Thanks so much Wayne! You've provided an invaluable service to the
international lute community. There's no doubt the lute would be in far
worse shape without the exchange of knowledge you facilitated. We all
owe you a deep debt of gratitude.
Best,
Chris
On Wednesday,
I'll give it a try. Something like...
"The individual signs and numbers (of a chord) should be plucked with
one finger each as long as it doesn't exceed the number of fingers of
the right hand. When it has more than four courses that exceed the
number of fingers, play them all with
Oh no! Not the Lutes for Sale page! I just sent 2 interested students
there this week alone.
Thanks so much Wayne!
Chris
On Saturday, August 22, 2020, 5:44 PM, Kenneth M Berry
wrote:
Hello Wayne,
Thank you for the past 22 years. Good luck.
Ken
On
Thanks Nancy. She's been on the LSA waiting list for months and there's
no ETA yet. The student is a total beginner and that fire will only
burn so long unless she gets a real instrument pronto.
Chris
On Monday, July 27, 2020, 1:18 PM, Nancy Carlin
wrote:
The LSA Lute
Would any kind soul within the orbit of Nashville TN have a
renaissance lute they'd be willing to loan or rent to a student?
There's a really motivated newcomer who's been learning on a
capoed guitar who's just itching to get her hands on an actual lute.
She's been waiting on the
Hi Mark,
Everyone has given solid advice. However, the things suggested are for
the long term project of learning historically-informed continuo
practice. That's great, but it's frankly not very helpful starting in a
pinch. The olden ones thought about harmony very differently than
I'm all about PDFs nowadays. Tablet + Bluetooth page turning pedal =
never having to worry about page turns, music blowing away or bad
lighting. I've got hours and hours and hours of music at hand, all
perfectly organized with any single piece accessible in an instant at
the touch
Hi John,
I researched this back when I made my Hurel album. I asked this list at
the time as well. I didn't find a completely definitive answer nor have
I since. I elected to ignore it in performance. It's worth mentioning
that Hurel uses all the typical ornament signs, so it's
One of those "Ye Olde Renaissance Fayres" once made me some easy money.
I attended with a friend who was a classical guitarist. I was going
just for the fun of it with no expectation of historical accuracy. My
friend said, "I'll bet YOU'RE super excited to be here." I asked why he
I haven't been following this thread all that closely, so apologies if
this has been mentioned.
The quote about Corbetta says that he was unable to perform not only
because he broke a nail, but that the breakage was notable because
nails grow back slowly in the elderly. This
or Android
__
From: Roland Hayes
Sent: Wednesday, May 8, 2019 12:59:35 PM
To: Christopher Wilke
Subject: Re: [LUTE] Re: De Visee
Thank you so much!
Get [2]Outlook f
It sounds sumpin' like this:
[1]https://m.youtube.com/watch?v=2f2a8IQiXH0=OLAK5uy_k-OxLE7w5P5Fx
bDhFpl82dnQRVDnvHVFo=24
The entire album was recorded with nails, in the naivite of my youth
before I realized that HIP means "What's Allowable Now."
[2]Sent from Yahoo Mail for
I move that Bartolotti be posthumously be given a "Chromy" award for
his contribution to chromatic music. May his rainbow-color bust now
join the ones of Gesualdo, Wagner and Schoenberg already in the
Chromatic Composers Hall of Fame.
Chris
[1]Sent from Yahoo Mail for iPhone
I've found Kropfgans's chamber music to be of much higher quality than
his solo lute music. The chamber works are not exactly C.P.E. Bach or
Haydn, but they have moments of beauty and passion that make for
interesting listening beyond whatever appeal they have for our group
simply
My advice for barring would be to drink a lot of water beforehand, when
you're there and when you get home.
It also helps to curve your finger - the arch shape is much stronger
than a straight finger, meaning that you don't have to use as much
muscular Force to press down. Also,
Of course, there is one plucked instrument from Bach's time that can
easily and idiomatically accommodate all the notes: the Lautenwerk
(gut-strung harpsichord). Forget I just wrote that. We need the work
each Easter season.
