Re: [h-cost] Wedding wear

2016-02-01 Thread Sylvia Rognstad
I wore navy and only kept quiet because I'm shy.  But not on the dance floor 
where I kicked up my heels.

Sylvia Rognstad
Ezzyworld
Custom design & sewing
Theatrical costume design
http://www.ezzyworld.com
Hand-dyed silk belly dance veils
http://www.facebook.com/emeralds.belly.dance.veils.etc











On Feb 1, 2016, at 6:23 PM, Marjorie Wilser wrote:

> I wore emerald.
> 
> ==Marjorie 
> 
>> On Jan 27, 2016, at 7:47 AM, scourney <scour...@nwlink.com> wrote:
>> 
>> I thought that was the comment for the mother of the groom - show up, shut 
>> up, and wear beige. I'm a rapidly greying blonde with pale skin, and in 
>> beige I'd be almost invisible. Which perhaps is the point.Susan 
>> 
>>  Original message 
>> From: annbw...@aol.com 
>> Date: 01/27/2016  6:15 AM  (GMT-08:00) 
>> To: h-cost...@indra.com 
>> Subject: Re: [h-cost] Wedding wear 
>> 
>> The mother of the bride wears beige and keeps quiet. But I would think 
>> another color would be more fun.
> 
> 
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[h-cost] unsubscribe

2015-05-01 Thread Sylvia Rognstad

Sylvia Rognstad
Ezzyworld
Custom design  sewing
Theatrical costume design
http://www.ezzyworld.com
Hand-dyed silk belly dance veils
http://www.facebook.com/emeralds.belly.dance.veils.etc











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Re: [h-cost] help/advice needed re: closure

2012-06-09 Thread Sylvia Rognstad

Can you not put it in the side seam?

Sylvia Rognstad
Ezzyworld
Custom design  sewing
Theatrical costume design
http://www/ezzyworld.com
Hand-dyed silk belly dance veils
http://www.facebook.com/emeralds.belly.dance.veils.etc










On Jun 9, 2012, at 8:19 PM, Julie Tamura wrote:


I'm making a 50's-ish sundress for my daughter. It has a fitted, boned
bodice with a gathered skirt. The pattern was designed with a  
zipper in the
center back seam. I've modified the skirt to have four gores. Can I  
put a
zipper in that will have to kink off to one side to follow the  
gore? What
would be a good closure?  Everything I think of would be difficult  
for her

to fasten in the back.
Julie

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Re: [h-cost] help/advice needed re: closure

2012-06-09 Thread Sylvia Rognstad
I just got it..  You don't have a side seam either, do you?  I think  
I would divide up the center back gore so that you do have a CB seam  
to insert a zipper.



Sylvia Rognstad
Ezzyworld
Custom design  sewing
Theatrical costume design
http://www/ezzyworld.com
Hand-dyed silk belly dance veils
http://www.facebook.com/emeralds.belly.dance.veils.etc










On Jun 9, 2012, at 8:26 PM, Sylvia Rognstad wrote:


Can you not put it in the side seam?

Sylvia Rognstad
Ezzyworld
Custom design  sewing
Theatrical costume design
http://www/ezzyworld.com
Hand-dyed silk belly dance veils
http://www.facebook.com/emeralds.belly.dance.veils.etc









On Jun 9, 2012, at 8:19 PM, Julie Tamura wrote:

I'm making a 50's-ish sundress for my daughter. It has a fitted,  
boned
bodice with a gathered skirt. The pattern was designed with a  
zipper in the
center back seam. I've modified the skirt to have four gores. Can  
I put a
zipper in that will have to kink off to one side to follow the  
gore? What
would be a good closure?  Everything I think of would be difficult  
for her

to fasten in the back.
Julie

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[h-cost] Online selling

2011-08-11 Thread Sylvia Rognstad
I know some of you have online clothing or costuming businesses.  I  
have fairly recently started selling my hand-dyed silk belly dance  
veils on ebay and etsy.  i've done much better on ebay for some  
reason.  I'm not selling much at all on etsy although I see that  
there are other people selling veils on etsy and they seem to be  
doing better.  i also see that there are a lot of vendors selling a  
lot of veils on ebay.  I'm trying to figure out how to market my  
wares better without spending a fortune.  Facebook ads are very  
expensive.  10 years ago, when I started making belly dance costumes  
and put them up on a website, I contacted a lot of belly dance  
websites with no luck whatsoever, so I don't want to go that route  
again.  I'm just wondering if any of you have any good marketing ideas.





Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com
Hand-dyed silk belly dance veils
http://www.facebook.com/pages/Emeralds-Belly-Dance-veils-etc/ 
134438376621333





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Re: [h-cost] Online selling

2011-08-11 Thread Sylvia Rognstad
Never heard of artfire and just looked into it.  since it's free, I  
may give it a whirl.


I did used to try vending at events and didn't have much luck there.   
That was when I was an active belly dancer myself.  I've since given  
it up, so I'm totally out of the loop, which may be part of the problem.


thanks or the tip on artifre though.  I know one woman who has been  
very successful selling aprons on etsy, and it certainly looks like  
there are many others, but I can't figure out what the trick is.




Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




On Aug 11, 2011, at 1:08 PM, thehistoricalhairdres...@gmail.com wrote:

Marketing idea.. Look into belly dance schools,  
teachers,competitions . I did a few eastern bellydance competitions  
as a vendor in the san diego area. It can help draw people back to  
the site. I gained contact with the teachers. So I had a better  
flow to my site. I have not been able to crack the etsy selling  
mystery. It doesn't appear that it is a successful site. I know  
there are other sites that allow you to sell hand made goods. I  
think artfire might be one. You can also send in your info to  
dharma trading to see if they will show off your work.   
Hopefully you will have success!

Sent on the Sprint® Now Network from my BlackBerry®


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Re: [h-cost] Where is everyone hanging out these days?

2011-08-06 Thread Sylvia Rognstad
I myself can't seem to get into blogs or facebook (except to try to  
promote my belly dance veils).  Maybe it's just that I haven't a clue  
how to find what I might be looking for.  I am not interested in one  
particular area of costuming so I'm not aware of what's out there.   
What I have always liked about this email list and the theatrical  
costuming list is that they are 2 places I can go to easily when i  
have a question.There's usually at least one person on one of the  
2 lists that knows the answer.  I love these lists and would hate to  
see them go, but I do understand people wanting more specific areas  
that address their own particular concern.


Btw, while I'm at it,and since we're discussing facebook,  any belly  
dancers out there?  Please check out my facebook page where I sell  
the hand-dyed silk veils i make.  Is it ok to promote ourselves on  
this list, I hope?


http://www.facebook.com/pages/Emeralds-Belly-Dance-veils-etc/ 
134438376621333





Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com
Hand-dyed silk belly dance veils
http://www.facebook.com/pages/Emeralds-Belly-Dance-veils-etc/ 
134438376621333




On Aug 6, 2011, at 2:31 PM, Lavolta Press wrote:

But I will agree that there is less going on with costumers in a  
variety of costuming mailing lists. I kinda miss that, but it seems  
with all the new technology out there, times change along with the  
various formats available to communicate with.


Of course, blogs have been around for a long time. But, I typically  
see them used more as  form of journalism (one person posts  
regularly/provides most of the content, a few others briefly  
comment) rather than discussion.


I'm really more interested in substantive information than chat  
or belonging to a community.


Fran
Lavolta Press
www.lavoltapress.com
www.facebook.com/LavoltaPress



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Re: [h-cost] Where is everyone hanging out these days?

2011-08-06 Thread Sylvia Rognstad
I never even heard of this live journal thing.  i know you said what  
it is, more of less, but I guess I don't understand how it works.  Is  
it different from looking at a bunch of individual blogs?




Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




On Aug 6, 2011, at 3:09 PM, Beteena Paradise wrote:


The live journal community is VERY strong. It isn't a group reading a
journalistic type of blog. It is all of us reading each others  
personal blogs
and interacting as a community. These days LJ has been under a lot  
of attack so
some people are moving to dream(something that I can't remember the  
name off the
top of my head) or blogspot. But they are still keeping their LJ  
journals open

as the format of it is more conducive to community.

Teena




From: Lavolta Press f...@lavoltapress.com
To: Historical Costume h-cost...@indra.com
Sent: Sat, August 6, 2011 9:31:19 PM
Subject: Re: [h-cost] Where is everyone hanging out these days?


Of course, blogs have been around for a long time. But, I typically  
see them
used more as  form of journalism (one person posts regularly/ 
provides most of

the content, a few others briefly comment) rather than discussion.

I'm really more interested in substantive information than chat  
or belonging

to a community.

Fran
Lavolta Press
www.lavoltapress.com
www.facebook.com/LavoltaPress



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Re: [h-cost] Where is everyone hanging out these days?

2011-08-06 Thread Sylvia Rognstad
Geez.  I'm even more out of it than I thought I was.  i thought all I  
was missing out on was facebook and twitter (and texting).  Now I see  
it's Live Journal too.  When do people find time to do all this  
computerized social networking and have a life?




Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




On Aug 6, 2011, at 4:30 PM, Susan B. Farmer wrote:


On 8/6/2011 5:17 PM, Sylvia Rognstad wrote:
I never even heard of this live journal thing. i know you said  
what it

is, more of less, but I guess I don't understand how it works. Is it
different from looking at a bunch of individual blogs?

LiveJournal and DreamWidth have the idea of Friends Lists (or  
Reading Lists) down to a fine art.  You subscribe (for lack of a  
better word) to folks that you want to follow (like Kimiko, for  
instance), and then on your Reading page, all their entries show  
it.  It's **MUCH** micer/easier (IMO) to follow than a bunch of  
different blogs.  They all come to one place.  I also think it's  
easier to have a discussion on LJ or DW than it is on most blogs  
because of the way the comments are structured.  It's very easy to  
follow a comment thread there.


Susan/ jerusha/ FlorentineScot
--
Susan Farmer
sfar...@goldsword.com
Abraham Baldwin Agricultural College
Division of Science and Math
http://www.abac.edu/sfarmer/
http://www.goldsword.com/sfarmer/Trillium/
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Re: [h-cost] OT: corset and breast augmentation surgery

2011-05-20 Thread Sylvia Rognstad
She's right.  I had a boob job years ago, and have since had it  
reversed, but  one side got very hard and wouldn't compress that  
much.  I was able to wear a corset though without any medical  
problems, although my implants were silicone, not the saliine they  
mostly use today and I'm told that saline ones rupture more easily.   
I wuoldnt think you'd want to wear a corset too much of the time  
because of the frequency of the additional pressure, but I would  
think it's ok once in awhile.  And find out if the implants are  
saline or silicone.




Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




On May 20, 2011, at 8:17 AM, Melanie Schuessler wrote:

I've put an Elizabethan corset on an augmented figure.  Once the  
person is healed from the surgery, there shouldn't be a problem.   
What you will discover, however, is that fake breasts don't  
compress as much as real breasts.  They're much firmer and tend to  
retain their original shape rather than creating the lifted shelf  
that Elizabethan corsets often produce.  It's difficult to get the  
front profile as flat as is possible with real breasts as well.


If you're doing a Victorian corset, it should be much less of an  
issue due to the curvy design.  If you're doing an 18th-century  
corset, you may have some difficulty creating a period effect, but  
the 18th-century aesthetic allows for a somewhat curved profile,  
and the lifted cleavage is more like that created by a modern push- 
up bra and less like the Elizabethan, so it should work well enough.


Good luck,
Melanie Schuessler

On May 20, 2011, at 8:57 AM, Kay Shelton wrote:

I'm hoping someone here will know.  A friend to whom I've promised  
a corset is having breast augmentation surgery: a boob job.  How  
will this affect her wearing a corset?  Is it a matter of days,  
weeks, years?  Can I fit her if she doesn't wear it long?  She's  
planning on asking the doctor, but I fear the doctor may not have  
experience with costuming.  Thank you for any advice you can  
give.  Kay

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Re: [h-cost] Shoe glue

2011-05-12 Thread Sylvia Rognstad

Barge cement.



Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




On May 12, 2011, at 10:56 AM, mims...@gmail.com wrote:

I have a gorgeous pair of child's cowboy boots that are at least 50  
years old, but the upper is separating from the sole at the heel. A  
good 3 inches is no longer attached.


A shoemaker is not within a manageable distance for me. Would I be  
successful tackling this myself? If so, what sort of glue do I need  
to look for?


Thanks for any advice.

Siobhan
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Re: [h-cost] Cleaning real metal threads in fabric

2011-04-25 Thread Sylvia Rognstad
Doesnt sound like silver if it's yellowing.  Silver turns black when  
it tarnishes, which it does, very fast, as you probably know.  Or is  
it the fabric that is yellowing?




Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




On Apr 25, 2011, at 4:37 PM, cw15147-hcos...@yahoo.com wrote:

If it's real silver, then a half-and-half mixture of water and  
baking soda will
clean off the oxidation, and probably not harm the silk? I don't  
know, I've
never been near silk with wet baking soda, I only know it works for  
cleaning

silver.



Claudine



- Original Message 

From: Wicked Frau wickedf...@gmail.com
To: Historical Costume h-cost...@indra.com
Sent: Mon, April 25, 2011 3:28:04 PM
Subject: [h-cost] Cleaning real metal threads in fabric

I have a gollar which I lined with a vintage black silk and real   
silver
threaded sari. (I think it is silver - it is definitely some metal  
-  it is
heavy)  One side of it has started to yellow (the silver  part).   
Anyone have
any suggestions on how to clean the metal without  ruining the  
black  silk?


Thanks,

Sg
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[h-cost] Making historical mannequins

2010-10-16 Thread Sylvia Rognstad

Thought you'd all find this interesting:

http://lacma.wordpress.com/2010/10/14/fashioning-mannequins/





Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




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[h-cost] finding bolo tips

2010-08-18 Thread Sylvia Rognstad
Does anyone have a source for bolo tips?  I put them on the ends of  
cording I use in my corsets.  They look great that way.  Hobby Lobby  
doesn't carry them anymore.





Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




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Re: [h-cost] A strange question

2010-03-24 Thread Sylvia Rognstad
I asked my goth friend who says: Goth is not dead! Long live goth!
Not all goths are steampunks, not all steampunks are goths. But there  
is blending. There is also separation. 




Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




On Mar 24, 2010, at 4:15 PM, Lavolta Press wrote:


Has goth (clothing and events) basically evolved into steampunk?

Fran
Lavolta Press
http://www.lavoltapress.com
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Re: [h-cost] Dating a couple garments

2010-02-13 Thread Sylvia Rognstad
They're not mine but one has an All That Jazz label so I know it's  
newer than the 30s-40s.  Can we attach photos on this list?


