[SciFiNoir Lit] FW: Mohanraj interview: Adventures in Sci-Fi Publishing

2008-07-31 Thread Tracey de Morsella
Original Message-
From: Mary Anne Mohanraj
Mohanraj interview: Adventures in Sci-Fi Publishing

Some of you might enjoy this interview -- I talk about the Carl  
Brandon awards, how Strange Horizons got started, Clarion West  
experiences, grant money for writers, writing your identity, my  
current work, problems with the writing of inexperienced writers, etc.  
and so on.

http://www.adventuresinscifipublishing.com/2008/07/aisfp-56/

  - Mary Anne

-
Mary Anne Mohanraj - http://www.mamohanraj.com
Director, Speculative Literature Foundation - http://www.speclit.org
Board member, DesiLit - http://www.desilit.org





RE: [SciFiNoir Lit] My new blog

2008-10-17 Thread Tracey de Morsella
Belated congrats!  I read your first post.  I really liked it

 

Tracey

 

From: SciFiNoir_Lit@yahoogroups.com [mailto:[EMAIL PROTECTED]
On Behalf Of ravenadal
Sent: Monday, August 25, 2008 7:57 AM
To: SciFiNoir_Lit@yahoogroups.com
Subject: [SciFiNoir Lit] My new blog

 

In the face of staggering indifference I have started a new blog. 
Read the first entry at:

http://blackplush.blogspot.com/

~rave!

 



[Non-text portions of this message have been removed]



[SciFiNoir Lit] The Lit-SF Debate Has Become A Trope In Its Own Right

2008-12-18 Thread Tracey de Morsella

The
http://io9.com/5113466/the-lit+sf-debate-has-become-a-trope-in-its-own-righ
t  Lit-SF Debate Has Become A Trope In Its Own Right


By Charlie Jane http://io9.com/people/charliejane/posts/  Anders, 1:00
http://io9.com/5113466/the-lit+sf-debate-has-become-a-trope-in-its-own-righ
t  PM on Thu Dec 18 2008, 309 views 

Yet another literary boffin has said science fiction novels can't be
literary, and it's (not surprisingly) sparked some controversy. Benjamin
Kunkel in Dissent Magazine wrote a long exegesis
http://dissentmagazine.org/article/?article=1308  on the difference
between SF and literature - in a nutshell, literature has more complex
characters and trickier dilemmas about the place of the individual in
society. Henry Farrell at Crooked Timber took
http://crookedtimber.org/2008/12/16/they-bellow-til-were-deaf/  issue with
Kunkel's analysis. I had a sense that Farrell was oversimplifying Kunkel's
argument, and that Kunkel was actually making some valid points mixed in
with his ill-supported generalizations. 

I was struggling with how to say that in a blog post, but luckily, Cheryl
Morgan did it for me http://www.cheryl-morgan.com/?p=2789 . Her thoughtful
response to Kunkel's argument is well worth reading for its own sake, as she
dissects the difference between genres and tropes. (Like, it's actually
possible to write a novel about clones without doing the usual Are clones
human? thing.) In a weird sense, the debate over literary fiction vs. SF
has in itself become ridden with tropes, and Morgan does a good job of
cutting through them.

 



[Non-text portions of this message have been removed]



[SciFiNoir Lit] Is It Time for a Change in Publishing Black Literature?

2008-12-19 Thread Tracey de Morsella
By Shon Bacon http://chicklitgurrl.wordpress.com/ 

November 17, 2008

Is It Time for a Change in Publishing Black Literature?

http://readersrooms.com/wp-content/authors/Shon%20Bacon-93.jpg

Recently, I read a post on author Bernice McFadden's MySpace blog -
http://blog.myspace.com/index.cfm?fuseaction=blog.viewfriendID=104202531b
logID=446786829 Will a Black President Help Me, the Black Writer. You
should definitely take the time to read it in its entirety (if you don't
have Bernice as a friend on MySpace, you might need to add her first).

In the post, Bernice talks about (and this is my summarizing her post, mind
you) how President-Elect Barack Obama represents a different view of Blacks
in America, a view we don't often see in media. We're so used to seeing
Blacks in stereotypical roles - dealers, hustlers, druggies, hoes, and the
list goes - unfortunately - on and on. As Bernice states in her post, Obama
is representative of the Black American we seldom see in publishing.
Meaning, he is not a whore-monger, drug-dealer, drug user or absent
baby-daddy. He is not a slave to designer labels and he does not wear bling.
We have not seen him ducking into a bodega to buy a forty, he does not
congregate on street corners, and no source has come forward to reveal that
he smoked a blunt before his debates with John McCain.

Her question - Will a Black president help me, the Black writer - comes from
the notion that if we can elect a Black president, can publishing houses
open their eyes to the idea that Blacks have a myriad of experiences and as
such, there should be a myriad of stories written to reflect those
experiences - and not just those very few experiences we've seen countless
times.

Here was my response (polished a bit here) to her post:

I think just as Obama started with a grassroots campaign of believers, black
writers who want a change need to start a grassroots campaign, too. The
people of America saw Obama for nearly two years - with his eloquent words -
tell them that change could happen, that it was time to happen.

He tapped into the future, the youth, to support his advances. He looked
into the eyes of elderly white people and said, I can help you, too. He
looked at Republicans, those who could barely get up the nerve to say they
were tired of their party, and said, I know how you feel, don't tell me.
Let's fix this thing together.

Just as Obama connected beyond Blacks and sparked the change that took place
on the second best day of my life, those black writers who want a change in
the publishing industry have to fight for the change and connect beyond
their color, too.

And, unfortunately, it doesn't come from telling the publishing industry -
yet again - that they need to change; they don't buy it, no matter how much
convincing we try to do. They want to see the numbers, they want to see the
sales, they want to SEE the change.

So, I guess, the question is how do we start that grassroots campaign for
change in the publishing industry for black writers? How do we convince our
constituents that we are worthy of being read, of being published so that
it's not just about us - the writers - complaining (as the industry might
say - sour grapes), but it's about the people who are ready, who are
craving for more diversity in black literature?

Do we do more self-publishing (or as I like to call it indie publishing)
of diverse works? Do we become voices in various forms of media so that we
can be spokespersons for those who are publishing diverse works? Do we form
consortia derived from Black-oriented publishing houses, PR firms, marketing
firms, book clubs, magazines, TV networks, radio stations so that we can
disseminate information about those diverse works?

How do we regroup and move forward in a way that promotes all arrays of
Black literature.and not just to Black readers, but to all people?

Can we?

What say you?

http://readersrooms.com/?p=1455



[Non-text portions of this message have been removed]



[SciFiNoir Lit] Is It Time for a Change in Publishing Black Literature?

2008-12-19 Thread Tracey de Morsella
November 17, 2008

Is It Time for a Change in Publishing Black Literature?

Recently, I read a post on author Bernice McFadden's MySpace blog -
http://blog.myspace.com/index.cfm?fuseaction=blog.viewfriendID=104202531b
logID=446786829 Will a Black President Help Me, the Black Writer. You
should definitely take the time to read it in its entirety (if you don't
have Bernice as a friend on MySpace, you might need to add her first).

In the post, Bernice talks about (and this is my summarizing her post, mind
you) how President-Elect Barack Obama represents a different view of Blacks
in America, a view we don't often see in media. We're so used to seeing
Blacks in stereotypical roles - dealers, hustlers, druggies, hoes, and the
list goes - unfortunately - on and on. As Bernice states in her post, Obama
is representative of the Black American we seldom see in publishing.
Meaning, he is not a whore-monger, drug-dealer, drug user or absent
baby-daddy. He is not a slave to designer labels and he does not wear bling.
We have not seen him ducking into a bodega to buy a forty, he does not
congregate on street corners, and no source has come forward to reveal that
he smoked a blunt before his debates with John McCain.

Her question - Will a Black president help me, the Black writer - comes from
the notion that if we can elect a Black president, can publishing houses
open their eyes to the idea that Blacks have a myriad of experiences and as
such, there should be a myriad of stories written to reflect those
experiences - and not just those very few experiences we've seen countless
times.

Here was my response (polished a bit here) to her post:

I think just as Obama started with a grassroots campaign of believers, black
writers who want a change need to start a grassroots campaign, too. The
people of America saw Obama for nearly two years - with his eloquent words -
tell them that change could happen, that it was time to happen.

He tapped into the future, the youth, to support his advances. He looked
into the eyes of elderly white people and said, I can help you, too. He
looked at Republicans, those who could barely get up the nerve to say they
were tired of their party, and said, I know how you feel, don't tell me.
Let's fix this thing together.

Just as Obama connected beyond Blacks and sparked the change that took place
on the second best day of my life, those black writers who want a change in
the publishing industry have to fight for the change and connect beyond
their color, too.

And, unfortunately, it doesn't come from telling the publishing industry -
yet again - that they need to change; they don't buy it, no matter how much
convincing we try to do. They want to see the numbers, they want to see the
sales, they want to SEE the change.

So, I guess, the question is how do we start that grassroots campaign for
change in the publishing industry for black writers? How do we convince our
constituents that we are worthy of being read, of being published so that
it's not just about us - the writers - complaining (as the industry might
say - sour grapes), but it's about the people who are ready, who are
craving for more diversity in black literature?

Do we do more self-publishing (or as I like to call it indie publishing)
of diverse works? Do we become voices in various forms of media so that we
can be spokespersons for those who are publishing diverse works? Do we form
consortia derived from Black-oriented publishing houses, PR firms, marketing
firms, book clubs, magazines, TV networks, radio stations so that we can
disseminate information about those diverse works?

How do we regroup and move forward in a way that promotes all arrays of
Black literature.and not just to Black readers, but to all people?

Can we?

What say you?

 



[Non-text portions of this message have been removed]



[SciFiNoir Lit] Reading Too Much Into Race

2008-12-23 Thread Tracey de Morsella
Reading Too Much Into Race

By Carleen Brice
Sunday, December 21, 2008; B04

December is National Buy a Book by a Black Author and Give It to Somebody
Not Black Month.

What, you haven't heard of it?

Wondering whether it's a joke?

Well, it is and it isn't. I've got my tongue firmly lodged against my cheek,
but I'm really hoping that this holiday season you'll buy a book by a black
author and give it to somebody who isn't black.

Because as a black author trying to reach a wider audience, I believe that
this guerrilla marketing effort -- although sort of a stunt -- may be one of
the only ways writers like me will be able to find white readers.

The accepted wisdom of the publishing industry is that books by black
authors should be marketed to black audiences; after that, hopefully, they
will cross over to whites and others. This is what a writer friend of mine
was told when she wrote her first book. Ten books later, she has yet to
cross over, despite respectable sales and favorable reviews. Without that
crossover success, she's having a hard time finding a publisher for her
latest literary novel. One editor rejected her latest work with the comment
that it was beautifully written, but since there hadn't been a new
breakout African American author in years, she would have to pass on it.

It's not that black readers aren't buying books. According to the research
firm Target Market News, which tracks African American consumer spending,
black households spent an estimated $270 million on books in 2007.

But as my writer friend's situation and that of many others illustrates,
it's extremely hard to have a viable career in publishing without support
from a wider (read: not exclusively black) audience. And it's difficult for
black authors, especially of literary fiction, to develop the buzz that
sells books. White readers don't hear our books discussed generally (except,
of course, the ones by heavy hitters such as Toni
http://www.washingtonpost.com/ac2/related/topic/Toni+Morrison?tid=informlin
e  Morrison, Alice
http://www.washingtonpost.com/ac2/related/topic/Alice+Walker?tid=informline
  Walker and a few others). And without media exposure and water-cooler
talk, they don't know which of our books they might like.

Publishers themselves are spending their precious marketing dollars
targeting black readers specifically. As editors and publishers we have to
acknowledge that the base audience for these books are African American
readers, said Stacey Barney, an editor with the Penguin imprint G.P.
Putnam's Sons. Once you've secured that base readership, then you can go
after other markets for the book.

But securing that base readership is part of the problem. A trip to one of
the major chain bookstores shows what Barney's talking about. Walk past the
general fiction section, and you'll find the African American fiction
section. The shelves there will be lined with all the same subjects you find
in the rest of the bookstore. The one thing linking them is that the authors
are black. It's very handy if all you read is fiction by black people. You
can go right to your special section. Someone like me, who enjoys a wider
variety of reading, might look in both general fiction and the black fiction
section. I'm black and would never feel out of place browsing in the black
books section. A white reader, on the other hand, might not take that same
look and might not know that the books exist at all.

Borders developed its stand-alone African American fiction section more than
a decade ago, according to buyer Ernesto Martinez. The stand-alone section
is a successful strategy, he said.

After years of being against the idea, the Tattered Cover Book Store in
Denver, my local independent bookstore, is considering launching an African
American fiction section in its flagship location. Black customers asked for
one after the store moved to a more diverse neighborhood.

To me, it seems a bit ironic that, at a time when black authors are fighting
not to be marginalized, some black readers are asking for African American
fiction sections. But I can understand their reasons. Some blacks read only
books by black authors out of loyalty or a desire to keep seeing stories
about themselves in print. It makes sense that they'd like to find those
books in one location, but it also speaks to the way readers have come to
expect a dividing line, books clearly marked us and them.

Marketing black books only to black readers is frustrating in another way.
Who says that all black readers are alike? That's a question Karen Hunter
has struggled with. She's an author who also has her own imprint with Simon
 Schuster's Pocket Books, primarily publishing works by black authors.
Black people are not monolithic -- we don't all like the same things, she
said. So why wouldn't a white person be interested in some of the same
subjects that a black person would?

Of course, one best-selling black author of the moment happens to be our
president-elect. 

[SciFiNoir Lit] FW: (NAME-MCE) Young Muslims Build a Subculture on an Underground Book

2008-12-24 Thread Tracey de Morsella
Original Message-
From: name-mce-boun...@nameorg.org [mailto:name-mce-boun...@nameorg.org] On
Behalf Of Bill Howe
Sent: Wednesday, December 24, 2008 3:01 AM
To: ***NAME-MCE ***NAME-MCE
Subject: (NAME-MCE) Young Muslims Build a Subculture on an Underground Book



December 23, 2008
Young Muslims Build a Subculture on an Underground Book 
By CHRISTOPHER MAAG


CLEVELAND - Five years ago, young Muslims across the United States began
reading and passing along a blurry, photocopied novel called The
Taqwacores, about imaginary punk rock Muslims in Buffalo.
 
This book helped me create my identity, said Naina Syed, 14, a high school
freshman in Coventry, Conn.
 
A Muslim born in Pakistan, Naina said she spent hours on the phone listening
to her older sister read the novel to her. When I finally read the book for
myself, she said, it was an amazing experience. 
 
The novel is The Catcher in the Rye for young Muslims, said Carl W. Ernst,
a professor of Islamic studies at the University of North Carolina at Chapel
Hill. Springing from the imagination of Michael Muhammad Knight, it inspired
disaffected young Muslims in the United States to form real Muslim punk
bands and build their own subculture. 
 
Now the underground success of Muslim punk has resulted in a low-budget
independent film based on the book.
 
A group of punk artists living in a communal house in Cleveland called the
Tower of Treason offered the house as the set for the movie. The crumbling
streets and boarded-up storefronts of their neighborhood resemble parts of
Buffalo. Filming took place in October, and the movie will be released next
year, said Eyad Zahra, the director.
 
