I've always thought of this as a classic example of pointless
automation On the older series of prime lenses the optimal aperture
was marked in a different colour from the others In conjunction with
the depth-of-field scale on the lens this did everything that the MTF
programme does, and all it
Here: http://www.luminous-landscape.com/p400ed.htm
Interestingly, there's a comment on the color of the lens; warm white
indoors but greenish in sunlight.
Pål
-
This message is from the Pentax-Discuss Mail List. To unsubscribe,
go to http://www.pdml.net and follow the directions. Don't
You cant really save up those electrons :)
On Sun, Mar 03, 2002 at 11:59:22PM -0800, Shel Belinkoff wrote:
I agree with Bob a waste of electrons!
Nitin Garg wrote:
I personally dont think automating this (ie, replacing paint, fine brush
and human torque) is pointless.
I've
Bob,
I tend to agree with you here However, if you recall the recent
discussion about the PZ-1p controlling the aperture from the body vs
MZ-S using the aperture ring, body control would cause one to not look
at that nice, clean design and rely on more automation
Bruce Dayton
Sunday, March
David,
Just how far down is down? I would really like to try the 45 - I hear
it's great!
I can say that I am using the 90 much more than I thought I would At
first I wasn't sure that I wanted to buy it, but now I am really glad
that I did
Bruce Dayton
Sunday, March 03, 2002, 11:06:33 PM,
Velvia produce much larger contrast when pushed one stop. If you
expect to shoot wildlife under low-contrast light conditions, then
pushing Velvia can be a good idea.
Especially if you already have a pile of it in the bag. It produces a
bit more grain than the ISO100 competitors like Provia 100F
Thanks, Stan.
Glad you liked it.
I wondered if I should skip the description just to make it more
enigmatic.
But it wouldn't make much sense to people living in more temperate
regions, I guess...
Jostein
http://oksne.net
- Original Message -
From: Stan Halpin [EMAIL PROTECTED]
Jostein
Thanks, Richard.
It was about minus 10 celcius that day. The conditions needed to
procuce this is a week or so of temperatures below freezing, and
without any snow. When the sun shines on the clear ice, microscopic
air bubbles trapped in the ice act as lenses. This cause a local
warming, which
-
Hi,
I tried this new pentax in shop yesterday, few thoughts:
2) it's cheap, meaning physical features. The viewfinder is one of
the ugliest I have ever looked through, including Nikon's F60
viewfinder!!! It's like the vision of the light at the end of
tunnel.
Is
Hi,
after a long search for a good metal hood for my 28/20mm CZJ
Flektogon lens (M42), I have found an (almost) perfect solution!
I believe this would fit the Pentax 20mm lenses too, and very
probably the ex-USSR 20mm designs as well
It's a Tokina round metal clip-on (Nikon
looking forward to reading more about the undocumented features on the MZ-3
/e-man
-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --
http://eman.sphosting.com - my website
- Ursprungligt meddelande -
Från: Brendan [EMAIL PROTECTED]
Till: [EMAIL PROTECTED]
Skickat: den 4
Denny B [EMAIL PROTECTED] wrote:
I have just purchased a Pentax MX all seems well except for the
internal lightmeter. I was using it yesterday, took my young daughter
to the local outdoor ice rink, there was lots of snow around and it was
a bright sunny day.
It was almost impossible to see
H'lo Bob,
I experimented with those modes for awhile after I bought the
PZ-1p, just to see how they worked. They do work as described
in the manual but, I haven't used them since. They are not
really needed if a guy has a bit of knowledge. They would be
pretty good for a beginner to use
If you want a film that approaches the saturation of Velvia with ISO 100 speed,
go for Ektachrome 100VS. By the way, it scans much better than Velvia.