And yes, all the dating I am doing is with garments these days.



Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




On Feb 13, 2010, at 1:20 PM, R Lloyd Mitchell wrote:

I had a number of 'dolmans' from the 1930/40s in my vintage  
collection. Do we assume the ones in hand were personal garments  
worn by you and come with memories? I think there was a fad more  
recently, perhaps the '80s?

-Original Message-
From: Sheridan Alder sheridanal...@yahoo.ca
Sent 2/12/2010 10:29:25 PM
To: Historical Costume h-cost...@indra.com
Subject: Re: [h-cost] Dating a couple garmentsLate 70's? I have one  
in high school.

?
Sheridan Alder
--- On Fri, 2/12/10, Sylvia Rognstad syl...@ntw.net wrote:
From: Sylvia Rognstad syl...@ntw.net
Subject: [h-cost] Dating a couple garments
To: Historical Costume h-cost...@indra.com
Received: Friday, February 12, 2010, 3:47 PM
Does anyone recall when dolman sleeved swing jackets were popular??  
Was it the 80s or the 90s?? I'm trying to sell some old clothes and  
they have to be at least 20 years old to put them up on etsy in the  
vintage section.? I can send photos if I can figure out how to do  
so on this list.

?
Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com
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[h-cost] Dating a couple garments

2010-02-12 Thread Sylvia Rognstad
Does anyone recall when dolman sleeved swing jackets were popular?   
Was it the 80s or the 90s?  I'm trying to sell some old clothes and  
they have to be at least 20 years old to put them up on etsy in the  
vintage section.  I can send photos if I can figure out how to do so  
on this list.





Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




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[h-cost] Grading patterns

2010-01-29 Thread Sylvia Rognstad


I know this question isn't related specifically to historic  
costuming, but I think some of you have made businesses from your  
passion for such and may have needed to grade their patterns up and  
down for sale.   In the past, I have done my own grading, but I've  
never really learned totally how to do it and I have some ideas for  
new designs that, if they sell, I may need to size them up or down  
and these may be too complex for me to try on my own.  Does anyone  
know of any professional graders?  I live in Colorado, but I imagine  
I could ship my patterns out of state if I can't find someone here.




Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




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Re: [h-cost] Grading patterns

2010-01-29 Thread Sylvia Rognstad

I'll let you know if I hear of anything.



Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




On Jan 29, 2010, at 1:13 PM, Marjorie Wilser wrote:


Sylvia,

I think your question entirely appropriate for this list. I have a  
whole archive of historic patterns that I'd like to grade (none of  
them is even close to my own size!), but have never attempted. If  
you hear of a grader/service, I might be interested, too.


Many thanks for posting!

== Marjorie Wilser

=:=:=:Three Toad Press:=:=:=

Learn to laugh at yourself and you will never lack for amusement.  
--MW


http://3toad.blogspot.com/




On Jan 29, 2010, at 9:31 AM, Sylvia Rognstad wrote:



I know this question isn't related specifically to historic  
costuming, but I think some of you have made businesses from your  
passion for such and may have needed to grade their patterns up  
and down for sale.   In the past, I have done my own grading, but  
I've never really learned totally how to do it and I have some  
ideas for new designs that, if they sell, I may need to size them  
up or down and these may be too complex for me to try on my own.   
Does anyone know of any professional graders?  I live in Colorado,  
but I imagine I could ship my patterns out of state if I can't  
find someone here.



Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




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Re: [h-cost] Grading patterns

2010-01-29 Thread Sylvia Rognstad
I need to be able to grade a pattern up and down in size from a 0 up  
to probably a 20 something.  I don't want to have to repattern a  
garment for each size.




Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




On Jan 29, 2010, at 1:46 PM, Joan Jurancich wrote:


At 12:13 PM 1/29/2010, you wrote:
Sylvia, I think your question entirely appropriate for this list.  
I have a  whole archive of historic patterns that I'd like to  
grade (none of  them is even close to my own size!), but have  
never attempted. If you  hear of a grader/service, I might be  
interested, too. Many thanks for posting!

== Marjorie Wilser =:
 On Jan 29, 2010, at 9:31 AM, Sylvia Rognstad wrote:   I know  
this question isn't related specifically to historic   costuming,  
but I think some of you have made businesses from your   passion  
for such and may have needed to grade their patterns up and
down for sale.   In the past, I have done my own grading, but  
I've   never really learned totally how to do it and I have some  
ideas for   new designs that, if they sell, I may need to size  
them up or down   and these may be too complex for me to try on  
my own.  Does anyone   know of any professional graders?  I live  
in Colorado, but I imagine   I could ship my patterns out of  
state if I can't find someone here.  

 Sylvia Rognstad


When I first made a dress for Dickens Faire and Sutter's Fort about  
30 years ago (!), there were no commercial patterns anywhere near  
my size or shape.  Given that I am very short-waisted, I found it  
easier to start from my own fitted sloper and then make changes to  
give the cut of the dress I wanted.  For example, a standard sloper  
has a side-bust dart; in the 19th century dresses the bust darts  
are from the waist; so I changed the bust darts to match my desired  
look.  You might find this easier than grading a historical  
pattern, I certainly did.



Joan Jurancich
joa...@surewest.net
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Re: [h-cost] Sound of Music

2009-12-28 Thread Sylvia Rognstad
I noticed that too when watching Giant, I think it was.  It starts in  
the early 1920s but the costumes look like 1950s, when the movie was  
made.  For some reason, it seems like costume designers from the 50s  
and 60s were not at all interested in any sort of historical accuracy.




Sylvia Rognstad
Costume/clothing design  construction
Alterations  home dec
http://www.ezzyworld.com




On Dec 28, 2009, at 5:15 PM, annbw...@aol.com wrote:





 The outfits that Baroness Schraeder
ears struck me as not particularly 1930s, but I really don't know  
anything
bout that period, so I thought of asking what this list had to  
say.  Any

pinions?

When I worked in a local theatre costume shop, several of the  
regulars were big fans of the movie, but, given the awful costumes,  
I couldn't see why.  Yes, the Baroness is in '60s fashions.  The  
hairstyles and makeup are even worse. Maria, of course, is in  
generic middle European peasant style at the beginning.  Don't  
know how authentic the nuns' habits are, but at least they look right.


Ann Wass



-Original Message-
From: Martha Sieting oserm...@msu.edu
To: h-cost...@indra.com
Sent: Mon, Dec 28, 2009 2:42 pm
Subject: [h-cost] Sound of Music


So hubby and I watched The Sound of Music last night (there was  
nothing else
n and those old classics are fun sometimes anyway) and I found  
myself wondering
bout the authenticity of the costuming.  The outfits that Baroness  
Schraeder
ears struck me as not particularly 1930s, but I really don't know  
anything
bout that period, so I thought of asking what this list had to  
say.  Any

pinions?
Many thanks and happy holidays!
-Martha
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Re: [h-cost] Query on sewing machines

2009-10-07 Thread Sylvia Rognstad
I love my Pfaff because of the even feed food (I think that's what  
it's called).  It's like a built in walking foot and I couldn't sew  
on vinyl without it.  I use it almost all the time now, since it also  
sews very lightweight fabrics without pulling and puckering.  No need  
to reset the tension.


Sylvia Rognstad
www.ezzyworld.com



On Oct 7, 2009, at 9:09 AM, Marjorie Wilser wrote:

Brother used to be a good brand. I loved mine. Then it got stolen.  
I bought another, and couldn't bear to part with it when I got the  
Pfaff.


I've had a Pfaff for the last 15 years and I swear by it. You  
couldn't go wrong with a refurbed one. But I heartily dislike  
Bernina, mostly because their so-called knee lever hits me mid- 
thigh. If you're above 5'9, with long legs, it isn't ideal!


I do love my Pfaff.

== Marjorie Wilser (who also has a trio of oldies to play with)

=:=:=:Three Toad Press:=:=:=

Learn to laugh at yourself and you will never lack for amusement.  
--MW


http://3toad.blogspot.com/




On Oct 7, 2009, at 4:51 AM, landofoz wrote:

If you have a repair shop that is *not* a dealer - go there first.  
Ask what models they recommend based on what they see in their  
shop.  Then look around at thrift stores, garage sales, etc.


I have a Morris (singer look-a-like) that sews straight stitch  
only (forward and back), but it has a ton of extra feet for  
piping, ruffles, etc. It doesn't zigzag, but it also never needs  
repair. It has extremely even stitches and it's easy to use. It  
cost me $5 at a church rumage sale, and I spent about $35 at the  
repair shop for cleaning/adjusting, and about $20 for an old  
blonde drop down cabinet.  It came with the instruction book and  
the owner's notes (purchased new in 1955 for 89.00, IIRC) and the  
repair shop said it was a great machine that will probably never  
need a thing.  I have a newer (1968)  Viking that does some  
embroidery stitches, etc, but it's more fussy, and parts are no  
longer made. I bought another one on ebay for parts.


Denise
(the repair guy said he wouldn't take one of those walmart models  
for free!)

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Re: [h-cost] Rococo bunny

2009-07-29 Thread Sylvia Rognstad

That's adorable!  Do you sell them?


On Jul 29, 2009, at 3:08 PM, Deredere Galbraith wrote:


I just had to post this.
I make bunny backpacks and I have been asked to make a rococo male  
bunny.

The embroidery is done by machine.
The undershirt is silk and the rest is of synthetic taft.

http://www.deredere.dds.nl/Troep/Kabunny.jpg

Greetings,
   Deredere
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Sylvia Rognstad
www.ezzyworld.com



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Re: [h-cost] Virginia Women's Colleges in the 1960's - definitely pre-hippie

2009-07-07 Thread Sylvia Rognstad
While it's a whole nuther subject and unrelated to historic costume,  
it bears mentioning that it wasn't just the clothing rebels you have  
to thank for your academic freedom, but all those courageous  
dissidents on campuses like Cal Berkeley who stood up for their right  
to free speech in the late 1960s.  A lot changed because of them.


That's all.

Sylvia


On Jul 7, 2009, at 9:42 PM, Beth Chamberlain wrote:


These younger girls don't realize what they missed!


But we appreciated the paths you forged! By the 80's we could show  
up for class in jeans, sweats or even pj's. I always wondered if  
the girls in pj's with uncombed hair would have dared to do that if  
there were guys in class. The Home Ec students were certainly  
encouraged to dress nicely for certain events but in class it was  
pretty much anything goes.


(Of course by then we could have men in our rooms too - thank you  
to the women of the 70's for that.)


Beth



A library is not a luxury but one of the necessities of life  
Henry Ward Beecher

http://mysite.verizon.net/bachamberlain
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Re: [h-cost] 1960s hippie fashions - Nehru?

2009-07-06 Thread Sylvia Rognstad
Living in Berkeley and SF in the late 60s, I saw plenty of people  
that wore both fringed vests and ponchos.


Sylvia

On Jul 6, 2009, at 2:08 PM, Maggie wrote:


Maggie Secara
~A Compendium of Common Knowledge 1558-1603
Available at your favorite online bookseller
See our gallery at http://www.zazzle.com/popinjaypress


On Mon, Jul 6, 2009 at 12:14 PM, cbellfl...@aol.com wrote:




I don't think anyone has mentioned fringed vests, yet.? And ponchos.?



You see those in TV and movies as a cultural reference to hippies,  
but I
never knew anyone who had either. I was a college freshman in the  
fall of
1968. I did have a beautiful suede vest that I wore for several  
years, but I
never had a lot of money for clothes, trendy or otherwise. I know a  
lot of
real hippie wear came from charity shops, and the fancy stuff came  
from

Hollywood designers.


MaggiRos
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Re: [h-cost] 1960s hippie fashions

2009-07-05 Thread Sylvia Rognstad
I remember those Villlager shirtwaists.  No one was wearing them in  
CA where I went to high school but I recall that when I went on to  
college there were girls in my rooming house from the east coast who  
were all wearing Villager style clothes, along with penny loafers,  
which no one in CA wore either.  It was the preppy look which, I  
don't think, ever made its way to the west coast.


Slvia

On Jul 5, 2009, at 10:25 AM, annbw...@aol.com wrote:

Ah, but the phrase that I was responding to was that much of what  
we think
 of as the 1960s really happened in the 1970s, not necessarily  
just the

hippies of the 1960s.

And certainly things happened in different places at different  
times.   For
instance, no one wore a grannie dress at my suburban St. Louis high  
school

until after I graduated, in 1969.  When my classmates weren't wearing
Villager shirtwaists, they did often tend toward the mod look-- 
my  first pair
of pantyhose (as opposed to stockings) were pale orange and had a   
diamond
pattern. Double-breasted, so-called Edwardian tuxedos were the  
style  of
choice for many of my male classmates at the prom, again in the  
spring of

1969, or so I understood from their discussion--I didn't go (I wasn't
anti-prom--I couldn't get a date, and one didn't go without one).   
I went  to a
private liberal arts college that had a dress code, skirts only,  
right  up until
the fall of 1969, when I started.  So no one wore jeans to class   
until

then.

Ann Wass








**Make your summer sizzle with fast and easy recipes  
for the

grill. (http://food.aol.com/grilling?ncid=emlcntusfood0005)
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Re: [h-cost] 1960s hippie fashions

2009-07-05 Thread Sylvia Rognstad
No.  I was in CA, so I understand that the 60s probably hit the  
midwest later.  Funny, though, that that was something that never  
occurred to me for a long time.  I just assumed everyone everywhere  
was dressing ( and behaving) as we did in CA.


On Jul 5, 2009, at 4:40 PM, Rickard, Patty wrote:


Were you in the Midwest?


From: h-costume-boun...@indra.com [h-costume-boun...@indra.com] On  
Behalf Of Sylvia Rognstad [syl...@ntw.net]

Sent: Saturday, July 04, 2009 8:29 PM
To: Historical Costume
Subject: Re: [h-cost] 1960s hippie fashions

What do you mean by that?  I definitely experienced the 60s in the  
60s.


Sylvia

On Jul 4, 2009, at 6:22 PM, annbw...@aol.com wrote:



In a message dated 7/4/2009 7:37:43 PM Eastern Daylight Time,
sovag...@cybermesa.com writes:

[who  thinks it is true that the Sixties mostly happened in the
Seventies]




Oh, absolutely.

Ann Wass
**Make your summer sizzle with fast and easy recipes
for the
grill. (http://food.aol.com/grilling?ncid=emlcntusfood0005)
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Re: [h-cost] 1960s hippie fashions

2009-07-05 Thread Sylvia Rognstad
Yes, except those were the earlier 50s version with the full skirts.   
I wore those in junior high but the Villager shirtwaist never came in  
style where I was in southern CA.  What was really in style, for the  
guys, in the early to mid 60s, in So. Cal was the surfer look.  Did  
that make it across the country?


