Dear Wayne,
I would also like to chime in and express my gratitude for your
generous activity. I learned quite a lot on this list, and as an extra
bonus I could also improve my English by reading and writing about
topics I love. Thank you and best wishes for your retirement!
Thank you, Rainer. Only recently watched some sequences on YouTube, he
was so magically intense. Come to think of it, the first classical
guitar concert I went to hear was by him here in my hometown in 82, I
think. And this legendary lute society course some years ago made me
stop
Does anyone have a solution for the massive and changing compression in Zoom
and elsewhere? Even if I uncheck automatic volume control it behaves like
having a life of its own.
I have a proper microphone and a USB Interface, but still...
Having taught 32 students per week (on three days), I
One of the vihuela manuscript sources has a connection to Portugal, I
think it's the one with the drawing of a lute (!) player in a copy of a
vihuela print. Cannot look it up at the moment.
Regards
Stephan
Am 30. Dezember 2019 18:13:31 MEZ schrieb Joaquim Silva
:
As far as I
how small or insignificant someone or something
is.
On Fri, Dec 20, 2019 at 10:25 PM Stephan Olbertz
<[1]stephan.olbe...@web.de> wrote:
Hm, real critical editions or mere typeset copies?
Regards
Stephan
Am 20. Dezember 2019 21:09:12 MEZ schrieb Nancy Ca
Hm, real critical editions or mere typeset copies?
Regards
Stephan
Am 20. Dezember 2019 21:09:12 MEZ schrieb Nancy Carlin
:
The LSA has just finished publishing all of Doug Towne's edition of
Weiss's London manuscript and we plan to publish next Pierre Gaultier's
Les Ouvres 1638
You wouldn't even need a tuner. Just set a fifth fret so high that you can
still enjoy and work your way through all the other frets and open courses
by means of comparing octaves and unisons.
Use strings that are neither too old nor too new. And be sure to tune to a
fourth based tuning.
Regards
Martyn wrote:
"Much is freely bandied with phrases about 1/4 comma, 1/6 comma, 1/8 comma
and other unequal temperaments but rarely ... is it ever spelt out what
precise numerical fretting positions are actually employed..."
..or what comma is used, one might add. It does make a difference, and
It is an arrangement, and a pseudonym seems very probable if you attempt to
track down this "Italian composer". I have a hunch... BTW, there once have been
two duets by Corigniani kept by Breitkopf.
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu
Both have been recorded (with lute) and edited twice, allas no critical
tablature editions up to now which we will change soon. So we will have
possibly more editions than players of the Krebs Concerti...
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu
When I looked into some scores edited by Anthony some years ago I had the
impression that the music could very well be intended for a mandolin-type of
lute. The music would not cross the bass and it seemed to fit a six-course
Genoese mandolin tuned one octave above a (modern) guitar (or mandora in
On a second thought, it must have been a French tab reader who transcribed
Italian Tab upside down. Sorry, time and a heavy flew have darkened my memory...
So it would have been used as a variant of French tab there.
Stephan
-Ursprüngliche Nachricht-
Von: Stephan Olbertz
Dear Rainer,
I'm not sure that Spanish/Valencinian/Milan tablature is to be seen as a
variant of Neapolitan tab only. The Munich Denss source suggests that the
writer transformed French to S/V/M tablature, judging by the mistakes and
corrections he made.
For what it's worth, here is what I
Umlaut-trouble again...
https://www.migma-eg.de/etuibau/
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von stephan.olbertz
Gesendet: Freitag, 7. September 2018 08:08
An: lute@cs.dartmouth.edu
Betreff: [LUTE] Re: Builder of Hard
Dear Monica, Gzregorz, and all,
here is what I wrote about Gebel in JSLA 2012 ("An Unknown Lute Piece in a
Keyboard Manuscript with Works by Wilhelm Friedemann Bach"). Biography and
style point strongly towards Gebel the younger. There is also a lute obbligato
in his St. John passion "Hier
The
catalogue is extremely rare, but is about 1 ½ inches thick.***
Breitkopf decided to empty their warehouse of outmoded music. What a
treasure!! Unique copies of some of the Bach lute pieces were among
the offering.
