2016 kl.

Re: [Finale] OT Music theory question

C9sus4 Klaus Sendt fra min iPad > Den 23. mar. 2016 kl. 08.40 skrev Marcello Noia : > > Hi, due to my huge lackness in harmonical theory, I ask this: > is there a technical term to define a chord formed by > (starting from low note) perfect fourth-perfect fourth-major

Re: [Finale] OT Music theory question

A simple way of defining it would be B flat/C [B flat major with a C in the bass] or B flat major 2nd inversion, with C in the bass. Is that the kind of thing you're looking for? David McKay On 23 March 2016 at 18:40, Marcello Noia wrote: > Hi, due to my huge lackness

[Finale] OT Music theory question

Hi, due to my huge lackness in harmonical theory, I ask this: is there a technical term to define a chord formed by (starting from low note) perfect fourth-perfect fourth-major third (for example C-F-Bb-D). I see it often used in vocal arrangements (Jonathan Rathbone for Swingle Singers for

[Finale] OT: Help with testing German WinFin Patterson Beams "Patterson-Balken"

If you are a user of German Finale for Windows and would like to help me out with a quick test of a German version of Patterson Beams that I have created, please contact me off list. Robert ___ Finale mailing list Finale@shsu.edu

[Finale] OT: log drums

Does anyone on this list have any experience with and/or information about log drums that can be used in a Western orchestra? Aaron J. Rabushka ___ Finale mailing list Finale@shsu.edu https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe

Re: [Finale] OT: Laptop accessories

On 2/5/2016 6:42 PM, Ryan wrote: > I normally use a desktop for my Finale work, but a job has appeared and > I'll need a laptop to work away from home. If you use a laptop for Finale, > what accessories do you recommend? > > Along with the MacBook, I plan on getting a mini MIDI keyboard, and

Re: [Finale] OT: Laptop accessories

I add an external trackpad to my macbook and use a midi keyboard mostly for inserting notes.  --  Gippo Mercoli www.clubgippo.com www.gamusic.com  www.djangoassociation.it On 6 Feb 2016 at 02:57:04, timothy price (timothy.pr...@valley.net) wrote: Agree with Christopher, however, i was raised

Re: [Finale] OT: Laptop accessories

I regularly use Finale on my laptop - the only extra I use is a proper mouse (cordless) because I find the touchpad too awkward to use. Cheers, Lawrence On 5 February 2016 at 23:42, Ryan wrote: > I normally use a desktop for my Finale work, but a job has appeared and >

Re: [Finale] OT: Laptop accessories

Agree with Christopher, however, i was raised on trackballs, so prefer them, without a cord, a trackball requires no additional space to move precisely and fast. For all graphics work, think trackballs are easier on the hand and arm. Again, personal choice. tim On Feb 5, 2016, at 8:00 PM,

[Finale] OT: Laptop accessories

I normally use a desktop for my Finale work, but a job has appeared and I'll need a laptop to work away from home. If you use a laptop for Finale, what accessories do you recommend? Along with the MacBook, I plan on getting a mini MIDI keyboard, and numeric keypad. Not sure I'll need much more

Re: [Finale] OT: Laptop accessories

I carry a full-sized keyboard with me, because the numeric keypad doesn’t have a Clear key, among other reasons. I also can work more ergonomically on the full-sized keyboard. Also a mouse. I am ever so much more comfortable with a mouse than with a trackpad. Your mileage may vary.

Re: [Finale] OT: Does anyone read Polish

If you can't find anyone, you might try Google. I've had acceptable results from translate.google.com Ryan On Wed, Feb 3, 2016 at 9:00 AM, Robert Patterson < rob...@robertgpatterson.com> wrote: > Is there someone on this list that could translate a performance > instruction for me? The score

[Finale] OT: Does anyone read Polish

Is there someone on this list that could translate a performance instruction for me? The score only shows it in the original Polish. I can send you a scan offline Thanks, Robert ___ Finale mailing list Finale@shsu.edu

[Finale] OT: Children's Choir Chest Voice?

This is a question for anyone who has experience leading or working with a children's choir, boychoir, or girlchoir. Is asking for chest voice (e.g., as a "special effect") like asking a violinist to destroy a $100,000 bow? Or is it a tool that you can use in special situations? Thanks

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