To see these characters that used to live only inside my head out here
walking around, and to think of all these kids living out parts of the book,
it's totally surreal, Mr. Muhammad Knight, 31, said as he roamed the movie
set. 
 
As part of the set, a Muslim punk rock musician, Marwan Kamel, 23, painted
Osama McDonald, a figure with Osama bin Laden's face atop Ronald
McDonald's body. Mr. Kamel said the painting was a protest against
imperialism by American corporations and against Wahhabism, the strictest
form of Islam. 
 
Noureen DeWulf, 24, an actress who plays a rocker in the movie, defended the
film's message. 
 
I'm a Muslim and I'm 100-percent American, Ms. DeWulf said, so I can
criticize my faith and my country. Rebellion? Punk? This is totally
American.
 
The novel's title combines taqwa, the Arabic word for piety, with
hardcore, used to describe many genres of angry Western music. 
 
For many young American Muslims, stigmatized by their peers after the Sept.
11 attacks but repelled by both the Bush administration's reaction to the
attacks and the rigid conservatism of many Muslim leaders, the novel became
a blueprint for their lives. 
Reading the book was totally liberating for me, said Areej Zufari, 34, a
Muslim and a humanities professor at Valencia Community College in Orlando,
Fla.
 
Ms. Zufari said she had listened to punk music growing up in Arkansas and
found The Taqwacores four years ago. 
 
Here was someone as frustrated with Islam as me, she said, and he
expressed it using bands I love, like the Dead Kennedys. It all came
together. 
 
The novel's Muslim characters include Rabeya, a riot girl who plays guitar
onstage wearing a burqa and leads a group of men and women in prayer. There
is also Fasiq, a pot-smoking skater, and Jehangir, a drunk. 
 
Such acts - playing Western music, women leading prayer, men and women
praying together, drinking, smoking - are considered haram, or forbidden, by
millions of Muslims. 
 
Mr. Muhammad Knight was born an Irish Catholic in upstate New York and
converted to Islam as a teenager. He studied at a mosque in Pakistan but
became disillusioned with Islam after learning about the sectarian battles
after the death of Muhammad. 
 
He said he wrote The Taqwacores to mend the rift between his being an
observant Muslim and an angry American youth. He found validation in the
life of Muhammad, who instructed people to ignore their leaders, destroy
their petty deities and follow only Allah. 
 
After reading the novel, many Muslims e-mailed Mr. Muhammad Knight, asking
for directions to the next Muslim punk show. Told that no such bands
existed, some of them created their own, with names like Vote Hezbollah and
Secret Trial Five. 
 
One band, the Kominas, wrote a song called Suicide Bomb the Gap, which
became Muslim punk rock's first anthem. 
 
As Muslims, we're not being honest if we criticize the United States
without first criticizing ourselves, said Mr. Kamel, 23, who grew up in a
Syrian family in Chicago. He is lead singer of the band al-Thawra, the
Revolution in Arabic. 
 
For many young American Muslims, the merger of Islam and rebellion
resonated. 
 
Hanan Arzay, 15, is a daughter of Muslim immigrants from Morocco who lives
in East Islip, N.Y. In the months after the Sept. 11 attacks, pedestrians
threw eggs and coffee 

[SciFiNoir Lit] FW: [scifinoir2] Top 10 Comics and Novels for 2008

2009-01-15 Thread Tracey de Morsella
From: scifino...@yahoogroups.com [mailto:scifino...@yahoogroups.com] On
Behalf Of Tracey de Morsella
Sent: Wednesday, January 14, 2009 11:56 PM
To: scifinoir-...@yahoogroups.com; scifino...@yahoogroups.com
Subject: [scifinoir2] Top 10 Comics and Novels for 2008

 


Top 10 Comics and Novels for 2008


So you guys won't buy books that cost $3.99 and you don't like events so
explain the top 10 list to me, I'm confused.Its either hypocrisy or a
very loud minority.   Which one is it?

http://blackgeekdom.com/blog/2009/01/12/top-10-comics-and-novels-for-2008/#m
ore-1205

Official Press Release

(BALTIMORE, MD) - (January 9, 2009) - Marvel Comics' Secret Invasion #1 was
the best-selling comic book title for 2008 based on total unit sales to
comic book specialty shops, according to Diamond Comic Distributors, the
world's largest distributor of comics, graphic novels, and pop-culture
products . All eight issues of the limited series crossover event placed in
the top ten comics of 2008, and were joined by Uncanny X-men #500 (#6) and
DC Comics http://blackgeekdom.com/blog/wp-admin/
http://images.intellitxt.com/ast/adTypes/mag-glass_10x10.gif' first issue of
its 2008 mega-event, Final Crisis #1 (#10).

In addition, Marvel http://blackgeekdom.com/blog/wp-admin/
Comicshttp://images.intellitxt.com/ast/adTypes/mag-glass_10x10.gif closed
out 2008 as the top publisher, leading both Retail Dollar and Unit Market
Shares, with a 46% Unit Market Share, and a 41% Retail Dollar Market Share.
DC Comic's was the comic book industry's second leading publisher with 32%
Unit Market Share, and a 30% Retail Dollar Market Share.

2008's top-selling graphic novel was the perennial best-seller, DC Comics'
Watchmen TP, which enjoyed renewed success in the wake of the upcoming
feature film in 2009. DC Comics also dominated graphic novel sales by taking
seven of the top ten spots.

Comic book and graphic novel sales through comic book specialty shops
remained strong in 2008, with graphic novel sales increasing five-percent
over 2007 remarked Diamond CEO Steve Geppi. Our publishers did a
tremendous job of creating compelling storylines that comic fans wanted to
see, and we remain optimistic about the comic book industry heading into
2009.

 

2008 TOP COMIC BOOK PUBLISHERS

 


 

QUANTITY SHARE

RETAIL SHARE


MARVEL COMICS

45.82%

40.81%


DC COMICS

31.67%

29.94%


DARK HORSE COMICS

5.05%

6.49%


IMAGE COMICS

3.32%

3.73%


IDW PUBLISHING

2.92%

3.08%


OTHERS

11.22%

15.95%

 

2008 TOP 10 COMIC BOOKS

 


Quantity
Rank

Description

Price

Publisher


1

SECRET INVASION #1

$3.99

Marvel Comics


2

SECRET INVASION #2

$3.99

Marvel Comics


3

SECRET INVASION #3

$3.99

Marvel Comics


4

SECRET INVASION #4

$3.99

Marvel Comics


5

SECRET INVASION #5

$3.99

Marvel Comics


6

SECRET INVASION #6

$3.99

Marvel Comics


7

UNCANNY X-MEN #500

$3.99

Marvel Comics


8

SECRET INVASION #7

$3.99

Marvel Comics


9

FINAL CRISIS #1

$3.99

DC Comics


10

SECRET INVASION #8

$3.99

Marvel Comics

 

 

2008 TOP 10 GRAPHIC NOVELS  TRADE PAPERBACKS

 

 


Quantity
Rank

Description

Price

Publisher


1

WATCHMEN TP

$19.99

DC Comics


2

BATMAN THE KILLING JOKE SPECIAL ED HC

$17.99

DC Comics


3

JOKER HC

$19.99

DC Comics


4

Y THE LAST MAN TP VOL 10 WHYS AND WHEREFORES

$14.99

DC Comics


5

WALKING DEAD TP VOL 08 MADE TO SUFFER

$14.99

Image Comics


6

BATMAN DARK KNIGHT RETURNS TP

$14.99

DC Comics


7

FABLES TP VOL 10: THE GOOD PRINCE

$17.99

DC Comics


8

WANTED GN

$19.99

Image Comics


9

BUFFY THE VAMPIRE SLAYER SEASON 8 TP
VOL 02: NO FUTURE FOR YOU

$15.95

Dark Horse Comics


10

Y THE LAST MAN TP VOL 01 UNMANNED

$12.99

DC Comics

 

 



[Non-text portions of this message have been removed]



[SciFiNoir Lit] FW: Scholarships available for writers of color: Clarion West Writers Workshop

2009-01-16 Thread Tracey de Morsella
-Original Message-

To: Carl Brandon Society
Subject: [CarlBrandon] Scholarships available for writers of color: Clarion
West Writers Workshop

Dear colleagues and friends at CBS:

Applications are open for the 2009 session of the 
Clarion West writers workshop, an intensive 
six-week, live-in workshop for writers preparing 
for professional careers in speculative fiction. 
We believe you can help us get our information to 
the ambitious, talented applicants we’re looking for.

Gifted writers are found in all races, but 
because speculative fiction reflects the 
prejudices of the culture around it, 
proportionately fewer writers of color are 
successful. Clarion West is dedicated to 
improving those proportions. Co-founded in 1984 
by J.T. Stewart, a woman of color, and Marilyn J. 
Holt, Clarion West has produced some of the most 
exciting and creative new writers in the field, 
including Kathleen Alcalá, Andrea Hairston, and Nisi Shawl.

Our 2009 instructors are John Kessel, Karen Joy 
Fowler, Elizabeth Bear, Nalo Hopkinson, David 
Hartwell, and Rudy Rucker. Hopkinson, winner of 
the World Fantasy and Gaylactic Spectrum Awards, 
has edited four anthologies focused on 
representing people of color in narratives of the fantastic.

A number of scholarships to the workshop are 
available, including the Octavia E. Butler 
Memorial Scholarship, awarded annually to a writer of color.

For more information on the workshop and 
application process, please 
visit  http://www.clarionwest.org. If you are 
referring potential students, please tell them to 
visit our website and apply there. Application 
and scholarship information is on the site.

Thank you for your time and attention.

Sincerely,

Eileen Gunn


::  ::  ::  ::  ::

Eileen Gunn
Vice-Chair, Board of Directors
The Clarion West Writers Workshop
340 Fifteenth Avenue East, Suite 350
Seattle, Washington 98112

phone :: 206-323-0052
email ::  g...@radarangels.com

::  ::  ::  ::  ::



[SciFiNoir Lit] FW: [CarlBrandon] net flix film competition for new filmmakers

2009-01-22 Thread Tracey de Morsella
-Original Message-
From: carlbran...@yahoogroups.com [mailto:carlbran...@yahoogroups.com] On
Behalf Of Carole McDonnell
Sent: Thursday, January 22, 2009 6:11 AM
To: carlbran...@yahoogroups.com
Subject: [CarlBrandon] net flix film competition for new filmmakers

Hey, it's worth a try...would be nice if a minority filmmaker won.


http://www.netflixfindyourvoice.com/


Good luck! -C




[SciFiNoir Lit] Samuel Delany Will Come Into Your House And Shred Your Notebooks

2009-01-23 Thread Tracey de Morsella

Samuel
http://io9.com/5138216/samuel-delany-will-come-into-your-house-and-shred-yo
ur-notebooks  Delany Will Come Into Your House And Shred Your Notebooks


By Charlie Jane http://io9.com/people/charliejane/posts/  Anders, 1:40
http://io9.com/5138216/samuel-delany-will-come-into-your-house-and-shred-yo
ur-notebooks  PM on Fri Jan 23 2009, 1,102 views 

http://cache.gawker.com/assets/images/io9/2009/01/9780819567161.jpgSamuel
Delany http://io9.com/tag/samuel-delany/  not only helped redefine science
fiction, he's one of a few SF writers who teach writing at the college
level. So I was excited to see he'd written a book about writing.

The book in question, About Writing, isn't quite what I'd expected from
someone who's been teaching creative writing for the past thirty years. It's
definitely not a style guide or a tutorial on fiction writing. (The book's
subtitle, 7 essays, 4 letters  5 interviews, could be a bit of a clue.)
Instead, it's Delany's ruminations, gathered over the years, about both the
craft of fiction writing and the writer's life in general.

There are fantastic insights in there, as well as advice that might make you
rethink everything about your approach to fiction writing - even if you end
up disagreeing with some of it. 

http://cache.gawker.com/assets/images/io9/2009/01/2521891156_b8ca0fbc5b_o.jp
gYou have to have a bit of patience, though. Delany says, in the book's
intro, that he doesn't think you can talk about how to write fiction,
without also discussing why people write fiction, and the world in which we
write it:

[This book] deals with three other topics and the relations between them.
One - which it shares with most books on writing - is, yes, the art of
writing fiction. The other two are far less often discussed in classes and
rarely figure in such how-to books. First, how is the world structured -
specifically the socio-aesthetic world - in which the writer works?...
Second (and finally), this book discusses the way literary reputations grow
- and how, today, they don't grow. 

He goes on to prove his point in the intro, mixing a nuts-and-bolts
discussion of scene-setting with a long passage on the nature of
begeisterung (roughly translated as inspiration, but it's actually one of
those German words that needs a 500-word explanation in English.) 

There are some good nuts-and-bolts essays - in particular, the essays on
Thickening The Plot and Characters are pretty helpful. Even here,
though, Delany throws some curveballs, albeit welcome ones. Take the essay
on plot, for example. Delany goes off on some tangents, and also seems to be
discussing scene-setting instead of plotting. But it all comes together,
when he explains that the key to a good plot is actually visualizing the
events of the story as if they really happened. And if you're forced - by a
cranky critique group, or your own conscience - to change the story's events
around, then you must revisualize the story all over again. See it in your
mind, through the lens of key details, until you can convince yourself that
on some level the story actually did happen (as opposed to 'should have
happened') in the new way. It's actually pretty amazing advice.

A lot of the other nuts-and-bolts advice winds up in the back of the book,
in an appendix called Nips, Nits, Tucks And Tips. Including info like when
to use the first person, how to punctuate dialogue, and the dramatic
structure of fiction.

The rest of the book includes speeches, essays and letters, where Delany
tells funny anecdotes and reminisces about his early friendships with
storytellers and his encounters with other science fiction writers. (I
didn't actually know he taught Vonda McIntyre at Clarion, but apparently he
did.) He explains why Toni Morrison's The Bluest Eye is a bad book,
discusses how to achieve literary acclaim (including a discussion of Doris
Lessing's refusal to cooperate with a would-be biographer) and a lengthy
discussion of the state of writing and editing today. 

The book is full of insights and startling arguments, but it's probably not
a book you'll read in one go. I've found myself picking it up, reading one
essay, and putting it down again for a day or two. It might actually be that
rarest of creatures - academic bathroom reading. This isn't, by any means, a
criticism. It's a very dense, ruminative book full of ideas that will pop
into your head a few days after you read them. But it also feels a bit, at
times, like Delany is sitting in an overstuffed armchair lecturing the
reader, which goes over better in smaller doses. Luckily, the book comes
packaged with the dosages already divided up.

 



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[SciFiNoir Lit] How do you focus on completing your writing goals?

2009-01-31 Thread Tracey de Morsella
Did you meet all your writing goals last year? I didn't. I wasn't able to
write as much as I liked. I didn't a start a new book like I envisioned. In
the past I use to be bummed out because I wasn't making a dent in my goals.
Now I know beating myself up doesn't help me get closer to my goals. It
makes me fear them more.

This year I decided to take little chunks out of the elephant instead of
trying to eat him all up in one bite.

Maxine Thompson advised in a workshop to set a timer for 15 minutes and just
write. Don't try to edit, just write. Do this everyday and you'll see
yourself getting closer to your goal.

One page a day for 365 days and you'll have a manuscript at the end of the
year.

I know it sounds like baby steps, but sometimes when you're trying to reach
a goal, baby steps add up to larger steps.

If writing a book is at the top of your goals for 2009, start taking those
little bites, before you know it you'll have your book.

