PM
Subject: [LUTE] Re: general public Lute awareness
Please don't forget to mention Millennium of Music, the
longest-running
syndicated radio program featuring a broad and diverse selection of
early music.
The Harmonia program has a direct connection with that American early
stimulated by his encounter with Bream. Guess
we may never know for certain.
Mark
From: Braig, Eugene brai...@osu.edu
To: lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Monday, August 12, 2013 3:32 PM
Subject: [LUTE] Re: general public Lute awareness - Would you like
: Monday, August 12, 2013 3:32 PM
Subject: [LUTE] Re: general public Lute awareness - Would you
like to
see my lute?
http://www.youtube.com/watch?v=t4f8fej9Sqo
Eugene
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute
, August 12, 2013 3:32 PM
Subject: [LUTE] Re: general public Lute awareness - Would you like to
see my lute?
http://www.youtube.com/watch?v=t4f8fej9Sqo
Eugene
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
...@hotmail.com
To: Nancy Carlin na...@nancycarlinassociates.com; William Samson
willsam...@yahoo.co.uk
Cc: lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Monday, August 12, 2013 12:11 PM
Subject: [LUTE] Re: general public Lute awareness
Please don't forget to mention
Very interesting! Thanks!
But it is quite irritating to see, how obsequious JB is ...
Arto
On 13/08/13 01:32, Braig, Eugene wrote:
http://www.youtube.com/watch?v=t4f8fej9Sqo
Eugene
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
On the complete DVD, which you can find on youtube, you get more background to
the encounter. It was an impossible situation for Julian.
On Aug 13, 2013, at 4:47 PM, wi...@cs.helsinki.fi wrote:
But it is quite irritating to see, how obsequious JB is ...
Ed Durbrow
Saitama, Japan
an opportunity there.
Bill
From: Ed Durbrow edurb...@gmail.com
To: Arto Wikla wi...@cs.helsinki.fi; lute list
lute@cs.dartmouth.edu
Sent: Tuesday, 13 August 2013, 8:55
Subject: [LUTE] Re: general public Lute awareness - Would you like to
see my lute?
On the complete DVD, which you can
: Tuesday, August 13, 2013 3:47 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: general public Lute awareness - Would you like to see my
lute?
Very interesting! Thanks!
But it is quite irritating to see, how obsequious JB is ...
Arto
On 13/08/13 01:32, Braig, Eugene wrote:
http
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
William Samson
Sent: Tuesday, August 13, 2013 6:40 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: general public Lute awareness - Would you like to see my
lute?
In a recent interview Bream said
3:39 AM
Subject: [LUTE] Re: general public Lute awareness - Would you like to
see my lute?
In a recent interview Bream said that his main career objective was
to
get serious composers to write for the guitar and admitted that he
made
a nuisance of himself in the nicest
...@gmail.com; David Smith
d...@dolcesfogato.com
Cc: lute@cs.dartmouth.edu lute@cs.dartmouth.edu; Stephen Stubbs
fartrea...@gmail.com
Sent: Monday, August 12, 2013 7:06 PM
Subject: [LUTE] Re: general public Lute awareness
If we want more audience we need to be inclusive
mirror! I'm hugely impressed! 8.5 was my
limit.
From: Sean Smith lutesm...@mac.com
To: lute lute@cs.dartmouth.edu
Sent: Sunday, 11 August 2013, 20:36
Subject: [LUTE] Re: general public Lute awareness - astronomy analogy?
G's and O's indeed. I remember how my lute hand coordination
On 12/08/13 2:46 AM, William Samson wrote:
Sadly, I suspect that 'sidewalk lutenists' wouldn't attract the same
queues as sidewalk astronomers. Even I, as a lutenist, have a much
clearer recollection of my first view of Saturn's rings through a
telescope than I have of first
To: lute
Subject: [LUTE] Re: general public Lute awareness - astronomy analogy?