Stephan Olbertz, "An Unknown Lute Piece in a Keyboard
Think of the galant lute trio like a piano trio... You get the idea ;-)
Best
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Stewart McCoy
Gesendet: Dienstag, 15. Mai 2018 21:05
An: Lute Net
Betreff: [LUTE] Johann
Dear Anna Wiktoria,
for a start: the composer Saint-Luc has recently been identified by Manuel
Couvreur to be Laurent, not Jacques or Jacques-Alexandre. (I have been unable
to find an article and only know his booklet text to E. Mascardi's recent CD.)
I must confess, I'm a bit old fashioned
would not go that far).
> Normally it is tuned like a 5-stringed guitar with some additional bass
> strings, but normally double-choired except the chantarelle
> The second ones are even deeper tuned and only used for bass continuo,
> especially single lines but someti
>the âcalichon' over the normal lute for continuo support in
chamber
>music, and Telemann wrote two concertos for two flutes and
strings, for
>which the bass lines are marked for âCalchedon' or bassoon."
>RA
>
__________
over the normal lute for continuo support in chamber
> music, and Telemann wrote two concertos for two flutes and strings,
for
> which the bass lines are marked for Calchedon or bassoon."
> RA
>
> __________
&g
An 11-course, you meant...
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von John Lenti
Gesendet: Dienstag, 20. März 2018 04:41
An: howard posner; lute@cs.dartmouth.edu
Betreff: [LUTE] Re: Betrachte meine Seel
as granted, though the sources on which they rely aren’t clear on the
point.
Is anyone aware of evidence for archlutes in 18th-century Saxony?
Sent from my iPhone
> On Mar 19, 2018, at 12:07, Stephan Olbertz <stephan.olbe...@web.de> wrote:
>
> Ron,
>
> " the par
Ron,
" the part was not conceived for
archlute but rather the mandora or one of its namesakes"
Do you have any evidence for this? (As I am sure Martyn would ask...)
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
It took me a while to realize that there is a download link on the page
What an article, I'm deeply impressed! The amount and depth of archival
studies involved is totally crazy!
Now, who wants to do a complete edition of Johann Melchior Pichler's lute
works? The time is ripe :-)
Regards
I agree, however I surprised myself recently when I felll in love with Dosia
McKay's Parting for baroque lute.
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von mathias.roe...@t-online.de
Gesendet: Freitag, 16. März 2018
Sorry, the last message was meant to be privat ;-)
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Rainer
Gesendet: Mittwoch, 21. Februar 2018 15:57
An: Lute net
Betreff: [LUTE] Reconstructed Dowland duet
Dear lute
Hi Rainer,
ich weiÃ, danach hast Du nicht gefragt, aber ich hab mal eine Duo-Version
gemacht, jedoch ein paar Sachen in die andere Laute gelegt.
Das Heft mit den Dowland-Duetten ist bis heute nicht erschienen, da mich dieses
Django-Programm in den Wahnsinn getrieben hat. AuÃerdem beschäftige
Dear Markus,
your web catalogue is indeed a great resource, so valuable to many, so thank
you very much again. I must say, that I recently had some trouble to find
the few compositins ascribed to Sigismund Weiss, as his name was abbreviated
in the catalogue. Maybe one could fix that? Also,
The initial idea might have been that reading the tab is like looking on the
instrument of your teacher.
regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Ed Durbrow
Gesendet: Sonntag, 21. Januar 2018 02:17
An:
Dear Rainer,
oh yes, a dear memory, but it's just 15 years ago :-)
I think we played from the facsimile, and it didn't sound too bad...
And Mark has switched gear and is doing historically informed rock music these
days, see
https://www.facebook.com/RockBottom70sHardRock/
Glad to hear you are
I heard Paul O'Dette performing the Langsames Menuet (or similar) from
that sonata as an encore years ago. I already knew the music before and
found it a bit dry, but Paul's musicianship certainly gave life to it.