I've started my chewing and will keep you posted on the WIP.

How do you focus on completing your writing goals?

http://readersrooms.com/2009/01/26/new-start/



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[SciFiNoir Lit] OCTAVIA E. BUTLER The Topic At Black Writers Symposium in NYC

2009-01-31 Thread Tracey de Morsella
The Center for Black Literature at Medgar Evers College of the City
University of New York

presents

The NATIONAL BLACK WRITERS CONFERENCE
BI-ANNUAL SYMPOSIUM

THE WORK AND LIFE OF
OCTAVIA E. BUTLER

Saturday, March 28, 2009
Founders Auditorium
Medgar Evers College, CUNY
1650 Bedford Avenue
10:00 am - 5:00 pm

The program features readings  panels on the world renowned author
and her contribution to literary writing. Participating writers
include L.A. Banks, Steven Barnes, Tananarive Due, and Nnedi Okorafor-
Mbachu.

The cost for this event is $10 general admission; $5, Senior,
Student, Faculty. This event is opened to all. Send an SASE, call, e-
mail, or visit the Web site for more information.

www.mec.cuny.edu/blacklitcenter

Octavia Butler is considered a master storyteller in the genre of
speculative fiction. Her work explores themes such as race, gender,
power, sexism, and spirituality. This symposium is dedicated to
exploring her work in particular and the impact of speculative
fiction in the literature of Black writers.

About the National Black Writers Conference (NBWC)

The NBWC, inspired by the late John Oliver Killens in 1986, brings
together writers, critics, book-sellers, book reviewers, educators,
students, and the general public in order to establish a dialogue on
emerging themes, trends and issues in black literature.

Co -Sponsored by Up South, Inc.

Up South, Inc. is the producer of the annual Up South International
Book Festival, held in New York City in the Fall. Visit
www.upsouth.org or writeblueme...@aol.com for more information.

The Center for Black Literature at Medgar Evers College, CUNY

1650 Bedford Avenue, Brooklyn, New York11225. Phone 718 270-6983 /
Emailwriters@ mec.cuny. edu



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[SciFiNoir Lit] FW: Odyssey Writing Workshop 2009

2009-02-15 Thread Tracey de Morsella
 

From: scifinoir_lit-ow...@yahoogroups.com
[mailto:scifinoir_lit-ow...@yahoogroups.com] On Behalf Of Susan Sielinski
Sent: Wednesday, February 11, 2009 5:21 PM
To: scifinoir_lit-ow...@yahoogroups.com
Subject: Odyssey Writing Workshop 2009

 

Dear Sci Fi Noir Lit List Owner, 

 

If the members of Sci Fi Noir Lit are interested in writing science fiction,
fantasy, or horror, they might be interested in the Odyssey Writing
Workshop.  The 2009 workshop will be held from June 8 to July 17 at Saint
Anselm College http://www.anselm.edu/  in Manchester, New Hampshire.
Odyssey provides a great opportunity for writers to improve their skills and
receive feedback from editors and authors.  More information can be found in
the press release below, or on the workshop website www.odysseyworkshop.org
http://www.odysseyworkshop.org/ .  The director, Jeanne Cavelos
http://www.sff.net/odyssey/jcbio.html , is always happy to answer
questions and discuss the workshop.  She can be reached by email at
jcave...@sff.net.  

 

I'd appreciate it if you'd consider forwarding this to your list.

 

Thank you, 

 

Susan Sielinski

Odyssey Administrator

susansielin...@yahoo.com

www.odysseyworkshop.org http://www.odysseyworkshop.org/ 

 




Publicity Release

January 2009

   

ODYSSEY WRITING WORKSHOP 

ANNOUNCES SUMMER 2009 SESSION

 

About Odyssey

Since its inception in 1996, Odyssey has earned a place as one of the most
respected workshops in the science fiction, fantasy, and horror writing
community.  Odyssey is for developing writers whose work is approaching
publication quality and for published writers who want to improve their
work.  The six-week workshop combines an intensive learning and writing
experience with in-depth feedback on student manuscripts.  Top authors,
editors, and agents have served as guest lecturers, including George R. R.
Martin, Harlan Ellison, Jane Yolen, Terry Brooks, Robert J. Sawyer, Ben
Bova, Nancy Kress, Elizabeth Hand, Jeff VanderMeer, Donald Maass, Sheila
Williams, Shawna McCarthy, and Dan Simmons.  Fifty-three percent of Odyssey
graduates go on to professional publication.  

 

The program is held every summer on Saint Anselm College's beautiful campus
in Manchester, NH.  Saint Anselm is one of the finest liberal arts colleges
in the country, dedicated to excellence in education, and its campus
provides a unique, lovely setting and state-of-the art facilities for
Odyssey students.  College credit is available upon request.

 

Jeanne Cavelos, Odyssey's director, founder, and primary instructor, is a
best-selling author and a former senior editor at Bantam Doubleday Dell
Publishing, where she won the World Fantasy Award for her work.  Being a
writer/editor makes Cavelos uniquely suited to provide students with
constructive and professional critiques of their work.  I give the same
unflinchingly honest, concrete, detailed feedback that I provided as a
senior editor, Cavelos said.  Her typewritten critiques average around
1,000 words, and her handwritten line edits on manuscripts are extensive.
In addition, she guides students through the six weeks, gaining in-depth
knowledge of their work, providing detailed assessments of their strengths
and weaknesses in private meetings, and helping them target their weaknesses
one by one.  

 

Odyssey class time is split between workshopping sessions and lectures.  An
advanced, comprehensive curriculum covers the elements of fiction writing in
depth. Students learn the tools and techniques necessary to strengthen their
writing.  

 

The workshop runs from June 8th to July 17th, 2009.  Class meets for four
hours in the morning, five days a week.  Students spend about eight hours
more per day writing and critiquing each

 other's work.  Prospective students, aged eighteen and up, apply from all
over the world.  The early admission application deadline is JANUARY 31st,
and the regular admission deadline is APRIL 8th.  Tuition is $1900, and
housing is $700 for a double room and $1400 for a single.

 

Meet Our 2009 Writer-in-Residence

Odyssey's 2009 writer-in-residence is Carrie Vaughn, New York Times
bestselling author and Odyssey 1998 graduate.  Carrie is the author of the
phenomenally popular Kitty novels, about a werewolf who hosts a talk radio
show.  The first novel, Kitty and the Midnight Hour has over a hundred
thousand copies in print.  Books five and six of the series, Dead Man's Hand
and Kitty Raises Hell, will appear in 2009.  Carrie's short stories have
appeared in Realms of Fantasy, Weird Tales, George R. R. Martin's Wild Cards
series, and other anthologies.  She has a Master's degree in English
Literature from the University of Colorado at Boulder and has been a
lifelong science fiction fan and reader.

 

Other Guest Lecturers

Odyssey is pleased to welcome its 2009 guest lecturers:  bestselling author
Jeffrey A. Carver; award-winning authors Melissa Scott, Patricia Bray, and

[SciFiNoir Lit] Glyph Award Nominees Have Been Announced

2009-02-26 Thread Tracey de Morsella
Honoring the best in African-American comics (both as contributors and
thematically), the nominees for this year’s Glyph Awards have been
announced:

http://ecbacc.com/wordpress/?p=488

Story of the Year
Bayou, Jeremy Love, writer and artist
Incognegro; Mat Johnson, writer, Warren Pleece, artist
Justice League of America: The Second Coming; Dwayne McDuffie, writer, Ed
Benes, artist
Pilot Season: Genius, Marc Bernardin  Adam Freeman, writers, Afua
Richardson, artist
Presidential Material: Barack Obama; Jeff Mariotte, writer, Tom Morgan,
artist

Best Writer
Marc Bernardin  Adam Freeman, Genius
Mat Johnson, Incognegro
Jeremy Love, Bayou
Jeff Mariotte, Presidential Material: Barack Obama
Dwayne McDuffie, Justice League of America

Best Artist
Jamal Igle, Supergirl
Jeremy Love, Bayou
Warren Pleece, Incognegro
Afua Richardson, Pilot Season: Genius
Larry Stroman, Black Panther Annual #1

Best Male Character
Black Lightning, Final Crisis: Submit; Grant Morrison, writer, Matthew
Clark, Norm Rapmund, Rob Hunter  Don Ho, artists; created by Tony Isabella
 Trevor von Eeden
Black Panther, Black Panther Annual #1; Reginald Hudlin, writer, Larry
Stroman  Ken Lashley, artists; created by Stan Lee  Jack Kirby
Lwanga Moses, Unknown Soldier; Joshua Dysart, writer, Alberto Ponticelli,
artist; inspired by the character created by Robert Kanigher and Joe Kubert
The Spectre, Final Crisis: Revelations; Greg Rucka, writer, Philip Tan, Jeff
de los Santos  Jonathan Glapion, artists; inspired by the character created
by Jerry Siegel  Bernard Bailey
Zane Pinchback, Incognegro; created by Mat Johnson, writer, and Warren
Pleece, artist

Best Female Character
Destiny Ajaye, Pilot Season: Genius; created by Marc Bernardin  Adam
Freeman, writers, Afua Richardson, artist
Lee Wagstaff, Bayou; created by Jeremy Love, writer and artist
Storm, X-Men: Worlds Apart; Christopher Yost, writer, Diogenes Neves,
artist; created by Len Wein  Dave Cockrum
Vielle, Fungus Grotto; created by Shatia Hamilton, writer and artist
Vixen, Vixen: Return of the Lion; G. Willow Wilson, writer, Cafu, artist;
created by Gerry Conway  Bob Oksner

Rising Star Award
Jennifer Crute, Jennifer’s Journal
Damian Duffy  John Jennings, The Hole: Consumer Culture
Charlie Goubile, Blackbird
Starline X. Hodge, Candi
Ashley Woods, Millennia War

Best Reprint Collection
Aya of Yop City, Drawn  Quarterly
Me and the Devil Blues V1, Del Rey
Nat Turner HC, Abrams

Best Cover
Final Crisis: Submit, Matthew Clark  Norm Rapmund, artists; Richard  Tonya
Horie, colors
The Hole: Consumer Culture; John Jennings, illustrator
Pilot Season: Genius, Afua Richardson, illustrator
Unknown Soldier #1, Igor Kordey, illustrator
Vixen: Return of the Lion #1; Josh Middleton, illustrator

Best Comic Strip
Bayou, Jeremy Love, writer and artist
Café con Leche; Charlos Gary, writer and artist
Fungus Grotto, Shatia Hamilton, writer and artist
“Jefferson Jacks” from Crankshaft; Tom Batiuk  Tony Isa bella, writers,
Chuck Ayers, artist
The K Chronicles, Keith Knight, writer and artist

Fan Award for Best Comic
Iron Man: Director of SHIELD #33-35; Christos Gage, writer, Sean Chen 
Sandu Florea, artists
Pilot Season: Genius; Marc Bernardin  Adam Freeman, writers, Afua
Richardson, artist
Presidential Material: Barack Obama; Jeff Mariotte, writer, Tom Morgan,
artist
Vixen: Return of the Lion; G. Willow Wilson, writer, Cafu, artist
Young Avengers Presents #1; Ed Brubaker, writer, Paco Medina, artist

The judges for the 2009 competition are: Valerie D’Orazio, president,
Friends of Lulu; Mathan Erhardt, writer, Comics Nexus; Ed Mathews,
columnist, Pop Image; Tim O’Shea, writer/interviewer, TalkingWithTim.com;
and Elayne Riggs, comics reviewer and commentator.

The ballot for the Fan Award for Best Comic is now open at the website for
the East Coast Black Age of Comics Convention (ECBACC), 

http://ecbacc.com/wordpress/?p=488

and will remain open through March 31, 2009. Write-in selections can be
e-mailed to GCA Committee Chair Rich Watson at rich.wat...@gmail.com.
IMPORTANT: Write-in selections are ONLY for choices not on the online
ballot. ANY WRITE-IN SELECTIONS FOR CHOICES ALREADY ON THE ONLINE BALLOT
WILL NOT BE COUNTED AND WILL BE DISCARDED.

The 2009 GCA ceremony will be held May 15,202009, in the Skyline Room of the
Free Library of Philadelphia, Park Central branch, as part of ECBACC, which
will take place at the Crown Plaza Philadelphia Center City, May 16, 2009.

 



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[SciFiNoir Lit] Short Commercial Breaks For 'Dollhouse,' and 'Fringe' Not Returning

2009-03-14 Thread Tracey de Morsella

Short Commercial Breaks For 'Dollhouse,' 'Fringe' Not Returning 


One executive calls it a 'noble experiment' 


By MICHAEL HINMAN mailto:mhin...@airlockalpha.com  
Mar-14-2009 

http://www.airlockalpha.com/news426158.html

Advertisers and viewers alike seemed to respond to the shorter commercial
breaks in two of Fox's freshman dramas Fringe and Dollhouse, but
apparently that didn't translate into extra dollars for the network as
MediaPost is reporting its remote-free TV won't return next season.

Financially, it wasn't viable, an unnamed executive told the publication.
It was a noble experiment. Viewers enjoyed it.

Fox itself is not commenting on the rumor, but it seemed there were a few
problems with the shorter commercial breaks that led to its end. The first
being that 10 minutes of commercials typically seen in a 60-minute drama
were reduced to five minutes, forcing Fox to charge a premium that
advertisers weren't exactly willing to pay, especially in the current down
economy. At first, Fox was charging as much as 50 percent more than
commercials that would've typically ran without the shorter commercial
breaks, but in recent weeks, it's said that premium was closer to 25 to 30
percent.

Using shorter commercial breaks meant that the shows would be more expensive
to produce as Fox had to add at least five additional minutes to shows --
time that would eventually get cut in reruns or in syndication.

Fox said after the initial airings of Fringe that advertisers were getting
far better recall for their ads in that show than in others, but there just
weren't enough advertisers willing to join the likes of Sony Pictures,
American Express, Apple Inc. to pay a higher price for that better recall.
Some reports had the cost of a 30-second spot on Fringe at $300,000.

Fringe airs Tuesdays at 9 p.m. ET and Dollhouse airs Fridays at 9 p.m.
ET on Fox.

 



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RE: [SciFiNoir Lit] ...is anybody reading ANYTHING?

2009-04-18 Thread Tracey de Morsella
I'm just finishing up The Darker Mask as collection of short stories by
Steven Barnes, Walter Mosley, LA Banks and others.  I just finished a story
about a Latina crack addict turned superhero  and a story about the life of
a henchman from his perspective.   Only three more stories left, so I'm
looking for something else

 

What are you reading?

 

From: SciFiNoir_Lit@yahoogroups.com [mailto:scifinoir_...@yahoogroups.com]
On Behalf Of ravenadal
Sent: Friday, April 17, 2009 8:30 AM
To: SciFiNoir_Lit@yahoogroups.com
Subject: [SciFiNoir Lit] ...is anybody reading ANYTHING?

 





This is supposed to be a SciFiNoir LIT group...is anybody reading
ANYTHING...sci fi?

~rave?





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[SciFiNoir Lit] 10 Science Fiction Prequels, Ranked By Crappiness

2009-04-24 Thread Tracey de Morsella

10 http://io9.com/5223980/10-science-fiction-prequels-ranked-by-crappiness
Science Fiction Prequels, Ranked By Crappiness


By Charlie Jane http://io9.com/people/charliejane/posts/  Anders, 12:52
http://io9.com/5223980/10-science-fiction-prequels-ranked-by-crappiness
PM on Thu Apr 23 2009, 19,423 views

. So we decided to rank 10 science fiction prequels in order of crappiness.