On 12/08/13 2:46 AM, William Samson wrote:
Sadly, I suspect that 'sidewalk lutenists' wouldn't attract the same
queues as sidewalk astronomers. Even I, as a lutenist, have a much
clearer recollection
[Stephen]
There is an interesting book by Phyllis Tickle entitled The Great
Emergence. It deals with modern Christianity and how it is evolving.
I think her main theme applies to the lute world as well. The
'traditionalist' or 'fundamentalist' lute group will decline, and a
rise of a 'hybrid'
'; 'lute'
Subject: [LUTE] Re: general public Lute awareness - astronomy analogy?
I'll bet some large fraction (at least in the U.S.) of lute players,
professional or avocational, got turned on by the 1960's Julian Bream album An
Evening of Elizabethan Music. Even though he was playing a
heavily
...@heartistrymusic.com wrote:
Subject: [LUTE] Re: general public Lute awareness
To: lute@cs.dartmouth.edu
Date: Sunday, August 11, 2013, 11:58 AM
NYC Medieval
Festival at Fort Tryon was originally run by the history
department of Hunter College of CUNY, very
nicely too. Until SCA took
On 12/08/13 9:12 AM, A.J. Padilla MD wrote:
I'll bet some large fraction (at least in the U.S.) of lute players,
professional or avocational, got turned on by the 1960's Julian Bream album
An Evening of Elizabethan Music. Even though he was playing a
heavily-constructed, inauthentic LSO
:
Subject: [LUTE] Re: general public Lute awareness
To: t...@heartistrymusic.com, lute@cs.dartmouth.edu
Cc: 'Stephen Stubbs' fartrea...@gmail.com
Date: Monday, August 12, 2013, 9:24 AM
[Stephen]
There is an interesting book by Phyllis Tickle entitled The
Great
Emergence. It deals with modern
If we want more audience we need to be inclusive and not exclusive. A number of
comments on this thread appear exclusive; almost a parody of the attitude that
has been attributed to main stream classical musicians.
Stephen, I heartily agree with your comments. The lute community is and will
Chris,
It seems that the lute world revolve exclusively around these figures.
Any performer below these names are simply non-existent, very unfair I
believe.
2013/8/12 Christopher Wilke [1]chriswi...@yahoo.com
Stephen,
I think you are correct. This is essentially
Of Geoff Gaherty
Sent: Monday, August 12, 2013 7:32 AM
To: lute
Subject: [LUTE] Re: general public Lute awareness - astronomy analogy?
On 12/08/13 2:46 AM, William Samson wrote:
Sadly, I suspect that 'sidewalk lutenists' wouldn't attract the same
queues as sidewalk astronomers. Even I
' fartrea...@gmail.com
Sent: Monday, 12 August 2013, 15:00
Subject: [LUTE] Re: general public Lute awareness
Stephen,
I think you are correct. This is essentially what I was getting at
about the concert fee for less-than-established artists. Paul O'Dette,
Hoppy Smith, Nigel North
, Stephen Stubbs [1]fartrea...@gmail.com wrote:
Subject: [LUTE] Re: general public Lute awareness
To: [2]t...@heartistrymusic.com, [3]lute@cs.dartmouth.edu
Cc: 'Stephen Stubbs' [4]fartrea...@gmail.com
Date: Monday, August 12, 2013, 9:24 AM
[Stephen]
There is an interesting book
Forty years ago the continuo section of an early music performance hardly ever
featured a finger-plucked instrument.
The theorbo and archlute have since then become 'standard', providing bread and
butter work for competent continuo players.
Miles
On 2013-08-12, at 10:45 AM, William Samson
lute@cs.dartmouth.edu
Sent: Monday, 12 August 2013, 17:00
Subject: [LUTE] Re: general public Lute awareness
Forty years ago the continuo section of an early music performance
hardly ever featured a finger-plucked instrument.
The theorbo and archlute have since then become 'standard
On 12/08/13 10:45 AM, William Samson wrote:
Nowadays, of course, there are very many more great quality lutenists
than there were forty years ago, but there's not nearly enough work to
go round to keep them all busy as concert performers.