Regards
Stephan
...
am 28.12.2017 12:36 nachm., Martyn
I like this one here by Dosia McKay, comissioned by Will Tocaben:
https://www.youtube.com/watch?v=j6lgO_kWGzo
And a nice chat with the composer:
https://www.youtube.com/watch?v=StxpE-7YrUY
After 10 minutes it gets kind of funny when she talks about her love of
Bach's bass lines...
Regards
Stephan
https://www.hfmt-koeln.de/nc/en/aktuelles/stellenangebote.html
BTW, this Umlaut-problem seems rather new on my machine, I don't understand
this... So, it's Junghaenel...
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Stephan
https://www.hfmt-koeln.de/nc/en/aktuelles/stellenangebote.html
BTW, this Umlaut-problem seems rather new on my machine, I don't understand
this... So, it's Junghaenel...
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Stephan
Hi all,
this is to inform you that the Cologne Musikhochschule is looking for a
new lute professor (50 %) in succession to Konrad Junghänel.
Application ends on January the 15.
Please spread the word to your worldclass friends...
Best regards
Stephan
--
To get
Von: Stephan Olbertz [mailto:stephan.olbe...@web.de]
Gesendet: Donnerstag, 7. Dezember 2017 11:53
An: 'l...@cs.dartmouth.edu'
Betreff: Professorship in Cologne
Hi all,
this is to inform you that the Cologne Musikhochschule is looking for a
new lute professor (50
A few places are still available in February in Bochum/Germany. Sorry
for the language!
><><><
Liebe Lautenfreunde,
am erstem Februar-Wochenende (02.-04.02.18) findet im Bochumer Süden
ein Meisterkurs für Laute (bzw. andere historische Zupfinstrumente und
Kammermusik) mit
Have you tried to speak with your university library? Getting books via
interlibrary loan or articles in paper or electronic format shouldn't be a
problem today, even in Italy...
Best wishes
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu
I have wound gut on courses 11 to 14 on my new bass rider lute, and they
sound wonderful! Not too bright, not too dull, good transition with the
quite openly wound higher basses (Kürschner luxline).
Most surprising was the perfect blend with the normal high twist octaves,
sounds nearly like one
Hello Wim,
you'll find all six manuscript folia settings for vihuela or viola da mano
here:
https://www.lute-and-guitar.com/start/renaissance/
Incl. edited versions from the Vienna Ms, Ramillete Ms (two), and the
Barbarino Ms (three).
Regards,
Stephan
-Ursprüngliche Nachricht-
Von:
Dear all,
does anyone know a supplier of half wound gut strings? Not the gimped
or luxline typ of strings, as they seem to have less metal than real
demi-filés. What I need is something in between luxlines and
closewounds for the deepest bass of a baroque lute with bass rider.
Dear all,
does anyone know a supplier of half wound gut strings? Not the gimped
or luxline typ of strings, as they seem to have less metal than real
demi-filés. What I need is something in between luxlines and
closewounds for the deepest bass of a baroque lute with bass rider.
Dear all,
I have now what I need, thanks for all the kind responses!
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Stephan Olbertz
Gesendet: Montag, 10. April 2017 11:46
An: 'Lute List'
Betreff: [LUTE] Re: Venere 1592
://www.vanedwards.co.uk/history2.htm
***
David van Ooijen
[2]davidvanooi...@gmail.com
[3]www.davidvanooijen.nl
***
On 10 April 2017 at 11:21, Stephan Olbertz <[4]stephan.olbe...@web.de>
wrote:
Dear all,
I need a p
Dear all,
I need a picture of the original Venere (1592) located in Bologna,
Accademia filarmonica, especially of the rose. Does someone have one or
know where to find it? If not I will try my luck in Bologna...
Thanks and best wishes
Stephan
--
To get on or off this
I have an arrangement for three baroque lutes of the canon and gigue
(player's day proven), if anyone else is interested. It's a Django-file you
could change in whatever works.
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Dear all,
Iâm looking for information on the original body depths of the Warwick
Frei and Lindbergâs Rauwolf. Can anyone help?
Best regards
Stephan
--
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Cool, better than the black-and-white image already available...