Chris
[1]Sent from Yahoo Mail for iPhone
On Monday,
Hi Ron,
I can't speak to your past experience with the LSA back in 2000 because
I wasn't on the board at that time. However, the "recent" lute rental
program has actually been in place for more than a decade. Michael
Grant has really ramped up the program during his tenure has
Actually, I think the quote is:
"We got both kinds [of music]: Country AND Western" - the bartender in
The Blues Brothers. ;-)
Speaking personally, I see myself as an artist first, a musician second
and an instrumentalist (on various instruments including lute) third.
There's a
hough it lie hard and
close, upon the uppermost of the two, next the finger, yet it cannot
lie so close and hard, upon the undermost; so that it must needs fuzz a
little..."
Chris
[1]Sent from Yahoo Mail for iPhone
On Friday, March 9, 2018, 8:52 AM, Christopher Wilke
Martyn,
I've actually had the opposite experience with the durability of double
frets. Their practical lifespan isn't as long as single frets precisely
because the side closest to the bridge takes the wear, leaving an
uneven relation to the bridge side. This means they start
I'm also curious how to tighten an old fret once the knot has been
burned. Sterling, can you enlighten us?
I've sometimes very lightly run a soldering iron along the length of
the back of the fret and, if there is space, at the bend at the knot.
It seems to help if the fret is not
Isn't "lute nerd" a completely redundant term?
[1]Sent from Yahoo Mail for iPhone
On Saturday, March 3, 2018, 6:46 PM, Ron Andrico
wrote:
An important point is that the term fantasia did not have the same
meaning (noun) we ascribe to the term today,
Two other survivors of the American attempt at the metric conversion:
booze and tools. Alcohol is sold in metric units whether domestic or
imported - typically 750ml (nearly all wine bottles), 1 liter and 1.75
(why not just make it 2 liters?).
Tools like wrenches, etc. are often
(AKA people who don't know anything
about early music) seem to be digging what we do.
Best,
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
On Wed, 1/3/18, Daniel Shoskes <kidneykut...@gmail.com>
that beast in guitar
tuning, on which it isn't any easier. Fripp now uses a "New Standard Tuning" of
his own invention, but recorded this piece in standard tuning in the 1970's.
(How's that for HIP? ;-)
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.
arpsichord
music. (She passed away this past May.)
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
On Fri, 12/22/17, Tristan von Neumann <tristanvonneum...@gmx.de> wrote:
Subject: [LUTE] Re: New musi
Just curious - How do we know the exact cause of Beethoven's deafness
today? I assume doctors of the time didn't possess enough knowledge of
the causes of deafness to make a diagnosis.
Chris
[1]Sent from Yahoo Mail for iPhone
On Saturday, November 11, 2017, 7:01 PM, John
It's a balance. We need the technique and the understanding and the
creativity and none of those need be mutually exclusive. Here is the
difference between training and playing: training will help the playing
ability, but playing won't train the ability - at least not fully.
In 2010 I was playing lute at a street fair. A guy introduced himself
to me who owned a recording studio. He offered me free studio time just
so he could learn how to record it. He said he'd been fascinated by the
lute and dreamed of recording one every since he first saw Sting with
Really interesting question Danny. One thing that surprises me about
when the new turnings developed is that more of the old music wasn't
adapted to them. (As far as I know.) Violinists have never stopped
playing Corelli or Bach despite significant changes through the years
to the
Click the link to see one such device in action by a lute player. (For
comparison, note the size of the sheet music on the violinist's stand,
which she cut and taped to avoid page turns.)
[1]https://m.youtube.com/watch?v=bp3I-xAExOI
This particular device is called an Airturn.
y someone can supply the original.
Rob
On 8 Jan 2017, at 18:54, Christopher Wilke
<[1][5][4]chriswi...@yahoo.com>
wrote:
Hi Rob,
What exactly is the quote in Mersenne about the 20 second
sustain?
Although my French is very po
Hi Rob,
What exactly is the quote in Mersenne about the 20 second sustain?
Although my French is very poor, I've attempted to find it to no avail.
