Groovy. I enjoyed.
A little less overtly renaissancey, but Wobbler does occasionally dabble, and
there is a theorbo duo beginning at 12:35 here:
https://www.youtube.com/watch?v=g4_1iSwu-s4
Eugene
-Original Message-
From: lute-...@new-old-mail.cs.dartmouth.edu
On Behalf Of Tristan
Did that cover what you need, or do you need more info?
Best,
Eugene
-Original Message-
From: lute-...@new-old-mail.cs.dartmouth.edu
On Behalf Of Martyn Hodgson
Sent: Saturday, August 15, 2020 6:57 AM
To: Lute Dmth
Subject: [LUTE] Re: Early Neapolitan mandolin string tension
For
As well as can be expected. Pretty dramatic measures being taken to limit
risks of group exposures in Ohio, USA, including by my university employer.
Routines-including performing, rehearsing, and lecturing-pretty thoroughly
disrupted, but justifiably so. Looking forward to emergence on the
I like it.
Eugene
-Original Message-
From: lute-...@new-old-mail.cs.dartmouth.edu
On Behalf Of Tristan von Neumann
Sent: Friday, December 6, 2019 5:15 PM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Lute Humor
I just found this on TwoSetViolin's subreddit:
I look forward to watching the site develop. Thank you, Rainer.
Eugene
-Original Message-
From: lute-...@new-old-mail.cs.dartmouth.edu
On Behalf Of Seicento/Rainer Luckhardt
Sent: Thursday, November 21, 2019 1:26 PM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Mandora/Gallichon website
Alright, I'll play, deliberately selecting for significance (within my own
relatively narrow experience) and diversity (of style, tempo, place of origin,
etc.):
- Dowland's fantasia P73 (represents the English camp and some historic
significance of an early punteado tremolo effect)
- Narvaez's
"Lucky America: having looked through musical performances at Renaissance
Fairs, we see many ensembles actually performing appropriate songs and dances."
This may be a bit too generous. Some make/made real efforts (for example,
spanning two or three decades, Ohio State University [OSU] held a
Of those you've linked, the last by Moreno et al. seems pretty far removed from
"[following] Bach's intentions."
Of Hopkinson Smith's later (2000) recording, John Duarte wrote in Gramophone,
"Hopkinson Smith makes such a good case for Bach's Sonatas and Partitas on the
lute that his recording
scovery or an insight, I
> prefer to encourage fresh ideas about old music.
>
> RA
> __
>
> From: lute-...@cs.dartmouth.edu on behalf
> of Braig, Eugene
> Sent: Saturday, July
rom: lute-...@cs.dartmouth.edu On Behalf Of Ron
Andrico
Sent: Saturday, July 13, 2019 10:43 AM
To: Braig, Eugene ; lute@cs.dartmouth.edu
Subject: [LUTE] Re: Siena Manuscript No. 17 - Ricercar
I appreciate positive insights into similarities in music that in some
small way tie seemingly dispa
Exactly, which is exactly why these "interesting new discoveries" aren't
necessarily. No musician generates music without any reference to other music.
Audible similarities are to be expected, especially given the universal nature
of physical acoustics. Now, finding a collection of ca. 1600
Regarding the Corigniani B-flat "concerto," I think John Schneidermann
delivered it quite nicely on his CD/album Baroque Lute Duets.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu On Behalf Of
Tristan von Neumann
Sent: Friday, June 21, 2019 4:53 PM
To:
Hear, hear.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu On Behalf Of Ron
Andrico
Sent: Wednesday, June 19, 2019 11:09 AM
To: Gary Boye ; Edward C. Yong
Cc: Jurgen Frenz ; Lute List
Subject: [LUTE] Re: Julian Bream on Lute
I feel I must add a word of support for
Intriguing. I'm a fan of Grondona as well.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu On Behalf Of
terli...@new-old-mail.cs.dartmouth.edu
Sent: Tuesday, June 18, 2019 9:21 PM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Hopkinson Smith plays Ponce on the lute.
Hi
Oddly, I can see the links in my own reply. Never mind.
E
-Original Message-
From: lute-...@cs.dartmouth.edu On Behalf Of Braig,
Eugene
Sent: Monday, May 27, 2019 3:44 PM
To: Lute List
Subject: [LUTE] Re: 19-century guitar after Johann Georg Stauffer for sale
I'd like to see
I'd like to see, but the links didn't translate to the lute list.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu On Behalf Of Anton
Birula
Sent: Monday, May 27, 2019 11:19 AM
To: Lute List
Subject: [LUTE] 19-century guitar after Johann Georg Stauffer for sale
It depends. Be mindful. Standard monofilament fishing line is nylon and a
similar density to nylon instrument strings, a little less dense than gut, and
should be functionally a little thicker as a gut substitute (use a good string
calculator).
