Messages by Date
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2012/09/29
extreme is in
William Conger
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2012/09/29
Re: Aesthetic Ideal
William Conger
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2012/09/29
Re: Aesthetic Ideal
William Conger
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2012/09/29
Re: Aesthetic Ideal
Michael Brady
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2012/09/29
Re: Aesthetic Ideal
joseph berg
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2012/09/28
Re: "Me-meanings" etc. #1
Michael Brady
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2012/09/28
Re: "Me-meanings" etc. #1
William Conger
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2012/09/28
Re: "Me-meanings" etc. #1
Cheerskep
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2012/09/28
Re: "Me-meanings" etc. #1
William Conger
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2012/09/28
Re: shock
William Conger
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2012/09/28
"Me-meanings" etc. #1
Cheerskep
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2012/09/28
Re: shock
joseph berg
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2012/09/27
messy
William Conger
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2012/09/27
Re: "Expo Chicago: Money and art mingle, with little benefit to art"
William Conger
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2012/09/27
Re: )
William Conger
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2012/09/27
"Expo Chicago: Money and art mingle, with little benefit to art"
joseph berg
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2012/09/27
Re: shock
William Conger
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2012/09/27
Re: )
Michael Brady
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2012/09/27
Re: shock
joseph berg
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2012/09/27
Re: shock
joseph berg
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2012/09/27
Re: shock
joseph berg
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2012/09/27
Re: shock
joseph berg
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2012/09/27
Re: "The creation of Aboriginal art for an international market is poignantly paradigmatic of the modernist commodification of (fine) art in a very specific sense: as the abstraction and extraction--the reification--of particular visual or op
Cheerskep
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2012/09/27
)
William Conger
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2012/09/27
shock
William Conger
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2012/09/27
Re: "Art-speak for Dummies"
Cheerskep
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2012/09/27
Re: "Art-speak for Dummies"
joseph berg
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2012/09/27
Re: [AE] Fwd: Adorno and Performance: Call for Abstracts
joseph berg
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2012/09/26
Fwd: [AE] Fwd: Adorno and Performance: Call for Abstracts
lslbsc2
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2012/09/26
Re: "Art-speak for Dummies"
Cheerskep
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2012/09/26
Re: "Art-speak for Dummies"
William Conger
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2012/09/26
Re: "Art-speak for Dummies"
Cheerskep
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2012/09/26
"...The mapping of the aesthetic field onto political economy is a phenomenon that should be seen as central to modernity in art."
joseph berg
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2012/09/26
"...Plato’s influence through nearly the whole history of Western aesthetics."
joseph berg
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2012/09/25
"Art-speak for Dummies"
joseph berg
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2012/09/25
Is this any different from what that lady in Spain did?
joseph berg
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2012/09/25
Re: \"The creation of Aboriginal art for an international market is poignantly paradigmatic of the modernist commodification of (fine) art in a very specific sense: as the abstraction and extracti
Cheerskep
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2012/09/25
Re: "The creation of Aboriginal art for an international market is poignantly paradigmatic of the modernist commodification of (fine) art in a very specific sense: as the abstraction and extraction--the reification--of particular visual or optical proper
William Conger
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2012/09/25
Re: "The creation of Aboriginal art for an international market is poignantly paradigmatic of the modernist commodification of (fine) art in a very specific sense: as the abstraction and extraction--the reification--of particular visual or optical proper
Tom McCormack
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2012/09/25
Re: "How Art History Majors Power the U.S. Economy"
William Conger
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2012/09/25
"How Art History Majors Power the U.S. Economy"
joseph berg
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2012/09/25
"Too many aspiring young museum curators can't find jobs?"
joseph berg
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2012/09/24
Re: "The creation of Aboriginal art for an international market is poignantly paradigmatic of the modernist commodification of (fine) art in a very specific sense: as the abstraction and extraction--the reification--of particular visual or optical proper
William Conger
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2012/09/24
Re: "The creation of Aboriginal art for an international market is poignantly paradigmatic of the modernist commodification of (fine) art in a very specific sense: as the abstraction and extraction--the reification--of particular visual or optical proper
Michael Brady
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2012/09/24
Re: "The creation of Aboriginal art for an international market is poignantly paradigmatic of the modernist commodification of (fine) art in a very specific sense: as the abstraction and extraction--the reification--of particular visual or optical proper
William Conger
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2012/09/24
Re: "...Increasing commodification in all walks of life, art included, made a nonsense of solitary heroic quests for authenticity."