Chris
[1]Sent from Yahoo Mail for iPhone
On Sunday, January 8, 2017, 10:59 AM, Rob MacKillop
wrote:
Hi Katalin,
The arpeggiata sonata is in the first book of chitarrone music. With
the exception of his third book of chitarrone music, all of
Kapsberger's theorbo and lute music is available for free online
at: [1]Category:Kapsperger, Giovanni Girolamo - IMSLP/Petrucci Music
I recorded the "Haydn" G major solo lute divertimento from Augsburg in
my 2013 Graceful Degradation album. I noted Crawford's article in the
liner notes. Although unattributed and not matching any other known
Haydn works, he feels it is by Haydn based on style and location in the
I've done quite a few online lessons, too. It's not the best for
developing tone, but there are other great advantages. You can situate
yourself or the camera at angles that would be impossible or highly
awkward in an in-person lesson. It's fantastic for demonstrating close
ups of
An Aquila banjo string worked just right for the second string of my
baroque lute. I was able to use the remainder of the strings on other
instruments. Even if I only bought the pack for that one string, it was
still cheaper than buying a single second string. It also had the
Herbert,
Interesting. In theory, it's an 11-course piece, so you wouldn't have
to worry about the 12th and 13th courses. It requires an unusual
scordatura: the 5th course is tuned down to B-flat and the 6th course
is A-flat. (A tuning chart is shown on the last page of the score
If you're used to the G tuning, it's an option. If you're used to the A
tuning, an easier solution that helps with flat keys is to have the
second string in the high octave (if your string length allows for it).
This gives you room to add more harmonies above bass notes in lower
Hi Dick,
I know of no textual source that does not mention resting the pinky on
the soundboard. A raised pinky is however quite frequently seen in
iconography.
Chris
[1]Sent from Yahoo Mail for iPhone
On Monday, March 14, 2016, 5:30 PM, Richard Brook
Weiss is currently in 1st place!
[1]Sent from Yahoo Mail for iPhone
On Wednesday, February 17, 2016, 3:57 PM, Daniel Shoskes
wrote:
Hey lutenists, how about showing SL Weiss some love??
[2]http://www.poll-maker.com/poll582129x11172B06-25
To get on or
"Well-tempered" is a non-specific term. It's been applied to tuning
systems proposed by a number of theorists including Werckmeister,
Neidhardt, Kirnbertger, Valotti, etc. There is no scholarly consensus
about which one of these - if any - Bach may have intended in "Das
Cool. You can also get an SL Weiss hoodie.
Years ago, when I did the Barqoue Performance Institute at Oberlin, we
joked about getting T-shirts made up that said, "The United Lute
Front!". It was to feature a mashup of the famous stoic portrait of Che
Guevara in revolutionary
There are pieces by Lully (Ouverture de la Grotte de Versailles, etc.)u
as well as more Italiante repertoire. There's a nice sonata for two
guitars beginning on page 109. I don't think people were actually
playing these pieces in 1830.
[1]Sent from Yahoo Mail for iPhone
On
Indeed, Kohaut calls the viola to play con sordino in his D major viola
trioI seem to recall having seen muted violin in a Hagen piece as well.
[1]Sent from Yahoo Mail for iPhone
On Friday, January 1, 2016, 2:48 PM, David Tayler
wrote:
Unfortunately,
Danny,
It comes down to plucking technique. Definitely do not just claw as
loudly as you can! Instead, play close to the bridge with (most
importantly) an arched wrist so the weight of the hand depresses and
releases the strings perpendicularly to the soundboard. This achieves
y Center for HREM, LE-CSSS
B134B Bateman Physical Sciences Building
Arizona State University
[8]PO Box 871704
[9]Tempe, AZ 85287-1704
On Dec 27, 2015, at 6:37 AM, Christopher Wilke
<[10][9]chriswi...@cs.dartmouth.edu> wrote:
Danny,
It comes down to p
Are we sure the strings are actually broken? The viol player has the
extra length of string tied up in a nice bundle.