[EMAIL PROTECTED] wrote:
In a message dated 3/3/2002 11:43:53 PM Eastern Standard Time, [EMAIL PROTECTED]
writes:
Also, does this mean
Does anyone know of any good photoshops in the Hanover area (Germany), I
shall be visiting Hanvover soon (CeBit) and would like to find a good source
for photo gear I am looking for a good photo rucksak Plus a BG-10 for my
MZ-S The BG-10 i can order but the rucksack I'd like to see in the
Welcome back Lasse! BTW, do you own a 6x7? G
Brother Norm
Lasse Karlsson wrote:
snip Anyway, nice to be back on-list again Haven't had time to check
the
messages for the time away, so if there has been anything out of the
ordinary happening I wouldn't mind getting updated on that
-
This
Or the 6x7...hard to break that tank.
Norm
Pål Audun Jensen wrote:
The LX is the best camera Pentax ever made.
However, taken litterally, the best camera Pentax have ever made is
Probably the 645/645N/645NII. I have this from a Pentax service person who
says this camera in unsurpassed when
Hi,
there is a company: Foto Haas, with several shops in hannover. For me the
best is: Georgstrasse 1 that's nearby ( 5..10 min. on foot ) the railway
station ( phone inside Germany 0511-164000 ). They have a lot of photo gear.
As I'm not interested in photo rucksacks, I don't know if they sell
Amen to that!
Steve Larson
Redondo Beach, California
- Original Message -
From: Bill Owens [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, March 03, 2002 6:39 PM
Subject: Re: OT RE: Cubs Game
Ah, but if the AL ditched the DH rule, we could call it baseball again ;-)
Bill
-
This
Hi Frank.I think Brendan had the MZ-3.I was surprised at
how quiet the camera was.
Dave
I must say, the line-up of Pentaxes on the table was not too
shabby. If
I remember correctly, a 67 (Aaron), an LX (Aaron again), a couple of
Super
Programmes (Jeff and Dave), an MZ S (Pat), another MZ
I sent off a post Sat night but i don't think
it made it,at least not back to my computer.My
canoe mail site is showing pdml mail about a day
late.
Had a great time with the group Saturday.Nice to put
a face to the mails.Very interesting conversations,makes
me realize how much i have forgotten or
Did anyone take a group pic, or were we too enthralled with all
the gear? ;)
Steve Larson
Redondo Beach, California
- Original Message -
From: David Brooks [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, March 04, 2002 4:51 AM
Subject: Re(2): Toronto Get-together update
Hi
Thank you Stan,
I was so surprised when the frost killed the plant and
yet left the tomatoes that I had to get a record of it.
I have always liked pictures that juxtaposition contrasts.
Jackie Dowell
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of
But we wouldn't see Frank Thomas, or Jose Canseco, or any of half a dozen other
sluggers who have become career DHers. I'm not a big fan of watching pitchers
strike out.
Paul
Steve Larson wrote:
Amen to that!
Steve Larson
Redondo Beach, California
- Original Message -
From: Bill
Hi Steve.Pat White took a couple with his MZ-S and
we all took partial groups.Jeff took a lot with his Minolta
digital camera and sent them off to Aaron.Should have some
available soon.I was a very impreive table.
Loved the looks on the other peoples faces.
Dave
Begin Original Message
I know folks who do this and it may have made sense when Velvia was first
instroduced, but there are plenty of good ISO 100 emulsions out there.
Kodak E100S and Provia are two of them. Agfa RSX II 100 is another. I lean
towards the Kodak emulsion because it pushes up the colors slightly, but
Thanks, Collin for commenting on all the photos - it's a bit job for sure!
- MCC
At 04:33 PM 3/2/02 -0500, you wrote:
Some excellent work this month.
I think everyone should be proud of their submissions.
My comments are generous, with a few suggestions.
- - - - - - - - - -
Mark Cassino
But the strategy involved in whether or not to let the pitcher bat or not is
part of what makes the game interesting. IMNSHO, the DH rule allows over
the hill ball players extend their careers.
GO CUBS !!!
Bill
But we wouldn't see Frank Thomas, or Jose Canseco, or any of half a dozen
other
I can live with that. Seeing pitchers strike out is part of the game, and
makes
the manager actually have to make a decision.