Sylvia

On Jul 5, 2009, at 7:11 PM, landofoz wrote:


Whoops--sorry for the blank post.  Yes, Villager was a brand.  A
shirtwaist, at least in 1960s terminology, is a dress with a  
fitted bodice--bust  and
waist darts--and buttons down the center front--attached to a  
skirt.   It
could be full in the 1950s or early 1960s, but by the late '60s  
was often
A-line.  The fabric was often a cotton with a floral sort of  
serpentine
print.  To make the style work with a full skirt, there was a slit  
placket
opening at center front, or, sometimes, an underarm zipper.  I  
never  had an
authentic Villager dress, but merely homemade styles (that I made  
myself.)  I
still have the pattern I used, Simplity 8296 from 1969.   The A- 
line view had
the underarm zipper.  I think I used another pattern  for the full- 
skirted

view, which had a slit placket but no underarm  zipper.

Dresses could have short sleeves with a turned up cuff, or long  
sleeves

with a button cuff, and a convertible collar.



Would this be similar to the day dresses worn on shows like Leave  
it to Beaver and I Love Lucy?



Denise B
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[h-cost] Villager shirtwaists

2009-07-05 Thread Sylvia Rognstad

http://another-time.com/vintageclothing/LadyBugVillagerSm.jpg
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[h-cost] 1960s hippie fashions

2009-07-04 Thread Sylvia Rognstad
Here's a question for those (like me) old-timers out there.  I may be  
going to a 1960s hippies style event and if so, need to wear a  
costume.  My recollection isn't so good.  Remember what they said:  
If you can remember it, you weren't really there?Anyhow, I'm  
trying to remember when long skirts and dresses came in.  I can only  
recall wearing them in the 1970s, but my legs, not being what they  
used to be, definitely do not want to be seen in a mini skirt, which  
is all I can remember wearing in the late 60s.  Along with bell  
bottom pants, of course, which is an option, but I prefer a dress.


What do you early boomers recall?

Sylvia R
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Re: [h-cost] 1960s hippie fashions

2009-07-04 Thread Sylvia Rognstad
I went to high school before the hippie craze hit, so no one even  
thought of wearing either long skirts or pants.  Girls were still  
trying to dress like the perfect little woman with girdles, heels and  
stockings, although we only went that far for special occasions, not  
to school, but you get the picture.


Re jewelry, I still have my peace sign earrings and my necklace  
ankh.  As for shoes, the big thing, when I was at Berkeley, was to  
get grecian sandals handmade by a local crafter, which I did and sure  
wish I still had those.


The only dress I saved from the 60s was my red crocheted one, which I  
did wear once to a 60s theme event, but it is short and I would have  
to wear it with tights, which in the summer, would be too warm.  I  
found some flat shoes that were just like the ones I wore originally  
and since I worked in a costume shop at the time, found a long  
hairpiece that matched my hair so I was able to get a real vintage  
hairstyle going.  I really had one of the 60s looks going on there,  
but not the hippie one.  More like the British mod look.  I kind of  
alternated between the 2 styles when I was young.


Sylvia

On Jul 4, 2009, at 3:41 PM, Sharon Collier wrote:

I remember that we were not allowed to wear long skirts to high  
school in

the year 1968-69. A friend of mine wore one and was called into the
Principal's office and told, Do not wear that skirt to school  
again.  The
next day she wore another long skirt to school. Again she was  
called into
the Principal's office and he said, I thought I told you not to  
wear that
skirt to school again? My friend replied, That one was blue. This  
one is

green.
Shortly after that incident, we were allowed to wear both long  
skirts AND
pants to school. Maxi skirts came out when I was a junior, 1970-71.  
We all

thought they were hideous.
On a related note, the skirt to wear was an embroidered Mexican  
shirt, with
a square neck and gathered sleeves. Or a loose, long sleeved gauze  
blouse,
with flaring sleeves. Don't forget your ankle bracelet with little  
bells,

macramé barefoot sandals and peace sign necklace!
Sounds fun!
Sharon C.
-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume- 
boun...@indra.com] On

Behalf Of Sylvia Rognstad
Sent: Saturday, July 04, 2009 12:06 AM
To: Historical Costume
Subject: [h-cost] 1960s hippie fashions

Here's a question for those (like me) old-timers out there.  I may  
be going

to a 1960s hippies style event and if so, need to wear a costume.  My
recollection isn't so good.  Remember what they said:
If you can remember it, you weren't really there?Anyhow, I'm
trying to remember when long skirts and dresses came in.  I can  
only recall
wearing them in the 1970s, but my legs, not being what they used to  
be,

definitely do not want to be seen in a mini skirt, which is all I can
remember wearing in the late 60s.  Along with bell bottom pants, of  
course,

which is an option, but I prefer a dress.

What do you early boomers recall?

Sylvia R
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Re: [h-cost] 1960s hippie fashions

2009-07-04 Thread Sylvia Rognstad

What do you mean by that?  I definitely experienced the 60s in the 60s.

Sylvia

On Jul 4, 2009, at 6:22 PM, annbw...@aol.com wrote:



In a message dated 7/4/2009 7:37:43 PM Eastern Daylight Time,
sovag...@cybermesa.com writes:

[who  thinks it is true that the Sixties mostly happened in the
Seventies]




Oh, absolutely.

Ann Wass
**Make your summer sizzle with fast and easy recipes  
for the

grill. (http://food.aol.com/grilling?ncid=emlcntusfood0005)
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Re: [h-cost] Mascara advice

2009-06-08 Thread Sylvia Rognstad

I buy Maybelline waterproof mascara.  It's cheap and doesn't run.

Sylvia

On Jun 8, 2009, at 6:13 AM, Gilbert wrote:

Thank you for all your advice re mascara. I must admit to going  
into sticker shock when seeing the prices. I guess you truly get  
what you pay for. I will look for waterproof and suitable for  
contact lenses mascara.


Thank you!

Marjorie

Marjorie Gilbert
author of THE RETURN, a historical novel set in Georgian England
Royal Ascot Finalist 2009
www.marjoriegilbert.net
www.gilbertinfrared.com

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Re: [h-cost] Mascara Advice

2009-06-06 Thread Sylvia Rognstad
I use cold cream, but any make up remover will work.  I also wear  
waterproof mascara, which doesn't run.


Sylvia R
On Jun 6, 2009, at 5:08 PM, Gilbert wrote:

I had to wear mascara for a dance recital, and find that it's still  
there--not only that, it ran (cried while Mary and her little lambs  
danced). My questions are these: how do you get the stuff off, and  
what mascara is tear-proof?


I look forward to hearing from you. Thank you in advance!!

Marjorie

Marjorie Gilbert
author of THE RETURN, a historical novel set in Georgian England
Royal Ascot Finalist 2009
www.marjoriegilbert.net
www.gilbertinfrared.com

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Re: [h-cost] Video of Costume Designer Ann Roth

2009-05-07 Thread Sylvia Rognstad
Thanks, Penny, for sharing that.  I look forward to the next 2 parts,  
although the video stopped so many times it was frustrating to watch.


I really liked that she said at the beginning that she almost never  
thinks of making her costumes pretty or attractive, as this is one of  
the big differences in designing for theatre and designing fashion,  
and something that I don't think young students sometimes take into  
consideration when trying to decide on a design career.


Btw, I just noticed, and maybe it has been mentioned already but I  
missed it, that Bravo is starting a new fashion competition show  
tonight, since Project Runway is going to Lifetime.  It's being  
hosted by Isaac Mizrahi.


Sylvia R

On May 6, 2009, at 12:43 PM, Penny Ladnier wrote:


Film designer Ann Roth discussing making costumes:
http://www.makingof.com/insiders/media/ann/roth/ann-roth-on-costume- 
design/61/105


This is the first of a three part video.

Penny Ladnier
Owner, The Costume Gallery Websites
www.costumegallery.com
11 websites of fashion, textiles, costume history
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Re: [h-cost] What's on the horizon

2009-04-07 Thread Sylvia Rognstad
That is so interesting, Penny.   Thanks for sharing.  ALmost makes me  
want to go back to school to study it.  Seems fascinating.  Has to be  
very expensive though.


One thing occurred to me though.  The virtual model has that  
typically 1950s wasp waist that is incredibly small.   The butt is  
pretty big too.  I went back to look at the real model they designed  
from and noticed that she is not built like that, so they obviously  
did some enhancing there to achieve that 50s look.  I know that women  
were able, with the help of corsets, to get those small waists, but I  
never thought anyone could get such a tiny waist until I saw  
Vampira.  You wouldn't believe it possible unless you saw her.


Sylvia R

On Apr 7, 2009, at 2:41 AM, Penny Ladnier wrote:


Take a look at this from MIRAlabs at the University of Geneva:
http://www.youtube.com/watch?v=PrJS72lkX_cNR=1

Then look at the finished product:
http://www.youtube.com/watch?v=Ekc_9vPDbo8feature=related

Back in 1997, I searched for graduate level programs to do this for  
costume and fashion.  At the time, I couldn't find a program.


MIRAlabs is working on a few more projects similar to this:
http://www.miralab.unige.ch/

Penny Ladnier
Owner, The Costume Gallery Websites
www.costumegallery.com
11 websites of fashion, textiles, costume history
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Re: [h-cost] New York fabric shopping

2009-04-03 Thread Sylvia Rognstad
I haven't been following this NY shopping thread, since I never go  
there, but it brings up a question for me.   I heard a year or two  
back, that fabric shopping in the big cities isn't what it used to  
be.  If I take on a new design job I've just been offered, I may have  
to travel to L.A. to shop for it.  I recall someone saying that the  
garment district doesn't have all the good jobbers it used to.   True  
or not?


Sylvia R

On Apr 3, 2009, at 8:42 PM, Susan Carroll-Clark wrote:

Thanks everyone for all the suggestions so far.  I'm getting  
psyched, and believe it or not, so is my husband (who was dubious  
about the time we allotted on the schedule for fabric shopping,  
until he realized there was stuff HE was looking for...)


Susan
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Re: [h-cost] OT...Dying Swan (or I love YouTube)

2009-03-16 Thread Sylvia Rognstad
Did you also check out the one by Maya Pllisetskaya?  I think I saw  
her do it ages ago.   My parents took me to the ballet whenever the  
big companies came to town.   IMHO, she was a lot better than Pavlova.


Love the Trockadero costume.

Sylvia R

On Mar 16, 2009, at 3:24 PM, albert...@aol.com wrote:

Remember that pic from that teens scrap book of Anna Pavlova as a   
dragonfly?
And that her big thing back in the teens was her Dying Swan   
variation?

Well here she is doing it! Anna herself! (anyone speak  Russian?)


_http://www.youtube.com/watch?v=R3kPxWUbU50feature=related_
(http://www.youtube.com/watch?v=R3kPxWUbU50feature=related)


Here's a more modern version:


_http://www.youtube.com/watch?v=cP0zZ9LbDFsfeature=related_
(http://www.youtube.com/watch?v=cP0zZ9LbDFsfeature=related)



And last but not leastthe must-see Ballet Trockadero's version!  
(Ballet

Trockadero de Monte Carlo is all men, y'know)


_http://www.youtube.com/watch?v=YRp5nE0Hlscfeature=related_
(http://www.youtube.com/watch?v=YRp5nE0Hlscfeature=related)


Enjoy!



**A Good Credit Score is 700 or Above. See yours in  
just 2 easy

steps!
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Re: [h-cost] corset for a singer

2009-01-29 Thread Sylvia Rognstad
I corseted the whole female cast of an opera a few years ago and none  
of them had trouble singing.


Sylvia

On Jan 29, 2009, at 11:56 AM, Suzi Clarke wrote:


At 18:37 29/01/2009, you wrote:

Hi,

I have a very special question. My singing teacher asked me to sew  
a corset for her - she wants it as an undergarment for concerts,  
to make her look, I guess, more beautiful. She is a size 18-20.  
She would like a corset similar to the 1880s styles, but it  
doesn't have to be too complicated. But a proper corset with metal  
bones and front busk fastening and lacing etc.


The point is, she needs to take a deep breath in the corset (when  
she breathes, her bust circumference increases up to 8cm more).  
And I have NO IDEA how that's going to work, because corsets are  
usually the same size or a bit smaller than your bust (and,  
certainly, your waist). The stupid thing is she has to breathe in  
the belly as well as in the upper ribcage (ehm, my knowledge of  
anatomy in English is poor, I don't know how's that king of  
breathing called. Simply means she will increase her bust as well  
as waist circumference when taking a deep breath.)


Does any of you have some experience with corsets for singers? Or  
any ideas of where to search for information? I thought making one  
panel in the corset of some elastic, but that would definitely  
loose the sense of wearing a corset.
But I think this must be possible to solve somehow, don't tell me  
19th century singers wore no corsets...
I also thought of trying an existing corset on her so that she can  
try out how she can sing, but I have no corsets in such a large  
size:-(


Thanks for help,

Zuzana


Jean Hunnisett worked at Glyndebourne, a major operatic centre in  
England, and said some singers were happy to wear corsets, and some  
hated them. Your teacher is starting from a positive position, as  
she wants a corset. I have also worked with singers who wanted to  
wear corsets, and I found that making them in the normal way is  
perfectly satisfactory. Most opera singers breathe below and  
above where a corset fits, in my experience. I have also sung  
myself in a corset, and have had no problems.


The corset dated 1878, in Period Costumes for Stage and Screen  
1800-19?? by Jean Hunnisett, is a really nice corset - you just  
have to check the length as it sometimes comes up short.


HTH

Suzi






















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Re: [h-cost] NHR patterns

2008-10-26 Thread Sylvia Rognstad
Is it a current pattern?   If so, they were on sale for .99 up through 
yesterday at Joanns.   I would check if you have a Hancocks nearby and 
see if they might be on sale there.

Sylvia

On Oct 26, 2008, at 8:48 AM, Land of Oz wrote:

This is not a historical pattern, but a general pattern question. I 
have a McCalls pattern in progress, and I've* misplaced 2 of the 3 
instruction sheets.  Do any of you know if there is a replacement 
service for stuff like this, or will I have to buy a whole new 
pattern? I looked around on the ordering and customer service portions 
of their web site and didn't see anything.


I can sew just about anything with instructions and simple stuff 
without, but I'm not confident about doing w/o instructions on a 
moderately complex coat with a lining. (M5717, if anyone is 
interested). This is the coat for which I was seeking plaid fabric 
earlier this year.