William Conger
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2012/09/24
International Art English
William Conger
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2012/09/24
"The creation of Aboriginal art for an international market is poignantly paradigmatic of the modernist commodification of (fine) art in a very specific sense: as the abstraction and extraction--the reification--of particular visual or optical proper
joseph berg
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2012/09/24
"...Increasing commodification in all walks of life, art included, made a nonsense of solitary heroic quests for authenticity."
joseph berg
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2012/09/21
Re: "...Art is subjective and, often, so clearly stupid and forced that it's kind of infuriating."
joseph berg
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2012/09/20
If you like bronze
joseph berg
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2012/09/20
Re: "...Art is subjective and, often, so clearly stupid and forced that it's kind of infuriating."
Cheerskep
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2012/09/20
Re: "...Art is subjective and, often, so clearly stupid and forced that it's kind of infuriating."
William Conger
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2012/09/20
"...Art is subjective and, often, so clearly stupid and forced that it's kind of infuriating."
joseph berg
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2012/09/17
Re: Aesthetic stasis
William Conger
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2012/09/17
Re: Aesthetic stasis
joseph berg
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2012/09/17
Re: “Deaf to proclamations and manifestos of the international avant-garde, Fortuny did not have any problem with, or any fear o
ARMANDO BAEZA
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2012/09/17
Re: “Deaf to proclamations and manifestos of the international avant-garde, Fortuny did not have any problem with, or any fear o
William Conger
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2012/09/17
Re: Aesthetic stasis
William Conger
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2012/09/17
Re: Aesthetic stasis
Michael Brady
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2012/09/17
Re: Aesthetic stasis
Cheerskep
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2012/09/17
Re: Aesthetic stasis
Michael Brady
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2012/09/17
Re: Aesthetic stasis
Cheerskep
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2012/09/17
Re: Aesthetic stasis
joseph berg
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2012/09/17
Re: Aesthetic stasis
Cheerskep
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2012/09/17
Re: Aesthetic stasis
Tom McCormack
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2012/09/17
Re: “Deaf to proclamations and manifestos of the international avant-garde, Fortuny did not have any problem with, or any fear o
armando baeza
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2012/09/17
Re: “Deaf to proclamations and manifestos of the international avant-garde, Fortuny did not have any problem with, or any fear o
Cheerskep
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2012/09/17
Re: Aesthetic stasis
Michael Brady
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2012/09/17
Re: Aesthetic stasis
armando baeza
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2012/09/17
Re: Aesthetic stasis
Michael Brady
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2012/09/17
Re: Aesthetic stasis
William Conger
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2012/09/17
Re: “Deaf to proclamations and manifestos of the international avant-garde, Fortuny did not have any problem with, or any fear of, looking at the past as a source of inspiration and ideas."
William Conger
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2012/09/17
Re: Aesthetic stasis
joseph berg
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2012/09/17
Re: “Deaf to proclamations and manifestos of the international avant-garde, Fortuny did not have any problem with, or any fear of, looking at the past as a source of inspiration and ideas."
joseph berg
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2012/09/16
Re: Aesthetic stasis
Cheerskep
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2012/09/16
Re: Aesthetic stasis
Cheerskep
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2012/09/16
Re: Aesthetic stasis
armando baeza
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2012/09/16
Re: Aesthetic stasis
Cheerskep
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2012/09/16
Re: Aesthetic stasis
Cheerskep
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2012/09/15
Re: “Deaf to proclamations and manifestos of the international avant-garde, Fortuny did not have any problem with, or any fear of, looking at the past as a source of inspiration and ideas."
