frameworks
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that attempt to
visualize inner states of mind such as
breakdowns (Vertigo), nightmares (Spellbound),
acid trips (Easy Rider) or any other kind of
hallucination (Altered States). Ecstatic or horrific doesnât matter. Thanks.
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Mary Helena Clark's "The Dragon is the Frame" (2014)
https://vimeo.com/115341715
Gunvor Nelson's "Time Being" (1991)
> On Mar 18, 2017, at 1:30 PM, Carl E Bogner wrote:
>
>
> Ahhh, more generalized/communal/generational that you may be interested in,
> but also:
>
> Michael Wallin’s Decoding
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m
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Hey Frameworks,
Please see below for some info on events in London and Rotterdam on
Japanese expanded cinema, including a film/performance series at Tate
Modern/International Film Festival Rotterdam and a symposium at University
of Westminster, that may be of your interest. Thanks!
Throwing Shado
online
photo, âdimensionsâ (i.e., 400 x 500) refers
to DPI?
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Thank you!
Gina
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cess (at) <http://gmail.com>gmail.comÂ
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six-month tour of screenings around Europe! This visit is supported by the
Japan Foundation.
All the best,
Julian Ross
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itness
<http://www.actsofwitness.com/>www.actsofwitness.com
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--
nks! moira
moiratierney.net
vimeo.com/moiratierney
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s mailing
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Aaron F. Ross, artist and educator
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Posting on behalf of Pittsburgh Filmmakers: Steenbeck ST-928 8-plate
flatbed editor for 16mm
Free to a good home; you ship or haul. Message me off-list if interested.
>From "the Paris of Appalachia",
~Ross Nugent
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27;t learn how to make frescos.
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works
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DIARY
installments, offer loving portraits of critters.
KITCH'S LAST MEAL by Carolee Schneeman, 54 mins, 1973-1976
~Ross
On Wed, Apr 23, 2014 at 11:29 AM, festi...@cjcinema.org <
festi...@cjcinema.org> wrote:
> NEOZOON, for SURE,
>
> bio-filmo and film excerpts here :
>
info/frameworks
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computers.
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rks mailing
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http://dig
Peter Snowdon
<<mailto:pe...@redrice.net>pe...@redrice.net> wrote:
Aaron,
thanks! I guess my question was, what is the
safest setting for multiple unknown
computer/projector combinations...:) It seems
720p would avoid a lot of problems in itself.
Peter
Envoyé de mon iPad
>
to
compression. Thanks in advance, Peter Envoyé de
mon iPad > Le 15 févr. 2014 à 02:31, "Aaron F.
Ross" a écrit
: > > Hey Sandra... > > You need an MP4 file.
That means it's encoded using H.264 compression.
Don't bother with Quicktime. Don't bother w
? thank you, Sandra Davis
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ht
988, 93 min)
Rock on.
~Ross
On Sat, Feb 8, 2014 at 4:20 PM, Peter Snowdon wrote:
> I think the one Adam is thinking of is this one (number 3):
> https://vimeo.com/6975800
>
> Le 8/02/14 21:50, Adam Hyman a écrit :
>
> One of Ben Russell's Black & Whit
I just recently saw Manuel DeLanda's JUDGEMENT DAY (1983,S8-to-16mm, color,
sound, 8 min), which
features some pretty amazing cockroaches...
~Ross
On Fri, Dec 20, 2013 at 4:17 AM, חן שינברג wrote:
> The cameraman's revenge- ladislaw Starewicz.1912
> The acrobatic fly- p
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Digital Arts Guild
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osts of the server farms onto the next generation.
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stribution versions you would >need... >
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yptic multi-tasking Edsel into the bin, get a Mac and spend your
time focussing on ideas. Just my thoughts, Peter Perth (way down
south, not the bonnie one).
---
Aaron F. Ross
Digital Arts Guild
___
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> On Dec 8, 2013, at
1:51 PM, "Aaron F. Ross" wrote: > >
Unfortunately, the Apple ProRes encoder is not available for
Windows. There is a workaround involving ffmpeg, but it's a pain.
You have to render your clip to a lossless format such as QT
Animation, then convert us
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ions"
http://www.press.uillinois.edu/books/catalog/47yxb8mr9780252038471.html
Good luck,
~Ross
On Tue, Dec 3, 2013 at 8:48 PM, Julia Nimhuiri wrote:
> Dear Frameworks,
> Does anyone know if Germaine Dulac's films, Disque 957, Themes &
> Variations and Arabesques, are ava
Ugh. It's so highly variable from airport to airport. Some inspectors will let
you open the can and show the end of the reel. Some will force you to put the
can through the x-ray. And there's no way to know in advance what the policies
are or how the inspectors are feeling that day. It's probab
format such as Quicktime Animation. If you're tight on disk
space, you can nest compositions or timelines and render the
composited SD footage directly, with no intermediate.