Interestingly enough, exactly the same
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Christopher Wilke
Sent: Monday, August 12, 2013 9:32 AM
To: lute@cs.dartmouth.edu; t...@heartistrymusic.com
Subject: [LUTE] Re: general public Lute awareness
Tom,
I am by no means opposed
At least an aspect of this issue - regarding audiences for the lute and early
music - must deal with the lute as a solo instrument, and its appeal to
audiences in that capacity. To begin with, how many solo instrumentalists of
any instrument, can expect to play to a large audience? Certainly
lute@cs.dartmouth.edu
Sent: Monday, 12 August 2013, 17:00
Subject: [LUTE] Re: general public Lute awareness
Forty years ago the continuo section of an early music performance
hardly ever featured a finger-plucked instrument.
The theorbo and archlute have since then become 'standard
...@nancycarlinassociates.com
Subject: [LUTE] Re: general public Lute awareness
There are a lot of good up and coming bands around. Take a listen to
this week's Early Music Show on the BBC web site. They have a bit of
music from a lot of the entries, only one of which has lute featured.
The City
the attention of the Great Unwashed (ie non-
lutenists).
Bill
From: Miles Dempster miles.demps...@gmail.com
To: Lutelist List lute@cs.dartmouth.edu
Sent: Monday, 12 August 2013, 17:00
Subject: [LUTE] Re: general public Lute awareness
Forty years ago the continuo section of an early music
on the harpsichord rather than the piano.
Monica
- Original Message -
From: Nancy Carlin na...@nancycarlinassociates.com
To: William Samson willsam...@yahoo.co.uk
Cc: lute@cs.dartmouth.edu
Sent: Monday, August 12, 2013 7:49 PM
Subject: [LUTE] Re: general public Lute awareness
On 12/08/13 3:16 PM, Sean Smith wrote:
In other words it's hard to build up trust and the label created an easy
proxy for it.
Back in the '50s the recording industry was dominated by three companies
(Victor, Columbia, and Decca in the US), and they basically dictated
what people heard:99%
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf
Of Geoff Gaherty
Sent: Monday, August 12, 2013 7:32 AM
To: lute
Subject: [LUTE] Re: general public Lute awareness - astronomy analogy?
On 12/08/13 2:46 AM, William Samson wrote:
Sadly, I
unwelcome here.
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
On Sun, 8/11/13, t...@heartistrymusic.com t...@heartistrymusic.com wrote:
Subject: [LUTE] Re: general public Lute awareness
To: lute
To: lute
Subject: [LUTE] Re: general public Lute awareness
On 12/08/13 3:16 PM, Sean Smith wrote:
In other words it's hard to build up trust and the label created an
easy proxy for it.
Back in the '50s the recording industry was dominated by three companies
(Victor, Columbia, and Decca
: [LUTE] Re: general public Lute awareness - astronomy analogy?
On 12/08/13 2:46 AM, William Samson wrote:
Sadly, I suspect that 'sidewalk lutenists' wouldn't attract the
same
queues as sidewalk astronomers. Even I, as a lutenist, have a
much
clearer recollection of my first view
Julian Bream hands down
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Bream for me and others that followed - but he was the first.
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Allan Alexander
Sent: Monday, August 12, 2013 5:36 PM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: general public Lute
On 12/08/13 6:04 PM, Lindberg, Richard wrote:
Bream for me and others that followed - but he was the first.