However, fluorocarbon fishing line is also
Thanks, Tony. Intriguing.
If this has been said previously, I've missed it. Regondi was active in
England at that time: https://en.wikipedia.org/wiki/Giulio_Regondi
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu On Behalf Of Tony
Sent: Thursday, November 15, 2018
Message-
From: lute-...@cs.dartmouth.edu On Behalf Of
guy_and_liz Smith
Sent: Wednesday, October 17, 2018 1:03 PM
To: Braig, Eugene ; lute mailing list list
Subject: [LUTE] Re: music stands
I've been using a K regularly for years for both early and modern music (jazz
and band). It's light
I like my own K
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu On Behalf Of Lex
van Sante
Sent: Wednesday, October 17, 2018 11:56 AM
To: Martin Shepherd ; lute mailing list list
Subject: [LUTE] Re: music stands
Hi Martin, I think the best ones are made by K An
Message-
From: Mayes, Joseph
Sent: Tuesday, August 7, 2018 10:24 PM
To: Braig, Eugene ; Christopher Wilke
Cc: Lutelist Net
Subject: Re: [LUTE] Re: Composers you wish had a bigger legacy
OK I completely agree that Bartolotti is a wonderful and underappreciated
composer. But I have
Ludovico Roncalli: same.
I also wish Angiol Michele Bartolotti was better recognized for his
contribution to fully chromatic music.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu On Behalf Of Ido
Shdaimah
Sent: Tuesday, August 7, 2018 9:03 AM
To: lutelist Net
Subject:
I assume you're talking about fluorocarbon. If so, while it's pretty pliable
and easy to knot, it's also relatively hard. Its knots can gouge into the wood
of a neck with enough slippage over great lengths of time.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu
You've convinced me!
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
G. C.
Sent: Thursday, February 08, 2018 2:34 PM
To: lutelist Net
Subject: [LUTE] Re: Sweelinck's Echo Fantasia ex A is a *direct copy* of Raga
Asawari
You seem to conflate "I have heard, concede many of your points, but am not yet
convinced of your conclusion and remain open to other possibilities" with "I
have heard, you are wrong, and my disapproval constitutes an attack on your
person." The former represents my intent and is what I
I agree perfectly.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Ron Andrico
Sent: Thursday, February 08, 2018 11:32 AM
To: Susan Sandman; Tristan von Neumann
Cc: lutelist Net
Subject: [LUTE] Re: John Bull's Fantasy XII is
Excellent suggestion.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Susan Sandman
Sent: Thursday, February 08, 2018 10:32 AM
To: Tristan von Neumann
Cc: lutelist Net
Subject: [LUTE] Re: John Bull's Fantasy XII is Raga Yaman
d me on soundcloud:
https://soundcloud.com/tristan-von-neumann/sets/early-17th-century-euro-indian
Have a great day you all. I pray for the naysayers.
Am 08.02.2018 um 16:11 schrieb Braig, Eugene:
> Tristan wrote to me directly without copying the list. Out of respect to
> whatever his
have copied this [reply] to the list, but am not certain why you
didn't, Tristan. I suspect it may be to contain a joke, to see how far it can
be carried among the uninitiated."
I will await the scholarly publication following peer review.
My best wishes are with you all.
Eugene
-Origina
Aye. Thank you, gentlemen.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
G. C.
Sent: Wednesday, February 07, 2018 5:46 PM
To: lutelist Net
Subject: [LUTE] Re: John Bull's Fantasy XII is Raga Yaman
I agree with you Arto.
In the most '70s-est sense.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Christopher Wilke
Sent: Tuesday, December 26, 2017 8:11 PM
To: Dan Winheld; r.turov...@gmail.com
Cc: Ron Andrico; Ido Shdaimah; lutelist Net
Subject:
Clarification: at least two toccatas titled "cromatica" by Piccinini, III and
XII from the first lute book (1623).
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
G. C.
Sent: Tuesday, December 19, 2017 3:38 PM
To:
How 'bout the Gregorio Huwett fantasia (the more famous one recorded by Bream,
O'Dette, etc.)? (I really like that one.) . . . or Piccinini's couple works
titled "Toccata Cromatica"? . . . or even Castaldi's " Cromatica Corrente"?