Aaron
At 8/17/2013, you wrote:
Aaron F Ross... downsampling it to 480p is not the same as laying
off to tape.
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adaptations of Proust).
Both film makers/works and essays/writings.
Cheers,
Benjamin.
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rks mailing list
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I'd suggest checking out Jack Stevenson's book "Addicted: The Myth and
Menace of Drugs in Film".
~RN
On Sat, Feb 9, 2013 at 7:20 PM, Lawrence Brose wrote:
> Has anyone suggested “The Trip” (1967) by Roger Corman with Peter
> Fonda, Dennis Hopper and Bruce Dern?
>
> Lawrence
>
>
> On 2/9/13 6:2
TARGETS (1968) Peter Bogdanovich, feat. Boris Karloff (!)
On Mon, Jan 7, 2013 at 10:20 AM, graeme hogg wrote:
>
>
> The Inner Circle 1991 uk/italy/soviet union 137 min
> Trailer here http://www.youtube.com/watch?v=hEIl_c_QSt0
>
>
>
>
>
>
>
> > Hello there,
> >
> > I'm trying to compile a list of
I'm traveling to Hong Kong tomorrow and didn't have as much film stock
as I want or need. Does anyone know where I could purchase some in hong kong?
If you have any suggestions please contact me off list at rossmeckfessel (at)
gmail (dot) com.
Thanks so much
Ross
I'm traveling to Hong Kong tomorrow and didn't have as much film stock
as I want or need. Does anyone know where I could purchase some in hong kong?
If you have any suggestions please contact me off list at rossmeckfessel (at)
gmail (dot) com.
Thanks so much
Ross
I'm traveling to Hong Kong tomorrow and didn't have as much film stock
as I want or need. Does anyone know where I could purchase some in hong kong?
If you have any suggestions please contact me off list at rossmeckfessel (at)
gmail (dot) com.
Thanks so much
Ross
can understand and
>appreciate. ___
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ate them in class with specific examples - using the
>16mm and digital projectors I have in the classroom - would be nice,
>so suggestions of such specific examples would be appreciated.
>
>Thanks in advance for any ideas.
>Best,
>Jonathan
>
>Jonathan Walle
's say, accurate results?
>
>--
><http://ekremserdar.info>ekremserdar.info
>austin, tx
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I've got a Free 16mm Flatbed Moviola that I'm looking to get rid of as I'm
moving out of the state. It's located near Logan Square in Chicago, and is
almost entirely functional. Machine turns on, film runs through everything
fine, mag. sounds works, but the focus doesn't work. I know that it use
Just came across this recently, tho haven't picked it up yet...
Focal Press_"Swimming Upstream: A Lifesaving Guide to Short Film
Distribution"
by Sharon Badal (short film programmer for Tribeca FF).
Likely not too d-i-y, but perhaps of interest?
~Ross Nugent
On Sun, Apr 29,
sfilms.com
>https://mailman-mail5.webfaction.com/listinfo/frameworks
>
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ty.html).
>
>
>
>Do you have suggestions?
>
>Thanks,
>Lance
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--
gt;
>and if anyone has some thoughts on it.
>
>best
>Christian
>
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---
ers who have
exhibited their work
in previous editions of MUFF.
Multiple-projector/ expanded cinema/ installation proposals encouraged.
Questions?
Contact: Ross Nugent / renug...@uwm.edu
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htt
d: "PHOSPHENES", in collaboration with Anna Geyer.
http://www.dr-yo.com/video_phosphenes.html
Regards,
Aaron F. Ross
At 1/25/2012, you wrote:
>Many thanks to the list - I have had some very helpful and
>interesting suggestions, both on and off list, in terms of
>filmmaker
lso mention that its 'easy on the eyes'
>
> Thank you for your time.
>
> Steve Cossman
>
>
>
>___ FrameWorks mailing
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I have one of those Litepanel 1x1 knockoffs, but it's a different brand:
http://www.socanland.com/Product.aspx?id=56
Mine is bi-color, so you can dial smoothly from tungsten to daylight
balanced light. I runs continuously on a battery for several hours and it's
surprisingly bright. However, it doe
om (Academic)
>www.crookedbeauty.com (Public)
>www.kenpaulrosenthal.com
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Aaron F. Ros
>>Ken
>><http://www.crookedbeautythefilm.com>www.crookedbeautythefilm.com (Academic)
>><http://www.crookedbeauty.com>www.crookedbeauty.com (Public)
>><http://www.kenpaulrosenthal.com>www.kenpaulrosenthal.com
>>__
Thanks!