I do this on electric guitar: pull the string trough the tuning capstan
almost all the way, then twist the extra up in a coil. This is very
helpful when it breaks
I think there is a certain goofball element to the pic, like someone
today posing with the back of a guitar facing the viewer.
I don't think the wear marks on the belly of the instrument are out of
line, however. The one by the strings is close to the bridge, as
instructions direct
Also, regarding the wear marks: the contact points on modern lutes are
darker than the rest of the top from accumulated oils and dirt. Those
in the painting are lighter than the surrounding belly. Could the top
have been varnished so that the marks are revealing bare wood?
Chris
Well, there are Pittoni's Sonatas da chiesa and da camera for theorbo
with a continuo part for organ and cembalo respectively. Also
Kapsberger's third and fourth chitarrone books with a continuo part
that could be done on keyboard. No written out parts that I know. Also,
those works
The technique was common in 19th century guitar playing, where it was
often marked with a "^". It does have some advantages and there are
spots where it facilitates fewer chord shape changes. In that
repertoire, I haven't encountered any pieces that I absolutely couldn't
finger
entury repertoire
is
> replete with this technique? I'm surprized and feel there is much to
> this matter, which hasn't been thoroughly analyzed yet. :) G.
>
> On Thu, Oct 1, 2015 at 6:28 PM, Christopher Wilke
> <[1][2]chriswi...@cs.dartmouth.edu> wrote:
>
&
Charles,
Use a hobby drill. (Not sure if that's the real name.) This is
basically a small aluminum dowel with a screw-adjustable interface so
you can insert whatever size bit you like. I've successfully used one
to enlarge bridge holes on several instruments and my woodworking
If you go to a big-box store, I imagine no matter how you pronounce it,
the worker will say, Huh? What's that? I suggest looking somewhere
between the glitter glue and paint-it-yourself bird houses. That's
where I found it. ;-)
[1]Sent from Yahoo Mail for iPhone
On Aug 19,
Ivar,
You can find Bach's original on IMSLP at:
http://imslp.org/wiki/Suite_in_G_minor,_BWV_995_(Bach,_Johann_Sebastian
)
I don't know of any online sources for the original tablature
manuscript. Some have suggested this was possibly made by Adam
Falckenhagen, although this
I'd definitely like to extend my thanks to Wayne as well. Traffic seems
to have slowed a bit lately. No doubt this is partially due to summer
activities, but also probably because of Facebook Groups. After having
witnessed some of the blistering negativity on Facebook, I'm extremely
Hi Martin,
I agree that improvisation should be introduced early on. However, I
disagree that it need be so formally codified with proper theory and
counterpoint at the early stages. Students are often initially hesitant
to improvise for fear of making mistakes and looking foolish.
Garrison Keillor came through town recently with A Prairie Home
Companion. (Keillor just named virtuoso mandolinist Chris Thile as his
replacement, who is quite the improviser himself, that's another
topic.) I'm not actually a huge fan of his style, but I found this
interesting.
Rob,
Thanks for being this up. I did my minor at Eastman in jazz guitar,
thinking it might also help me with improvising early music. The
results have been mixed.
I included some improvised sections on my latest baroque lute album.
The most extended stretches are in the varied
base. If you wished to confine the thread merely commentary on the video
linked, you should have been more specific in your original wording.
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
On Wed, 7/1
liner notes:
http://www.cdbaby.com/cd/christopherwilke12
Thank you,
Christopher Wilke
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
liner notes:
http://www.cdbaby.com/cd/christopherwilke12
Thank you,
Christopher Wilke
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hello all,
Here is a preview track from my almost-officially-released new album,
Desperate Doors. (Any day now!)
https://www.youtube.com/watch?v=PS8iuWd9nWs
Thank you,
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off
Hello all,
Here is a preview track from my almost-officially-released new album,
Desperate Doors. (Any day now!)
https://www.youtube.com/watch?v=PS8iuWd9nWs
Thank you,
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off
Andreas,
Thanks for pointing this out.
Very interesting. While it is mostly obscured by the player's ornate
cuff, the diapasons appear to be on their own bridge, making them even
longer than typical basses. They are also separated from the petit jeu
by a little distance and
Ron,
Not sure how much of an outlier we can really say Castaldi was.