Thanks
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von T.Kakinami
Gesendet: Samstag, 16. Juli 2016 11:59
An: lute@cs.dartmouth.edu
Betreff: [LUTE] Autograph
It went for 2,518,500 pounds to -- a private chinese investor. Sigh...
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Peter Steur
Gesendet: Dienstag, 12. Juli 2016 12:33
An: Bernd Haegemann; Stephan Olbertz
Cc: Lute
Ueno Gakuen is a private university. Although it seems not to be known how
much they paid for it, they will definitely earn some money: The Ms was sold
in the late sixties for only 5,500 pounds to a previous owner and is now
estimated with up to 2,500,000 pounds... And they are getting rid of the
Hi Arto,
it's in Augsburg and Brussels. You'll find everything you need to know in Tim
Crawford's article "Haydn's music for lute" in: Le luth et sa musique II, Paris
1980, p. 69-86.
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu
Dear David and all,
there is a little piece ("basa e alta") on the last pages that I included in
my edition of the manuscript sources for vihuela. Here's what I wrote in the
comment:
Madrid, Biblioteca Nacional, R 14630
Manuscript addendum to: Alonso Mudarra, TRES LIBROS DE MVSICA EN CIFRAS PARA
BTW, it's Gottlieb Siegmund Jacobi rather.
http://homepages.bw.edu/bachbib/script/bach1at.pl
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Stephan Olbertz
Gesendet: Freitag, 22. April 2016 06:56
An: 'Herbert Ward
Andreas Schlegel has published an edition for a normal 13-course setup.
Search for "lute corner".
Best wishes
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Herbert Ward
Gesendet: Donnerstag, 21. April 2016 14:52
An:
Well, you are free to join in the scholarly discourse :-)
Stephan
Von: Dante Rosati [mailto:danteros...@gmail.com]
Gesendet: Montag, 1. Februar 2016 16:18
An: Stephan Olbertz
Cc: Lute Net
Betreff: Re: [LUTE] Re: Vincenzo Galilei and The Well-Tempered Lute
you mean
Not to forget Bach's own tuning:
http://www.larips.com
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Christopher Wilke
Gesendet: Sonntag, 31. Januar 2016 20:58
An: Dante Rosati; Roman Turovsky
Cc: Lute Net
Hello Peter,
I would try some Diego Ortiz first, but it could require transposition.
Ortiz really rocks :-)
Also the Vivaldi trios with lute will work well, you wouldn't need the
unisono-violin. And there's an anonymous concerto for lute and continuo from
the Spencer collection. There was a
Dear all,
I would like to introduce my new edition with 36 pieces from all the
known manuscript sources for vihuela/viola da mano!
The music has been gathered from eight originally Spanish and Italian
sources and is edited here for the first time in one book, all in
French
That's probably what you get if you give an ape a laptop with a tab
generator instead of a typewriter.
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von WALSH STUART
Gesendet: Mittwoch, 4. März 2015 09:55
An: Gary R. Boye;
gut-strung instrument, BTW).
Thanks and best regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von David van Ooijen
Gesendet: Mittwoch, 11. Februar 2015 11:51
An: Stephan Olbertz
Cc: lutelist Net
Betreff: [LUTE] Re
Hallo Susanne,
I once got the recommendation not only to be sure to always use a wooden case,
as it keeps some moisture in the material, but to close it every time while
playing, so that the moisture will not escape so easily from the case.
Viele Grüße
Stephan
-Ursprüngliche
published in the latest Bach Jahrbuch (Stephan
Olbertz: Verborgene Trios mit obligater Laute? - Zu Fragen der
Fassungsgeschichte und Autorschaft der Sonaten Es-Dur und g-Moll, BWV
1031 und 1020, Bach-Jahrbuch 99 (2013), pp. 261-277).
To cut a long story short: The known versions for flute
the German lute festival. I hope they will record
it some day...