According to the Oxford English Dictionary, the word prequel was actually
invented for science fiction by Anthony Boucher, writing in the Magazine Of
Fantasy  Science Fiction in 1958. But prequels have become ever more common
in recent years, with prequels to The Thing and I Am Legend also in the
works.

Star Trek and Wolverine may turn out be the greatest movies ever - and
Caprica was way better than I'd hoped. But let's face it: most prequels are
awful. And by prequel, I mean something that takes us back before the start
of a saga, to show us the events that led up to the saga's beginning. So
Phantom Menace is a prequel, but Batman Begins isn't. Okay?

So... starting with least sucky, and working our way up to suckiest, here
are 10 science fiction prequels that are already out there:

http://cache.gawker.com/assets/images/io9/2009/04/n4340.jpg10) Wild Seed by
Octavia Butler. This is one of my favorite novels ever, so it's hard to
believe Butler actually wrote it after three other novels in the
Patternmaster series. It tells the relationship between a telepath named
Doro and a shapeshifter named Anyanwu. Their telepathic descendants later
become ultra-powerful in the novels Mind Of My Mind and Patternmaster, which
Butler wrote earlier but are set later.


http://cache.gawker.com/assets/images/io9/2009/04/heb_prelude_to_foundation.
jpg9) Prelude To Foundation by Isaac Asimov. One of Asimov's later
Foundation books was actually a prelude, telling the story of Hari Seldon's
early years. And Seldon turns out to have hung out with R. Daneel Olivaw,
who's operating under the name Demerzel. By all accounts, it's pretty
worthwhile addition to the saga, although this guy
http://homepage.mac.com/jhjenkins/Asimov/Books/Book379.html  says the
characters seem unusually shallow, even for Asimov, and maybe we didn't
need to know that much about Seldon's early life.


http://cache.gawker.com/assets/images/io9/2009/04/caprica-free_01.jpg8)
Caprica. Like I said, this was way better than I'd hoped. This Battlestar
Galactica prequel, newly on DVD, is a slightly overwrought melodrama, but it
does explore interesting questions about artificial intelligence and the
difference between a digital copy of a person and the real person. The
least interesting thing about it is how it's going to connect with BSG.

7) When The Tripods Came by John Christopher. Did we really need to know how
the alien Masters conquered humanity? The original Tripods trilogy starts
out with humans already conquered, and then fills in the details of how it
happened. But author Brian Aldiss insisted it wasn't credible these aliens
could have conquered 20th century humans, with our awesome technology. So
Christopher went back and wrote a prequel, explaining how the Masters took
us over using mind control via a television show called The Trippy Show. Not
really an essential addition, and it slightly dilutes the awesomeness of
starting with humanity already crushed.

http://cache.gawker.com/assets/images/io9/2009/04/f9HztgEj2Qo.jpg6) Indiana
Jones And The Temple Of Doom. Not nearly as bad as Crystal Skull, but not
nearly as good as Lost Ark, this movie is actually the earliest cinematic
Jones story, despite coming out after Raiders. It has a few highlights, like
the early poisoning sequence, the subterranean train chase and the gun/knife
fight. But it's mostly cheesy and dull where Raiders was sharp and fun.


5) The Dune Prequels by Brian Herbert and Kevin J. Anderson. Frank Herbert
wrote six Dune books. And since his death, his son and Anderson have written
10,000 books, mostly set before the original novels. They include Lost Lunch
Menu Of Dune and We Were Going To Have A Jihad But Then We Found That Lunch
Menu And Decided To Get Lunch Instead, Of Dune. Just
http://www.davidlouisedelman.com/book-reviews/dune-prequels/  check out
David Louis Edelman's review of the prequels, in which he calls them out for
pointless unpleasantness, turning Baron Harkkonen into a cartoon, and making
a much-studied and richly detailed universe a smaller place.

4) Cube Zero. I don't know much about this prequel to the first two Cube
films, but it looks totally awesome. Check it out:
http://cache.gawker.com/assets/images/io9/2009/04/Rift2YECKOI.jpg


3) The Aliens Vs. Predator films. These are essentially prequels to the
original Alien films, since they take place on present-day Earth, before
humans have spread out across the stars. And if Aliens Vs Predator: Requiem
had been a hit, the directors planned a third AVP film which would have
linked the series to Alien directly. Thank goodness for small 

[SciFiNoir Lit] The Future Of Science Fiction Publishing Is In Cyberspace

2009-04-24 Thread Tracey de Morsella

The
http://io9.com/5224464/the-future-of-science-fiction-publishing-is-in-cyber
space  Future Of Science Fiction Publishing Is In Cyberspace


By Alasdair Wilkins http://io9.com/people/AlasdairWilkins/posts/ , 9:18
http://io9.com/5224464/the-future-of-science-fiction-publishing-is-in-cyber
space  AM on Thu Apr 23 2009, 1,514 views 

of science fiction writers and editors recently met at a publishing
conference to discuss how blogs and internet marketing have affected the
publishing industry and what their impact will be going forward.

The O'Reilly Tools of Change for Publishing Conference, held this past
February, is a yearly event that brings literary professionals together to
examine current trends and new technologies in the publishing world.

One panel, called Where Do You Go with 40,000 Readers? A Study in Online
Community Building, included John Scalzi http://io9.com/tag/john-scalzi/
(author of Old Man's War), Tobias Buckell
http://io9.com/tag/tobias-buckell/  (author of Halo: The Cole Protocol),
and Patrick http://io9.com/tag/patrick-nielsen-hayden/  Nielsen Hayden
(editor of the science fiction publisher Tor Books
http://io9.com/tag/tor-books/ ); the panel was moderated by Ron Hogan
http://io9.com/tag/ron-hogan/  of Beatrice Books. All three of the
panelists are bloggers as well. A video of the panel has just gone up (we've
put it at the bottom of the post), and here's a quick summary of the
highlights.

The basic premise of the discussion was that using blogs and newer media
like Twitter can make publishing a more successful enterprise - a not
particularly startling assertion in 2009. But the panelists delved into the
nuances of what really makes a difference. Patrick Nielsen Hayden noted the
appeal of successful bloggers goes beyond just their ability to write:

As an editor who's always look for good, promising new writers, obviously
the ability to write an entertaining work of popular fiction is absolutely
paramount, but on a secondary level, somebody who can keep an audience
engaged with their personality and their thoughts on a variety of topics
that aren't the incredibly boring subject of writing is a big plus. It
basically suggests somebody who's going to flourish in the new media
environment.

Towards the end of the panel, John Scalzi http://io9.com/tag/john-scalzi/
returned to this idea and succinctly spelled out the relationship between
his roles as blogger and science fiction author:

When you build those 40,000 people or 4,000 people or however many you have
because what you write is interesting to them and they come back again and
again and again you develop an interest in yourself as an author. There's
somebody in this room who once said the next generation of authors will be
performers as well and there is something to that. My performance is not
necessarily what I'm doing now, for example my performance is on my website
on a daily basis. It makes a difference.

Of course, it's all well and good to trumpet the coming of this bold new
media as the next big thing, but does it actually translate to increased
sales? Nielsen Hayden gave a resounding yes to this question:

We published John's first novel, Old Man's War, as a hardcover original.
Like most hardcover originals from unknown science fictions writers it
shipped a very few thousand copies and went back to press almost
immediately, and by the time a year had elapsed we had sold nearly like nine
thousand copies in hardcover, over two-thirds of them through online
sources, mostly Amazon. Which is to say the brick and mortar book industry
mostly treated it like any first novel and it took them a long time to
realize their lunch was being thoroughly eaten by online sales because John
already existed online.

Moreover, a web presence is not only useful in driving up print sales;
increasingly, it can be an end in itself, and a more popular one than
traditional sources of science fiction at that. Scalzi discussed the impact
of the Tor Books website offering original short fiction:

I think one of the things that was very useful for Tor to do, quite
honestly, was they they did from the outset publish some original fiction.
And I think that is something that is very useful, not just for upcoming
authors but for existing authors.The short fiction market is kind of in
turmoil at the moment and people are wondering where they're going to be
able to find short fiction and how it works and where we go from there. The
fact that Tor from the outset is doing short fiction has made quite a
difference. I'll give you an example using my own particular story. We did,
after The Coup, which came out when Tor.com debuted and after two weeks,
more people had clicked through to read the story, or at least look at the
story, than the combined circulation of the big three science fiction
magazines.

One of Tor's advantages is that it actually pays writers a decent rate
compared to the prestige science fiction magazines. Tor's online content
pays about 25 

[SciFiNoir Lit] Reginald Hudlin to leave Black Panther

2009-05-23 Thread Tracey de Morsella

A New Team for Black Panther


A new Panther for Marvel yields a new writer and artist. First details and
art.


by Richard George http://comics.ign.com/email.html   Jesse Schedeen



http://comics.ign.com/articles/981/981788p1.html

May 11, 2009 - Reginald Hudlin
http://stars.ign.com/objects/142/14220155.html  has been the regular
writer of Black Panther http://comics.ign.com/objects/143/14303338.html
for over four years now. After Hudlin renewed interest in the character with
Who Is the Black http://stars.ign.com/objects/924/924248.html  Panther?,
T'Challa went on to take a much more active role in the Marvel Universe,
including help lead the fight against Iron Man's pro-Registration forces in
Civil War and temporarily joining the Fantastic Four. 

With Dark Reign remaking the Marvel Universe, Black Panther has followed
suit by undergoing some drastic changes. The series recently relaunched with
a new #1 issue, wherein T'Challa was grievously injured and Wakanda was left
without a Black Panther. With Wakanda's enemies closing in, an all-new,
all-female Panther must rise to defend her homeland. 

As this turns out, this storyline will be Hudlin's last. After almost five
years and dozens of issues, Hudlin is leaving Black Panther, making way for
a new writer. That writer is horror novelist Jonathan Maberry. Maberry will
be joined by new regular artist Will Conrad
http://stars.ign.com/objects/142/14254100.html . 

The two writers will collaborate on August's Black Panther #7, after which
Hudlin will move onto a new Marvel project and continue work on the upcoming
BP animated series. Hudlin will still be involved with the series as a
consultant going forward. We chatted with both writers - as well as editor
Axel Alonso - about the past, present and future of Black Panther, and how
Maberry plans to steer the series forward with its new lead. 

  _  






 http://media.comics.ign.com/media/143/14303338/img_6740466.html
http://media.comics.ign.com/media/143/14303338/img_6740466.html
http://comicsmedia.ign.com/comics/image/article/981/981788/black-panther-vol
-5-20090511044004304-000.jpg
http://media.comics.ign.com/media/143/14303338/img_6740466.html 

IGN Comics: Let's run through the creative changes that are in store for
Black Panther. Reggie, you're stepping aside as writer and Jonathan is
coming aboard - but you guys will be co-writing for an issue, right? 

Jonathan Maberry: Yeah, we had a blast banging ideas back and forth.
Reggie's been lighting a lot of fires in Wakanda and that gave me a chance
to hit the ground running. I did a little consulting on the second half of
the Deadliest of the Species arc. We worked as a team on BP #7, which is
the first installment of the Power arc, and we bounced so many intriguing
ideas off of one another that the arc starts with some eye-opening events. 

Reginald Hudlin: When we relaunched the book, I had over a year's worth of
plans starting with the attack on T'Challa that would lead to a bold new
direction for the series. I was very happy that the first arc is being as
well-received as it is. We were going to co-write the second arc together,
but by the time I finished the first issue, I was ready to move on.?? 

IGN Comics: Will we be seeing an artistic change for the series as well? 

Maberry: Yes -Will Conrad is penciling it and I've seen about half of the
pages for #7. Outstanding! Will's style really suits the new story
direction, too. There are new characters and even new villains, and Will
will get a chance to put his stamp on that. 

IGN Comics: Reggie, what was behind your decision to leave the series? It's
our understanding you'll still be a consultant on the series - what will
that entail? Will you still be providing plot ideas or long-term plans? 

Hudlin: I started this book as a mini-series, not an ongoing series. But the
guys at Marvel liked my work enough to turn it into a regular series. Then
out of the blue I got a corporate world as the President of Entertainment at
Black Entertainment Television. I carved my Black Panther commitment out of
my deal because it was a great creative outlet during a time when I didn't
have the time or latitude to do my own projects. But it was always a
juggling act. When I was doing Panther and Marvel Knights Spider Man while
being an exec it almost killed me. Once I left BET, I could really devote
myself to the new arc. But once it got out there that I was available,
suddenly there were a lot of film, television and other comic book projects
popping up. I had to make some hard choices. 

One of the things that makes writing a monthly comic really tough these days
are the big events that dominate the business. As a reader I love stories
like Civil War and Dark Reign, and as a writer they have provided
springboards for some of my best work in this medium. But they also call for
lots of planning and haggling over characters, like pleading for Dr. Doom a
year in advance. It's a lot easier for me to write a 

RE: [SciFiNoir Lit] Re: On the Mother of the Matrix Suit

2005-05-13 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
I think they may have stolen Matrix, but I dunno about Terminator.  that one
is a stretch.  I think there may be some truth to her claim but all that
will end up obscured by some of the claims that are not believable and sound
outright ridiculous, regardless of whether they are true.

But I believe either way it is in Time Warner's best interest to suppress
this.

Tracey

-Original Message-
From: SciFiNoir_Lit@yahoogroups.com [mailto:[EMAIL PROTECTED]
Behalf Of Astromancer
Sent: Friday, May 13, 2005 2:41 PM
To: SciFiNoir_Lit@yahoogroups.com
Subject: Re: [SciFiNoir Lit] Re: On the Mother of the Matrix Suit


According to what I read on her websites, Time-Warner owns many of our new
media websites and is actively suppressing it...

sancochojo [EMAIL PROTECTED] wrote:When I tell white people about the
story, they don't believe
that the Matrix was from her idea.  They find it hard to believe,
especially when mainstream media doesn't jump on it.

--- In SciFiNoir_Lit@yahoogroups.com, belsidus2000 [EMAIL PROTECTED]
wrote:
 The woman bringing suit on the grounds that they stole her idea and
 used them in the Matrix and the Terminator movies was on the radio
here
 this week.

 Whatever one might think of the suit, it is fairly novel that an
 African American can allege theft of an intellectual property and be
 taken seriously.