Bream also did a lot of touring on both sides of the Atlantic in those
days. I can remember attending a concert in which he played guitar in
one half and lute in the other. He was
to play the
lute.brbrFrancesco brbrbr- Reply message -brDa:
quot;Lindberg, Richardquot; lt;richard.lindb...@arrisi.comgt;brA:
quot;Allan Alexanderquot; lt;guitarandl...@earthlink.netgt;,
quot;lute@cs.dartmouth.eduquot; lt;lute@cs.dartmouth.edugt;brOggetto:
[LUTE] Re: general public Lute
http://www.youtube.com/watch?v=t4f8fej9Sqo
Eugene
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Konrad Ragosnig 6 lp set for Archiv
Yes, After Bream he did so much. I have that set on CD now. They are wonderful
recordings for lute.
and even more a double lp with Eugen Dombois playing Weiss and Bach and Michael
Schaeffer playing French baroque. Absolutely beautiful. It was the
On Aug 12, 2013, at 10:50 AM, Braig, Eugene brai...@osu.edu wrote:
By the way, can you use any reentrant tuning schemes on tromba marina, or
does that depend upon its scale length?
It depends on how willing you are to tolerate a toy tromba marina.
--
To get on or off this list see list
Of
Geoff Gaherty
Sent: Monday, August 12, 2013 6:22 PM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: general public Lute awareness - Poll
On 12/08/13 6:04 PM, Lindberg, Richard wrote:
Bream for me and others that followed - but he was the first.
Bream also did a lot of touring on both sides
The lute world needs to reach out to the non-traditional audience.
Thanks Stephen. I agree.
Tom
[Stephen]
There is an interesting book by Phyllis Tickle entitled The Great
Emergence. It deals with modern Christianity and how it is evolving.
I think her main theme applies to the lute
:
Subject: [LUTE] Re: general public Lute awareness
To: lute@cs.dartmouth.edu
Date: Sunday, August 11, 2013, 11:58 AM
NYC Medieval
Festival at Fort Tryon was originally run by the history
department of Hunter College of CUNY, very
nicely too. Until SCA took
over.. RT
Are we
If we want more audience we need to be inclusive and not exclusive...
Very well said David.
I too remember Julian Bream as an early introduction ...
For me it was walking into a record store just before my
senior year in college and finding Musik fur 2 3 Lauten.
Must be a generation gap thing then…
I'm 35 and my first cd of lute music was the album of English Lute Duets played
by Jakob Lindberg and Paul O'Dette, acquired in 1991. That sound was a
revelation to me, and I ended up acquiring a pre-loved 7-course Harwood lute on
a holiday to London in
...@osu.edu
To: lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Saturday, August 10, 2013 1:12 PM
Subject: [LUTE] Re: general public Lute awareness
Sorry, we really do try our best, but a series like ours here in
Columbus, OH doesn't draw the huge names and never pays the somewhat
.
Tom
_
_
From: William Samson willsam...@yahoo.co.uk
To: lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Friday, August 9, 2013 6:44 PM
Subject: [LUTE] Re: general public Lute awareness
OK - I'll agree that a lot of folks who get into SCA and go to
Renaissance Festivals have a very non-HIP viewpoint on what it's all
about. For them it's basically play-acting, in the same way as those who
attend Civil War Re-enactments, or Rendezvous Re-enactments. It creates for
them
On 11/08/13 9:41 AM, Ron Fletcher wrote:
My main point is that true historical re-enactment is
not fantasy, but a desire to generate public awareness of our great
heritage.
For a number of years, I was music director for Poculi Ludiquae
Societas, the medieval drama society at the University
NYC Medieval Festival at Fort Tryon was originally run by the history
department of Hunter College of CUNY,
very nicely too.
Until SCA took over..
RT
On 8/11/2013 11:08 AM, Geoff Gaherty wrote:
On 11/08/13 9:41 AM, Ron Fletcher wrote:
My main point is that true historical re-enactment is
Thanks for these comments.
I didn't mean to infer that reenactors are playing like children.
Yes - they have a genuine interest in the history.
Some even go a little overboard - I met one Civil War
reenactor who felt he was more historically accurate than
others because he actually had fleas.
No, they don't. If they did - they'd burn a few at the stake.
RT
On 8/11/2013 11:48 AM, t...@heartistrymusic.com wrote:
Thanks for these comments.
I didn't mean to infer that reenactors are playing like children.
Yes - they have a genuine interest in the history.