Best wishes
Stephan
-Ursprüngliche Nachricht-
Von: Markus Lutz [mailto:mar...@gmlutz.de]
Gesendet: Dienstag, 9. Dezember 2014 09:54
An: Stephan Olbertz; baroque-lute@cs.dartmouth.edu
Betreff: Re: [BAROQUE-LUTE] New edition
, and it
accompanies an article published in the latest Bach Jahrbuch (Stephan
Olbertz: Verborgene Trios mit obligater Laute? - Zu Fragen der
Fassungsgeschichte und Autorschaft der Sonaten Es-Dur und g-Moll, BWV
1031 und 1020, Bach-Jahrbuch 99 (2013), pp. 261-277).
To cut a long story
Push the peg out from the other side with a pencil or something like this
while turning it. Worked for me.
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von gtung.wal...@utoronto.ca
Gesendet: Sonntag, 14. September
engraving
is an 11c lute.
Mathias
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Viele Grüße
Best regards
Stephan Olbertz
A lute by Hans Neemann, didn't know he built instruments...
http://www.ebay.de/itm/SCHONE-BAROCKLAUTE-LAUTE-HANDARBEIT-H-NEEMANN-1937-AN-RESTAURATOREN-/231218030073?pt=Gitarrenhash=item35d5ab25f9
--
Viele Grüße
Best regards
Stephan Olbertz
To get on or off this list see list information
. Mattes r...@mh-freiburg.de:
On Sun, 13 Apr 2014 22:16:16 +0200, Stephan Olbertz wrote
Dear Christopher,
I was a bit hasty, I'm afraid, and didn't look closely enough to
Anthony's sample, assuming it was all simple octaving basses. I
purchased a pdf and found several instances where indeed the lute
talking about notes below the bass other than simple
octave transposition, which was standard practice.)
Chris[1]
Sent from Yahoo Mail for iPad
__
From: Stephan Olbertz stephan.olbe...@web.de;
To: 'lute' lute
. Please
visit [1]www.edizionear.com/lute.html
Anthony Hart
--
References
1. http://www.edizionear.com/lute.html
To get on or off this list see list information at
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--
Viele Grüße
Best regards
Stephan Olbertz
Best regards
Stephan Olbertz
Best regards
Stephan Olbertz
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
...@luteshop.co.uk
8. mailto:erne...@aquila.mus.br
9. mailto:mar...@luteshop.co.uk
10. http://www.avast.com/
11. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
12. http://www.avast.com/
--
Viele Grüße
Best regards
Stephan Olbertz
Dear all,
first, please excuse the off-topic. Two young students of mine are joining in a small
commercial band contest and hope to win a professional recording session with their band
project Sweet Sounds. We need a few more votes until oct. 31 to win. So if
you have a minute or two for
Dear all,
for a paper I would like to look into the foreword of John Banks' lute trio
edition (lute society), I think the first one will do. Would anyone be willing
to send me a scan?
Regards
Stephan
To get on or off this list see list information at
Already got an offer, thanks!
Stephan
Am 30.08.2013, 21:53 Uhr, schrieb Stephan Olbertz stephan.olbe...@web.de:
Dear all,
for a paper I would like to look into the foreword of John Banks' lute trio
edition (lute society), I think the first one will do. Would anyone be willing
to send me
From: Stephan Olbertz stephan.olbe...@web.de
To: lute List lute@cs.dartmouth.edu
Sent: Wednesday, 17 July 2013, 19:13
Subject: [LUTE] Re: Markus Passion by Bach
Dear Jörg,
the MP is a reconstruction after the Trauerode, the lute parts of which are
possibly
or things one should know
about this fragment?
Thanks for any help,
Jörg
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Viele Grüße
Best regards
Stephan Olbertz
Milan (1928). But his bizarre edition is so unique it deserves a
separate name, Schrade Method.
- Original Message -
From: Stephan Olbertz stephan.olbe...@web.de
To: Baroque lute Dmth baroque-lute@cs.dartmouth.edu
Sent: Saturday, May 11, 2013 11:20 AM
Subject: [BAROQUE-LUTE] Kohlhase
To: Stephan Olbertz stephan.olbe...@web.de
Cc: Lute List lute@cs.dartmouth.edu; Baroque Lute List
baroque-l...@cs.dartmouth.edu
Sent: Sunday, May 12, 2013 2:41 PM
Subject: [BAROQUE-LUTE] Re: Kohlhase-notation
Dear Stephan,
I wouldn't necessarily call the Kohlhase notation musicological, since
Dear all,
do we have an earlier source for the so-called musicological notation of lute
music (with a space of one ledger line between the staves) than Kohlhase's NBA-edition?