Castaldi, Kapsperger, Pittoni, Melii... All those Italian seicento
theorbo dudes were highly (and, to me, delightfully) idiosyncratic. On
the face of it, Piccinini might at first seem to be the most
But are any of the cool kids using strings that behave like the extra
lengths of string are behaving in this pic? Very kinky!
Chris
[1]Sent from Yahoo Mail for iPhone
At Jun 16, 2015, 5:28:47 PM, Martin Shepherd wrote:
Not sure what this comment means.
Perhaps it refers
Sterling,
The last time I checked, it was still the prerogative of every musician to
set up his or her instrument in whatever manner is deemed best to accomplish
their personal artistic goals.
Best,
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
Ever notice how the discussions on this list always come back around to
talking about gut? ;-)
Chris
[1]Sent from Yahoo Mail for iPhone
At May 27, 2015, 11:58:43 AM, Michael Grant wrote:
If if the seemingly non authentic appearance is sending you two leaning
over the
Does anyone know of any paintings, engravings or other iconographic
sources depicting tastini on fretted instruments? Just curious.
Chris
[1]Sent from Yahoo Mail for iPhone
References
1. https://yho.com/footer0
To get on or off this list see list information at
Joe,
Yes, but you're forgetting that HIP is approximately 29.2 to 37.7% for
show. Do the concert on an actual 19th century guitar with original
geared tuners and a certain self-appointed Very Important segment of
audience will grumble that they've been cheated out of an Authentic
Dear Renaissance,
Hello, it's me, The Baroque. Please don't be bitter that I've taken
your spot. I will produce great composers, like Monteverdi, Purcell,
Vivaldi, Bach and many, many others. Eventually, my spot will be taken
over by The Classical Period, which will also produce
Kapsperger and Michelangelo Galilei. Much of the music of both
composers is difficult, but there are also many not so tough pieces in
there. Both of these guys have a lot of personality and an individual
stylistic stamp, even in the easier pieces.
Chris
[1]Sent from Yahoo Mail
The technique is also found in Johann Christian Beyer's Herrn
Professor Gellerts Oden, Lieder und Fabeln..., published by Breitkopf
in Leipzig in 1760. There is a table of Zeichen und Manieren in which
there are two symbols for Gebrochner Bass. One looks like an upright
percent
I suppose he meant Capirola.
Chris
[1]Sent from Yahoo Mail for iPhone
At May 12, 2015, 8:27:26 AM, Monica Hall'mjlh...@tiscali.co.uk'
Fuenllana (1554) prescribes playing only one of the two strings in the
course in some passages (as does Dalza - does he?)
As far as I am
So what music is this?
http://www.classicalarchives.com/work/919718.html
Chris
[1]Sent from Yahoo Mail for iPhone
At May 9, 2015, 4:11:43 AM, Markus Lutz'mar...@gmlutz.de' wrote:
Dear Arthur,
thank you very much for your list of Falckenhagen's works.
Indeed the matter
Star Wars was historical fiction, too. It happened a long time ago in a
galaxy far, far away, remember? In all seriousness, the genre should
really be called fictionalized history rather than historical
fiction.
Chris
[1]Sent from Yahoo Mail for iPhone
At May 7, 2015,
Thanks everyone. This collection was the cause of a forehead-slap
moment. I was looking for new repertoire for a concert with a
violinist, so I read through my PDF copy of Op. 3. I thought, The lute
parts are really nice on their own. Now let me just scroll to the end
and check out
Hello Lutenists,
Does anyone know if the traverso/violin and bass parts survive for
Falckenhagen's Op. 3 concerti? If so, are they available from a library
online?I have the lute part.
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get
Nigel North, in his liner notes, posits that Weiss's L'Infidele
sonata was composed with the Ottoman siege of Vienna in mind. He claims
that the augmented intervals in the musette and minuet are references
to Arabic music. I'm not sure I buy that aurally. However, Weiss was
is at:
https://www.youtube.com/watch?v=FQUqfH2Va7M
This is from my forthcoming album, Desperate Doors. You still have a chance
to back it, but time is almost up!
https://www.kickstarter.com/projects/1600736048/desperate-doors-baroque-lute-album
Thanks!