 Chris




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RE: [SciFiNoir Lit] Another Fav Quote

2005-05-19 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
Guys:

just a reminder. These quotes are for the portal that is replacing
SciFiNoir.  The majority of the content will be related to speculative
fiction as that is going to be the focus of the site.  While many of the
quotes being submitted are great, they have nothing to do with speculative
fiction

Thanks

Tracey

-Original Message-
From: SciFiNoir_Lit@yahoogroups.com [mailto:[EMAIL PROTECTED]
Behalf Of Rising Sun
Sent: Tuesday, May 17, 2005 3:20 PM
To: SciFiNoir_Lit@yahoogroups.com
Subject: [SciFiNoir Lit] Another Fav Quote


Mad dogs and Englishmen alone go out in the mid-day
sun. Noel Coward

Anyone who would give up a little liberty for more security deserves
neither.  Ben Franklin...My Fav links:
http://www.geocities.com/jagrslc/tv.show.swop.list.htm [My complete TV Show
collection for exchange]... http://www.geocities.com/jagrslc [My FF]...
http://tv.groups.yahoo.com/group/tv-divx/ [Swop Mart for TV Shows]...
http://www.geocities.com/slustufflikethat/First.Ladies.pdf [My labour of
Love]



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RE: [SciFiNoir Lit] Re: Black Voices Column on Sci Fi Noir

2005-05-19 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
I'm not saying it did not happen.  Obviously, anything goes with yahoo.
I've never seen nine hundred members and i get notification whenever a
member joins. Additionally, we have a lot of moderated members, so I have to
go to the site at least every 48 hours.  If they were added, the new member
notification system was malfunctioning.  hmmm

Tracey

-Original Message-
From: SciFiNoir_Lit@yahoogroups.com
[mailto:[EMAIL PROTECTED] Behalf Of Kelly Wright
Sent: Thursday, May 19, 2005 10:18 PM
To: SciFiNoir_Lit@yahoogroups.com
Subject: [SciFiNoir Lit] Re: Black Voices Column on Sci Fi Noir


Tracey,

I went to your link page and one thing struck me: the blurb about one
group was deleted after their member numbers suddenly exploded.  I
remember being plesantly surprised when I noticed that our SciFiNoir
group suddenly had almost 900 members.  Makes me wonder if we were
spammed out of existence.

~rave!

--- In SciFiNoir_Lit@yahoogroups.com, Tracey de Morsella \(formerly
Tracey L. Minor\) [EMAIL PROTECTED] wrote:
 Guys:

 I hate to set the record straight, because I wish what you think is
true,
 but I did some research and determined that not only does yahoo and
Google
 cover themselves in their terms of service, but they have do this to
 thousands of groups and they always get away with it.  See the
following
 link of some of the other victims.
 http://www.scifinoir.net/othervictims.htm

 The only thing that is going to work is a massive public boycott
with
 tremendous media exposure.  Since most media is consolidates into a
few
 incestuous companies, that is unlikely.

 If I had time, I might try to launch a major public awareness
campaign, but
 I don't so I made a compromise. And did the following:

 Sent out a notice to about 100 African American discussion lists
 Sent out a notice to about 10 Star trek discussion Lists
 Sent out a notice to about 20 blogs dealing with intellectual
property and
 censorship issues
 Sent out a notice to about 10 scifi and trek sites
 Sent out a notice to about 10 tech media
 Distributed a notice on PRWEb, but something is up, because my
notice is
 supposed to and always has in the past been distributed on Google
News and
 it has not yet.
 I am putting together a resource guide for moderators which
provides tools
 to protect yahoo group owners and information about the policies of
the free
 groups.
 I still plan on sending my notice to daily newspaper in major
market tech
 editors and African American weekly editors, but I am waiting to
see if one
 major player covers this after they investigate my claims.  If they
do, it
 may cause other tech editors to cover it too.

 My goal is modest, to raise awareness about what yahoo does from a
barely
 murmured whisper to a very loud whisper.  I hope to prevent a few
people
 from making my mistake.  I hope that as this continues, more people
will
 know and jump ship to google or some other player.I told Art my
plan and
 his response was to say that he was going to run out and by stock
in yahoo.
 So this may be an idiotic.

 While I am not longer fighting yahoo directly, I am in my heart I
am.  I
 hope I have not let you down

 Tracey

 -Original Message-
 From: SciFiNoir_Lit@yahoogroups.com
 [mailto:[EMAIL PROTECTED] Behalf Of Carole McDonnell
 Sent: Wednesday, May 18, 2005 5:11 PM
 To: SciFiNoir_Lit@yahoogroups.com
 Subject: [SciFiNoir Lit] Re: Black Voices Column on Sci Fi Noir


 Loved the article Lester!

 Liked the idea also that Tracey didn't just let the situation drop.
 As a wimp myself, I tend not to fight major battles. But it's good
to
 know that there are some warriors out there. Maybe yahoo will think
 twice about messing around with our stuff in the future.
 -C


 Carole McDonnellThen said I: 'Here am I; send me.
 www.geocities.com/scifiwritir/OreoBlues.html
 groups.yahoo.com/group/genrechristianwriters
 groups.yahoo.com/group/Thecontestinganthologist
 --- In SciFiNoir_Lit@yahoogroups.com, Dr. Lester K. Spence
 [EMAIL PROTECTED] wrote:
  I sent an email to the list a few weeks ago when the sh*t hit the
 fan,
  and wrote a column about it.  I wanted to thank everyone that
  responded...the story came out today or yesterday.  It can be
 found
  here:
  http://bv.channel.aol.com/newsmain/canvas_directory/columnist?
  id=20050511123109990001
 
  Let me know what you think.
 
  peace
  lks
 
  Dr. Lester K. Spence
  Assistant Professor, Political Science, Afro-American Studies
  Washington University
  Kellogg Scholar in Health Disparities





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[SciFiNoir Lit] Scifinoir Reincarnation Status Report and Request

2005-06-07 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
Just providing this update.  I have the mailing list and the portal
installed.  I am now in the process of configuring and customizing them.
While the list is easy to configure, the portal is a very complicated but
feature-rich communication/content application so that will take some time.

In the meantime, I was wondering if any of you would be interested in
helping me alpha test it. I need to try out the features as I install,
bug-fix, and customize the modules and it is hard to do so as one person.
It would not involve a major time commitment.  (about 15 minutes a week)
Participants would be involved any of the following activities:

~registering
~Posting
~filling out your profile
~uploading images
~setting up your own mini-group
~setting up you own image gallery
~submitting a trouble ticket
~submitting links
~subscribing to a message thread
~responding to a message from your email client
~posting a review
~sending info to a friend
~setting up a project
~uploading an avatar
~submitting your favorite quotes
~uploading files
~downloading files
~etc.


Tracey de Morsella
Phone: 215-849-0946
Email:  [EMAIL PROTECTED]
View The What Happened to ScifiNoir at Yahoogroups FAQ, at:
http://www.scifinoir.net
Look for our reincarnation as Dark Energy Cafe
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[SciFiNoir Lit] Intro: Charlyn AKA Zebbie - Canada, Hamilton, On

2005-06-08 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
Subject: Re: File - membership_faq


1.   Name: Charlyn
2.   Location: Canada, Hamilton, On
3.   Nickname/ Alias: Zebbie
4.   Favorite Speculative Fiction Genres: all
5.   Favorite Speculative Fiction Books: Brown Girl in
the Ring, Octavia Butler, I love all the star
trek..but voyager...that strange english scifi
Gormander (sp)
6.   Favorite Speculative Fiction Authors: Butler,
Ellison, Hopkinson, etc...
7.   Favorite Speculative Fiction Characters: Coronas
8.   Favorite Speculative Fiction Film or TV
Adaptation of a Book: Matrix...all
9.   Topics of importance to you: My writing and
reading
10.  Your views on how people of color are depicted in
Speculative 
Fiction: I don't make it a problem, I lovde to
read..right now one of my favourite poets is
Petrach..go figure...but I was glad to have
found...Butler and others...
11.  Your own published works, if any: Short story
York University Student Journal--The changing...
12.  Your web site:NA
13.  Your Speculative Fiction Pet Peeves: NA
14.  Memberships in science fiction clubs: No
15.  Anything else you think is important: I am eager
to see what is up with the scifinoir world..
--- SciFiNoir_Lit Moderator SciFiNoir_Lit-

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I told Steven Barnes about Lion's Blood Discussion RE: [SciFiNoir Lit] Re: Lion's Blood again

2005-06-16 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
I have enjoyed this discussion very much.  So much so, that I told Steven
Barnes about it.  In his reply, one comment tickled my funnybone.

It was in response to Chris' statement:
I still remember a picture taken back in the 80's in Locus magazine he had
on this shirt with this Alien's beak coming out of it and he was contorted
like he was a victim and I was thinking, Who is this crazy negro)

Steve's response was:

Ah, I remember that Alien shirt.  Sigh.  Too bad latex deteriorates so
quickly...

I miss his presence on the list

Tracey

-Original Message-
From: SciFiNoir_Lit@yahoogroups.com
[mailto:[EMAIL PROTECTED] Behalf Of belsidus2000
Sent: Wednesday, June 15, 2005 4:18 PM
To: SciFiNoir_Lit@yahoogroups.com
Subject: [SciFiNoir Lit] Re: Lion's Blood again


Folks first off let me thank Professor Spence for posting this.
Usually folks have to pay for this kind of flava and he's laying it
on us free.  I thank you for the time you have put in on it and the
thought, and contributing your expertise and study to this list to
the stimulation of our minds, and the nourishment of our intellects
and souls

And now I got to carry you on to the but

BUT

I think you have been mayhap a little bit hasty--see below--

--- In SciFiNoir_Lit@yahoogroups.com, [EMAIL PROTECTED] wrote:
 Ok.  I've got a bit of time.

 The reason I reiterate exactly how this thread started--as a
critique
 of what Barnes has to do to get to the next level--

Just what is this next level we are talking about?  To reiterate,
the man is a published author.  Novels.  TV scripts.  Known and
loved throughout fandom.  I still remember a picture taken back in
the 80's in Locus magazine he had on this t shirt with
this Alien's beak coming out of it and he was contorted like he
was a victim and I was thinking, Who is this crazy negro)

What level?  Greater sales?  More awards?  Please clarify

is because without
 that part we veer off into weird directions.  Directions that may
be
 lively but may end up shedding more heat than light.

 This is why the comparison with Turtledove, something Chris
neglected,
 becomes important.  Turtledove's writing is a definite problem as
it
 relates to black people.  The depiction of Africans in his fantasy
riff
 of World War II was deeply problematic.

 But he's the best in the business...in alternative history.

Where is that Wikepedia url I posted while back.  There were about
40 or more books on that list.  Nowhere on that list or in any of
the literature I have read on Alternative History has it stated that
Turkle-hoosit is the best in the business

Could it be that YOU like him the best?  Please clarify

  If we're
 to refer to Barnes as one of the best in alternative history, then
to
 ME what we're saying is that he's as good as, if not better than,
the
 best in his field.

Now we're cutting through the bramble and getting down to the
stump.  You may say that.  But I think you need to let us know this
is your opinion--learned though it may be--or quote or cite some
other authorities


 What makes an alternative history good?

 Some of the same things that makes a STORY good.  Because in
science
 fiction, one of the most important things is creating a believable
 world--the world in science fiction and fantasy is as much a
character
 as the real characters--getting the reader to suspend her
disbelief
 is crucial.  You don't suspend her disbelief, and it doesn't
really
 matter how good or interesting your characters are.

 In alternative history for ME, an important part of suspending
 disbelief is creating a plausible jumping off point for the
alternative
 universe.
 
 In Philip Roth's recent novel THE PLOT AGAINST AMERICA his jumping
off
 point isa 1940 presidential election in which truman loses to
 Charles Lindbergh.

Already Roth has violated your rule because Truman wasn't on the
ticket in 1940--but this apparently is not your beef with him.  Did
you miss it?

  Once Lindbergh wins he quickly establishes America
 as an anti-Semitic nation that uses all types of terroristic
 legislation and behavior to subjugate American jews.  For a number
of
 readers, this account was riveting.

 There's one problem though.  There was ALREADY an example in the
 forties of a group of people who were subjugated by terroristic
policy
 and law.

 US.

 I don't know how Roth could've ignored this simple fact--lynching
had
 died down a bit but people were still being dragged out of their
homes
 in the middle of the night, they were victimized and brutalized by
 night riders, their land stolen, their bodies broken by slave
labor.
 But Roth did.

 No way in hell does that alternative history ring true for me.  I
 cannot suspend my disbelief.
 ...
Why.  I have heard other people criticize the book on this count.
I myself think it is a valid criticism.  I think though we have to
realize that if we were to ask Roth about this, he would probably
say I feels ya homie but I gots to git MINES!

ie, he probably had 

[SciFiNoir Lit] Yahoo Chat-Room Decision Draws Fire

2005-06-26 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
 June 23, 2005
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Rather than shut down perhaps hundreds of user-created chat rooms, Yahoo
should have targeted only those involved in illicit behavior, some privacy
advocates said.
By Antone Gonsalves
InternetWeek



Yahoo Inc.'s decision to pull the plug on perhaps hundreds of chat rooms
following reports that some of them were used to promote sex with minors was
an overreaction by the entertainment portal, privacy advocates said
Thursday.

Yahoo shutdown the chat rooms following complaints from sponsors such as
PepsiCo Inc., State Farm Insurance and Georgia-Pacific Corp., The Associated
Press reported Thursday. The sponsors were upset over a report by KPRC-TV in
Houston that adults in some of the chat rooms were trying to lure children
into the virtual meeting places.

Rather than shutdown user-created chat rooms in mass, Yahoo, based in
Sunnyvale, Calif., should have targeted only those involved in the illicit
behavior, said the Electronic Frontier Foundation, a free speech and privacy
advocate in San Francisco.

This is a real overreaction on the part of Yahoo, Annalee Newitz, policy
analyst for the EFF, said. To just unilaterally shut down chat rooms is
really chilling to free speech.

Unless the chat room was obviously involved in illicit behavior, Yahoo
should have provided some means for innocent chat room organizers to explain
their activities and remain operating.

Yahoo promises its customers that they can speak freely with each other,
and then at the whim of advertisers, shut everything down, Newitz said.
There's no due process, and seemingly no rhyme or reason. There's just this
overreaction on the part of Yahoo to please its advertisers.

Yahoo declined to discuss its decision to shut down all its user-created
chat rooms, issuing instead a statement that said, We are working on
improvements in the service to enhance the user experience in compliance
with our terms of service. No date had been set as to when Yahoo would
resume the chat-room service, a spokeswoman said.

According to the AP story, KPRC-TV reported that in some cases, lewd
pictures were being sent to minors in chat rooms with such titles as
Younger Girls 4 Older Guys, and Girls 13 And Under For Older Guys.

Yahoo does not monitor the content of its chat rooms, but will shut down
those that are found through complaints to violate the company's policies,
the AP said. Yahoo requires users to agree not to harm minors in any way
or to distribute content that is unlawful, harmful, threatening, abusive,
harassing, tortuous, defamatory, vulgar, obscene, libelous, ... or otherwise
objectionable.

Current law protects Internet service providers, such as Earthlink and
America Online, from illegal activity on their networks, because it would be
unreasonable to expect them to monitor all the traffic. Nevertheless,
illicit activity brought to the attention of ISPs must be reported to law
enforcement.

With chat rooms, however, the service provider's liability would depend on
whether it monitors them as a stated company policy, Newitz said. Illicit
activity, however, would have to be reported, if brought to the service
provider's attention.

In April, a 19-year-old Los Angeles woman sued AOL, claiming a former
monitor of a kids only chat room persuaded her to send him nude photos of
herself when she was a teenager and to engage in phone sex. The suit filed
in Los Angeles Superior Court is pending.