(Does chitarrone count?)
Eugene
-Original
Very much indeed. It was also originally introduced to Irish music via
bouzouki proper, like 45 or more years ago, and later morphed into a
mandola-like thingy within the Irish-music context. Alec Finn was another in
that first wave of Irish bouzouki advocates.
. . . Not to mention the theft
collection labelled for mandolino
requires a 6-course instrument.
Anyone Italian who could tell me what the meaning of the word "Gordini"
is? (I don't mean the Renault sports car...) Was it a profession?
Alain
On 12/04/2017 07:40 PM, Braig, Eugene wrote:
> I had used a word that the li
Another to consider is the "Chilesotti" codex: much it contains is relatively
easy and several pieces are quite recognizable in having been set for orchestra
by Respighi.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Tristan
Why not simply start with the instrument's standard: g, d', a', e''?
Pre-packaged string sets are widely available, and if you decide to eventually
indulge in the dedicated repertoire (which began to appear in the mid-1700s),
it's then at the fingers. Be mindful to use relatively light
I had used a word that the listserv's robot flags as a request instead of a
message. Here remedied with far more words than necessary.
Eugene
-Original Message-
From: Braig, Eugene
Sent: Monday, December 04, 2017 7:39 PM
To: Lutelist
Subject: RE: [LUTE] Re: Mandolino versus Mandola
I love the vihuelists (especially Narvaez and Mudarra: I see you've already
listed one [Milan]). Among the unsung (or at least less-often sung), I'm
particularly fond of Valentin Bakfark. Bakfark may be a little more on the
challenging side, but not so much as Melchior Neusidler.
Carry on,
Groovy. Thanks for letting us know. I love that old chestnut.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Alain Veylit
Sent: Sunday, November 19, 2017 11:09 PM
To: Lute net
Subject: [LUTE] Re: French Baroque Lute and large
Matanya's opinions very often differed from my own. I remained a close friend
because I didn't personally care that they did or that his statement of such
was occasionally "colorful." I was fortunate to play a small part in his
publishing efforts (as occasional proofreader), and I found him
Perhaps not as profound as a Weiss tombeau, but I simply like the sound of much
of Dalla Casa's archlute music, and he saw fit to include several works for
mandolino/mandola as well. Worth a listen to judge for one's self:
https://www.hidekiyamaya.com/recordings
Nylon is less dense than fluorocarbon.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Anthony Glass
Sent: Tuesday, October 31, 2017 2:09 PM
To: Dan Winheld
Cc: lutelist Net
Subject: [LUTE] Re: Fishing Line Renaissance
I'm not aware of a single English word so used, but I tend to use a brief
phrase in discussing this technique. In context, it sounds like Marais is
describing what I would simply call "left hand alone" or (as you originally
stated) "left hand only": essentially what modern English-speaking
Of course, some of the works in Dalla Casa specifically designate "mandolino"
or "mandola" with basso continuo. There is also a scale chart for mandolino in
the back of the document that outlines the expected 5-course tuning of b, e',
a', d'', g''.
Not complete, but I am actually quite fond
: La folia
[1]http://www.folias.nl/
On Sat, Jun 10, 2017 at 2:41 PM, Braig, Eugene <[2]brai...@osu.edu>
wrote:
I can't fully answer, but I can narrow your search. Unfortunately, I
think several of the early versions of La Folia will be in Italian
tablature; I don'
I can't fully answer, but I can narrow your search. Unfortunately, I think
several of the early versions of La Folia will be in Italian tablature; I don't
know what of these have been subsequently set in French tablature.
Dall'Aquila's many settings of La Cara Cossa will be for six-course
My dear old friend, John McCormickâthe man who happened to be Paul
O'Dette's first classical guitar teacher, who introduced Paul to (and
sold Paul his first) luteâpassed away suddenly on 30 March 2017. After
his military service, he founded an early incarnation of a guitar
Indeed.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Christopher Stetson
Sent: Saturday, June 25, 2016 3:10 PM
To: Andreas Schlegel
Cc: lute list
Subject: [LUTE] Re: Respighi and lute sources
Hello, Andreas and all.