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist
is at:
https://www.youtube.com/watch?v=FQUqfH2Va7M
This is from my forthcoming album, Desperate Doors. Time is running out, but
there is still time to back it.
https://www.kickstarter.com/projects/1600736048/desperate-doors-baroque-lute-album
Thanks!
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist
Benjamin,
As someone else mentioned, you could consider shortening the extension.
I wonder if you might even be able to keep the original length. I
imagine a skilled wood worker could make a joint that would allow you
to swap out the bits for in-town or travel modes. This is purely
How well do we know what Weiss's handwriting looked like? Is there a way to be
definitive on this basis?
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
On Mon, 3/2/15, Markus Lutz mar...@gmlutz.de wrote
that they are out
there. Just because you are paranoid doesn't mean they aren't after
you (Joseph Heller)
Danny
On Feb 26, 2015, at 1:34 PM, Christopher Wilke
[2]chriswi...@cs.dartmouth.edu wrote:
Danny,
I must respectfully say that I think you're being
a backer, but are interested in
doing, there is still time.
Again,
THANK YOU!!!
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
to anything other than the topic at
hand and I'm sorry if it was so taken.
Best,
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
On Thu, 2/26/15, howard posner howardpos...@ca.rr.com wrote:
Subject: [LUTE
you don't agree with my views. If you don't like my style and
have something insightful to share, that is again your choice. However, I hope
that you would be mature enough evaluate it independently of your feelings
about me.
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist
for a harsh dose of karma. I have a
feeling it's finally starting to happen and will be here in force soon.
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
On Wed, 2/25/15, Daniel Shoskes kidneykut
represent an
inappropriately dismissive response to the issues under discussion.
Chris
[1]Sent from Yahoo Mail for iPhone
At Feb 26, 2015, 1:52:13 PM, howard posner'howardpos...@ca.rr.com'
wrote:
On Feb 26, 2015, at 10:34 AM, Christopher Wilke
[2]chriswi...@cs.dartmouth.edu wrote
...@ca.rr.com'
wrote:
On Feb 26, 2015, at 10:34 AM, Christopher Wilke
[2]chriswi...@cs.dartmouth.edu wrote:
Keeping one's mouth shut and pretending there is no dysfunction in
the early music industry is absolutely unhealthy. We should ALL be
keenly aware of that in the wake of the recent
/desperate-doors-baroque-lute-album
Thank you!!!
Chris Wilke
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
.
https://www.kickstarter.com/projects/1600736048/desperate-doors-baroque-lute-album
Thank you for your consideration!!!
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu
with funding, please consider
sharing the info with as many as you can.
https://www.kickstarter.com/projects/1600736048/desperate-doors-baroque-lute-album
Thank you for your consideration!!!
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off
to do so, but I
request that you leave a constructive comment.
https://www.youtube.com/watch?v=sJIomMAh9oU
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute
to do so, but I
request that you leave a constructive comment.
https://www.youtube.com/watch?v=sJIomMAh9oU
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute
...@cs.dartmouth.edu' wrote:
Great performance, but I miss the low G...Are you doing the rest of the
suite?
Sterling
Sent from my iPhone
On Feb 13, 2015, at 7:21 AM, Christopher Wilke
[2]chriswi...@cs.dartmouth.edu wrote:
Hello all,
Please check out my video of the prelude from Bach's
Thanks for your kind comments Roman and Ed! Yes, it's a Schelle. This
particular lute was on temporary loan from Roland Hayes, a member of
this list. When the recording was made, my own 13-course lute had
recently had its very violent altercation with airline baggage
handlers.
I've been using a lavalier mic for years. No special mount needed:
simply put a popsicle stick under the bass courses. (In other words,
remove a few strings, put the stick on, then tie them back on over it.)
Leave just enough stick for the mic clip. Once it's installed it's
barely
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