Tracey deMorsella, Managing Producer
Convergence Media, Inc.
Home of The Multicultural Advantage
Phone: 215-849-0946
E-mail:  tdemorsella @multiculturaladvantage.com
http://www.multiculturaladvantage.com
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[SciFiNoir Lit] RE: VERIFIED - Urgent -read- groups being deleted

2005-06-27 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
For you moderators, writers, and artists out there.  archive and back up
your files.  See resources below:

The Mail Archive: a free, easy-to-use archiving service for electronic
mailing lists.
www.mail-archive.com/

Yahoo Group and Files Downloader 2.0
http://tinyurl.com/c3xv6

TT-Solutions :: yahoo2mbox
http://www.tt-solutions.com/en/products/yahoo2mbox/

Archiving Yahoo! Groups Messages with WWW::Yahoo::Groups
http://hacks.oreilly.com/pub/h/969

Download and Read Yahoogroups Messages Offline
http://www.personalgroupware.com/info.htm

Tracey deMorsella, Managing Producer
Convergence Media, Inc.
Home of The Multicultural Advantage
Phone: 215-849-0946
E-mail:  tdemorsella @multiculturaladvantage.com
http://www.multiculturaladvantage.com

-Original Message-
From: SciFiNoir_Lit@yahoogroups.com
[mailto:[EMAIL PROTECTED] Behalf Of md_moore42
Sent: Monday, June 27, 2005 4:26 PM
To: SciFiNoir_Lit@yahoogroups.com
Subject: [SciFiNoir Lit] Fwd: [LetsHelpEachother] VERIFIED - Urgent
-read- groups being deleted


This issue was mentioned in another yahoo group that I belong to:

--- In [EMAIL PROTECTED], [EMAIL PROTECTED] wrote:



*** This is true. I have verified it  groups are
already disappering ***

Hi Friends!

Yahoo is deleting groups that have even one member
that does not have their age in the Yahoo Profile. The
reason for this is they are in trouble for Sex Chat
Groups that had underage members in these groups. So
now Yahoo as of Midnight 6/23/05 will delete the
entire group for having any members that do not have
their age in the Yahoo Profile. There is no recovery
for the Group, it will no longer exist.
Please if you love this group, update your Yahoo
Profile to show your age, any age will do, as long as
you are over 18!  Very Important!!!

To update your age in your yahoo profile,

You must log in,
then go to my account,
Then click on Edit/Create Profiles
Then click on edit next to your yahoo id
then fill in your age.

Hope this helps.

I do not know how much it is true but I suspect it is
as I know there are list hoppers reporting groups who
share adult stuff who are not in their adult area.

I hate to have to do this but I do not want to loose
my groups.

Please add your age to your profile.  If you do now I
will be forced to drop you.

This msg is being passed around to all groups.






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RE: 2nd attempt to post RE: [SciFiNoir Lit] Public archives

2005-07-05 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
The archiving I used is free Internet service that is not affiliated with
Yahoo.  The only way there servers can access yahoo servers is if there is
nothing blocking them.  It was an emergency situation.  I was at the
hospital all day, everyday for two weeks and then spent the following three
weeks caring for my Mom.  I had limited Internet access, and I sought this
as a temporary fix.

We are still using it, because I had to take off so much time from my
business.  I have not had the time to finish setting up the replacement
archive system, nor transfer them to our new servers.  I hope to do so by
August and then discontinue the use of the free archive system.

I realize some of you are nervous about this, but over the past two months,
there have been some exciting discussion threads and I m afraid to loose
them.  Another reason, I am taking this position is that, lately I am having
trouble posting on both lists.  something is definitely up with yahoo.  I
just want to be prepared this time.

Tracey



-Original Message-
From: SciFiNoir_Lit@yahoogroups.com [mailto:[EMAIL PROTECTED]
Behalf Of Nora
Sent: Tuesday, July 05, 2005 4:59 PM
To: SciFiNoir_Lit@yahoogroups.com
Subject: Re: 2nd attempt to post RE: [SciFiNoir Lit] Public archives


On 7/5/05 2:56 PM, Tracey de Morsella (formerly Tracey L. Minor)
[EMAIL PROTECTED] wrote:

Hi, Tracey.  I think I was one of the people who asked about this, and I
just want to clarify -- I don't want you to discontinue archiving.  I still
lament the loss of the other group's old messages!  What I was asking about
was making the archive *private* as opposed to open for anyone to see.  This
is just a matter of you changing the group's options/settings.  I don't know
what kind of archiving software you're using, but is it capable of
continuing to archive the group's messages if you made them private?  If you
wanted to, I mean.

Yahoo will keep watching in any case, but if the archive is made private
then the public would have to join the group to see what we're talking
about.

Nora




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RE: [SciFiNoir Lit] Re: Public archives

2005-07-05 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
 Let me correct myself.  You seemed to be questioning the wisdom of having
our posts made public.  I think most people would interpret that to mean
that you were raising the question about whether we should continue to do
so.  I understand that perspective and agreed with the position until Yahoo
deleted the other list.  Emotionally, I still agree with that.
Intellectually, i feel that having them public temporarily is a small price
to pay.  There is nothing wrong with raising questions.  However, if you
raise questions, you get answers. sometimes the answers you get might not be
what you anticipated they would be.

Your question was partially based on the misconception that some of us had
recent made a bid deal about not having privacy. Since I lead the protest,
I felt I could speak on behalf of those of us who took action after yahoo
deleted us.  If our beef has been about privacy, it would have been strange
for me to go and make the archives public. So, I felt the need to explain
why I took such actions in response to your questions and correct your
misunderstanding about why I initially was fighting yahoo not privacy,
but computerized censorship and the destruction of intellectual property.
If you take into account, my rage, sense of loss, and fear over the loss of
everyone's messages, writing, artworks, and images, my response to
immediately archive everything publicly as  temporary measure might be
understandable.  I sought to explain that to you and anyone else reading the
thread.

From your reply, Ah well. This is why I dislike the directness of
nonfiction in all its  forms -- essays, letters, reviews-- words spoken
directly can betray both the   speaker and the hearer. A reminder to me,
anyway, to stick to fiction and not  speak too much or give too much
commentary, I get the impression you think I am accusing you of something
and I am not.  I do not see why you think you  have to back down from the
position you took.  You did nothing inappropriate.  You spoke your mind.  I
like to think that as someone who abhors censorship, that I do not censure
people on the list.  I do not think clarifying my stance again yahoo or why
I made the list public is censuring you.  I hope not

For some reason, you are taking my responses personally and as a personal
attack on what you posted. I do not think that is what i am doing.  I think
I am making clear my actions and the reasons for them.   I sought to correct
your misconceptions about why we were protesting yahoo's actions, and to
explain why the ok my reply as a queue to not speak your mind.  I think it
is good that  you did spoke up.  As I said, doing so encouraged others to
express how they feel about setting  the list to be public for temporary
public archiving. However, if I am attacking you , please accept my apology.
That was not my intent.

So let me clarify how the archiving works.  The archiving application will
only work if the messages are public.  Making the message private will
prevent us from having any protection from yahoo deleting everything.

Regarding Steven Barnes.   Steven Barnes has been a member for at least two
years.  At times he has been extremely active on both lists.   He only
recently unsubscribe.  About two weeks before the message thread started.  I
told him about the discussion and he asked me to forward some of the
opinions, but a family emergency prevented me from doing so.  I did not want
him to read one message and take it out of context.

I understand your concerns and they are valid ones.  If someone has another
option for archiving I am extremely open to it.  Unfortunately, taking a
month off from my business caused me to take a severe financial hit.  The
only way i can get back on track is to work around the clock.
Unfortunately, I won't have a lot of time for SciFiNoir.  so, whatever
alternative solution someone  comes up with, it has to have limited
involvement from me.

If people do not mind that the site will not be archived, I can shut off the
archiving. Lets discuss this.  What to you want to do?

Tracey

-Original Message-
From: SciFiNoir_Lit@yahoogroups.com [mailto:[EMAIL PROTECTED]
Behalf Of [EMAIL PROTECTED]
Sent: Tuesday, July 05, 2005 4:51 PM
To: SciFiNoir_Lit@yahoogroups.com
Subject: [SciFiNoir Lit] Re: RE: 2nd attempt to post RE: Public archives




Oh my! Did I do that? Did I actually call you to discontinue the archive? I
don't think so. I think you read my email incorrectly. I was just calling
the
public nature of our forum to your attention. And wondering about stuff.
Wondering aloud if people wanted non-listmembers reading their comments.
(Hey,
as it is...if Steven Barnes did a google search for Lion's Blood all our
comments about him would come up in his search.) I wasn't really
recommending
anything.  Just throwing a question out there.

Ah well. This is why I dislike the directness of nonfiction in all its
forms
-- essays, letters, reviews-- words spoken directly can betray both 

RE: 2nd attempt to post RE: [SciFiNoir Lit] Public archives

2005-07-05 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
Normally, I would have told you guys, but I was dealing with a life and
death situation and limited time, and I simply acted.  So I really do
understand everyone's concerns.  If I sound abrupt, it is because I'm
playing catch up and rushing through non-work related stuff. hopefully this
is temporary.

-Original Message-
From: SciFiNoir_Lit@yahoogroups.com [mailto:[EMAIL PROTECTED]
Behalf Of Nora
Sent: Tuesday, July 05, 2005 10:48 PM
To: SciFiNoir_Lit@yahoogroups.com
Subject: Re: 2nd attempt to post RE: [SciFiNoir Lit] Public archives


On 7/5/05 7:32 PM, Tracey de Morsella (formerly Tracey L. Minor)
[EMAIL PROTECTED] wrote:

 The archiving I used is free Internet service that is not affiliated with
 Yahoo.  The only way there servers can access yahoo servers is if there is
 nothing blocking them.  It was an emergency situation.  I was at the
 hospital all day, everyday for two weeks and then spent the following
three
 weeks caring for my Mom.  I had limited Internet access, and I sought this
 as a temporary fix.

Ohhh, OK -- I didn't realize you *had* to keep the archive public.  Never
mind.  =)

 I realize some of you are nervous about this, but over the past two
months,
 there have been some exciting discussion threads and I m afraid to loose
 them.  Another reason, I am taking this position is that, lately I am
having
 trouble posting on both lists.  something is definitely up with yahoo.  I
 just want to be prepared this time.

No, no, I understand completely!  Glad you're doing it.  =)

Nora




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Barnes Due Pitching TV Series RE: [SciFiNoir Lit] Re: Lion's Blood again (what should barnes do?)

2005-07-30 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
Since there are a lot of Steven Barnes and Tananarive Due fans on the site,
I thought you might be interested in hearing Due's manager is in the process
of pitching their joint effort Danger Word, the short story collaboration
that was part of Dark Dreams as a series for TV.  has anybody read this?
I'm about to take a 14 hour plane ride. should i take this?
http://www.amazon.com/exec/obidos/tg/detail/-/0758207530/qid=1122711100/sr=8
-3/ref=pd_bbs_sbs_3/104-9837244-9551917?v=glances=booksn=507846

Tracey

-Original Message-
From: SciFiNoir_Lit@yahoogroups.com
[mailto:[EMAIL PROTECTED] Behalf Of [EMAIL PROTECTED]
Sent: Sunday, June 26, 2005 8:20 PM
To: SciFiNoir_Lit@yahoogroups.com
Subject: Re: [SciFiNoir Lit] Re: Lion's Blood again (what should barnes
do?)



On Jun 26, 2005, at 10:29 AM, Carole McDonnell wrote:

 --- In SciFiNoir_Lit@yahoogroups.com, [EMAIL PROTECTED] wrote:
  
  
   But I don't think we'd have the United States as we know them
  now. 
   We'd have a literal confederacy...twenty or thirty states that are
  more
   or less countries unto themselves.  Meaning that strong federal
   countries (countries with a centralized national government) would
  be
   able to trump them either in raw manpower or in bureaucracy.  If
   England decided to go to war for example, they'd only need to go
   through the Parliament.  If this new US wanted to go to war,
  they'd
   have to go to EACH STATE SEPARATELY to get their approval.  And
  even
   THEN some states might not want to cough up the loot needed to deal
   with the threat.


  The southern states might be a confederacy but wouldn't the northern
  states still be the united states The northern states wanted
  the union didn't they?

They did, but in the process of passing the Corwin Amendment, they'd
really end up hijacking the union--becoming more of a confederacy in
order to keep the south from leaving--in order to save it.



  
   Now SA didn't exist during this time period. 

  True. But if all else remained the same, Europe would still be
  sending folks to Africa and to Australia. And some countries such as
  SA would probably exist. Or maybe not. Who knows if the US's slavery
  position helped make those imperialist European-oppressed African
  countries more -- or LESS-- prone to racist imperialism. Maybe US
  slavery encouraged the Afrikaans, etc. But maybe the Civil Rights
  movement a century later also helped the europeans leave Africa.

  Who knows?  But i do like the idea of the US being more multicultural
  and having more multicultural power with a culture more influenced by
  Native Americans, Africans, and good Europeans. Yep, am a wuss. The
  last holdout of the rainbow coalition.

I do too...but I am not sure when the particular multicultural reality
that we are envisioning truly takes hold to build a nation.


lks

Dr. Lester K. Spence
Assistant Professor, Political Science and African Afro-American Studies
Washington University
Kellogg Scholar in Health Disparities 2004-2006


[Non-text portions of this message have been removed]





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[SciFiNoir Lit] FW: Theater To Be Renamed For August Wilson

2005-09-02 Thread Tracey de Morsella \(formerly Tracey L. Minor\)


-Original Message-
From: GIRLFRIEND [mailto:[EMAIL PROTECTED] Behalf Of T.
McCormick
Sent: Friday, September 02, 2005 9:55 AM
To: [EMAIL PROTECTED]
Subject: Theater To Be Renamed For August Wilson