To get on or off this list
NYC Medieval Festival at Fort Tryon was originally run by the history
department of Hunter College of CUNY, very nicely too. Until SCA took
over.. RT
Are we trying creatively to increase general audience for lute music
here,
or are we practicing exclusivity? I'm looking
With friends like those we won't need enemies.
Early Music appeals the easiest to people who like classical
avantgarde, strangely enough.
As well as those who abhor the latter
As to music sales: the CD is dead, and no one will buy Asteria CDs at
SCA faires.
99% of music sales
Subject: [LUTE] Re: general public Lute awareness
On 11/08/13 9:41 AM, Ron Fletcher wrote:
My main point is that true historical re-enactment is
not fantasy, but a desire to generate public awareness of our great
heritage.
For a number of years, I was music director for Poculi
: [LUTE] Re: general public Lute awareness
Dear Geoff Gaherty, et alia, et aliens
Its so gratifying and exciting to encounter another astro-interested
person, as I attempt email near the Julian Starfest here in southern
CA
(communications are spotty here). The skies last night
On 11/08/13 2:27 PM, William Samson wrote:
Gadzooks and odsbodikins (as we lute-playing chappies are wont to
say)! Do you think there's a case for an astro-lute breakaway group?
I was curator of a public observatory in Dundee, Scotland for five
years, before I retired.
]lute@cs.dartmouth.edu
Sent: Sunday, August 11, 2013 8:08 AM
Subject: [LUTE] Re: general public Lute awareness
On 11/08/13 9:41 AM, Ron Fletcher wrote:
My main point is that true historical re-enactment is
not fantasy, but a desire to generate public awareness of our great
heritage
12:36 PM
Subject: [LUTE] Re: general public Lute awareness - astronomy analogy?
G's and O's indeed. I remember how my lute hand coordination grew as I
ground and polished my first 12 mirror. Just as I finished it (mid
90s) Saturn and Jupiter were both visible in the early evening sky. My
On 11/08/13 11:01 PM, Mark Seifert wrote:
I've often wondered if my interest in astronomy might be a desire to
seek a celestial escape route from this earth.
Quite the opposite for me. For me both the stars and music ground me
and help me feel at peace with myself. I've recently been
You guys know that transposing down a third while reading baritone clef means
you're reading bass clef, right? Somebody plunks bari clef on your stand, first
thing you do is affect a thoughtful air and say you get such a pretty, plummy
sound in your middle rangethis might sound crazy, but
That's just fun trivia. As to the matter at hand, right on, Danny.
Sent from my Ouija board
On Aug 10, 2013, at 4:20 AM, John Lenti johnle...@hotmail.com wrote:
You guys know that transposing down a third while reading baritone clef means
you're reading bass clef, right? Somebody plunks
@cs.dartmouth.edu
Sent: Friday, August 9, 2013 6:44 PM
Subject: [LUTE] Re: general public Lute awareness
The point I am making about fees is that any society around here at
that time (Dundee, Scotland, 1980) has a fixed budget for performers.
The usual practice (even now, I
-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of
Christopher Wilke [chriswi...@yahoo.com]
Sent: Saturday, August 10, 2013 11:50 AM
To: William Samson; lute@cs.dartmouth.edu
Subject: [LUTE] Re: general public Lute awareness
On the other hand, this can make things incredibly difficult
_
_
From: William Samson willsam...@yahoo.co.uk
To: lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Friday, August 9, 2013 6:44 PM
Subject: [LUTE] Re: general public Lute awareness
The point I am making about fees is that any society
Kind of a World Wrestling Federation view of the renaissance.