Steve Larson
Redondo Beach, California
- Original Message -
From: Paul Stenquist [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, March 04, 2002 5:21 AM
On Friday, March 1, 2002, at 07:44 PM, Paul Stenquist wrote:
There's only one camera from Pentax that incorporated genuinely original
thinking Thus it is undoubtedly the best Pentax ever made The 6x7
Brother Paul, you are a fast study
-Brother Aaron
-
This message is from the Pentax-Discuss
Are you sure about that? On my SMCP-M SMCP-(K) and SMCT lenses
the only different colored f setting is the hyper focal stop with
the same color, (orange), marking the hyper focal distance. This is
only on the Wide Angle lenses;.
At 06:51 AM 3/4/2002 +, you wrote:
Hi,
I've always thought
Yes, there is no routine maintenance recommended for
the P645 series. Pentax service says to use it until
it breaks down. BTW, I have been not-so-seriously
looking for a backup P645 body in not-so-good cosmetic
shape, but almost all the auctions say excellent
condition. I think this is a
But they're so tiny, you hardly notice, until your batteries die.
At 11:59 PM 3/3/2002 -0800, you wrote:
I agree with Bob a waste of electrons!
Nitin Garg wrote:
I personally dont think automating this (ie, replacing paint, fine brush
and human torque) is pointless.
I've always
Ryan wrote:
But the 400s are :-).
Right - from following the responses to this thread it appears
obvious to me that Pentax doesn't seem to consider 300mm to
actually qualify as Big Glass - just the longest of their
regular focal length class.
I don't know how well these work because my 20/2.8 has been out on loan.
All I know is that the hood will take up a lot of room in my camera bag!
Paul Franklin Stregevsky
You are right. The hoods do take a lot of room. When I can find a good
rubber collapsible hood for my wideangle lenses, I
Babe Ruth was a pitcher.
At 05:40 AM 3/4/2002 -0800, you wrote:
I can live with that. Seeing pitchers strike out is part of the game, and
makes
the manager actually have to make a decision.
Steve Larson
Redondo Beach, California
- Original Message -
From: Paul Stenquist [EMAIL PROTECTED]
Funny how this discussion of the color of lens bodies has stirred folks up.
So Pentax made lenses with different color casts to the body colors. Do we
feel that our photoraphic taste is threatened by this? Or is it a matter of
arguing about which color cast is the official one? Or, do some of
- Original Message -
From: Gianfranco Irlanda
Subject: 6x7 Brothers: multiple exposure?
Hi Brothers,
I'm sure somebody can help me: I've read (on a MF list) that
the
6x7 could be modified (at least in the past) to allow double
exposure. Anybody among you knows if this kind of work
I noticed that Midwest Photo got in some
French bw film -- 4x5, 5x7, 35mm
(Wish I could remember the name
Anyone know anything about this stuff?
All I've gathered is that it's a high-silver-content
formula and gives that classic appearance
Collin
--
---
Get over it
Dr
Joe Tainter recently mentioned that some things he used regularly on the
PZ-1p, like switching program modes, or switching between 2-second and
12-second delay, are on the MZ-S relegated to Pentax functions, where it is
more difficult (and slower) to change them. I find this to be true as
well,
Yes it's the newbie trying to be cheap question again,
I found that fabricland in Toronto stock raw cotton
muslin in 3mx25m rolls ( about 33 yards x27 yards or
so ) and it's cheap to! you can buy it per meter but
it is unwashed They don't sell large bottles of dye
tho does anyone know other
Much as I thought.
Pentax Magazine is relaunched, albeit with the same old caveats regarding
prices:
Return-Path: [EMAIL PROTECTED]
Received: from rly-yc01.mx.aol.com (rly-yc01.mail.aol.com
[172.18.149.33]) by air-yc03.mail.aol.com (v83.35) with ESMTP id
MAILINYC37-0304122338; Mon, 04 Mar
Try http://www.chicagocanvas.com
I haven't used them myself but did ran across their site recently.