Denise B
Iowa

*technically, it was my teen daughter who misplaced them while 
cleaning, but the result is the same ;-)

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Re: [h-cost] general fitting questions

2008-08-22 Thread Sylvia Rognstad
Seems to me like the problem is that this doesn't fit you as it should, 
judging from the Vogue pic.   It's not supposed to be off the shoulder. 
 Looks like your neckline is way too wide and that makes your armscye 
fall down.   I don't think you can do anything at this point to correct 
it.


Sylvia
'
On Aug 22, 2008, at 11:54 AM, Alexandria Doyle wrote:


Lower the sleeve cap curve.  If you look at the garment in the flat
I'll bet the sleeves naturally lay pointed straight down.  Rotate the
sleeve up until you get the motion/position you want.  keeping the
armhole opening as small as possible will help with that too.

alex


From: Dawn [EMAIL PROTECTED]


I made up Vogue 7733 to wear at an event last week and had some 
fitting

issues with it.

http://img.sewingtoday.com/cat/2/itm_img/V7733.jpg

Here's a bad pic of me wearing it:

http://www.reddawn.net/temp/DSCN3883.jpg

I know how to solve the falling-off-the-shoulders problem. What was
killing me is that I can't raise my arms in this thing. The model in 
the

first image demonstrates the limit of range-of-motion available. I had
trouble just getting my shoulder bag on my shoulder because I couldn't
lift my arms enough.  How do I fix this? What do I need to adjust on 
the
pattern so I can do more than just stand around and look pretty 
wearing
this top? I don't need to do jumping jacks, but I couldn't even push 
my

hair out of my face without difficulty.


Dawn




--
I'm buying this fabric/book now in case I have an emergency...you
know, having to suddenly make presents for everyone, sickness,flood,
injury, mosquito infestations, not enough silk in the house, it's
Friday...  ;)
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Re: [h-cost] Question regarding career path

2008-08-15 Thread Sylvia Rognstad

Penny,
I did a costume job search with Cirque and came up with nothing.   I'd  
love to go work with them for awhile.


Sylviz

On Aug 15, 2008, at 8:00 PM, Penny Ladnier wrote:


Joan,

I forgot a couple of possibilities...
If you are in a city that the Broadway plays tours, they hire local  
dressers and stitchers.  My 4th son does lighting.  We couldn't find  
out who was in charge at one of the venues that has the tours.  I  
dropped him off at the venue a day before a Broadway show.  He walked  
in and kept asking who was in charge until he found the right person.   
This opened the door wide for him. The crews move from venue to venue.  
 It is hard to catch up with the crew chief.  Sometimes, the crew  
chief is at several venues in one day.  Each city here in Virginia  
have a different local for the union.  My son works in VA Beach,  
Richmond (four venues), University of Virginia, ODU, Virginia  
Commonwealth University, and was just hired permanently for the DC  
area. The Stage-hand Union that he works for includes costuming.  He  
works all sorts of shows from country to rock concerts, WWE  
(wrestling), Cirque du Soleil, Dancing w/ Stars and American Idol  
tours, ice shows, conventions, etc.  All need dressers and stitchers.   
Cirque begs for costumers year-round,  
http://www.cirquedusoleil.com/CirqueDuSoleil/en/jobs/offstage/ 
recruitsoft.htm . If this site doesn't show costuming/wardrobe, let me  
know.  My son has the direct link for crew members.  The last time my  
son checked, they were looking for costumers for their Vegas shows.   
Also Ringling Bros. technical crews are based Palmetto, Florida (next  
door to my sister's house) and Northern VA.


The gig he has in DC sounds like what others are suggesting for you.   
He is setting up events for conventions at different venues in the DC  
area.  It is a full time job...so full-time, it is 60-80 hours a week  
at $32 an hour. Convention is a huge industry.  If you can get in a  
location that hosts big conventions, you can do well.  I have watched  
my son working a convention and it amazes me how many people are  
required for the set-up.   He is 23 years old and has been setting up  
and loading out conventions, here and there, since he was 19.  You  
don't need a lot of experience to work the conventions.


My son has brought all his friends and two of his brothers into  
working all these jobs. Some work full-time and others part-time when  
they need extra money.  One of the main qualifications the unions are  
look for is safety conscious people..safety for all...themselves,  
other employees, performers, and the audience.  Safety is first in the  
business.  Some Stage-hand Union locals offer in Virginia offer  
insurance, some don't.  This varies from state-to-state, area-to-area.  
 Some states and venues require the insurance. Others only have  
insurance on you while working the gig.


If you can get a film commission directory from your state or the  
state you are interested in moving to; you will find a listing of all  
kinds of entertainment industry businesses.   It is amazing all the  
different types of businesses involved that work all fields in world  
of entertainment.  My suggestion is to read through it the listings  
and select the businesses that you want to send resumes.  Remember  
that the majority of the businesses do other genres besides film.


The casino industry is in several states.  Some casino areas look for  
full and part-time costumers for shows.  It not just Vegas and  
Atlantic City for casinos anymore.  My niece was working for a casino  
in Biloxi, MS until Hurricane Katrina moved her casino across the  
highway.  The company moved her to a casino in Nebraska.  They  
transferred her back to MS last month. Shows in casinos are a big part  
of their industry.  My youngest son goes to University of Southern  
Mississippi and they have a undergrad degree in casino gaming  
industry.


Think of it this way, the world is your oyster and you are the pearl!   
Good luck and keep us updated.


Penny Ladnier,
Owner, The Costume Gallery Websites
www.costumegallery.com
www.costumelibrary.com
www.costumeclassroom.com
www.costumeslideshows.com

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Re: [h-cost] Ancient Egyptian beaded dress

2008-07-21 Thread Sylvia Rognstad

It's the net fabric I need to find.   Any suggestions?

On Jul 21, 2008, at 10:45 AM, Ginni Morgan wrote:

I would suggest using a medium weight natural color linen as a 
straight sleeveless shift/tunic.  Then do the bead net and fasten it 
down to the undershift.


Ginni Morgan


Sylvia Rognstad [EMAIL PROTECTED] 7/18/08 9:55 PM 

Speaking of such, has anyone ever come across any fabric that might
work for a stage costume of this?


Sylvia Rognstad
Divinity Designs and Emeralds
http://www.d-e-designs.com
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Re: [h-cost] Ancient Egyptian beaded dress

2008-07-21 Thread Sylvia Rognstad
I havent seen any fishnet for quite some time, but I'll look around.  
Thanks.


Sylvia




On Jul 21, 2008, at 12:02 PM, Dawn wrote:


Sylvia Rognstad wrote:

It's the net fabric I need to find.   Any suggestions?


I used to see fishnet sold for decorating, in a little package with 
some seashells in some asian import shops on the east coast. Something 
like that, painted or dyed and decorated might work. We don't have 
shops like that in the midwest, so I don't know if that sort of thing 
is still available.



Dawn


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Re: [h-cost] Ancient Egyptian beaded dress

2008-07-21 Thread Sylvia Rognstad
I had been thinking of crocheting, but I really don't want to have to 
macrame a dress either.   That's why I asked if anyone had come across 
a netted fabric that would work.  I know that nylon net is way too 
weak.


Sylvia

On Jul 21, 2008, at 11:02 AM, Ginni Morgan wrote:

Think macrame for this one.  The beads are on cord which is netted 
together to create the dress, NOT sewn onto a net fabric.  Thus you 
need to make your beaded macrame shell and then line it with something 
solid (the linen shift).  However, if you choose to applique the beads 
to clothe and then sew up the shift, DO NOT use net fabric.  It won't 
be strong enough to support the weight of the beads.


My first encounter with this dress was the article in KMR (a journal 
re Egyptian archaeology) which discussed the find and the 
reconstruction.  IIRC, the hypothesis there was that this was worn 
over some form of a linen garment the style of which is presently 
unknown.


Ginni


Sylvia Rognstad [EMAIL PROTECTED] 7/21/08 9:50 AM 

It's the net fabric I need to find.   Any suggestions?

On Jul 21, 2008, at 10:45 AM, Ginni Morgan wrote:


I would suggest using a medium weight natural color linen as a
straight sleeveless shift/tunic.  Then do the bead net and fasten it
down to the undershift.

Ginni Morgan


Sylvia Rognstad [EMAIL PROTECTED] 7/18/08 9:55 PM 

Speaking of such, has anyone ever come across any fabric that might
work for a stage costume of this?


Sylvia Rognstad
Divinity Designs and Emeralds
http://www.d-e-designs.com
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Re: [h-cost] Ancient Egyptian beaded dress

2008-07-21 Thread Sylvia Rognstad

Paper beads might be a good idea.  Thanx!

Sylvia

On Jul 21, 2008, at 1:45 PM, Dawn wrote:


Chris Laning wrote:
Yes, my chief concern would be finding a way to attach or hang the 
beads that was *strong enough.* That many beads are going to be 
*very* heavy, and I'd be afraid that even sewing them onto linen 
fabric would not be strong enough. I would guess that the original 
beads were threaded onto the actual string from which the net was 
made.




I was thinking, for stage use, if I was doing it I would try making 
paper beads right on the net, stretch it in a frame or something and 
roll slips of paper on it like this: 
http://www.tappi.org/paperu/art_class/paperBeads.htm


You could use silver or gold wrapping paper for metallic beads, and it 
would weigh a lot less than plastic or glass beads.




Dawn

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Re: [h-cost] Ancient Egyptian beaded dress

2008-07-21 Thread Sylvia Rognstad

Thank you!

Sylvia

On Jul 21, 2008, at 12:22 PM, Kate Pinner wrote:


Try Rose Brand fabrics for 1 scenery netting
http://www.rosebrand.com/product787/30-Scenery-Netting-FR.aspx? 
cid=158idx=6

300tid=1info=Netting

Kate



-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]  
On

Behalf Of Sylvia Rognstad
Sent: Saturday, July 19, 2008 12:56 AM
To: Historical Costume
Subject: [h-cost] Ancient Egyptian beaded dress

Speaking of such, has anyone ever come across any fabric that might  
work for

a stage costume of this?


Sylvia Rognstad
Divinity Designs and Emeralds
http://www.d-e-designs.com
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[h-cost] Ancient Egyptian beaded dress

2008-07-18 Thread Sylvia Rognstad
Speaking of such, has anyone ever come across any fabric that might 
work for a stage costume of this?



Sylvia Rognstad
Divinity Designs and Emeralds
http://www.d-e-designs.com
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[h-cost] Ancient Egyptian beaded dress

2008-07-17 Thread Sylvia Rognstad
I thought I had saved it, but now cannot find a bookmarked file of a 
picture of an ancient Egyptian beaded (crocheted?) dress that must have 
been exhumed at some point and was still in fairly decent shape.   Does 
someone still have that link?


Sylvia

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[h-cost] Egyptian dress

2008-07-17 Thread Sylvia Rognstad

I just found it, so never mind the last msg.

Sylvia

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Re: [h-cost] 2 piece sleeves

2008-06-06 Thread Sylvia Rognstad
Not what I wanted to hear.   Heaven forbid that my clothes are not on a 
par with royalty.  Just kidding.   Thanks all for the comments.   I 
don't think I'm going to worry about it.  The pattern has too many 
other fitting problems anyhow I need to deal with.   I thought I would 
be saving myself some time using commercial patterns when I should have 
just drafted it from the start.I need it to look good because I'm 
wearing it for my son's wedding next week.   Purchased some beautiful 
ice blue dupioni from Exotic Silks at a pretty penny and want to do 
justice to it.

Sylvia

On Jun 6, 2008, at 8:15 AM, Abel, Cynthia wrote:

 I saw the traveling exhibition of Princess Diana's clothing several 
 years ago(it came to Omaha!) and noted on all the long-sleeved 
 garments that the sleeves were two-piece and the seams all matched up.

 Cindy Abel

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
 On Behalf Of Hanna Zickermann
 Sent: Friday, June 06, 2008 1:04 AM
 To: Historical Costume
 Subject: Re: [h-cost] 2 piece sleeves

 It´s a modern jacket? From what I´ve learned, in
 modern custom-made clothing it´s rather
 coincidence whether the seams match or not. It´s
 just a design issue. Industrially made garments
 often have them because they use mock-ups until they achieve matching 
 seams.

 Hanna

 At 00:50 06.06.2008, you wrote:
 This isn't really a historical costume question, but it's been ages
 since I belonged to a general sewing/patternmaking email list.   If
 anyone knows of one that currently exists, I'd appreciate a link.

 My question concerns a jacket I am patterning and making for myself.
 Actually, I am using a couple commercial patterns and adapting them.
 I have a 2 piece sleeve and a bodice with front and back princess 
 seams
 that end at the armhole.   I really can't adjust the front seam
 downward any more than it already is and it isn't matching the front
 sleeve seam.   The back seams don't match either but I've frequently
 garments where they don't match in the back or they don't match in the
 front but they match on the opposite side.  I know 2 piece sleeves are
 often seen in 19th century onward women's garments so I thought I'd 
 see
 where you all stand on this issue.  Do you really think the seams need
 to match on either the front or the back?

 Sylvia

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Re: [h-cost] 2 piece sleeves

2008-06-06 Thread Sylvia Rognstad
2 piece, vertically.


On Jun 6, 2008, at 12:53 PM, Becky Rautine wrote:



 What do you mean when you say a two pieced sleeve? 2piece vertical or 
 1 horizontally connected? Haven't seen that one but there are also 
 sleeves the have a front and backs seam so the outter part is smooth. 
 Can't think what a 2 piece sleeve looks like. Brain block recently.
 Sincerely,
 Rebecca Rautine

 From: [EMAIL PROTECTED]
 Date: Fri, 6 Jun 2008 08:55:32 -0600
 To: [EMAIL PROTECTED]
 Subject: Re: [h-cost] 2 piece sleeves

 Not what I wanted to hear.   Heaven forbid that my clothes are not on 
 a
 par with royalty.  Just kidding.   Thanks all for the comments.   I
 don't think I'm going to worry about it.  The pattern has too many
 other fitting problems anyhow I need to deal with.   I thought I would
 be saving myself some time using commercial patterns when I should 
 have
 just drafted it from the start.I need it to look good because I'm
 wearing it for my son's wedding next week.   Purchased some beautiful
 ice blue dupioni from Exotic Silks at a pretty penny and want to do
 justice to it.

 Sylvia

 On Jun 6, 2008, at 8:15 AM, Abel, Cynthia wrote:

 I saw the traveling exhibition of Princess Diana's clothing several
 years ago(it came to Omaha!) and noted on all the long-sleeved
 garments that the sleeves were two-piece and the seams all matched 
 up.