It's not available on DVD or Blu-ray yet, but when it is I will
announce it here.
Aaron
At 12/8/2011, you wrote:
>that is really nicely done. Thank you for sharing.
>
>
>From: Aaron F. Ross
>To: Experimental Film Discussion List
>Sent: Thursday, 8 December 2
31 Nanyang Link
>Singapore 637718
>Office phone: (65) 6514-8351
>Mobile: (65) 9720-8484
>
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Hi Frameworks,
Takashi Makino is in London over the weekend/next week and we're screening a
selection of his films.
Please see the programmes below:
Enter the Cosmos: Takashi
Makino Special
Nov 19th (SAT), 8:30pm
ICA
Intimate
Stars
[2004 35min
Music: Takashi Makino]
Elements of Nothing
industry want to abandon a tried-and-true technology?
Aaron
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>___
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>https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
>
>--
>40 FRAMES
>Alain LeTourneau
>Pam Minty
>
>4
7;t think either has come to
>pass yet, and certainly not at the hands of whatever aesthetic tools
>we have available).
>
>Best,
>Tessa
>
>On Mon, Oct 31, 2011 at 12:29 AM, Aaron F. Ross
><<mailto:aa...@digitalartsguild.com>aa...@digitalartsguild.com> wrote:
>I haven
> from my, or
>anyone's, brain. I already live there. Same even with the >> "dream"
>of 3D 360degree cinema - I already live in a 3D immersive >> world.
>I need things like cinema to enlighten, inform, enhance being >>
>alive, not duplicate it - goes
>http://gizmodo.com/5843117/scientists-reconstruct-video-clips-from-brain-activity
>
>Marilyn Brakhage ___
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, stellar film!)
SAPPHO AND JERRY: PARTS I-III by archivist/curator/filmmaker Bruce Posner
(Hanover, NH) 6 mins, 35mm CinemaScope,1977-78
(Amazing use of 'Scope, multilayered imagery, completed w. an Oxberry
aerial-image printer)
Contact Bruce P. directly for info
Dig,
~Ross Nugent
Milwauke
347) 469-1964
>>
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>
>___ FrameWorks mailing
>lis
my Gatorade Replenish
>>___
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>>https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>__
bute we must think about this. Anger
>and passion are fine but being mean just ain't cool Sent from
>my Samsung Replenish David Tetzlaff
>wrote: >Having, somewhat regrettably, dropped what was probably the
>first Frameworks f-bomb directed at Aaron F. Ross last June, I
cussions
>here when I was first subscribed in the 1990s, and the bottom line
>for me is the discussion hasn't actually fundamentally moved on
>although the technology has. This could be because its pointless, as
>the people here are artists first, technicians later, and mo
down a file sinkhole,
>like what happened to NASA a few years back.
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---
Aaron F. Ro
tists choose their medium for
>the aesthetics and the control they want among other things. Digital
>does not look like or respond like film does, and vice versa (just
>keep adding more stops of sensitivity to those sensors, HDR Sensors
>? haha.. you're missing the poin
dumpster as well. Starting up another
Impossible Project is a noble idea, but from what I've seen, these
handmade stocks can't compete with the real deal.
Aaron
---
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Digital Arts Guild
__
Program details:
http://hosted.verticalresponse.com/204850/42328eaf16/317255305/be556df494/
T.I.E. : www.experimentalcinema.org/
~Ross Nugent
UWM Union Theatre
Program Manager
*Tuesday, Oct 4 at 7pm, FREE*
*An Historical Program presented by TIE curator Christopher May*
This
tic.
Aaron
At 8/30/2011, you wrote:
>in addendum to my last email that could be considered harsh words
>toward aaron f ross, if any one takes offense ( including mr. ross)
>please forgive, i really don't wish to fill this list with
>squabbling and drama. far from it. and out o
t;FrameWorks@jonasmekasfilms.com
>https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
>
>--
>
>Brook Hinton
>Moving Image and Sound Maker
><http://www.brookhinton.com>www.brookhinton.com
>
>Associate Professor / Assistant C
I have fond memories of New Nothing, Rock Ross is a great guy. I
curated a show there once. But it's definitely "under the radar" --
haven't heard a peep about it for years.
http://newnothing.wordpress.com/
Aaron
At 8/29/2011, you wrote:
>there's a place
lows-
>
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>
>___
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