Good luck.
D
on 3/4/02 11:48 AM, Brendan at [EMAIL PROTECTED] wrote:
Yes it's the newbie trying to be cheap question again,
I found that fabricland in Toronto stock raw cotton
muslin in
It's Bergger 200 (there are two product numbers, one for 35mm and the
other for sheet film). Do a search on the name and you'll find a lot of
information about it.
I've been playing with it in 35mm format, although I've not used it
much, and have not yet reached any conclusions about it
Collin
In a message dated Mon, 4 Mar 2002 12:48:17 PM Eastern Standard Time, Lindamood,
Mark [EMAIL PROTECTED] writes:
(among other things)
A second feature I think is very nice is use of the camera with the TS-110
interval timer switch. You can place the camera in advance in a location
you might
frank theriault wrote:
[] in very
bright light, the led's are a bit hard to see I actually prefer the
match-needle of the Spotmatics in that regard In lower light situations,
however, the MX led's are a huge improvement over the match-needle
Another case of right tool for each job and an
My A 400/56 is black, not green
True, as are most older Pentax lens designs However, the A*
400/56, along with the A* 300/28, the A* 600/56, and the A*
1200/8, are all white, or off-white, or light greenish, or
;-)
Fred
-
This message is from the Pentax-Discuss Mail List To unsubscribe,
go
They are certainly not green In any way, shape, or form
I can say this because a 300mm F28 just turned up from Japan
Thanks for the report, Peter However, it does seem, from several
reports so far, that the A* 300/28's are white (or off-white), but
that the A* 400/28's and the A* 600/56's
You are right The hoods do take a lot of room
Well, the satellite dish lens hood that is the jen-you-wine Pentax
A 20/28 hood is too shallow, and it is unfortunately round, too
(I'd prefer a deeper, rectangular hood, of course) But, Len, the
shape of that hood does make it easy to store
Funny how this discussion of the color of lens bodies has stirred
folks up So Pentax made lenses with different color casts to the
body colors Do we feel that our photoraphic taste is threatened
by this? Or is it a matter of arguing about which color cast is
the official one? Or, do some
Bob wrote:
I've always thought of this as a classic example of pointless
automation On the older series of prime lenses the optimal aperture
was marked in a different colour from the others In conjunction with
the depth-of-field scale on the lens this did everything that the MTF
programme
On Sunday, March 3, 2002, at 07:43 PM, Gianfranco Irlanda wrote:
I'm sure somebody can help me: I've read (on a MF list) that the
6x7 could be modified (at least in the past) to allow double
exposure
I've never heard of that beforeI'm very interested to find out if it
is possible or not
Mirror, mirror, on the wall,
Who's the hansomest of all,
My Pentax,
That's all.
GRIN
Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto
- Original Message -
From: Bill D. Casselberry [EMAIL PROTECTED]
To: Pentax
Well, they do have to maintain their image of not being in business to sell
cameras, you know.
Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto
- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent:
On Mon, Mar 04, 2002 at 01:06:39PM -0500, [EMAIL PROTECTED] wrote:
In a message dated Mon, 4 Mar 2002 12:48:17 PM Eastern Standard Time, Lindamood,
Mark [EMAIL PROTECTED] writes:
(among other things)
A second feature I think is very nice is use of the camera with the TS-110
interval
Mark,
You know the PZ-1 has the interval timer and it was available in a separate back for
the SF-1. I don't think we paid too much for it on the PZ-1 either! g
Regards, Bob S.
Mark wrote:
A second feature I think is very nice is use of the camera with the TS-110 interval
timer switch. You
[EMAIL PROTECTED] wrote:
Top that bit of trickery, Cotty!
Yes indeed! This list is becoming positively creative. Congratulations to
you Mark. That's a great bit of work. I wonder why nobody else has done
this.
Probably because most of us (myself included) rarely use matrix metering. I
Fred [EMAIL PROTECTED] wrote:
Top that bit of trickery, Cotty!