 Cindy Abel

 -Original Message-
 From: [EMAIL PROTECTED] 
 [mailto:[EMAIL PROTECTED]
 On Behalf Of Hanna Zickermann
 Sent: Friday, June 06, 2008 1:04 AM
 To: Historical Costume
 Subject: Re: [h-cost] 2 piece sleeves

 It´s a modern jacket? From what I´ve learned, in
 modern custom-made clothing it´s rather
 coincidence whether the seams match or not. It´s
 just a design issue. Industrially made garments
 often have them because they use mock-ups until they achieve matching
 seams.

 Hanna

 At 00:50 06.06.2008, you wrote:
 This isn't really a historical costume question, but it's been ages
 since I belonged to a general sewing/patternmaking email list.   If
 anyone knows of one that currently exists, I'd appreciate a link.

 My question concerns a jacket I am patterning and making for myself.
 Actually, I am using a couple commercial patterns and adapting them.
 I have a 2 piece sleeve and a bodice with front and back princess
 seams
 that end at the armhole.   I really can't adjust the front seam
 downward any more than it already is and it isn't matching the front
 sleeve seam.   The back seams don't match either but I've frequently
 garments where they don't match in the back or they don't match in 
 the
 front but they match on the opposite side.  I know 2 piece sleeves 
 are
 often seen in 19th century onward women's garments so I thought I'd
 see
 where you all stand on this issue.  Do you really think the seams 
 need
 to match on either the front or the back?

 Sylvia

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Re: [h-cost] 2 piece sleeves

2008-06-06 Thread Sylvia Rognstad
I can do that in the back, but the front sleeve seam is so low, where I 
think it needs to be, that the front princess seam can't match.   It 
may be that I recall only seeing the back seams match in the past.

Sylvia



On Jun 6, 2008, at 5:38 PM, [EMAIL PROTECTED] wrote:


 With tailoring head on, I'd say that on a modern garment, they should  
 match.

 Generally it's simply a case of fiddling about with both body and 
 sleeve
 patterns till they do.

 A little off is less of an issue (up to half an inch or so) - more 
 than  that
 and I'd personally have to alter.



 Debbie




 In a message dated 06/06/2008 19:01:46 GMT Standard Time,
 [EMAIL PROTECTED] writes:

 This  isn't really a historical costume question, but it's been ages
 since I  belonged to a general sewing/patternmaking email list.   If
 anyone knows of one that currently exists, I'd appreciate a  link.

 My question concerns a jacket I am patterning and making for  myself.
 Actually, I am using a couple commercial patterns and  adapting them.
 I have a 2 piece sleeve and a bodice with front  and back princess 
 seams
 that end at the armhole.   I really  can't adjust the front seam
 downward any more than it already is and it  isn't matching the front
 sleeve seam.   The back seams don't  match either but I've frequently
 garments where they don't match in the  back or they don't match in the
 front but they match on the opposite  side.  I know 2 piece sleeves are
 often seen in 19th century onward  women's garments so I thought I'd 
 see
 where you all stand on this  issue.  Do you really think the seams need
 to match on either the  front or the back?







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[h-cost] 2 piece sleeves

2008-06-05 Thread Sylvia Rognstad
This isn't really a historical costume question, but it's been ages 
since I belonged to a general sewing/patternmaking email list.   If 
anyone knows of one that currently exists, I'd appreciate a link.

My question concerns a jacket I am patterning and making for myself.   
Actually, I am using a couple commercial patterns and adapting them.   
I have a 2 piece sleeve and a bodice with front and back princess seams 
that end at the armhole.   I really can't adjust the front seam 
downward any more than it already is and it isn't matching the front 
sleeve seam.   The back seams don't match either but I've frequently 
garments where they don't match in the back or they don't match in the 
front but they match on the opposite side.  I know 2 piece sleeves are 
often seen in 19th century onward women's garments so I thought I'd see 
where you all stand on this issue.  Do you really think the seams need 
to match on either the front or the back?

Sylvia

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Re: [h-cost] 2 piece sleeves

2008-06-05 Thread Sylvia Rognstad
They're off 1.5 on one side to 2 on the other.


On Jun 5, 2008, at 6:53 PM, [EMAIL PROTECTED] wrote:


 In a message dated 6/5/2008 7:17:46 P.M. Eastern Daylight Time,
 [EMAIL PROTECTED] writes:

 How far  off are they from matching?


 

 This is a good question. If they are off just a little, it can look 
 like a
 mistake. But then a little is easy to fix and move so they do match. 
 If they
 look like they never were intended to match,  then...OK!



 **Get trade secrets for amazing burgers. Watch Cooking 
 with
 Tyler Florence on AOL Food.
 (http://food.aol.com/tyler-florence?video=4?NCID=aolfod000302)
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Re: [h-cost] High Rise shorts? A little OT

2008-05-20 Thread Sylvia Rognstad
I thought everything had been low rise for so long, that waistlines 
were going up again.

Sylvia

On May 20, 2008, at 4:22 PM, Saragrace Knauf wrote:

 I tried to go shopping for shorts today - EVERYTHING is low rise now.  
 I was in Macy's, Dilliards, Penny's etc - nada - nothing


 GRR!
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Re: [h-cost] Menstruation in Middle Ages

2008-05-12 Thread Sylvia Rognstad
The museum appears to have been closed.


On May 12, 2008, at 7:22 AM, Cynthia Virtue wrote:

 I know we've discussed it some, but that was 7 or more years ago!

 For those who are curious about more recent menstruation habits, 
 there's
 the online Museum of Menstruation: http://www.mum.org/

 -- cv
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Re: [h-cost] Overlocker thread

2008-05-11 Thread Sylvia Rognstad
I think it is necessary for woven fabrics, not so for knits, since they 
don't fray.  Of course, if you're doing historically accurate costumes, 
you probably don't want to serge them, but since I'm not into that, I 
always serge, and can't stand costumes or clothing that aren't serged 
anymore

Sylvia

On May 11, 2008, at 5:35 PM, Lavolta Press wrote:

 I've never liked serging but:  Is it useful for fabrics besides knits? 
 I
 know it can be used on woven fabrics, but there are a variety of seams
 that can be used on those but less of a variety for knits. Thing is, I
 never sew knits. And I never wanted a serger before but now that I'm
 adding to the machine collection. . .

 I'm really regretting selling that early electric Singer with the
 bentwood case that I had years ago, it worked perfectly and had a great
 straight stitch. It's just that I was a college student, I also had
 another machine, and I didn't want a lot of stuff to haul around. Is it
 easy to get them into good condition?  Mine was like new.

 Fran
 Lavolta Press
 http://www.lavoltapress.com

 Kim Baird wrote:

 You need a strong thread for serging, because there is a bit of 
 jerking
 going on, and high speed. I use polyester thread for serging, whether 
 it's
 dedicated serger cones or just spools of Guterman or Metrosene. I 
 also like
 to use wooly nylon in the loopers, because it covers the edge so well.
 However, you have to be careful when pressing the garment. Too much 
 heat,
 and wooly nylon becomes stiff and scratchy.


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Re: [h-cost] Overlocker thread

2008-05-10 Thread Sylvia Rognstad
I never use cotton thread for anything, as I live in a dry climate, and 
it breaks faster.  I think I read that poly has more give to it as 
well.  I just use the cheap poly cone threads that are made for 
sergers.  One question relating to threads I have is does anyone think 
that cotton covered poly threads are better or worse for regular 
machine sewing than all poly?  Joanns just discontinued the former.

Sylvia


On May 10, 2008, at 3:10 AM, S Young wrote:

 Hi All,

 What is better for an overlocker, cotton or polyester? Yes this is a
 very open ended question!

 What do you find best to use in what situations.

 Sidney
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Re: [h-cost] DESIGNER PROFESSIONAL STANDARDS

2008-04-14 Thread Sylvia Rognstad
I had a difficult situation with a play I designed last summer.  The 
director didn't have much of a clue what he wanted before the rehearsal 
process started but he did have one conceptual concept he wanted 
visualized by the costumes and I agreed it would be a good one, so I 
designed the show around that.  The play only had 2 actors, one male, 
one female (The Last Five Years) and when rehearsals started, they, 
especially the woman, started suggesting costume ideas.  At that point, 
the director more or less submitted to their-mainly her--ideas and my 
ideas kind of flew out the window.  It was a shopped show and one 
weekend the woman even went to a store and bought some things she 
liked, to bring back and show me.  I was getting rather frustrated and 
disappointed by then but tried to go with the flow and I actually did 
appreciate their input, since they knew more about their characters 
than I did through rehearsing their parts.I guess I've been in the 
business enough by now to know do this, although it would have been 
impossible if the costumes had been built.

So I sympathize with you and your situation.  Fortunately it hasn't 
happened very often that the actors want to design their own costumes.  
On one of the other plays I also designed last summer one actress asked 
for a different color fabric after I had already purchased it, but we 
had a big enough budget that I could do so.

Several years ago I was draping a show that had cast an experienced 
Broadway actress who was of a certain age  and the designer had to 
design 3 different possible outfits for her to approve before his 
designs were finalized, so I know this happens a lot in our industry.   
Sometimes the actors are right and have good ideas.  Sometimes they are 
not and you have to do what it takes to please them, as I've found that 
directors usually bow to the actors, not the designer.

Sylvia

On Apr 14, 2008, at 12:37 PM, Sharon Collier wrote:

 This is why I feel regular production meetings are so important. At the
 first meeting, all the designers and the director get together and 
 discuss
 the direction of the show re: design, style, etc. As soon as the show 
 is
 cast, meet again and make any changes (if the leads won't look good in 
 the
 original ideas, change them ASAP) Then meet every week until tech 
 week. It
 keeps the director and producer from getting any surprises and you can 
 let
 folks know if their expectations aren't going to be met because of
 budget/time/lack of help, etc.
 As to professional standards, if the director/producer changes my 
 ideas so
 radically that I would be embarrassed to have my name on them, I do 
 the job
 as asked (I'm assuming you're getting paid), but ask that I not be 
 listed in
 the program as the designer, after all, if your designs have been 
 altered,
 they aren't a good reflection of your abilities.

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
 On
 Behalf Of AVCHASE
 Sent: Friday, April 11, 2008 7:46 PM
 To: h-costume posts
 Subject: [h-cost] DESIGNER PROFESSIONAL STANDARDS

 Hi, All. The most recent show on which I  worked opened last last 
 Thursday.
 And over all its a good show. But some of the fallout has been very
 upsetting to me.
 The director invited me to do this show for her, her last show (she's 
 said
 that for for the last three years), and I've done them. Each time some 
 cast
 members have been down right vicious. This time was the worst.
 It occurred to me we expected different things as/from a designer. I'd 
 just
 assumed they all understood that I only did these shows to practice my
 craft, keep my abilities in shape, and explore my ideas. Maybe her 
 agenda
 was different?
 So I sent an email and asked what she had expected when she engaged a
 designer. She wrote back to me a very complimentary (damned by 
 praise-forget
 faint) note about my design capabilities; but-said I was overbearing, 
 didn't
 listen to the actress's ideas and was not willing to take suggestions 
 form
 the actresses. The ideas and suggestions were put forth a few days 
 before
 dress and production had gotten me no help for a small musical with 48
 changes in it. Some very small; most changes are full costume though. I
 found I was being difficult when I said there just wasn't time.
 The worst part is that the changes weakened the visual dramatic impact 
 but
 were more conventional.
 Now I want to write a little paper setting forth designer's 
 professional
 standards. It isn't that I don't know what most are but I don't know 
 if they
 are enumerated anywhere. Are they? Please help, both scholars and
 practitioners. Audy

 in the high boonies of Central Texas

 
 PeoplePC Online
 A better way to Internet
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Re: [h-cost] OT a farewell.

2008-02-25 Thread Sylvia Rognstad

Where do you find all the period/regional specific lists?

Sylvia

On Feb 25, 2008, at 10:53 AM, Saragrace Knauf wrote:

Yeah, with all the period/regional specific email lists, I find that I 
too may be signing out


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Re: [h-cost] Help Finding Theatrical Costumes

2008-02-21 Thread Sylvia Rognstad
You should address this to The Costumers Manifesto email list.  It's a 
Yahoo groups list.


Sylvia

On Feb 21, 2008, at 12:29 PM, Anthony Toohey wrote:


Greetings:

I just joined this list and the fantasy list at the beginning of the
week as these were the only costume related forums I could find.  I
don't want to muddy up the list with off-topic stuff, so hopefully
someone here can point me in the right direction.

I'm directing a play that takes place in the 1930's.  Finding
authentic costumes isn't proving difficult, HOWEVER,

For one scene we need the actors to be able to do a quick change from
plain grey to colorful tops while onstage, hopefully by throwing back
a flap or cape/cloak of some sort.  Is anyone here involved in theater
costuming and has experience with this sort of thing?  Or do you know
where I can find this info?

Any help is appreciated.  Forgive me if this is a little off-topic.

Thanks,

Anthony Toohey
The Stage Hands
[EMAIL PROTECTED]
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Re: [h-cost] OT: quick fabric washing question

2008-02-09 Thread Sylvia Rognstad
Do you have any idea where one finds these instructions?  I have a 
small online clothing business and put dry clean only on a lot of my 
tags.  I'd like further information on the legalities.


Sylrog

On Feb 9, 2008, at 9:05 AM, monica spence wrote:

Actually, with all due respect, that is not necessarily true. I worked 
in
the garment industry for 25 years as a designer, patternmaker and 
technical
desuigner. Most stores require testing as part of their Quality 
Assurance
program.Part of that is Wash testing. The federal govermnent no longer 
lets
manufacturers  put a dry clean only  tag on a garment. A 
manufacturer must

allow the customer  the ability to wash with specific directions (cold
water, bleach, etc.. If a fabric/garment has been PROVEN to be damaged 
by
the use of a specific thing (hot water, detergent, bleach, etc) then 
the
MFG. can say on their tag Cold water only or Dry clean only etc. 
Mfgs no

longer have the luxury of putting the Dry clean only tag on a garment
because it is convenient or safe. I found this out the hard way when
deakling with Nordstroms a few years ago. They INSISTED on putting 
Use dry

bleach when necessary tag on their girl's swimwear.

If it says Dry Clean only, follow the directions. Then if something 
happens,

you can return it to the store, who will in turn send it to the
Manufacturer. If you have improperly cleaned something, it is not
necessarily the store's problem.