A well-known story embedded herein, but:
https://en.wikipedia.org/wiki/Albert_Augustine_Ltd.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
mjlh...@tiscali.co.uk
Sent: Saturday, June 04, 2016 8:57 AM
To:
A monumental undertaking! Kudos for this effort. The first two pieces, at
least, are very nice. I'm looking forward to digesting more.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
stephen arndt
Sent: Friday, May 13,
Groovy.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Roman Turovsky
Sent: Thursday, March 24, 2016 7:06 AM
To: Steve Ramey; Lutelist Net
Subject: [LUTE] Re: Miguel Yisrael Plug on Local Classical Radio
Well, Dayton's Marian
Dayton is, however, generally punteado-friendly thanks in part to the radio
program and support of Jim McCutcheon.
Eugene
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of Steve
Ramey [stevera...@sbcglobal.net]
Sent: Thursday,
Yes. I still own windows.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Tobiah
Sent: Monday, March 07, 2016 10:21 AM
To: Braig, Eugene; Lute Net
Subject: [LUTE] Re: Retirement
On 03/04/2016 03:41 PM, Braig, Eugene wrote:
>
I do fisheries biology full time, music part time, and when I retire, I plan to
turn on my television and never feel obliged to cover my boxer shorts again.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Mayes, Joseph
Minor clarification: it actually shrinks in drying after wetted.
Eugene
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of gary
[magg...@sonic.net]
Sent: Thursday, December 24, 2015 5:17 AM
To: LSA Lute Rental Program
Cc: lutelist
Sorry, Joe. That's Foreigner.
Eugene
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of Mayes,
Joseph [ma...@rowan.edu]
Sent: Wednesday, September 02, 2015 4:57 PM
To: David van Ooijen; John Mardinly
Cc: lute list
Subject: [LUTE]
For what it's worth, continuing down the six-string guitar path, William Foden
devoted a large section of the second volume of his guitar method (1921) to
diverse tremolo techniques, including the wagging-finger, dedillo-like tremolo
demonstrated by Dimitris in the linked video. In addition to
Corrette is interesting in also having published a 1772 mandolin method. If
the mandolin is to be considered--and this is obviously not of direct
application to much earlier supposed practice--but Gabriel Leone's more
professional sets of variations for solo mandolin almost always included
Greetings Konstantin,
First, bravo! I sincerely enjoyed. Your playing and tone are nicely balanced
in ensemble. That said, I wholeheartedly agree with you. I don't think there
is any evidence to imply RV 540 was intended for mandolin. If anything, I
would argue that the conventional
Excellent! Sincerest thanks for sharing, Diego.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Diego Cantalupi
Sent: Friday, February 06, 2015 10:52 AM
To: lutelist Net
Subject: [LUTE] new bass strings by Aquila corde
Dear
Hey, I like salmon during lent and otherwise.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
David van Ooijen
Sent: Tuesday, February 10, 2015 5:29 PM
To: Dan Winheld
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: 40 days
[mailto:lute-...@cs.dartmouth.edu] On Behalf Of
timothy swain
Sent: Wednesday, January 21, 2015 3:42 PM
To: Braig, Eugene
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Spruce for lute vs guitar.
I find it hard to believe many of the discussion points that come up; Robert
Lundberg (lute builder, who died
Well said, Ron.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Ron Andrico
Sent: Wednesday, January 21, 2015 5:31 PM
To: timothy swain; Braig, Eugene
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Spruce for lute vs guitar
-Original Message-
On 17.01.2015 20:54, Herbert Ward wrote:
Do lutes and guitars compete directly for tone wood supplies?
In other words, do lute builders and guitar builders use the same
criteria in selecting spruce lumber for soundboards?
From: lute-...@cs.dartmouth.edu
Heh, heh . . .
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Dan Winheld
Sent: Tuesday, January 20, 2015 2:53 PM
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: 16th century tuning and stringing
On 1/20/2015 10:22 AM, Ron
On Wed, Dec 3, 2014 at 2:59 PM, Braig, Eugene [2]brai...@osu.edu
wrote:
. . . or out thereof.
Eugene
-Original Message-
From: Heartistry Old [mailto:[3]t...@heartistrymusic.com]
Sent: Wednesday, December 03, 2014 3:58 PM
To: Dan Winheld
Cc: Edward Martin
; Braig, Eugene; Lute Dmth (lute@cs.dartmouth.edu)
Subject: [LUTE] Re: Lute iconography in pop-culture parody
Tongue up.
Sent from my iPhone
On Dec 4, 2014, at 10:15 AM, Heartistry Old t...@heartistrymusic.com wrote:
thumb up ? ...