September 2, 2005
Theater Is to Be Renamed for a Dying Playwright
By JESSE McKINLEY
I have a robust imagination, but I never imagined anything like this.
The words are those of August Wilson, a two-time winner of the Pulitzer
Prize for drama, who next month will receive one of the great honors in
American theater: his name affixed to the marquee of a Broadway theater.
Rocco Landesman, the president of Jujamcyn Theaters, which owns five
Broadway theaters, said yesterday that his company would change the name of
the Virginia Theater, at 245 West 52nd Street, to the August Wilson Theater.
The new marquee, with a giant neon sign bearing the writer's signature, is
to be unveiled on Oct. 17.
Mr. Wilson, 60, will be the first African-American for whom a Broadway
theater is named. He will take his place beside such theatrical figures as
the playwright Eugene O'Neill, the composer George Gershwin and the actress
Helen Hayes.
He's one of the most important American playwrights ever, said Mr.
Landesman, who has known Mr. Wilson since his breakthrough with Ma Rainey's
Black Bottom in 1984. I think his work is going to speak to generation
after generation of theatergoers.
Mr. Wilson may never see the marquee or sit in the theater that carries his
name. Last month, in an interview with The Pittsburgh Post-Gazette, he
announced that he was dying of liver cancer, with three to five months to
live.
He disclosed it with the type of plainspoken grit one of his heroic
characters might admire.
I've lived a blessed life, Mr. Wilson said. I'm ready.
Mr. Wilson said that his cancer was too far along to be treatable, but that
he would continue writing until his death, putting the final touches on his
monumental 10-play cycle. The plays document the African-American experience
in the 20th century, and each is set in a different decade. The final play,
Radio Golf, set in the 1990's, had its premiere in May at the Yale
Repertory Theater in New Haven and now is playing in Los Angeles.
The news of Mr. Wilson's cancer shocked many on Broadway, where eight of his
plays have been produced, including his Pulitzer Prize winners, Fences and
The Piano Lesson, as well as other critical hits including Two Trains
Running. The larger theatrical community, where he is known as both a
strong advocate for the development of minority playwrights and minority
audiences, was also stunned, and theaters where his work has been produced
issued statements with best wishes, while theatrical Web sites overflowed
with similar messages.
For Jujamcyn executives, the renaming was a delicate matter, one they said
was richly deserved but tragically accelerated.
I'm sure he knows that we might not be doing this at this point if not for
the circumstances, said Jack Viertel, the creative director at Jujamcyn and
a longtime friend of Mr. Wilson's. But he's been so stand-up about the
whole thing, it hasn't been awkward. The company also plans to help set up
a fund in Mr. Wilson's name to bring disadvantaged young people to Broadway.
Mr. Wilson was too fatigued to be interviewed yesterday, said his assistant,
Dena Levitin. But in a statement from his home in Seattle, he said: I have
a robust imagination, but I never imagined anything like this. I think it is
an extraordinary honor, and it is truly a capstone of my career. I am
overwhelmed.
Others along Broadway said the renaming was appropriate and overdue.
A great choice, said Emanuel Azenberg, a veteran Broadway producer. The
man is a major American playwright.
The Virginia was built in 1925 and renamed in 1981 in honor of Virginia M.
Binger, the wife of James H. Binger, who owned Jujamcyn then; it is the
latest of several theaters to change names. In 2003, the Martin Beck Theater
was renamed in honor of Al Hirschfeld, the caricaturist. This year,
adjoining theaters on West 45th Street were renamed for Bernard B. Jacobs
and Gerald Schoenfeld, two executives from the Shubert Organization,
Broadway's most powerful landlord.
Several other theaters have picked up corporate names in recent years,
including the American Airlines Theater and the Hilton Theater, both on West
42d Street.
The soon-to-be August Wilson Theater is currently dark but has been, over
the years, the home of hits (Jelly's Last Jam) and misses (Carrie, the
musical). In 2001, King Hedley II, the 1980's segment of Mr. Wilson's
cycle, was performed there.
Yesterday Mr. Landesman said he intended to produce Radio Golf, the final
chapter of Mr. Wilson's cycle, on Broadway next season.
Long before that, however, Mr. Landesman intended to recognize -
permanently - the contributions of an old friend.
The marquee is going to survive August, Mr. Landesman said. And it is
going to survive me.
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[SciFiNoir Lit] Best and worst spec fic books of 2005

2006-01-02 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
What do you guys think were the best and worst speculative fiction books of
2005.  Please share with us why you made your selections.  What forthcoming
books are you looking forward to

Tracey de Morsella
Convergence Media, Inc
Publisher of The Job Seeker's Guide to Diversity Employment Resources
8345 NW 66th Street, Suite 8916
Miami, FL 33166-2626
Phone: 888-750-6132
[EMAIL PROTECTED]
URL: http://www.jobseekersdiversityguide.com

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[SciFiNoir Lit] Their Eyes Were Reading Smut

2006-01-05 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
 of import and value
produced in the early 21st century, why their founts of inspiration are so
parched?

At times, I push myself away from the computer in anger. I don't want to
compete with Legit Baller. But then I come across something like The
Known World by Edward P. Jones and again I am inspired.

But I must say that I retain very little of the hope and excitement and
enthusiasm that I had when my first book was published eight years ago. I
feel defeated, disrespected and troubled about the future of my community
and my little subsection of this carnivorous, unforgiving industry.

Nick Chiles, the editor in chief of Odyssey Couleur magazine, is the
co-author, with Denene Millner, of A Love Story.

Tracey de Morsella
Convergence Media, Inc
Publisher of The Job Seeker's Guide to Diversity Employment Resources
8345 NW 66th Street, Suite 8916
Miami, FL 33166-2626
Phone: 888-750-6132
[EMAIL PROTECTED]
URL: http://www.jobseekersdiversityguide.com

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[SciFiNoir Lit] Some new Amazon programs for authors

2006-01-10 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
i was passing this info along to a publishers group I'm on and I thought
some of you who sell your books on Amazon might be interested as well. Some
of these programs are new

So You'd Like to . . . Guides
So You'd Like to . . . guides are a way for you to help other customers find
all the items and information they might need for something they are
interested in. Maybe there is an indispensable set of reference materials
that you'd recommend to a new college freshman wishing to study literature.
Maybe there are several items you think are necessary for the perfect
barbecue. As you create your guide, keep in mind that you needn't have
purchased these items at Amazon.com. Each So You'd Like to . . . guide can
cover all sorts of topics, and can be as specific or as general as you'd
like.
You can include any item from the Amazon.com store that has a 10-digit ASIN
or an International Standard Book Number (ISBN). An ASIN or ISBN is a unique
number used to identify each item in the Amazon.com store. These unique item
numbers are displayed on the product information page for each item.
Go ahead and create a So You'd Like to . . . guide. It's free, easy, and
fun. Simply click the
to Write a So You'd Like to . . . guide link on Your Amazon Home to start.
http://www.amazon.com/exec/obidos/tg/browse/-/14279691/ref=br_bx_c_2_2/104-9
837244-9551917

Amazon Connect
Amazon is getting ready to launch a new and unprecedented program for
authors whose books are sold on Amazon.com. By participating in the Amazon
Connect program, authors are able to post messages to their book detail
pages, profile page and blog on Amazon.com.
http://www.amazon.com/exec/obidos/tg/browse/-/13023961/ref=br_bx_c_1_2/104-9
837244-9551917

Amazon Honor System
Web sites use the Amazon Honor System to collect voluntary payments from
their users and to accept payment for digital content. The Honor System
allows the Web site to raise money for continued operations without
resorting to intrusive banner advertisements.
http://www.amazon.com/exec/obidos/tg/browse/-/542032/ref=br_bx_c_1_3/104-983
7244-9551917

Tracey de Morsella
Convergence Media, Inc
Publisher of The Job Seeker's Guide to Diversity Employment Resources
8345 NW 66th Street, Suite 8916
Miami, FL 33166-2626
Phone: 888-750-6132
[EMAIL PROTECTED]
URL: http://www.jobseekersdiversityguide.com

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[SciFiNoir Lit] 1 more - Some new Amazon programs for authors

2006-01-10 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
Amazon Shorts
http://www.amazon.com/exec/obidos/tg/feature/-/570212/ref%3Damb%5Fleft-2%5F6
7018301%5F1/104-9837244-9551917
Amazon Shorts features previously unpublished short-form literature for sale
exclusively at Amazon.com. Fiction and nonfiction pieces on a wide variety
of topics are available in a digital format only for just $0.49. This is a
great way for authors to maintain a more direct and frequent communication
with their readers as well as promote their backlist.


=
i was passing this info along to a publishers group I'm on and I thought
some of you who sell your books on Amazon might be interested as well. Some
of these programs are new

So You'd Like to . . . Guides
So You'd Like to . . . guides are a way for you to help other customers find
all the items and information they might need for something they are
interested in. Maybe there is an indispensable set of reference materials
that you'd recommend to a new college freshman wishing to study literature.
Maybe there are several items you think are necessary for the perfect
barbecue. As you create your guide, keep in mind that you needn't have
purchased these items at Amazon.com. Each So You'd Like to . . . guide can
cover all sorts of topics, and can be as specific or as general as you'd
like.
You can include any item from the Amazon.com store that has a 10-digit ASIN
or an International Standard Book Number (ISBN). An ASIN or ISBN is a unique
number used to identify each item in the Amazon.com store. These unique item
numbers are displayed on the product information page for each item.
Go ahead and create a So You'd Like to . . . guide. It's free, easy, and
fun. Simply click the
to Write a So You'd Like to . . . guide link on Your Amazon Home to start.
http://www.amazon.com/exec/obidos/tg/browse/-/14279691/ref=br_bx_c_2_2/104-9
837244-9551917

Amazon Connect
Amazon is getting ready to launch a new and unprecedented program for
authors whose books are sold on Amazon.com. By participating in the Amazon
Connect program, authors are able to post messages to their book detail
pages, profile page and blog on Amazon.com.
http://www.amazon.com/exec/obidos/tg/browse/-/13023961/ref=br_bx_c_1_2/104-9
837244-9551917

Amazon Honor System
Web sites use the Amazon Honor System to collect voluntary payments from
their users and to accept payment for digital content. The Honor System
allows the Web site to raise money for continued operations without
resorting to intrusive banner advertisements.
http://www.amazon.com/exec/obidos/tg/browse/-/542032/ref=br_bx_c_1_3/104-983
7244-9551917

Tracey de Morsella
Convergence Media, Inc
Publisher of The Job Seeker's Guide to Diversity Employment Resources
8345 NW 66th Street, Suite 8916
Miami, FL 33166-2626
Phone: 888-750-6132
[EMAIL PROTECTED]
URL: http://www.jobseekersdiversityguide.com

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[SciFiNoir Lit] Duchovny Set for Hulk Role?

2006-01-18 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
Former X-Files star David Duchovny is set to become the new Incredible Hulk
after Aussie actor Eric Bana pulled out of the sequel project. Peter Cuneo,
the vice chairman of comic book franchise Marvel, revealed Duchovny is the
frontrunner to play the green giant in The Incredible Hulk 2 in a recent
interview with AOL's Motley Fool Radio Team. He said, Duchovny's name has
been bought up several times. He's quite the fan too. Bana pulled out of
the sequel when he discovered the plan was to release the film direct to
DVD. Cuneo insists there's still life in the Hulk project: Hulk did $250
million worldwide box office, which is a huge box office, and as you may
recall, we had tremendous success with our toy line, which was a complete
sell-out, over $100 million worldwide.
http://www.imdb.com/news/wenn/2006-01-18/

Tracey de Morsella
Convergence Media, Inc
Publisher of The Job Seeker's Guide to Diversity Employment Resources
8345 NW 66th Street, Suite 8916
Miami, FL 33166-2626
Phone: 888-750-6132
[EMAIL PROTECTED]
URL: http://www.jobseekersdiversityguide.com

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[SciFiNoir Lit] FW: Nalo Hopkinson speaks at DePaul University, 1/25/2006, 3:00 pm

2006-01-25 Thread Tracey de Morsella \(formerly Tracey L. Minor\)

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Wednesday, January 25, 2006 1:46 PM
To: [EMAIL PROTECTED]
Subject: [CarlBrandon] Chicago: Nalo Hopkinson speaks at DePaul University,
1/25/2006, 3:00 pm



 My Groups | CarlBrandon Main Page


 Reminder from the Calendar of CarlBrandon

Chicago: Nalo Hopkinson speaks at DePaul University

Wednesday January 25, 2006
3:00 pm - 5:00 pm
This event does not repeat.
Event Location: DePaul University, Richardson Lib.
Rosati Rm 300 (Chicago)
Phone: (773) 325-7512
Notes:
Seeing the Future with Doubled Vision
Nalo Hopkinson
AUTHOR
Wednesday, January 25, 2006
3pm - 5pm
Richardson Library
Rosati Room 300
Lincoln Park Campus
Book Signing Follows
All Center events are free admission.
For more information call the
Center for Culture and History of Black Diaspora at
(773) 325-7512
http://www.depaul.edu/~diaspora
PARKING – $7 before 4 p.m.; $5 after 4 p.m. with
DePaul ID
VISITORS: same rate with validation
Sheffield Parking Facility at 2335 N. Sheffield
(next to Dominick’s)
Clifton Parking Deck at 2330 N. Clifton (Fullerton
and Clifton)
Sponsors: Ce
 ADVERTISEMENT






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[SciFiNoir Lit] FW:join a Reading at WisCon

2006-01-25 Thread Tracey de Morsella \(formerly Tracey L. Minor\)

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Behalf Of Pamela K. Taylor
Sent: Wednesday, January 25, 2006 9:08 PM
To: [EMAIL PROTECTED]
Subject: [CarlBrandon] Reading at WisCon


Hi all,

Teresa Crater and I, who are both Broaduniverse members, are thinking about
trying to  have a reading at WisCon (Madison Wisconsin, Memorial Day
Weekend) with a MiddleEastern/North African Theme.  Apparently the Wiscon
organizers are looking for themed readings this year. We are looking for
other writers who might be interested in joining with us in proposing this
reading.

You can email me privately, [EMAIL PROTECTED], if you'd like to jump on
board.

Pamela



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[SciFiNoir Lit] FW: Nalo Hopkinson is teaching creative writing online this spring and summer (pass it on)

2006-01-30 Thread Tracey de Morsella \(formerly Tracey L. Minor\)

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Behalf Of Nalo Hopkinson
Sent: Monday, January 30, 2006 12:26 PM
To: undisclosed-recipients:
Subject: [CarlBrandon] I'm teaching creative writing online this spring
and summer (pass it on)


http://learn.utoronto.ca/uoft/search/publicCourseSearchDetails.do?method=loa
dcms=falsecourseId=937508

 From May to August this year, I'll be one of the mentors in an online
creative writing programme offered by the School of Continuing Studies
of the University of Toronto. Information is below. The basic fee is
$599 Canadian, and it looks as though there may be an extra $125
Canadian for students outside Canada. That isn't exactly clear on the
website, though, so if you need to know, please contact the School of
Continuing Studies directly.




University of Toronto
School of Continuing Studies

SCS 1524 Online Mentor (creative writing)

Course Details

Get feedback on your manuscript from prominent Canadian writer Helen
Humphreys or another instructor in our program. Designed for writers of
any genre, this e-mail based course will appeal to those who require
feedback on matters of artistic craftsmanship, as well as shaping and
honing a manuscript in-progress. Register any time and we'll match you
with a mentor in our program; you have 12 weeks to submit up to 75 pages
(including rewrites) in standard, double-spaced 12 pt. format. This
course is not applicable to the Certificate in Creative Writing. Choose
a mentor from amongst the following:

Helen Humphreys, Writer
Nalo Hopkinson, B.A., M.A., Writer
Kelli Deeth, B.F.A., M.F.A., Writer
Kent Nussey, B.A., M.A., Writer
Michael Winter, B.A., Writer
Janis Rapoport, B.A., Writer
Rachel Manley, Writer, Governor General Award Winner
Ken McGoogan, B.A.A., M.F.A., Writer
Rob Ferguson, B.A., Writer
Elaine K. Stirling, B.A., Writer
Cary Fagan B.A., M.A., Writer
Catherine Graham, B.A., M.A., Writer
Michael Helm, Writer, Editor
Barbara Kyle, Writer
Noah Leznoff, B.Ed., M.A.
Christine Pountney, B.A., M.A., Writer
Mike O'Connor, Editor of Insomniac Press
Lee Gowan, B.A., M.F.A., Writer
Glenda MacFarlane, Writer, Editor
Kim Echlin, B.A., M.A., Ph.D., Writer
Marnie Woodrow, Writer
Edo Van Belkom, Writer
Antonio D'Alfonso, B.A., M.Sc., Writer
Rosemary Aubert, B.A., M.A., C.Cri., Writer
Helen Porter, B.A., B.Ed., M.A., Writer, Storyteller
Ken Babstock, Poet
Ken Sherman, B.A., M.A., Poet
Judith Robinson, B.A., B.Ed., M.F.A., Writer
Howard Wiseman, B.A., M.F.A., Screenwriter
Ray Robertson, B.A., M.F.A., Writer
Kathy Kacer, Writer
Lynne Kositsky, B.Ed., M.A., Writer
M.T. Kelly, Governor General Award Winner
Robert Priest, Writer, Songwriter
Alan Zweig, B.A., Writer, Filmmaker
Judy Fong Bates, B.F.A., B.Ed., Writer
Elizabeth Ruth, B.A., M.A., Writer


Learner Outcomes:

Skill development in a sustained piece of creative writing.