Monica







-Original Message-
From: [EMAIL PROTECTED] 
[mailto:[EMAIL PROTECTED]

Behalf Of Dawn
Sent: Saturday, February 09, 2008 1:16 AM
To: Historical Costume
Subject: Re: [h-cost] OT: quick fabric washing question


monica spence wrote:
I'd dry clean it. Rayon sometimes is not colorfast to washing. If the 
tag

says dry clean, then dryclean.


Most of the time the tag says dry clean because the manufacturer
doesn't know how to clean it, and dry cleaning is safe. They are
required by law to put care tags on the garments, but for many it is 
too
much cost and effort to research the best method for a particular 
fabric

or a  line of clothing. So it says dry clean and they are covered.

It's probably ok to hand wash it in cool water with a mild soap. If you
are concerned about colorfastness, test swab it with a damp q-tip or
cotton ball.  Dry it in a rolled up towel, and press it on a very low
iron setting.


Dawn

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Re: [h-cost] Mr. Godey's Ladies

2008-01-13 Thread Sylvia Rognstad
I was referring to an actual  book I have called Mr. Godey's Ladies.   
I realize it was a magazine.Since I posted the message, however, I  
think I figured it out. I was going to ask another question concerning  
it though if anyone does happen to have the book.


Sylrog

On Jan 13, 2008, at 5:29 AM, S Young wrote:


Hi,

The book is not a single book but a bound volume of a years worth of  
the
magazine, so there are lots of Godey's books. They come up on eBay all  
the

time but attract $100+ USD so are quite prized.

if you are after plate images from the books, there are a number of  
sites

that host collections of the images.

Just google for them and you will get 100's

Sidney

On Jan 13, 2008 9:43 AM, Sylvia Rognstad [EMAIL PROTECTED] wrote:

Does anyone have this book?  I'm trying to pattern the hood on page  
63.
 I started out with a simple hood and figured it looks like it is  
drawn

up in the back to form the pleats.  If so, I can't figure out what
holds it in place other than a fitted lining underneath and that just
seems more complex than it probably is, but maybe I'm wrong.  It's  
from

the 1850s-60s before the complex bustle draping came in.

If you don't have the book and are interested in looking at the
picture, I can take a photo and upload it somewhere.  Do we have a
place for this list to do so?

Sylrog

http://mail.indra.com/mailman/ 
listinfo/h-costume



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Re: [h-cost] Mr. Godey's Ladies

2008-01-13 Thread Sylvia Rognstad
My question concerns the description of the hood.  I'm wondering what 
the top flap is for, other than pure decoration.  I think the quote 
calls it a fauchon, whatever that is.  The only thing I could figure 
out is that it covers up what has to be a center seam that goes over 
the top of the head.


Sylrog

On Jan 13, 2008, at 11:06 AM, Chris wrote:


Hi,

  I have a copy...

  Chris

Sylvia Rognstad [EMAIL PROTECTED] wrote:
  I was referring to an actual book I have called Mr. Godey's Ladies.
I realize it was a magazine. Since I posted the message, however, I
think I figured it out. I was going to ask another question concerning
it though if anyone does happen to have the book.

Sylrog

On Jan 13, 2008, at 5:29 AM, S Young wrote:


Hi,

The book is not a single book but a bound volume of a years worth of
the
magazine, so there are lots of Godey's books. They come up on eBay all
the
time but attract $100+ USD so are quite prized.

if you are after plate images from the books, there are a number of
sites
that host collections of the images.

Just google for them and you will get 100's




-
Never miss a thing.   Make Yahoo your homepage.
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Re: [h-cost] Mr. Godey's Ladies

2008-01-13 Thread Sylvia Rognstad
So it's fanchon, not fauchon?  Is that the part that turns back or the 
separate layer that goes over the top?



On Jan 13, 2008, at 11:37 AM, LLOYD MITCHELL wrote:

found the book and page: to me the curtaain seems to be  fan-pleated 
with the fanchon (cuff) laid on from ear to ear. The pleating in the 
crown seems slightly rouched to cap the head.  As you have suggested, 
there might be a lining in the head portion.  In another similar hood 
in my collection, this inner cap is of wired straw, oval-shaped, and 
is set ear to ear.


Kathleen
- Original Message - From: Sylvia Rognstad [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, January 12, 2008 6:43 PM
Subject: [h-cost] Mr. Godey's Ladies


Does anyone have this book?  I'm trying to pattern the hood on page 
63. I started out with a simple hood and figured it looks like it is 
drawn up in the back to form the pleats.  If so, I can't figure out 
what holds it in place other than a fitted lining underneath and that 
just seems more complex than it probably is, but maybe I'm wrong.  
It's from the 1850s-60s before the complex bustle draping came in.


If you don't have the book and are interested in looking at the 
picture, I can take a photo and upload it somewhere.  Do we have a 
place for this list to do so?


Sylrog

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Re: [h-cost] Mr. Godey's Ladies

2008-01-13 Thread Sylvia Rognstad
What I ended up doing was to pattern a large hood, then draw it up in 
pleats to fit the head at the nape of the neck.  I used a ribbon to 
hold the pleats in place with the ends tying under the neck.  At first 
I had thought the ribbons extended from the bottom of the cuff or brim 
but I see in the sketch that the ends of such brim are free, so I 
figured the ribbon ties must be coming from the pleated area.


I am making the hood to go with an old mid 19th c outfit I built years 
ago for use now in a workshop I'm giving.  I was going to make a bonnet 
but I haven't been able to find one that shows the basic understructure 
from that period and they all look made out of  straw anyhow.  Does 
anyone know, for future reference, of any patterns for bonnets from 
this period?


Sylrog

On Jan 13, 2008, at 11:30 AM, Chris wrote:

Ok, here's what the book says The hood 'opposite' if intended for 
winter wear or a sea voyage.  It is of dark brown, green, or blue 
silk; the upper point or fauchon, the curtain and the brim, trimmed 
with quilling of ribbon the same shade.  It is becomming as well as 
servicable shape, and the short, round corners make it decidely new.


  So, from what I see, the 'fauchon' looks like it's just what you 
say, to cover the center seam of the hood.  www.victorianmillinery.com 
has a picture of one/pattern, but it doesn't show the back...


  I'll peruse the other books I have and see if I can find something 
better.  Do you need a copy of this picture?  I can scan it at work 
tomorrow and send it to you.



Sylvia Rognstad [EMAIL PROTECTED] wrote:
  My question concerns the description of the hood. I'm wondering what
the top flap is for, other than pure decoration. I think the quote
calls it a fauchon, whatever that is. The only thing I could figure
out is that it covers up what has to be a center seam that goes over
the top of the head.

Sylrog

On Jan 13, 2008, at 11:06 AM, Chris wrote:


Hi,

I have a copy...

Chris

Sylvia Rognstad wrote:
I was referring to an actual book I have called Mr. Godey's Ladies.
I realize it was a magazine. Since I posted the message, however, I
think I figured it out. I was going to ask another question concerning
it though if anyone does happen to have the book.

Sylrog

On Jan 13, 2008, at 5:29 AM, S Young wrote:


Hi,

The book is not a single book but a bound volume of a years worth of
the
magazine, so there are lots of Godey's books. They come up on eBay 
all

the
time but attract $100+ USD so are quite prized.





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[h-cost] Mr. Godey's Ladies

2008-01-12 Thread Sylvia Rognstad
Does anyone have this book?  I'm trying to pattern the hood on page 63. 
 I started out with a simple hood and figured it looks like it is drawn 
up in the back to form the pleats.  If so, I can't figure out what 
holds it in place other than a fitted lining underneath and that just 
seems more complex than it probably is, but maybe I'm wrong.  It's from 
the 1850s-60s before the complex bustle draping came in.


If you don't have the book and are interested in looking at the 
picture, I can take a photo and upload it somewhere.  Do we have a 
place for this list to do so?


Sylrog

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Re: [h-cost] Whitening age-yellowed fabric

2008-01-07 Thread Sylvia Rognstad
I wonder if you could use whitening products that are made for protein 
fibers.  I forget the names as I havent used them for awhile.  Dharma 
Trading or Pro Chem can tell you.


Sylrog

On Jan 7, 2008, at 6:11 PM, [EMAIL PROTECTED] wrote:


On a related note: What do I do about white fur that has yellowed?

Bleaches are somewhat safe to use on celulosic fibers (cotton, linen), 
but bleach dissolves protein fibers (silk, wool).  Furthermore, furs 
are difficult to clean, because immersion can be a very bad idea.  But 
there's a couple hundred dollars' of ermine in the collar I made two 
years ago, and it has turned a rather unattractive shade of yellow.


What on earth do I do?

Emma



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Re: [h-cost] Whitening age-yellowed fabric

2008-01-07 Thread Sylvia Rognstad

I've heard lemon juice works.

Sylrog
\
On Jan 7, 2008, at 5:21 PM, J A Urbik wrote:

Ok, here is the story.  I offered to make the christening gown for a 
friend
who just had a kid.  His wife said no-no, we have a family gown! I 
said ok,
less work for me, thats nice.  The christening is on the 20th of this 
month,
and just today they pulled out the family gown and instantly called me 
to
ask how do we get the yellow out of the fabric?  It is, they 
believe, made
out of fine cotton batiste, with lace and such.  no idea what the lace 
is

made of, I have never seen the dress, as it has just been pulled out of
storage.

So, ideas for me to tell them about how to get the fabric back to 
white,
does anybody have ideas for me to tell them?  I told them that I don't 
think
there is much you can do, but i do remember this list having threads 
on this

topic, i just am not finding them right away.
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Re: [h-cost] shrunken wool

2008-01-04 Thread Sylvia Rognstad
I would just try wetting it and reblocking it if it hasn't felted.  Did 
you hand wash it in cold water and lay flat to dry?  If so, it may be 
all right.


Sylrog

On Jan 4, 2008, at 5:51 PM, Suzanne wrote:


Is it merely shrunken?  Or did it go all the way to felted?

Years ago, I heard of an old country remedy for slightly-shrunken 
sweaters -- you soak the sweater in a solution of epsom salts and then 
carefully re-block it.  But I never tried it and I can't remember the 
proportions  Does anyone know what I'm talking about???


Good luck!
Suzanne


From: Sharon Collier [EMAIL PROTECTED]
Date: January 4, 2008 2:17:39 AM CST
To: 'Historical Costume' [EMAIL PROTECTED]
Subject: [h-cost] FW: Shrunken wool
Reply-To: Historical Costume h-costume@mail.indra.com
  _


I accidentally washed a wool sweater and it shrank. Is there any cure 
to

stretch it out again?
Sharon



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Re: [h-cost] Halloween and the perception of costume

2007-10-31 Thread Sylvia Rognstad
Why does everyone think that's cheating?  Why should you have to make a 
new costume every year?  Heck, I make costumes and clothing for 
everyone else all year long so I never have time to make anything for 
myself.  I would be thrilled to have any costume to wear on Halloween.  
For about 5 years now I've been wanting to make a Norma Desmond costume 
from Sunset Blvd for myself--complete with the pinkie cigarette holder, 
sunglasses and chin strap she wears to bed, but I've never had time.  
Maybe next year...


Sylrog

On Oct 31, 2007, at 5:14 PM, Shane  Sheridan wrote:

I did not have time to put together the costume I wanted to this year, 
so I 'cheated' and used a dance costume - Hand embroidered caftan 
(Palestine style),  black turban and about 10 lbs of Afghan jewelry.


Everyone loved it, but I was feeling somewhat cheated. :0)

Now I'm wearing a skull dress, and purple dreadfalls, and am about to 
go to the pub for supper and a drink.


Sheridan P.

- Original Message - From: Audrey Bergeron-Morin 
[EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, October 31, 2007 4:15 PM
Subject: [h-cost] Halloween and the perception of costume



I know I'm not the only one...

I wanted to go to work all dressed up. I looked at my medieval
clothing and I just couldn't bring myself to wear this to work. For
one thing, it would be like cheating. And it wouldn't really be
something unusual to wear, from my perspective, even if people at work
have never seen me wearing it. And it would be kind of boring. And,
also, well... they're not really costumes, are they?

So, with a closet full of beautiful costumes, I had to go out of my
way to scrounge together a fantasy gypsy outfit... and it's very nice
too!
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Re: [h-cost] Re: NYC Fashion District

2007-10-24 Thread Sylvia Rognstad
Anyone know if this is true in the Los Angeles garment district as 
well?  I haven't been there since before 9/11.It's gotten very 
difficult for us theatrical costume designers to find the fabrics we 
need anymore for our productions.


Sylrog

On Oct 24, 2007, at 9:52 AM, monica spence wrote:


The remaining downtown stores -- what few they are -- are around West
Broadway.

The 9/11 attacks have been devastating to the garment industry. Today, 
most

of the industry is off-shore (China, Thailand, Vietnam, Cambodia--- you
know, the garden spots of the world where they employ child and slave 
labor

and pay 38 cents a day... But I digress.)

The fabric stores were hardest hit because so few people sew now, and
whatever suppliers they had in the US textile the industry has dries 
up.


There are a few nice stores on 39th over by 8th ave. But they are very
expensive.

Monica
Works in Manhatten teaching fashion

-Original Message-
From: [EMAIL PROTECTED] 
[mailto:[EMAIL PROTECTED]

Behalf Of [EMAIL PROTECTED]
Sent: Wednesday, October 24, 2007 11:30 AM
To: [EMAIL PROTECTED]
Subject: [h-cost] Re: NYC Fashion District



Penny wrote:

What are  some of the names of the main streets in NYC fashion 
district?  I

am  working on a 1905 jobber's pocket manual that lists various fashion
related
 businesses, retailers, manufacturers, and mills east of the 
Mississippi

River.  I am just wondering if the streets list for businesses, etc. is
what is
called the fashion district today.   Some of the locations  are 300-500
blocks
of Broadway, Worth St., Green St., Leonard St. and White  St.




These are not in the current Garment District.  Some of these areas  
did
still have fabric stores as late as 2001 (stopped working downtown 
after the
attacks and I haven't been back).  The Garment District is Westside 
upper

30's
from Broadway over to 8th/9th Avenues.  The Broadway addresses would  
be

around
1400.

Nancy



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Re: [h-cost] cleaning problem

2007-10-23 Thread Sylvia Rognstad
I tried  spot remover, a laundry pretreater like Shout, and Zout.
Has anyone tried Oxyclean?