Gary
On 8/8/2013 6:12 PM, Braig, Eugene wrote:
. . . Many (certainly not all) somehow believing that assuming a bad
cockney accent; whacking each other with wooden weapons while feigning
the inability to use struck limbs; and
...@aquila.mus.br; R. Mattes; lute@cs.dartmouth.edu
Subject: [LUTE] Re: general public Lute awareness
For those who don't speak American, and don't know American mores:
SCA is the Society for Creative Anachronism, and it has nothing to
do with NYSCA, which is the New York State Council on the Arts
Sent: Thursday, August 08,
2013 5:37 PM To: Stephen Fryer Cc: [4]t...@heartistrymusic.com;
Nancy Carlin; [5]erne...@aquila.mus.br; R. Mattes;
[6]lute@cs.dartmouth.edu Subject: [LUTE] Re: general public Lute
awareness For those who don't speak American, and don't know
American mores: SCA
To: [3]lute@cs.dartmouth.edu [4]lute@cs.dartmouth.edu
Sent: Thursday, August 8, 2013 6:12 PM
Subject: [LUTE] Re: general public Lute awareness
. . . Many (certainly not all) somehow believing that assuming a
bad cockney accent; whacking each other with wooden weapons
: [LUTE] Re: general public Lute awareness
. . . Many (certainly not all) somehow believing that assuming a
bad cockney accent; whacking each other with wooden weapons while
feigning the inability to use struck limbs; and listening to modern
Irish, Scottish, or English folk songs
__
De: Christopher Wilke chriswi...@yahoo.com
Para: David Tayler vidan...@sbcglobal.net; lute@cs.dartmouth.edu
lute@cs.dartmouth.edu
Enviado: Viernes 9 de agosto de 2013 6:36
Asunto: [LUTE] Re: general public Lute awareness
Having taken these keyboard classes
To: lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Thursday, August 8, 2013 7:57 PM
Subject: [LUTE] Re: general public Lute awareness
I think this is an interesting question, and I will risk posting an
honest answer. The answer depends on who is The General Public. I
Something we haven't heard much about in this discussion is the role
that amateur lutenists might play in raising awareness.
I have been an amateur lutenist for about 40 years (on and off) and
for several years (1980s) a friend and I performed, in period clothes
and by
As amateurs we only accepted travelling expenses and any hospitality
that was on offer, but we politely declined any fee. I am of the
opinion that for an amateur musician accept a fee is to take what is
due to those who depend on performing fees to make a living.
I'm not sure I
Subject: [LUTE] Re: general public Lute awareness
A A Yes - unfortunately, Renaissance Faires have been rife with
guys in running shoes and a smock playing Stan Rogers songs on Guild
guitars.
A A But this does not mean that things can't change.
A A My son worked Ren
I don't know who is living in the bigger bubble. I know lots of Early Music
performers from diverse countries and backgrounds not to mention all the
exposure from being on the Board of Directors of 3 music organizations (EMA,
Apollo's Fire, LSA). I have never heard the laughably ridiculous
Bravo!!
Being able to play figures off a baritone clef and transpose down a
third while doing so has nothing to do with playing musically,
collaboratively and with appropriate ornaments and affect. The
stultifying performances of many a conservatory graduate can attest to
that.
concerned.
Bill
From: Geoff Gaherty ge...@gaherty.ca
To: William Samson willsam...@yahoo.co.uk
Sent: Friday, 9 August 2013, 22:53
Subject: Re: [LUTE] Re: general public Lute awareness
On 09/08/13 4:55 PM, William Samson wrote:
As amateurs we only accepted travelling expenses and any
Being able to play figures off a baritone clef and transpose down a third while
doing so has nothing to do with playing musically, collaboratively and with appropriate
ornaments and affect.
Yes it does. If you are stopped cold in your tracks by an unfamiliar
clef, that will end the
No disrespect meant at all to David Tayler. That was squarely delivered to the
people making those comments about whichever videos he was talking about. The
original quote:
Other Early Music musicians make constant and disparaging jokes about
the quality of the lute YouTube videos. They
Subject: [LUTE] Re: general public Lute awareness
No disrespect meant at all to David Tayler. That was squarely delivered to the
people making those comments about whichever videos he was talking about. The
original quote:
Other Early Music musicians make constant and disparaging jokes about
That's one scary thought.