Michael Brady
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2012/09/15
Re: “Deaf to proclamations and manifestos of the international avant-garde, Fortuny did not have any problem with, or any fear of, looking at the past as a source of inspiration and ideas."
armando baeza
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2012/09/14
“Deaf to proclamations and manifestos of the international avant-garde, Fortuny did not have any problem with, or any fear of, looking at the past as a source of inspiration and ideas."
joseph berg
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2012/09/14
Re: "Berlin cultural centers become casualties of gentrification"
armando baeza
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2012/09/14
"Berlin cultural centers become casualties of gentrification"
joseph berg
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2012/09/14
Re: Aesthetic Ideal
Cheerskep
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2012/09/14
Re: Aesthetic stasis
Cheerskep
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2012/09/14
Re: Aesthetic stasis
William Conger
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2012/09/14
Re: Aesthetic stasis
Michael Brady
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2012/09/14
Re: Aesthetic stasis
joseph berg
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2012/09/13
Re: Aesthetic stasis
armando baeza
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2012/09/13
Re: Aesthetic stasis
joseph berg
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2012/09/13
Re: Aesthetic stasis
armando baeza
-
2012/09/13
Re: Aesthetic stasis
Cheerskep
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2012/09/13
Re: Aesthetic stasis
armando baeza
-
2012/09/13
Re: Aesthetic stasis
Cheerskep
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2012/09/13
Re: Aesthetic stasis
William Conger
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2012/09/13
Re: "As a professional, I think we're not being judged solely on technical ability anymore. People really want to be entertained and enjoy what they're watching." (Kristi Yamaguchi)
Cheerskep
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2012/09/13
Re: "The consumer is really worshipping the money that he himself has paid for the ticket to the Toscanini concert. He has literally 'made' the success which he reifies and accepts as an objective criterion, without recognizing himeself in it. But he ha
William Conger
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2012/09/13
Re: Aesthetic stasis
Cheerskep
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2012/09/13
Re: "The consumer is really worshipping the money that he himself has paid for the ticket to the Toscanini concert. He has literally 'made' the success which he reifies and accepts as an objective criterion, without recognizing himeself in it. But he ha
Cheerskep
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2012/09/13
Re: "Whether viewed as a language of the emotions, the metaphysical, the irrational, or of the unconscious, the conviction of mu
Cheerskep
-
2012/09/13
Re: "But without formal models and codified methods, how can we design and evaluate for a phenomenon we aren't sure can be adequately captured?"
Cheerskep
-
2012/09/13
Re: Aesthetic stasis
Cheerskep
-
2012/09/13
Re: Aesthetic stasis
Cheerskep
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2012/09/13
Re: Aesthetic stasis
Lew Schwartz
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2012/09/13
"Does the commodification of art compromise its integrity?"
joseph berg
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2012/09/13
Re: Aesthetic stasis
joseph berg
-
2012/09/13
Re: Aesthetic stasis
joseph berg
-
2012/09/13
Re: Aesthetic stasis
Michael Brady
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2012/09/13
Re: Aesthetic stasis
Cheerskep
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2012/09/13
Re: Aesthetic stasis
Lew Schwartz
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2012/09/13
Re: Aesthetic stasis
Michael Brady
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2012/09/13
Re: Aesthetic stasis
Lew Schwartz
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2012/09/13
Re: Aesthetic stasis
armando baeza
-
2012/09/12
Re: Aesthetic stasis
joseph berg
-
2012/09/12
Re: Aesthetic stasis
Michael Brady
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2012/09/12
Re: Aesthetic stasis
armando baeza
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2012/09/12
Re: Aesthetic stasis
joseph berg
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2012/09/12
Re: Aesthetic stasis
armando baeza
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2012/09/12
Aesthetic stasis
joseph berg
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2012/09/12
Re: redundancy
joseph berg
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2012/09/09
"Our Aesthetic Categories: Zany, Cute, Interesting" (scheduled to be published next month)
joseph berg
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2012/09/09
Re: "Fitzgerald himself was not able to function most of the time."
joseph berg
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2012/09/08
Re: "Fitzgerald himself was not able to function most of the time."