On Oct 22, 2007, at 11:42 AM, Sharon Collier wrote:

What things have you tried? Simple Green works well on dissolving 
automotive
oil My son's basketball got smeared by rolling under a car and it was 
the

only stuff to get it off.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
On

Behalf Of Sylvia Rognstad
Sent: Sunday, October 21, 2007 7:00 PM
To: Historical Costume
Subject: [h-cost] cleaning problem

I know this isn't exactly costume related, but since others on the list
often have problems cleaning costumes and antique clothing, I thought 
I'd
see if anyone had a solution for a grease stain that has been through 
the
wash twice and treated with spot removers and other stuff and still 
remains.
I may have to give up on it but I thought I'd see if someone has had 
good

luck with some product  haven't tried.

Sylrog

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Re: [h-cost] danish costume museum online

2007-10-22 Thread Sylvia Rognstad
Those are awesome, Bjarne.  Thanks for sharing.  Wish I could 
understand the description.


Sylrog

On Oct 22, 2007, at 12:50 PM, Leif og Bjarne Drews wrote:

For those of you who are interrested clothes from 1700 and onwards are 
on wiev on the danish costume museum.

http://tidenstoej.natmus.dk/index.html
Only danish i am afraid, but look further down under the pictures of 
the costume, there are smaller pictures to click and they will appear 
besides the photo of the costume on top. Also pdf files of the pattern 
cuts and also zoom in


Have fun!

Bjarne
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[h-cost] cleaning problem

2007-10-21 Thread Sylvia Rognstad
I know this isn't exactly costume related, but since others on the list 
often have problems cleaning costumes and antique clothing, I thought 
I'd see if anyone had a solution for a grease stain that has been 
through the wash twice and treated with spot removers and other stuff 
and still remains.  I may have to give up on it but I thought I'd see 
if someone has had good luck with some product  haven't tried.


Sylrog

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Re: [h-cost] cleaning problem

2007-10-21 Thread Sylvia Rognstad

That won't bleach the fabric?  It's not white.

On Oct 21, 2007, at 8:09 PM, Kenet Muir wrote:


Have you tried getting the stain wet with warm water
then rubbing baking soda into it mixed with hydrogen
peroxide? Let it sit for half and hour then wash as
usual. I found that it worked with chocolate that had
been through the wash several times.

Kenet

--- Sylvia Rognstad [EMAIL PROTECTED] wrote:


I know this isn't exactly costume related, but since
others on the list
often have problems cleaning costumes and antique
clothing, I thought
I'd see if anyone had a solution for a grease stain
that has been
through the wash twice and treated with spot
removers and other stuff
and still remains.  I may have to give up on it but
I thought I'd see
if someone has had good luck with some product
haven't tried.

Sylrog

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Re: [h-cost] cutting for all

2007-10-17 Thread Sylvia Rognstad
Isn't Kevin on this list?  Maybe not.  I know his name from theatre.  I 
heard him speak at a USITT conference several years ago.  He was quite 
knowledgeable.  I would be interested in reading this book.


Sylrog

On Oct 17, 2007, at 12:11 PM, Zuzana Kraemerova wrote:


Does anyone know anything about this book?

http://www.amazon.com/exec/obidos/ASIN/0809320061/thecostumersmani

Zuzana

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Re: [h-cost] Tux, tails and vests

2007-10-17 Thread Sylvia Rognstad
I didn't thing tuxedos came in for evening wear until about the 1920s.   
They look wrong to me for 1890s.


Sylrog

On Oct 17, 2007, at 8:44 AM, [EMAIL PROTECTED] wrote:

I think Miss Manners has covered the evolution of tails and the  
tuxedo--try one of her earlier etiquette books.? Tuxedos were  
definitely informal when first developed, so your characters should  
probably be wearing tails.? I think the white tie and tails had been  
codified by then, to include the starched front shirt and white pique  
waistcoat, but I could be wrong.


Ann Wass


-Original Message-
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wed, 17 Oct 2007 10:32 am
Subject: [h-cost] Tux, tails and vests



My students are designing a production of Dracula (1897) and are  
required

to do research and designs for the costumes.  There has been a lot of
discussion of vest colors and appropriate coats for various occasions.  
 I

learned
(Esquire Book of Men's Clothing, mostly) that the rule of thumb is  
white  tie
and vest with tails, black tie and vest with tux.  A man in black tie   
and tails


would be a servant ie butler or waiter.  So my students have  found a  
lot of
research contrary to what my assumption was.  I have seen  pictures of  
white
vest and black tie with tails, white vest and white tie with  tuxedos,  
black
vest and tie with tails on gentlemen who would never be mistaken  for  
servants
and all other permutations.  The research they have found is   
secondary,
meaning drawings from the period rather than actual  photographs.   
Have I been

wrong
all these years?  Also, it was my  understanding that tuxedos were not
considered proper in the presence of  ladies.  Tails were required for  
those
occasions, although I do understand  that this convention gradually  
faded away.

Can
someone elucidate me?

Cheryl Odom
College of Santa Fe



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Re: [h-cost] Ideas

2007-10-10 Thread Sylvia Rognstad


On Oct 10, 2007, at 6:35 PM, Danielle M. Dewey wrote:

I bought the set from Bed, Bath  Beyond a few years ago when I was  
with my
highschool sweetheart still, My husband and I have a queen size bed  
and even
if we had a king I would not want to use the same bedding as with my  
ex,


Really?  That thought has never even crossed my mind.  Not that I sleep  
around, mind you.  Not any more, anyhow.  That was decades ago.  Now  
I'm lucky if I can get my cats into bed with me.


Sylrog


this is why I want to cut them up.  Everyone is giving me wonderful  
ideas

thank you.

On 10/10/07, Dawn [EMAIL PROTECTED] wrote:






http://s18.photobucket.com/albums/b133/SorayaNazli/? 
action=viewcurrent=GREENTEA3.jpg



The sheet set shown in the third pic is not the one I already used I

can

still make something out of that.



I think the sheets would make a lovely kimono, if you really want to  
cut

them up.


Dawn


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--
*´¨)
¸.·´¸.·´¨) ¸.·*¨).
(¸.·´ (¸.·´ .·´
.·´ ¸.·*`·~»*~Danielle~*»~
(¸.·´
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Re: [h-cost] Kinko's Ignorance

2007-10-07 Thread Sylvia Rognstad
I'm a bit confused.  Are you asking Kinkos to make copies for you or 
are they walking around policing people to see what they are making 
copies of by themselves?


Sylrog

On Oct 7, 2007, at 11:37 AM, Mary + Doug Piero Carey wrote:

Lord, yes Kinko's staff has ABSOLUTELY NO understanding of fair use.  
As a matter of fact, most of the time, they have it exactly backwards. 
 I have been Repeatedly told by Kinko staff that if I was making 
multiple copies for classroom use, it would be all right, but since I 
only wanted one copy for personal use, they could not allow me to make 
the copy.
Once, a costumer friend wanted to make an outfit from a cover of 
Analog.  We didn't want to haul the issue around. (Which I own.)  
Kinko's brain dead staff insisted that the copyright notice for the 
SFBC ad back cover art meant that Stan Schmidt's permission to make 1 
color enlargement for the purpose of verifying the fabric  trim 
colors was invalid.   headcounter


They have refused to let me make bw reductions of original artwork 
for me to file with my home insurance policy.  I wanted to get the 
sales receipt  the image onto the same sheet.  Can you imagine a more 
innocuous purpose?


Don't believe ANYTHING a Kinko staffer tells you about copyright law!

Mary Piero Carey
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Re: [h-cost] costume photos

2007-10-06 Thread Sylvia Rognstad
Wow!  When you said they aren't cheap, I had no idea you meant they 
cost a fortune!  They look great, but way out of my price range which 
would be less than a tenth of that.  I'd have to teach for the next 40 
years and I'm sure I won't be alive that long. Thanks for the info 
though.


Sylrog

On Oct 5, 2007, at 5:01 AM, [EMAIL PROTECTED] wrote:



In a message dated 10/4/2007 10:03:38 AM Eastern Daylight Time,
[EMAIL PROTECTED] writes:

So it  sounds like I'm ok, since I work for an educational institution,
huh?

Sylrog


Sylvia,
There are ready-made sets available.  They aren't cheap, but they save 
 you

all the trouble.  Check out
_http://www.slidepresentationsdvd.com/_
(http://www.slidepresentationsdvd.com/)

I'm sure such an investment depends on many times you or your 
institution
intend this class to be taught, but it seems to me it might be well 
worth  while.


Ann Wass



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Re: [h-cost] ancient Egyptian garment

2007-10-05 Thread Sylvia Rognstad
Thanks Heather and all the rest who responded.  I did get the pics and 
info from one or more of you and was able to share them with my class.


Sylvia

On Sep 25, 2007, at 9:58 PM, Heather Rose Jones wrote:



On Sep 25, 2007, at 8:02 PM, Sylvia Rognstad wrote:

I thought I had saved it but now I can't find the article someone 
posted about an ancient beaded Egyptian dress that was discovered 
some time ago.  It included a photo of the garment.  I wanted to show 
my class.  Anyone have the link, if it still exists?


There are a couple of dresses (or fragments of dresses) of this type 
that I've run across.  At the moment I'm away from home, so going off 
what's on the computer, it's cited in Hall 1981 which I think must 
be:


Hall, Rosalind.  1981.  Fishing-net dreses in the Petrie Museum in  
Göttinger Miszellen:  42:36-46.


But also in:

Hall, Rosalind.  1986.  Egyptian Textiles.  Shire Publications, 
Aylesbury.  ISBN 0-85263-800-0


which is more likely to have a color photo.

Heather



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Re: [h-cost] costume photos

2007-10-04 Thread Sylvia Rognstad
So it sounds like I'm ok, since I work for an educational institution, 
huh?


Sylrog
On Oct 3, 2007, at 11:14 PM, Lavolta Press wrote:

Likewise, educational use legally applies to education that takes 
place within educational institutions, and not to an individual 
reading any book he or she may find informative (which after all 
applies to every nonfiction work).






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Re: [h-cost] costume photos

2007-10-04 Thread Sylvia Rognstad

I agree.  Can we not try to insult one another and start flame wars?

Sylrob

On Oct 4, 2007, at 8:36 AM, Rickard, Patty wrote:


Wow - that was harsh!

Patty

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Lavolta Press
Sent: Thursday, October 04, 2007 2:36 AM
To: Historical Costume
Subject: Re: [h-cost] costume photos


Robin Netherton wrote:


Certainly, copying a whole book is a violation. But I've occasionally


resorted to  Xeroxing books that are technically in copyright, when
they're out of print or otherwise  unavailable and I need to refer to
them longer than ILL will let me. In the one chance in a  million that
the copyright owners in these cases wander into my private office and
find  the copies in my files, I'll take my lumps. (Given the books in
question, though, I  suspect the authors would more likely be amazed
that would go to such lengths to get them.)

Ah:  So you think anything you wish to do and that benefits you is
ethical as long as you don't get caught?

I don't leave my purse, or any other property, unattended around people
with attitudes like that.


Copying pages or chunks here and there is something that happens

every day in every university library and Kinko's.

Ah:  So since every crime and violation of law happens every day,
somewhere, it's OK for you to commit any of them?

I don't even want to be in the room with people who have ethics like
that.  Who knows what they'd feel OK about doing.

Somehow, I manage to do research--although there's so much
grandstanding, exaggeration, and sheer bullshit about research and
scholarship in reenactment communities I try not to mention it
much--without violating copyrights.  This is greatly facilitated by
actually buying the books, and yes I also buy rare books.


I'm not sure how the law would cover independent lectures that are

characterized as classes but not within the walls of an institution.

Then since you're giving such lectures, don't you think you should find
out for sure?

There are also a number of other legal guidelines, including using only
small portions of a work and a small number of works, having the need
arise when there is not enough time to purchase the publications, and
others.


Copyright law, overall, is full of exceptions, loopholes, conflicting


precedents, and argument. Some lines are clearer than others, though.

Not fully understanding it does not give you license to do whatever
you'd like.


I should also note that I generally agree with Fran on issues of

copyright, and I would encourage her to read my posts with a
consideration of the context of the conversation.

OK, so we're using the third person now, not addressing each other.  
So:


I don't think from the above comments that Robin and I are in agreement
about copyright law. I'd encourage Robin to read some books on it. Nolo
Press has a good selection.

Fran
Lavolta Press
http://www.lavoltapress.com
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[h-cost] Moderator?

2007-10-04 Thread Sylvia Rognstad
I think this list needs a moderator to keep things from getting out of 
hand as they are now.  Insults should be posted privately, I think.  
Let's all try to be as polite as we would be in person--assuming we 
are! ;-)


Sylrog

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Re: [h-cost] costume photos

2007-10-03 Thread Sylvia Rognstad
Good idea, but I'd really like mostly primary sources.  I'll check out 
Dover though.  Thanx.


Sylrog

On Oct 3, 2007, at 2:16 AM, Beteena Paradise wrote:

It depends on how historically accurate you want the images to be, but 
Dover Books have several books of costume images that come with cds 
containing all of the images in several different formats. The books 
have Tom Tierney and Braun  Schneider illustrations.


  This shows a few:
  http://store.doverpublications.com/0486996190.html

  Teena

Sylvia Rognstad [EMAIL PROTECTED] wrote:
  Do any of you costume instructors know of a source for 
costume/fashion

history cds?
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Re: [h-cost] costume photos

2007-10-03 Thread Sylvia Rognstad
Yes, but then I have to search all over the web to find what I want.  
Do you know one or two good online sources?  I'm talking history from 
ancient Mesopotamia up to the present.


Sylrog

On Oct 3, 2007, at 8:17 AM, monica spence wrote:

Download pics from the web, put them into your computer picture file 
and
make your own Powerpoint presentation. Works beautifully--- and you 
don't

have to break the binding of the books.

Monica

-Original Message-
From: [EMAIL PROTECTED] 
[mailto:[EMAIL PROTECTED]

Behalf Of Sylvia Rognstad
Sent: Tuesday, October 02, 2007 11:56 PM
To: Historical Costume
Subject: [h-cost] costume photos


Do any of you costume instructors know of a source for costume/fashion
history cds?  I've been trying to take photos out of books but either I
can't keep the book flat or I can't keep the camera steady enough so
the pictures come out decently.  I bought a tripod but that didn't
help, so now I'm wondering if I can just buy a collection somewhere.

Sylrog

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Re: [h-cost] costume photos

2007-10-03 Thread Sylvia Rognstad
I know what you mean.   I'm trying to do a very brief overview of 
history in my costume and fashion industry class and I just don't have 
time for all this this semester.  Maybe I can work on it over winter 
break.  As it is, the job pays so poorly that I end up making about $5 
an hour with even a minimum amount of prep time.  Gotta start looking 
for a better teaching job, although at my age, I doubt I can find one.