Yes indeed! This list is becoming positively creative. Congratulations to
you Mark. That's a great bit of work. I wonder why nobody else has done
this.
The amazing thing, Bob, is that Mark attempted this with a K
I mentioned earlier that I had done a mirror shot w/ the new 6x7
and finally got it up on the web for perusal by those
interested It's at :
http://wwworednetorg/~bcasselb/Commercial/wkly/wklyphotohtml
Yeah, I always look better in self-portraits, too, especially if
there's a camera
Chris Brogden [EMAIL PROTECTED] wrote:
On Fri, 1 Mar 2002, jmadams wrote:
BEWARE... Last night, I checked MS for Win98 upgrades, and was
offered a 'Critical Upgrade' for MS IE5.5. I downloaded it, and it
promptly screwed up Windows bootup. MS Explorer kept coming up with an
Illegal
Oh, no doubt about it being a legitimate topic for discussion. I am just
more than a little surprised that it should cause some of the 'spirited'
responses that it has, so far. Perhaps someone should put type numbers on
these lenses so that one could state this picture was taken with the 400mm
In a message dated 04/03/02 19:21:47 GMT Standard Time, Tom writes:
Well, they do have to maintain their image of not being in business to sell
cameras, you know
Indeed More than likely I will have to address some idiot in the Marketing
Dept tomorrow Oh boy - I am looking forward to this
indeed it could be done through Pentax @ colorado - i'm not sure (with the
pentax 67ii introduction) that they still do it...
The Mods were
1) Mirror lock up with no battery drain - uses a cable release to lock the
mirror up for long exposures
2) Double exposure
3) whoops - can't remember
The first iteration of the list is available for comments and
suggestions:
http://home.earthlink.net/~belinkoff/darkroom-rentals/rental-index.html
--
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
-
This message is from the Pentax-Discuss Mail List. To
Hi,
every f-stop has a hyperfocal distance. The reason why one of them,
generally f/8, is marked differently from say f/11 or f/16, both of
which will of course give you greater depth-of-field and are therefore
better from the hyperfocal point-of-view, is that f/8 is the optimal
aperture from
Hi,
every f-stop has a hyperfocal distance. The reason why one of them,
generally f/8, is marked differently from say f/11 or f/16, both of
which will of course give you greater depth-of-field and are therefore
better from the hyperfocal point-of-view, is that f/8 is the optimal
aperture from
Hi,
every f-stop has a hyperfocal distance. The reason why one of them,
generally f/8, is marked differently from say f/11 or f/16, both of
which will of course give you greater depth-of-field and are therefore
better from the hyperfocal point-of-view, is that f/8 is the optimal
aperture from
So what are the best arguments in favor of the MZ-S?
I find one of best features of MZ-S is separate AF button I'm surprised
that it is so seldom pointed out I set AF activation on separate AF
button only while leaving exposure metering on shutter release button
I love this setup Simply
I read that MZ-3 mirror box is painted with less reflective black paint
then regular MZ-5n. Don't know if this is true though. I compared it with
my brother's MZ-5n and never noticed a difference.
Cao, Matjaz
I haven't found any yet :(
Just the flash compensation so far.
--- Emmanuel
Bucky wrote:
The Z1p does it in MTF mode, with FA series lenses. The MTF information is
built into a chip on the lens and is fed to the camera for the decision to
be made. I do not use the mode myself, but it's still kind of nifty that I
*could* use it if I wanted to.
Hi Bucky and Shel:
Hi,
[Bruce, see the end:]
I will have a look at it once more in the shop and compare it
directly there to the other pentaxes they have there - MZ7 and 30 I
think, as well as 5n, I am really interested in the finder
similarities/differences.
But please remember I have just
Er... make that BIG job. But if the PDLM were a movie it might be a bit job...
- MCC
At 08:09 AM 3/4/02 -0500, you wrote:
Thanks, Collin for commenting on all the photos - it's a bit job for sure!