Cheerskep
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2012/09/08
Re: Aesthetic Ideal
Michael Brady
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2012/09/08
Re: Aesthetic Ideal
armando baeza
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2012/09/08
Re: Aesthetic Ideal
Tom McCormack
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2012/09/07
Re: "Fitzgerald himself was not able to function most of the time."
joseph berg
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2012/09/07
Re: “My task is, above all, to make you see.”
joseph berg
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2012/09/07
Re: "As a professional, I think we're not being judged solely on technical ability anymore. People really want to be entertained and enjoy what they're watching." (Kristi Yamaguchi)
joseph berg
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2012/09/07
Re: "The consumer is really worshipping the money that he himself has paid for the ticket to the Toscanini concert. He has literally 'made' the success which he reifies and accepts as an objective criterion, without recognizing himeself in it. But he has
Michael Brady
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2012/09/07
Re: "The consumer is really worshipping the money that he himself has paid for the ticket to the Toscanini concert. He has literally 'made' the success which he reifies and accepts as an objective criterion, without recognizing himeself in it. But he has
William Conger
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2012/09/07
"The consumer is really worshipping the money that he himself has paid for the ticket to the Toscanini concert. He has literally 'made' the success which he reifies and accepts as an objective criterion, without recognizing himeself in it. But he has
joseph berg
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2012/09/06
Re: "...What interests people today has less and less to do with authenticity and more and more to do with experience or being part of an in-crowd."
Lew Schwartz
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2012/09/06
Re: "...What interests people today has less and less to do with authenticity and more and more to do with experience or being part of an in-crowd."
William Conger
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2012/09/06
"...What interests people today has less and less to do with authenticity and more and more to do with experience or being part of an in-crowd."
joseph berg
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2012/09/05
"Whether viewed as a language of the emotions, the metaphysical, the irrational, or of the unconscious, the conviction of music’s ability to convey meaning, rather than to imitate or represent an external phenomenon as was generally accepted during t
joseph berg
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2012/09/05
Re: "But without formal models and codified methods, how can we design and evaluate for a phenomenon we aren't sure can be adequately captured?"
William Conger
-
2012/09/05
"But without formal models and codified methods, how can we design and evaluate for a phenomenon we aren't sure can be adequately captured?"
joseph berg
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2012/09/03
Sorry for the recent 2 messes
joseph berg
-
2012/09/03
Re:
joseph berg
-
2012/09/03
Re:
joseph berg
-
2012/09/03
"What gave me the right to discern “quality” in art, thereby implying that some objects—and by implication, some people—were “better” than others?"
joseph berg
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2012/09/03
Re: Re:
Cheerskep
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2012/09/03
Re:
William Conger
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2012/09/03
Re: Hegel
lslbsc2
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2012/09/03
Re: Hegel
joseph berg
-
2012/09/03
Re:
joseph berg
-
2012/09/02
Re: Aesthetic Ideal
joseph berg
-
2012/09/01
Re: Aesthetic Ideal
William Conger
-
2012/09/01
Re: Aesthetic Ideal
armando baeza
-
2012/09/01
Re: Aesthetic Ideal
joseph berg
-
2012/09/01
Re: Aesthetic Ideal
joseph berg
-
2012/09/01
Re: Aesthetic Ideal
Cheerskep
-
2012/09/01
Re: Aesthetic Ideal
William Conger
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2012/09/01
Re: Aesthetic Ideal
caldwell-brobeck
-
2012/09/01
Re: Aesthetic Ideal
Cheerskep
-
2012/09/01
Re: Aesthetic Ideal
armando baeza
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2012/09/01
Re: Aesthetics as a technique of knowing
joseph berg
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2012/09/01
Re: Aesthetic Ideal
joseph berg
-
2012/08/31
Re: Aesthetic Ideal
armando baeza
-
2012/08/31
Re: Aesthetic Ideal
armando baeza
-
2012/08/31
Re: Aesthetic Ideal
William Conger
-
2012/08/31
Re: Aesthetic Ideal
joseph berg
-
2012/08/31
Re: Aesthetic Ideal
lslbsc2
-
2012/08/31
Re: Aesthetic Ideal
Cheerskep
-
2012/08/31
Re: Aesthetic Ideal
lslbsc2
-
2012/08/31
Re: Aesthetic Ideal
lslbsc2
-
2012/08/31
Re: Capitalists are no more capable of self-sacrifice than a man is capable of lifting himself up by his own bootstraps.