Tom Draughon
Heartistry Music
www.heartistry.com
715-682
Do with this information whatever you deem appropriate:
http://www.gq.com/blogs/the-feed/2014/12/weird-al-snapchat-gq.html
Eugene
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Heh heh . . .
Eugene
-Original Message-
From: Dan Winheld [mailto:dwinh...@lmi.net]
Sent: Wednesday, December 03, 2014 2:11 PM
To: Braig, Eugene; Lute Dmth (lute@cs.dartmouth.edu)
Subject: Re: [LUTE] Lute iconography in pop-culture parody
Definitely tongue out. Quite appropriate
. . . or out thereof.
Eugene
-Original Message-
From: Heartistry Old [mailto:t...@heartistrymusic.com]
Sent: Wednesday, December 03, 2014 3:58 PM
To: Dan Winheld
Cc: Edward Martin; John Mardinly; Braig, Eugene; Lute Dmth
(lute@cs.dartmouth.edu)
Subject: Re: [LUTE] Re: Lute iconography
Of course, Julian, the Russian tuning is quite different. You'll need a
different set of strings to balance tension and tone.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Julian Templeman
Sent: Sunday, November 30,
, 2014 1:24 PM
To: Braig, Eugene; lute mailing list list
Subject: [LUTE] Re: Schiffleholz mandora?
Schiffelholz, not schiffle :)
Rainer
On 08.09.2014 15:32, Braig, Eugene wrote:
Note this video of Schiffleholz mandora music shared at the lute Ning site:
https://www.youtube.com/watch?v
] On Behalf Of
Braig, Eugene
Sent: Thursday, September 11, 2014 2:24 PM
To: lute mailing list list
Subject: [LUTE] Re: Schiffleholz mandora?
I would have expected so, but note that I copied and pasted the name directly
from the video as posted by Rod to both YouTube and Ning.
Best,
Eugene
Note this video of Schiffleholz mandora music shared at the lute Ning site:
https://www.youtube.com/watch?v=iM3sx9P0Gmk
This is all but one movement exactly of what I know as Brescianello's sixth
partita for colachon. I know that some have doubted the attribution of the
Brescianello partitas
Same terminology commonly used here in the US regarding the French-polish
process . . . but usually followed by a homonymous giggle or snigger.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Martyn Hodgson
Sent: Monday,
That abysmal Segovian cocked wrist is largely passé as modern guitarists
outgrow the memory of Segovia's influence. It has some holders on among those
who still believe Segovia's is THE way. However, most modern players of note
(especially the fiery young hotheads who win competitions) opt
I have a spare mandolin I can sell you. *wink, wink*
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Edward C. Yong
Sent: Saturday, June 21, 2014 1:04 AM
To: Lute List
Subject: [LUTE] Appropriateness of play list
Hi fellow
Perhaps requiring a little too much work, but how about arrangements of the
original pieces Respighi arranged for orchestra in his suite The Birds? At
least The Dove was by lutenist Jacques de Gallot.
Best,
Eugene
From: lute-...@cs.dartmouth.edu
/132099_1612644309706_623553_o.jpg
Best,
Eugene
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of WALSH
STUART [s.wa...@ntlworld.com]
Sent: Saturday, June 07, 2014 5:06 AM
To: Braig, Eugene; lutelist Net
Subject: [LUTE] Re: 15th century
I loved it. Thanks for this effort, Stuart. Did you know Ensemble Gabriele
Leone recorded the same piece using medieval gittern on their 2000 release,
Cinq Siècles de Mandolines: 1300-1800?
http://www.ensemble-gabriele-leone.org/egl/rubrique.php3?id_rubrique=10lang=fr
Best,
Eugene
] On Behalf Of
WALSH STUART
Sent: Friday, June 06, 2014 11:29 AM
To: Braig, Eugene; lutelist Net
Subject: [LUTE] Re: 15th century duo for gittern and dulcimer
I loved it. Thanks for this effort, Stuart. Did you know Ensemble Gabriele
Leone recorded the same piece using medieval gittern
To: Braig, Eugene
Subject: Re: [LUTE] Re: Vivaldi solo lute
Thank you all for your interesring comments!
Just to clarify, I played RV 93 and RV 540 several times on my archlute
and it was OK as for me as for the other musicians and listeners. But
now an ensemble engaged me for RV 540
]
Sent: Thursday, June 05, 2014 2:03 AM
To: Braig, Eugene; lute list
Subject: Re: [LUTE] Re: Vivaldi solo lute
I'm working on it!