- MCC
At 04:33 PM 3/2/02 -0500, you wrote:
Some excellent work this month.
I think everyone
actually Pentax claims this to, but I also can't see a
difference to a MZ-5n
--- Matjaz Osojnik [EMAIL PROTECTED] wrote:
I read that MZ-3 mirror box is painted with less
reflective black paint
then regular MZ-5n. Don't know if this is true
though. I compared it with
my brother's MZ-5n and
Hi,
Shel, Bob...the depth of field scale does not indicate the lens'
sharpest aperture; it merely tells you hyperfocal info. The MTF program
does NOT use hyperfocus, it uses the lens' sharpest apertures whenever
possible. For instance, if a given lens was okay at f2, good at f4,
Hi,
it's your prerogative, of course. But consider a reply I had privately
to this:
Also, by the time you're done fiddling with the various function
adjustments to get the camera to work automatically, you could have set
everything manually and taken the picture.
It might be instructive to
On Monday, March 4, 2002, at 03:44 AM, Pål Audun Jensen wrote:
In my opinion, Sensia II is much better for this use. Some like Provia
F a lot. Both can be pushed one stop without going over the top.
Provia 100F pushes very well, and pushing it rather beefs up the
contrast, since normally
I finally received one of those new Y2K screens for my LX - the SC-69 I'm
amazed of the brightness of this screen It's frustrating however that
there always seems to be some fuzz (dust, small small hairs ) left
somewhere on it What is the best way to clean the inside of the camera
from dust,
Collin Brendemuehl wrote:
I noticed that Midwest Photo got in some
French bw film -- 4x5, 5x7, 35mm
This seemed quite funny to me
Last year I attended a portrait workshop in a photo school here in Roma
and the guy teaching it was a pro in the advertising field He also shot
a portraits, of
Christian, I hate you. You lucky dog! Now I will have to change my name to
greenwolf g.
Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto
- Original Message -
From: Christian Skofteland [EMAIL PROTECTED]
To: [EMAIL
Hi,
my meaning in that was probably not clear. I'm not suggesting that it
doesn't use MTF data (it is the MTF programme, after all). What I
meant was that when the shutter speed is too slow for the optimum
aperture, it is unlikely to select the 2nd choice aperture (which must
be wider than the
Hi, Dave,
Yeah, the MZ 3 was quiet So was Pat's MZ S Made me realize how
damned loud the Winder MX is on the MX! Kripes, you could here it a 1/2
block away, I'm sure
My MX is nice and quiet without the winder, but it sure ain't stealth
camera with it on! :-)
regards,
frank
David Brooks
Norm Baugher wrote:
Welcome back Lasse!
Thanks brother Norm! Always nice to hear from you.
BTW, do you own a 6x7? G
Noo, I own an old 6x9 Zeiss Ikon though (there is actually supposed to
be an adapter for 6x7 to it, although I don't have it), but I don't seem
to be using it much nowadays. I
Along with all the other positive comments of our recent pow-wow, I'm
sure I'm speaking for all of us who were there when I thank Aaron, who
brought along a roll of Fuji Provia 400F for each of us
Thanks, bud!
-frank
--
The optimist thinks this is the best of all possible worlds The
pessimist
Works perfectly for me, Fred.
Fred wrote:
Given a matching lens of equal quality to a mis-matched lens,
[snip] but other times some frivolity and a light-hearted approach
is called for.
...like this time, Shel? g
http://cameraquest.com/TAnotcoll.htm
The URL didn't work for
Aaron,
Shaved heads? Long Robes?
Then who was that imposter ~pretending~ to be you on Saturday at Spring
Rolls? Some sort of alien hybrid? Or were you wearing a wig and Team
Canada Jersey so as not to attract attention? If it was a wig, I must say
it was the most realistic rug I've seen in
Aaron,
Yes, I suspect it is much like the joy that Shel feels using fine
instruments (LX, Leica) to go about his craft The 67 feels much the
same way with a bigger negative The style of photography is more
deliberate and controlled much like the way I learned on my first SLR
Bruce Dayton
Is it just me, or did someone else think this was a thread about dirty
movies when they saw the subject?
Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto
- Original Message -
From: Flavio Minelli [EMAIL PROTECTED]
Love the hat.
Paul
Bill D. Casselberry wrote:
I mentioned earlier that I had done a mirror shot w/ the
new 6x7 and finally got it up on the web for perusal by
those interested. It's at :
http://www.orednet.org/~bcasselb/Commercial/wkly/wklyphoto.html
You could try plain old RIT dye. I use it for different things, and it works
very well. One box of dry powder will dye 1 pound of fabric, and the stuff's
pretty cheap and comes in a bunch of colors. There are also recipes on the
RIT website for different colors you can make mixing the dyes. It's
-
I expected as much, it has been said this may replace
the MZ-5n but now I don't think it will.
I believe it replaces the MZ-7 - this way I can imagine a body replacing MZ-5n/3
(together) that would be a bridge between MZ-6 and MZ-S in terms of features - it
would for example
-
But please remember I have just recently (3 weeks ago) upped my
viewfinder standards significantly - from K2DMD and SFXn to LX ;-)
so I am not objective at all! YMMV.
We do understand :DD
Ótherwise, the body felt quite small and with well-placed controls,
the
Christian Skofteland wrote:
So, I've just acquired a Linhof Technika IV 4x5 camera with three
lensboards (90, 100 or 120 and 150 or 180,
I hate you :-)
Brother Paul
-
This message is from the Pentax-Discuss Mail List To unsubscribe,
go to http://wwwpdmlnet and follow the directions Don't
Aaron Reynolds wrote:
Glad to hear you're so happy with it They're just dreamy to hold and
shoot with, aren't they? The build quality almost seeps into your hands
Is that the nasty green stuff that I can't get off my hands? Or is that from
handling too much big glass?
Paul
-
This message
Paul Stenquist [EMAIL PROTECTED] wrote:
(about Bill's
http://www.orednet.org/~bcasselb/Commercial/wkly/wklyphoto.html)
Love the hat.
I love it too.
Maybe we should adopt the model as the Official 6x7 Brotherood
Hat...
:-)
Gianfranco
=
Yahoo! Sports - sign up for Fantasy Baseball
You and Graywolf are sure spreading the love!
(should I mention the complet Minox III system with EVERY accesory and new
film dated 1954?)
Christian
On Monday 04 March 2002 18:08, you wrote:
Christian Skofteland wrote:
So, I've just acquired a Linhof Technika IV 4x5 camera with three
exactly what i was going to write...super cool hat /e-man
Från: Paul Stenquist [EMAIL PROTECTED]
Love the hat.
Paul
Bill D. Casselberry wrote:
I mentioned earlier that I had done a mirror shot w/ the
new 6x7 and finally got it up on the web for perusal by
Hi,
distance. It is also why the phrase 'f/8 and be there' specifies f/8
rather than f/64 or whatever. If it was just about getting as much in
focus as possible they'd all do it with the smallest aperture.
but what about a decent shutter speed then ?
...they'd all do it with the smallest
At 09:30 PM 3/3/02 -0800, you wrote:
Well,
After a trip to Hawaii and 2 weddings I can say that I am thrilled
with my 67II The lenses I have (55, 90, 165) have all been used
quite evenly and they cover most uses quite well There is a world of
difference in the images between it and my 35mm
Hi Brothers,
Thanks to William and Oliver for their kind replies
I was thinking about doing multiple flash mixed with available
light pictures of interiors, so a 90/28, although useful in
different situations, could be not wide enough Maybe, when it's
possible, I should try multiple bursts of
Hi all - just joined the list thanks to the recent purchase of an MX
I also just picked up an M 135/35 off Ebay, which appears to be in
excellent shape However, when mounted on the camera, the lens makes a
clicking noise that increases in pitch when focusing from about 12ft (4m)
to infinity No
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