Sylrog

On Oct 3, 2007, at 9:28 AM, monica spence wrote:

Depends opn the period--- I teach the same thing. It took weeks, 
months to
get them to where I was happy. I don't know if there are any 
short-cuts. Do

one a week and you'll be fine.

Monica

-Original Message-
From: [EMAIL PROTECTED] 
[mailto:[EMAIL PROTECTED]

Behalf Of Sylvia Rognstad
Sent: Wednesday, October 03, 2007 10:49 AM
To: Historical Costume
Subject: Re: [h-cost] costume photos


Yes, but then I have to search all over the web to find what I want.
Do you know one or two good online sources?  I'm talking history from
ancient Mesopotamia up to the present.

Sylrog

On Oct 3, 2007, at 8:17 AM, monica spence wrote:


Download pics from the web, put them into your computer picture file
and
make your own Powerpoint presentation. Works beautifully--- and you
don't
have to break the binding of the books.

Monica

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Behalf Of Sylvia Rognstad
Sent: Tuesday, October 02, 2007 11:56 PM
To: Historical Costume
Subject: [h-cost] costume photos


Do any of you costume instructors know of a source for costume/fashion
history cds?  I've been trying to take photos out of books but either 
I

can't keep the book flat or I can't keep the camera steady enough so
the pictures come out decently.  I bought a tripod but that didn't
help, so now I'm wondering if I can just buy a collection somewhere.

Sylrog

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Re: [h-cost] costume photos

2007-10-03 Thread Sylvia Rognstad
I have a scanner but it only works with my old computer and to transfer 
images to my laptop or burn cds doesn't work.  Why I hadn't thought of 
that at this point, beats me.  Guess I just need to buy a new scanner.  
Thanks for bringing that up, although I do recall when I used to use 
the scanner I have it didn't print book photos very well.  I can't 
remember if they looked better on the computer.


Sylrog

On Oct 3, 2007, at 10:18 AM, Dawn wrote:


Sylvia Rognstad wrote:
Do any of you costume instructors know of a source for 
costume/fashion history cds?  I've been trying to take photos out of 
books but either I can't keep the book flat or I can't keep the 
camera steady enough so the pictures come out decently.


Use a scanner. It's much easier to get a good image than with a 
camera. You can find them anywhere, computer stores, department 
stores, office supply, and they start under $100 -- sometimes under 
$50. If you're going to be using it to take many pictures, it may be a 
worthwhile investment.




Dawn

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Re: [h-cost] costume photos

2007-10-03 Thread Sylvia Rognstad
Does one need permission just to take pics to show for a class?  
There's no way I am going to try to do that for all the books I'm  
copying out of.


Sylrog

On Oct 3, 2007, at 11:52 AM, Rickard, Patty wrote:

Be sure you make sure that the pics are not under copywrite, though - 
or

get permission first.

Patty

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of monica spence
Sent: Wednesday, October 03, 2007 10:18 AM
To: Historical Costume
Subject: RE: [h-cost] costume photos

Download pics from the web, put them into your computer picture file 
and

make your own Powerpoint presentation. Works beautifully--- and you
don't
have to break the binding of the books.

Monica

-Original Message-
From: [EMAIL PROTECTED] 
[mailto:[EMAIL PROTECTED]

Behalf Of Sylvia Rognstad
Sent: Tuesday, October 02, 2007 11:56 PM
To: Historical Costume
Subject: [h-cost] costume photos


Do any of you costume instructors know of a source for costume/fashion
history cds?  I've been trying to take photos out of books but either I
can't keep the book flat or I can't keep the camera steady enough so
the pictures come out decently.  I bought a tripod but that didn't
help, so now I'm wondering if I can just buy a collection somewhere.

Sylrog

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Re: [h-cost] costume photos

2007-10-03 Thread Sylvia Rognstad
But I'm not publishing the photos I copy.  You keep using the word  
publish.


Sylrog

On Oct 3, 2007, at 8:37 PM, Robin Netherton wrote:




It seems to me you only need permission if you're making money
directly off the image.


A common misconception, but it's not true. Whether or not you use the  
image to make money (or even if you just charge money to cover the  
expenses of publishing and don't make anything) is irrelevant to  
whether you have the right to publish the image in the first place.


(If that doesn't make sense, consider that if you give away my work  
for free, you are still potentially damaging my ability to earn money  
from my own work, if I so choose. You have also violated my right to  
control or even prohibit the distribution of my work, which is  
independent of monetary issues.)


Another common misconception: As long as you give credit by naming the  
creator, you can publish it without asking permission. Not true. That  
frees you from a charge of plagiarism, but not from copyright  
restrictions.


That said, if you don't ask for money and you give credit, and you get  
called into court, the fact that you showed good intent and didn't  
profit may reduce or eliminate the amount of money the court makes you  
pay.


--Robin





_
Help yourself to FREE treats served up daily at the Messenger Café.  
Stop by today.
http://www.cafemessenger.com/info/info_sweetstuff2.html? 
ocid=TXT_TAGLM_OctWLtagline 
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[h-cost] costume photos

2007-10-02 Thread Sylvia Rognstad
Do any of you costume instructors know of a source for costume/fashion 
history cds?  I've been trying to take photos out of books but either I 
can't keep the book flat or I can't keep the camera steady enough so 
the pictures come out decently.  I bought a tripod but that didn't 
help, so now I'm wondering if I can just buy a collection somewhere.


Sylrog

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Re: [h-cost] Safe Sex dres - and 500 Evening Gowns/Wearable Art

2007-09-28 Thread Sylvia Rognstad

At least, if you wear it on a date, you're always prepared!

On Sep 28, 2007, at 4:19 PM, Saragrace Knauf wrote:


http://www.joe-ks.com/archives_mar2006/SafeSexDress.htm

This dress reminded me of a request for submissions for Lark 
Publications

500 Evening Gowns/Wearable Art.

http://www.larkbooks.com/submissions/ArtistsEntryForms.asp


I thought some of you might just be intersted!

Sg

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Re: [h-cost] Re: Victorian costume collection

2007-09-19 Thread Sylvia Rognstad
Have you contacted any costume rental shops in Toronto?  I would think 
some of them would love to have your collection, which looks great to 
me.


Sylrog

On Sep 17, 2007, at 6:31 AM, Kathy Page wrote:


Where are you?



Sylvia


I am about an hour's drive west of Toronto, Ontario. But I'm happy to 
ship to anywhere in the world. :-)


I just realised that my soon-to-be ex had uploaded all of my portfolio 
to his Picasa account, thinking I needed a copy. I had them in my 
drive, but this is a convenient mistake:

 http://picasaweb.google.com/49victor/KathySCostuming
It's not sorted yet, and I don't currently have access to the account 
to do any sorting. Any men's wear, children's wear or anything 
pre-1600 is not for sale. Anything else I will consider. Although I 
would really like to keep my hoop dress, the right price will sell it. 
I can always make another one.


I am so sorry to hear that. Where do you live? I can paint/sew, etc. 
and
would be happy to help. I'm pretty good with tools, too. Comes from 
years as

a theatre tech.
For the costumes:
This was posted on Tribe



Lost Colony buildings destroyed in fire snip



Sharon


Hm I wonder if I called to offer my collection, we could come 
to an arrangement.


Thanks for the offer. If you were anywhere near me, I'd have you here 
in a heartbeat. :-) I have so much to do, all little annoying things, 
some need professionals. My SIL is a lighting engineer and interior 
designer that used to stage houses for realtors, so as far as that 
goes, I have a good consultant. We are having a grand time spending 
his money to fix the house he no longer lives in. ;-)



Have you heard the one about the woman whose husband and new 
girlfriend/wife
wanted to move into her home, which she couldn't afford now he had 
dumped

her? She put fresh shrimp in the hollow curtain rods and moved out.


*L* Yes, I have heard it. I thought about pushing a chunk of roadkill 
into the mattress, but I'd have to find a way of opening a seam, then 
replacing it without being noticeable. I just thought my perfume would 
be nauseating enough to him that he won't sleep well. This is the 
stuff that he said not long ago he liked because it reminded him of 
me. And incidentally, my mother bought me so m
st going to spray, smear and powder that damned thing until it reeks, 
then package it up in plastic, looking like I am being pleasant and 
efficient. It'll be too late by the time he gets it to his cozy, 
furnished and convenient little basement apartment that he'll be 
stuck with it. He can't afford to buy a new one now, anyway. The smell 
will go away - eventually.


Yes, I am evil!

Kathy
~who's ex thinks my making comments in an email about cold beds is 
funny. He didn't see my face when I wrote it~


Ermine, a lion rampant tail nowed gules charged on the shoulder with a 
rose Or barbed, seeded, slipped and leaved vert

(Fieldless) On a rose Or barbed vert a lions head erased gules.
It’s never too late to be who you might have been.
-George Eliot
Tosach eólais imchomarc. - Questioning is the beginning of knowledge.
Who you are is contained inside, and no one can change that. They can 
only assist you in denying who you are, but not indelibly reshape you 
to their own image.




  Get a sneak peak at messages with a handy reading pane with All 
new Yahoo! Mail: http://mrd.mail.yahoo.com/try_beta?.intl=ca

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Re: [h-cost] Victorian costume collection

2007-09-16 Thread Sylvia Rognstad

Where are you?

Sylvia

On Sep 16, 2007, at 4:01 PM, Kathy Page wrote:

Well, things have certainly changed around my house lately. I am down 
by a husband and up by twice the responsibility of home and child. Bit 
of a surprise for me; interesting 12th anniversary present - he got a 
new girlfriend.
I also have the additional job of being chief decorator and interior 
schlep for this monstrosity, on top of trying to find myself gainful, 
on-the-books work if I am going to have any shot in hell of keeping 
this house. If I can't find something that will pay the bills, I have 
to sell it. In the very likely event that will happen, I have to 
redecorate and repair everything I had been nagging him to do for 
years as it was, only with less money and time. Now I am not likely to 
ever enjoy the fruits of these labours.
That being said, I have this huge collection of Victorian/Edwardian, 
and a smidge of American Confed costuming that *really* needs a home 
now. I can't afford to have it taking up space, and now that I have to 
pay for a divorce, I could use the money. So much for that special 
make-me-feel-better-about-me stuff I was going to do with that money 
one day. *sigh*
Anyway, if anyone knows of a venue that could purchase my stuff, I 
would be happy for the leads. I have now become very negotiable on the 
prices.


Off to pour my perfume all over the mattress he wants to take from the 
house. Hope she likes my choices. Heh, hope he can live with his. ;-)


Kathy
~bitter? nooohohohoo...~

Ermine, a lion rampant tail nowed gules charged on the shoulder with a 
rose Or barbed, seeded, slipped and leaved vert

(Fieldless) On a rose Or barbed vert a lions head erased gules.
It’s never too late to be who you might have been.
-George Eliot
Tosach eólais imchomarc. - Questioning is the beginning of knowledge.
Who you are is contained inside, and no one can change that. They can 
only assist you in denying who you are, but not indelibly reshape you 
to their own image.






  Ask a question on any topic and get answers from real people. Go 
to Yahoo! Answers and share what you know at http://ca.answers

ahoo.com
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[h-cost] fashion design materials

2007-09-07 Thread Sylvia Rognstad
I know this is a costume email list but I am unaware of any fashion 
design lists (if someone knows of one, please fill me in).  I believe a 
few of you teach fashion as well as costume, and I'm looking for a book 
that is specifically related to the subject of designing fashion 
commercially.  Not the theory behind design, not rendering, but the 
actual steps taken by a commercial fashion designer when designing a 
line or collection of clothes for a manufacturer.  I'm teaching a class 
on the costume and fashion industries and most of my experience is in 
theatrical costuming.  I have a great book already on the fashion 
industry and all its facets, but I want to outline the entire procedure 
a clothing fashion designer takes and I've only worked in the garment 
industry as a patternmaker.   Anyone know of such a work?


Sylrog

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Re: [h-cost] Life magazine from 1939 and 1952

2007-09-05 Thread Sylvia Rognstad

I would, if you havent already gotten a bunch of replies.

Sylvia

On Sep 5, 2007, at 2:42 PM, Mary wrote:


In cleaning out the vault at work I came across two
issues of Life Magazines from 1939 and 1952. The cover
article for the 1952 is the The $3 Billion Wedding
Business. There are some neat pictures of crinolines
thought the one of a guy messing with a silk dress
while smoking is scary. The ads in both issues are
facinating.

Would anyone be interested in these? My boss is
entirely unsentimental and I don't have room at home
to take on another era.

Cheers,
Mary
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Re: [h-cost] Prices in 1957

2007-08-21 Thread Sylvia Rognstad

I don't think China was making Western fashions for export in the 1950s.

On Aug 21, 2007, at 7:49 AM, Linda Rice wrote:


Naturally price could vary quite a bit, just as today. (Off the rack
from China vs. designer or custom made)

Here's one site that might be useful. Note the wedding dress price is
for sample dresses, so may not be very accurate.
http://www.gti.net/mocolib1/prices/1958.html

::Linda::

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Catherine Kinsey
Sent: Tuesday, August 21, 2007 8:59 AM
To: [EMAIL PROTECTED]
Subject: [h-cost] Prices in 1957

Would anyone know of a resource for finding the prices of things in
1957?  I'm not looking for a current value but what something would 
have

cost in 1957.  Specifically a cocktail length wedding dress??

My in-laws are having their 50th annv. in 2 weeks and the kids want to
prepare a card where the punchline is 50 years together, priceless.
They are trying to find the cost of typical wedding items from this 
year

for the rest of the bit.  For some reason they thought I would know
about the dress :).

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Re: [h-cost] Moliere

2007-07-27 Thread Sylvia Rognstad
Wouldnt the skits have more understructure?  I forget what they wore  
under them in this period but it seems they should be sticking out a  
bit more.


Sylrog

On Jul 27, 2007, at 11:04 AM, MaggiRos wrote:


The skirts sure seem to be a skimping on fabric.

MaggiRos


--- otsisto [EMAIL PROTECTED] wrote:




http://www.imdb.com/gallery/ss/0796335/Ss/0796335/8.jpg.html?hint=group


http://www.imdb.com/gallery/ss/0796335/Ss/0796335/13.jpg.html? 
hint=group

not my area of interest but the costumes seem to be
close to the era
depicted. You may be right about the same style,
though the first picture
the woman on the left end is different.

-Original Message-
So, has anyone seen this yet?

The trailer is not promising costume-wise. Indeed,
the women's gowns look
like they are all the same dress in different
fabrics.




~Fog is just a cloud that lacks the will to fly.
 Bill Bryson, A Short History of Practically Everything
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