Tom McCormack
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2012/08/31
Re: Aesthetic Ideal
armando baeza
-
2012/08/31
Re: Experience has two things to teach; the first is that we must correct a great deal; the second, that we must not correct too much. (Eugene Delacroix)
Cheerskep
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2012/08/31
Re: "Specify clear artistic criteria based on standards of excellence."
Cheerskep
-
2012/08/31
Re: Aesthetic Ideal
Cheerskep
-
2012/08/31
Re: Aesthetic Ideal
armando baeza
-
2012/08/31
Re: Aesthetic Ideal
armando baeza
-
2012/08/31
Re: Aesthetic Ideal
Cheerskep
-
2012/08/31
Re: Aesthetic Ideal
Michael Brady
-
2012/08/31
Re: Aesthetic Ideal
Cheerskep
-
2012/08/31
Re: Aesthetic Ideal
Cheerskep
-
2012/08/31
Re: Aesthetic Ideal
lslbsc2
-
2012/08/31
Re: Aesthetic Ideal
Cheerskep
-
2012/08/31
Re: is list dead?
Cheerskep
-
2012/08/31
Re: Aesthetic Ideal
William Conger
-
2012/08/31
Re: Aesthetic Ideal
lslbsc2
-
2012/08/30
Re: Experience has two things to teach; the first is that we must correct a great deal; the second, that we must not correct too much. (Eugene Delacroix)
armando baeza
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2012/08/30
Re: is list dead?
William Conger
-
2012/08/30
Re: is list dead?
William Conger
-
2012/08/30
Re: is list dead?
Michael Brady
-
2012/08/30
Re: is list dead?
armando baeza
-
2012/08/30
Re: is list dead?
joseph berg
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2012/08/30
Experience has two things to teach; the first is that we must correct a great deal; the second, that we must not correct too much. (Eugene Delacroix)
joseph berg
-
2012/08/30
Re: Aesthetic Ideal
Tom McCormack
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2012/08/30
Re: "The work of art, as I said a moment ago, becomes in the modernized context one of the moments of arrested development, of stasis or stillness, which seems temporarily at least to stay the hand of relentless and accelerating revolution."
caldwell-brobeck
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2012/08/30
Re: "The aesthetic domain and the work of art seem to offer a plane on which a certain equilibrium can be achieved in the face of a modernized reality which is always already in a state of disruptive disequilibrium. Societies organized economically and s
William Conger
-
2012/08/30
Re: "Specify clear artistic criteria based on standards of excellence."
William Conger
-
2012/08/30
Re: "The work of art, as I said a moment ago, becomes in the modernized context one of the moments of arrested development, of stasis or stillness, which seems temporarily at least to stay the hand of relentless and accelerating revolution."
William Conger
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2012/08/30
"The aesthetic domain and the work of art seem to offer a plane on which a certain equilibrium can be achieved in the face of a modernized reality which is always already in a state of disruptive disequilibrium. Societies organized economically and s
joseph berg
-
2012/08/30
"Specify clear artistic criteria based on standards of excellence."
joseph berg
-
2012/08/30
"The work of art, as I said a moment ago, becomes in the modernized context one of the moments of arrested development, of stasis or stillness, which seems temporarily at least to stay the hand of relentless and accelerating revolution."
joseph berg