Martyn
__
From: Braig, Eugene brai...@osu.edu
To: lute list lute@cs.dartmouth.edu
] On Behalf Of
Martyn Hodgson
Sent: Thursday, June 05, 2014 8:38 AM
To: Braig, Eugene; lute list
Subject: [LUTE] Re: Vivaldi solo lute
Yes indeed Eugene,
This is one of the very instruments I had in mind when earlier
referring to extant Italian instruments newly made in the 18th century
Hideki is a good guy. He used a six-course mandolino played punteado to
recorded all the mandolino and mandola works (plus two extra works for good
measure) compiled in Dalla Casa's book (1759). John Schneiderman provided the
accompaniment on archlute.
Eugene
-Original Message-
Greetings Konstantin,
This topic has received some discussion here in the past, at least
peripherally. Searching the archives might reveal some discussion of interest.
I don't think the treble mandore/mandora/mandwr/what-have-you was in very
widespread use by Vivaldi's time, certainly not in
On Jun 4, 2014, at 7:50 AM, Braig, Eugene brai...@osu.edu wrote:
On O'Dette's recording of the Vivaldi works with the Parley of Instruments
(1986, Hyperion CDA66160), he speculated the works to designate mandolino
to be intended for the five or six course mandolino (i.e.,
[g]-b-e'-a'-d''-g
From: Martyn Hodgson [mailto:hodgsonmar...@yahoo.co.uk]
Sent: Wednesday, June 04, 2014 11:30 AM
To: Braig, Eugene; lute list
Subject: Re: [LUTE] Re: Vivaldi solo lute
Dear Eugene,
Without wanting to re-open a debate of over 10 years ago, despite Count Wrtby's
origins I'm a bit sceptical
Very nice.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Roman Turovsky
Sent: Friday, April 04, 2014 11:39 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Frottola, Tromboncino, Sorini
http://www.youtube.com/watch?v=WNmeGzjK6Ic
Agreed. I don't know that there's much player crossover between notation
formats, even among those who do work from both on an instrument-by-situation
basis. If you have the ability and resources to generate two separate
editions, that might better serve.
That said, if I recall correctly
Thanks, David. Artfully delivered. Think of him whatever you will, but I'm
surprised nobody has mentioned that Segovia popularized this piece in solo
guitar transcription.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Groovy.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Rob MacKillop
Sent: Thursday, February 13, 2014 8:05 AM
To: Lute
Subject: [LUTE] Meet a relative - Tanbur
I've started studying the Turkish tanbur, which might be seen
A little plug copied directly from Facebook:
Columbus Guitar Society guest artist Christopher Wilke will be appearing on a
live interview/performance segment with WOSU Classical 101's Boyce Lancaster,
9:30 am (ET), Friday, 24 January 2014. It can be heard both live on the radio
via 101.1 FM in
. . . quasi-orgasmic relish is worthy of a tittering *tee-hee*.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Christopher Wilke
Sent: Thursday, December 19, 2013 8:27 AM
To: Jarosław Lipski; lute@cs.dartmouth.edu
Subject:
to fault Segovia for accepting his popularity and using it to further his own
taste. I'm sure from Segovia's point of view in promoting his own tastes he was
protecting the integrity of the guitar and the music.
Gary
On 2013-12-17 13:13, Braig, Eugene wrote:
. . . Not to mention a huge body
. . . Not to mention a huge body of dedicated baroque- and romantic-era
repertoire for guitar that was forgotten for generations because Segovia didn't
like it and instead opted to create a body of repertoire through transcription.
I don't think Segovia can be blamed for his tremendous
Chapdelain was the first-ever winner of the Guitar Foundation of America
competition, but now specializes in fingerstyle arrangements of pop music on
steel-string guitar: http://www.michaelchapdelaine.com/. He's now fond of
taking the stage as a barefoot bohemian. Discussing the Segovia
However, once again, Mace offers this advice in acknowledging the antecedent:
strike . . . your strings with your nails, as some do, who maintain it the
best way to play. Mace's implication is that nail play was also commonplace
and that tastes on this topic varied.
Eugene
-Original
The Barrios-as-first legend is batted around quite a bit, but I think that's
due to his current popularity as a mainstream classical instrumentalist. I
suppose giving Barrios that credit depends upon if you're willing to consider
accompanists. Roy H. Butin, e.g., was a fine professional
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