RT
On 8/7/2013 10:28 PM, t...@heartistrymusic.com wrote:
Why not lutes? Get the SCA involved!
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
On Aug 7, 2013, at 7:28 PM, t...@heartistrymusic.com wrote:
Brahms used to play in seedy waterfront bars.
And perhaps a brothel or two. Probably a myth, albeit one spread by Brahms
himself. More thorough research since 1985 strongly suggests that it was a
bit of self-mythologizing (i.e.
Too bad, he would have been in great company:
Last of the Whorehouse Piano Players - a CD of music by Ralph Sutton
Jay McShann.
I think the young Albeniz had a few gigs in some seedy places as well.
On 8/7/2013 11:45 PM, howard posner wrote:
On Aug 7, 2013, at 7:28 PM,
Why does it frighten you?
Stephen Fryer
On 07/08/2013 11:15 PM, r.turov...@gmail.com wrote:
That's one scary thought.
RT
On 8/7/2013 10:28 PM, t...@heartistrymusic.com wrote:
Why not lutes? Get the SCA involved!
To get on or off this list see list information at
It doesn't,
but I don't have any poles over 10' here.
RT
On 8/8/2013 4:55 PM, Stephen Fryer wrote:
Why does it frighten you?
Stephen Fryer
On 07/08/2013 11:15 PM, r.turov...@gmail.com wrote:
That's one scary thought.
RT
On 8/7/2013 10:28 PM, t...@heartistrymusic.com wrote:
Why not lutes?
Well if you're afraid to get that close, you must be pretty scared of them.
Stephen Fryer
On 08/08/2013 2:00 PM, r.turov...@gmail.com wrote:
It doesn't,
but I don't have any poles over 10' here.
RT
On 8/8/2013 4:55 PM, Stephen Fryer wrote:
Why does it frighten you?
Stephen Fryer
On
No, it's just the stench that is insufferable.
RT
On 8/8/2013 5:23 PM, Stephen Fryer wrote:
Well if you're afraid to get that close, you must be pretty scared of
them.
Stephen Fryer
On 08/08/2013 2:00 PM, r.turov...@gmail.com wrote:
It doesn't,
but I don't have any poles over 10' here.
RT
For those who don't speak American, and don't know American mores:
SCA is the Society for Creative Anachronism, and it has nothing to do with
NYSCA, which is the New York State Council on the Arts.
The latter is a venerable institution that funds arts here,
and the former is group of uncultured
Ah, I take it then that you don't have a real, valid reason.
Stephen Fryer
On 08/08/2013 2:25 PM, r.turov...@gmail.com wrote:
No, it's just the stench that is insufferable.
RT
On 8/8/2013 5:23 PM, Stephen Fryer wrote:
Well if you're afraid to get that close, you must be pretty scared of
Fryer
Cc: t...@heartistrymusic.com; Nancy Carlin; erne...@aquila.mus.br; R. Mattes;
lute@cs.dartmouth.edu
Subject: [LUTE] Re: general public Lute awareness
For those who don't speak American, and don't know American mores:
SCA is the Society for Creative Anachronism, and it has nothing to do
Of
r.turov...@gmail.com
Sent: Thursday, August 08, 2013 5:37 PM
To: Stephen Fryer
Cc: t...@heartistrymusic.com; Nancy Carlin; erne...@aquila.mus.br; R. Mattes;
lute@cs.dartmouth.edu
Subject: [LUTE] Re: general public Lute awareness
For those who don't speak American, and don't know American mores:
SCA
I think this is an interesting question, and I will risk posting an
honest answer. The answer depends on who is The General Public. I
divide the groups as: the 200 countries of YouTube distribution,
Academics, other lute players, people in the Early Music scene, and
modern
Dear David,
Didn't get your point. As you say, the general public is
pretty diverse, ok that's fine. Then, you change the focus to the lack
of skill of today's lutenists... What does it mean exactly? We are so
bad that we don't deserve to be listened? That's probably why people
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