From his foreword it seems that he invented it.
Best regards
Stephan
To get on or off this list see list
Dear all,
do we have an earlier source for the so-called musicological notation of lute
music (with a space of one ledger line between the staves) than Kohlhase's NBA-edition?
From his foreword it seems that he invented it.
Best regards
Stephan
To get on or off this list see list
://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Viele Grüße
Best regards
Stephan Olbertz
see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Viele Grüße
Best regards
Stephan Olbertz
Dear all,
just to add my two pence, I want to share with you two of the 21 duet settings
of Dowland's music I arranged about six years ago. They will eventually
(finally) be published next year, together with some other things that might
interest you :-)
Without going too much into the
Stephan Olbertz
for over
5000 Euro.
If you are interested, please answer privately.
--
Viele Grüße
Best regards
Stephan Olbertz
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
by
Fasch (?) described as a Dresden composer. Is this concerto in print
anywhere, or facsimile? No mention of the lutenist, BTW. r
--
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--
Viele Grüße
Best regards
Stephan Olbertz
] On Behalf Of
Stephan Olbertz
Sent: Thursday, August 16, 2012 12:16 PM
To: baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: Fasch concerto
Chiesa made an edition in staff notation, the facsimile can be viewed online at
the pages of the SLUB Dresden. Somewhere there...
Regards
Stephan
Dear all,
I need a scan of a page or two of Francesco Bartolomeo Contis Cantate con
istrumenti. Would anyone who has it be so kind to send it to me?
--
Viele Grüße
Best regards
Stephan Olbertz
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin
me off-list.
--
Viele Grüße
Best regards
Stephan Olbertz
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
me off-list.
--
Viele Grüße
Best regards
Stephan Olbertz
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear all,
it has been argued, that the lute trio (with violin/flute and bass) could
have had a certain influence on the development of the piano trio. Does
anyone know of an article on this subject? I could only find a statement
by Tim Crawford in a liner note...
Regards,
Stephan
To
Dear all,
it has been argued, that the lute trio (with violin/flute and bass) could
have had a certain influence on the development of the piano trio. Does
anyone know of an article on this subject? I could only find a statement
by Tim Crawford in a liner note...
Regards,
Stephan
To
literature ever will.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Stephan Olbertz Sent: Thursday, April 26, 2012 4:35 AM Cc:
lute@cs.dartmouth.edu Subject: [LUTE] Re: [LUTE] Re: Re: Bach´s Lute
Suites: This Myth is Busted
Am 25.04.2012
Am 25.04.2012, 22:27 Uhr, schrieb Daniel Winheld dwinh...@lmi.net:
The article was aimed at the guitar crowd,
And that's probably why the article is a bit superficial. ;-) A real
contribution would need to be in scholarly style. No references here, no
mentioning of newer literature (e.g.
And as for the lute players, Joachim Held taught that quite impressively
in Bremen last year on the DLG meeting.
Best regards
Stephan
Am 28.03.2012, 19:06 Uhr, schrieb Braig, Eugene brai...@osu.edu:
Indeed. This is accentuated with modern rest stroke, but even with free
stroke, modern
Dear Taco,
in part II, which is vol 6 of the Weiss-edition and vol 12 of the
Sonderreihe of Das Erbe Deutscher Musik you'll find:
13 Preludes, 11 Sonatas and 1 Menuet in Bb-major, f-minor, g-minor,
c-minor and Eb-major, as well as the lute part of 7 incomplete ensemble
sonatas or concertos
This won't work with most children guitars (and their strings) I know :-)
I tune in octaves in the first position, that's where they play, anyway.
Regards
Stephan
Am 24.01.2012, 13:18 Uhr, schrieb Ron Andrico praelu...@hotmail.com:
Since I teach guitar, like many others on this list, I
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