Required Prerequisites:

A sample of written work (10 pages) must be submitted to the Writing
Program Office in order to determine acceptance into the workshop.

Recommended Prerequisites:
None


SCS 1524 - 003
Status: Available
4 May 2006 to 31 Aug 2006
Thu 7:00PM - 9:00PM

Tuition: $599.00 Cdn
Delivery Method: ON-LINE



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[SciFiNoir Lit] FW:Lessons From Octavia Butler- Sista SciFi Author

2006-02-08 Thread Tracey de Morsella \(formerly Tracey L. Minor\)
Wasn't sure if this was posted before.  Just in case it wasn't, I'm posting
it.

Tracey

-Original Message-
From: African-Americans in Higher Education
[mailto:[EMAIL PROTECTED] Behalf Of S. E. Anderson
Sent: Wednesday, February 08, 2006 2:46 PM
To: [EMAIL PROTECTED]
Subject: [AFAMHED] Lessons to Learn From Octavia Butler- Sista SciFi
Author


http://www.democracynow.org/article.pl?sid=05/11/11/158201 Democracy Now!
November 11th, 2005

Science Fiction Writer Octavia Butler on Race, Global Warming and Religion

We speak with Octavia Butler, one of the few well-known African-American
women science fiction writers. For the past thirty years, her work has
tackled subjects not normally seen in that genre such as race, the
environment and religion. [includes rush transcript]

The Washington Post has called Octavia Butler 'one of the finest voices in
fiction period. A master storyteller who casts an unflinching eye on racism,
sexism, poverty and ignorance and lets the reader see the terror and beauty
of human nature.' Octavia has described herself as an outsider, and a
pessimist, a feminist always, a Black, a quiet egoist, a former Baptist, and
an oil-and-water combination of ambition, laziness, insecurity, certainty,
and drive.

Octavia Butler wrote her first story when she was ten years old and as she
has said, she has been writing ever since. Race and slavery is a recurring
theme in her work. Her first novel, Kindred was published in
1979. It tells the story of a black woman who is transported back in time to
the antebellum South. The woman has been summoned there to save the life of
a white son of a slave owner who turns out to be the woman's ancestor.
Octavia is the author of ten other novels including the Parable of the Sower
series. She is the recipient of many awards including the Nebula Award and
the MacArthur 'genius' award. Her latest book is called Fledgling.

* Octavia Butler, award-winning science fiction author

RUSH TRANSCRIPT

This transcript is available free of charge. However, donations help us
provide closed captioning for the deaf and hard of hearing on our TV
broadcast. Thank you for your generous contribution. Donate - $25, $50,
$100, more...

JUAN GONZALEZ: Well, normally we don't spend a lot of time talking about
science fiction on Democracy Now!, but today we're joined by one of the
preeminent voices writing in the genre today. Octavia Butler is one of the
few well-known African American women science fiction writers. For the past
30 years her work has tackled subjects not normally seen in that genre. The
Washington Post has called her one of the finest voices in fiction, period.
A master storyteller who casts an unflinching eye on racism, sexism,
poverty, and ignorance and let's the reader see the terror and the beauty of
human nature. Octavia has described herself as an outsider, a pessimist, a
feminist always, a Black, a quiet egoist, a former Baptist, and an
oil-and-water combination of ambition, laziness, insecurity, certainty, and
drive.

AMY GOODMAN: Octavia Butler wrote her first story when she was 10 years old,
and she has said she's been writing ever since. Race and slavery is a
recurring theme in her work. Her first novel Kindred was published in 1979.
It's a story of a black woman who is transported back in time to the
antebellum South. The woman has been summoned there to save the life of a
white son of a slave owner, who turns out to be the woman's ancestor.
Octavia Butler is the author of ten other novels, including Parable of the
Sower series. She's the recipient of many awards, including the MacArthur
Genius Award. Her latest book is called Fledgling. Welcome to Democracy Now!

OCTAVIA BUTLER: Thank you.

AMY GOODMAN: About a vampire?

OCTAVIA BUTLER: Yeah, it was kind of an effort to do something that was more
lightweight than what I had been doing. I had been doing the two Parable
books -- Parable of the Sower and Parable of the Talents -- and they were
what I call cautionary tales: If we keep misbehaving ourselves, ignoring
what we've been ignoring, doing what we've been doing to the environment,
for instance, here's what we're liable to wind up with. And I found that I
was kind of overwhelmed by what I had done, what I had had to comb through
to do it. So eventually I wound up writing a fantasy, a vampire novel.

JUAN GONZALEZ: But you also tell a lot about vampires themselves. The Ina
people? Could you talk a little about that?

OCTAVIA BUTLER: Well, of course, I made them up. But one of the things I
discovered when I decided to write a vampire novel was that most writers
these days who write about vampires make up their own, and it really is a
kind of a fantasy matter. You make up the rules and then you follow them.

AMY GOODMAN: Tell us about your protagonist in Fledgling, who this vampire
is.

OCTAVIA BUTLER: Ok, she is a --

AMY GOODMAN: She is an operative word, I think, to begin with.

OCTAVIA BUTLER: Oh, okay. She is a young girl. You're right. 

[SciFiNoir Lit] [Fwd: Sikhs in Science Fiction (Adherents.com database)]

2006-06-01 Thread Tracey de Morsella (formerly Tracey L. Minor)



 Original Message 
Subject:  [CarlBrandon] Sikhs in Science Fiction (Adherents.com database)
Date:  Thu, 01 Jun 2006 15:39:42 -0400
From:  [EMAIL PROTECTED]

 

 

 


/Found this in my online travels. This info came from a larger database, 
/Adherents.com - Religions in Literature, located here:/
http://www.adherents.com/lit/ 
It's interesting to explore. For example, I visited their link on 
Afro-Brazilian references in sf/f. I don't know how current this is or 
how often the database is updated. Worth checking out.
/
Best,
SRT

http://www.adherents.com/lit/sf_sikh.html








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[SciFiNoir Lit] [Fwd: [CAAR] CASTING CALL!]

2006-06-02 Thread Tracey de Morsella (formerly Tracey L. Minor)





 Original Message 
Subject:  [CAAR] CASTING CALL!
Date:  Fri, 2 Jun 2006 11:40:09 -0400
From:  Pamela Booker [EMAIL PROTECTED]
Reply-To:  Pamela Booker [EMAIL PROTECTED]
To:  [EMAIL PROTECTED]



*_ACTORS NEEDED_*

*_ _*

We are casting a multiracial group of actors for a play reading for 
invited producers. The reading will be held on *Monday 26 June at 7p,* 
and presented by the Soho Think Tank/Sixth Floor Reading Series. See for 
additional information. Both equity and non-equity actors are invited to 
read for the roles.

*_BREAKDOWN AS FOLLOWS:_*

*_ _*

*_ _*All actors must have strong vocal projection, and be comfortable 
with poetic language and ensemble chorus verse. “Look” is more important 
than actual cultural identity. Prefer professional actors with 
experience. Age range for all characters: 30-40.

* Afghani woman, wife  mother – Pashtun Muslim who is proud and 
war-fatigued.

*Asian/Pacific-Rim/Indonesian American (male) - Local Newspaper 
photographer who is a brilliant artist and angry because of missed 
opportunities.

*White American (male) - Magazine photographer who is internationally 
renowned for his dazzling cover stories and cocky.

*Middle-Eastern/South Asian/North African (male) – Muslim 
Soldier/Freedom Fighter who will also play other various professional 
characters.

*AUDITION DATES*

Wed 7 June 6p

Thurs 8 June 6p

Sat 10 June 3p – callbacks

Actors will be reimbursed up to $30 for local travel, cabs, meals, gas, etc.

Please contact director ANITA GONZALEZ for appointment and audition 
location: [EMAIL PROTECTED]

*REHEARSAL SCHEDULE*

Fri/Sat/Sun June 23-25 (12-4p)

*READING – MON 26 JUNE at 7P*

* ** *

*DUST*

Written by Pamela S. Booker

Directed by Anita Gonzalez

Can love and purpose be found again in the aftermath of an apocalyptic 
moment? An Administrative Assistant, a Pashtun mother, a Muslim Freedom 
Fighter and two photographers with conflicted agendas, share dreams and 
betrayals in a passionate search for meaning in the age of global terror.

Pamela S. Booker, Advisor
Art  Design Studies
Parsons The New School For Design
Office of Advising
2 West 13th Street, 5th Floor
New York, NY 10011
[EMAIL PROTECTED] mailto:[EMAIL PROTECTED]
212 229-5855 ext. 4036







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[SciFiNoir Lit] [Fwd: 300,000 free ebooks from worldbookfair.com

2006-06-02 Thread Tracey de Morsella (formerly Tracey L. Minor)



 Original Message 
Subject:  Free chapter added to saga of e-books
Date:  Fri, 2 Jun 2006 08:50:12 -0400
From:  Walter Kwami [EMAIL PROTECTED]
Reply-To:  [EMAIL PROTECTED]

The developing world could really benefit from this free e-books project...
***

Free chapter added to saga of e-books
By David Mehegan, Globe Staff | June 2, 2006

For much of the past decade, the publishing world has been trying to figure
out how to make money selling books in electronic form. Now a private
project wants to give e-books away for free.

Project Gutenberg, a 35-year-old nonprofit based in Urbana, Ill., announced
yesterday it is putting as many as 300,000 books online, where they will be
available for free download. Called the World eBook Fair
(worldbookfair.com), the program will last a month -- July 4 to Aug. 4 --
and will be repeated annually.

The catalog of available works will include fiction, nonfiction, and
reference books, mostly those that are no longer protected by copyright.
``It will include the oldest books in the world, including every author you
have heard of in your life, other than current ones, said Michael Hart,
Project Gutenberg's founder. The fair also will offer classical music files,
both scores and recordings, as well as films.

About 95 percent of the books are in the public domain and not subject to
copyright law, Hart said. The copyright holders of the remaining 5 percent
have given permission for use of their works. Copyright law generally
protects a work for 70 years beyond the death of its creator.

Roughly 20,000 of the books have been scanned by thousands of Gutenberg
volunteers -- and are already available at gutenberg.org -- but the majority
will be loaned to Gutenberg for the month by more than 100 e-book libraries,
including the World eBook Library, which normally charges a fee for
temporary access. As many as 100,000 of the 300,000 books will remain
available permanently. Gutenberg plans to offer 500,000 books in next year's
fair, 750,000 in 2008, and 1 million in 2009. Still, even these numbers are
a fraction of the tens of millions of books that have been published
throughout history.

``Our stuff is all free, Hart said. ``We want people to take these books
and use them, to keep them in their PDAs. Our mission is to help break down
the walls of ignorance and illiteracy.

Efforts to establish a commercial e-book marketplace have stumbled. Attempts
to sell hand-held readers failed because they were clumsy and delicate,
downloadable books were few, and fees were high. Google recently announced a
plan to make millions of books searchable online, but the company has faced
opposition from publishers outraged over potential copyright infringement.
Attempts to reach publishers and booksellers last night were unsuccessful.

In the World eBook Fair, the books can be downloaded and read on almost any
kind of computer -- even a cellphone or PDA . The idea is not merely to lend
or rent access to the book but to give it away so that it can be kept in a
library, copied, or shared with friends.

Hart said the major flaw with previous attempts to sell e-books was the
device. ``Those readers were dinosaurs before they were born, he said.
``This generation grew up on Game Boy. The screen of a cellphone is fine for
them. The iPod had been out only a week when someone wrote a program so you
could read our books on it.

Hart, 58, has been the dedicated visionary behind the project since its
inception in 1971, working out of his basement in Urbana since graduating
from the University of Illinois. In a phone interview, he spoke in
evangelistic tones about the social virtue of the project. ``We want to
increase literacy and education from the bottom up, he said. ``I think of
this as a blue-collar project. Our target is not the erudite professor of
Shakespeare -- it's everybody, as many people as we can encourage to read.

Gutenberg volunteers -- who have been typing and scanning books into
computers for 35 years, well before anyone had heard of the Internet -- have
the passion of Wikipedians. ``I have 40,000 people to help, Hart said.
``There are no universities or corporations involved, just a lot of people
in attics banging on their computers. We have one workaholic insomniac who
has scanned 2,500 to 3,000 books by himself. He buys them, scans them, and
proofreads them.

Though Hart is the project's conceptual force, the unpaid CEO of Project
Gutenberg is Gregory Newby, acting chief scientist of the Arctic Area
Supercomputing Center at the University of Alaska in Fairbanks. While more
low-key than Hart on the phone, he was no less fired with conviction.

``As we see it, if e-books are to succeed, readers have to be allowed to do
everything they can do with a real book, Newby said. ``If you use Google
Book Search, you can search text, but after a few pages you can't read any
more. If you try to use it like a book, you encounter a lot of barriers.

Newby said 

Re: [SciFiNoir Lit] Hopkinson sells out?

2006-06-02 Thread Tracey de Morsella (formerly Tracey L. Minor)



So let me get this straight (no pun intended if she has her hair 
straightened on relaxed she is a sell out??? if I decide at the end of 
the summer that I am tired of wearing a fro and i want to get a relaxer, 
I'm a sell out too? Seems to me that are some pretty superficial 
criteria for selling out.

Tracey
 When you guys see her dressed up with pressed hair like Condoleeza 
 Rice you will know you heard it from me first.

 --- In SciFiNoir_Lit@yahoogroups.com, sancochojo mccartjf@ 
 wrote:
 
 I was debating on if I should stand up in my office cube and 
 
 applause.
 
 I could not have said it better.

 You know the old street cliche, if you have something to say, say 
 
 it
 
 to my face. 

 Her blog gives everyone the opportunity to challenge her, but to 
 
 cower
 
 away and say I don't feel like it, blah blah when asked to write 
 
 the
 
 author back and challenge her yet have all the energy to write 
 
 about 6
 
 or seven post here to talk junk about her, says a lot.

 Nora, it isn't crabs in the barrel, its big giant lobster claws in 
 
 a
 
 barrel.



 --- In SciFiNoir_Lit@yahoogroups.com, Nora njem@ wrote:
 
 -Original Message-
 From: SciFiNoir_Lit@yahoogroups.com 
 [mailto:[EMAIL PROTECTED] On Behalf Of Chris 
 
 Hayden
 
 Hopkinson seems to be disowning Afrofuturism, a movement, 
 
 genre, 
 
 thang that she helped start. One reason why she could be 
 
 doing this 
 
 is because she is going to sell out--
 
 a) You're presupposing that Afrofuturism *is* a movement. That
 
 doesn't seem
 
 to be a settled debate yet. b) Maybe she's disowning it because 
 
 she
 
 *didn't* help start it. If she had, I don't think she'd have 
 
 been so
 
 surprised to suddenly find the label applied to her. And c)
 
 sellout is
 
 right up there with nigger and bitch in my book -- it's a 
 
 dire,
 
 them's-fightin'-words insult. I don't know about you, but I 
 
 didn't join
 
 this community to insult my favorite authors.

 Citing your own post with the definition from the Afrofuturism 
 
 listserv,
 
 Afrofuturism or Afro-futurism is an African American and African
 
 Diaspora subculture whose thinkers and artists see technology 
 
 and
 
 science fiction as a means of exploring the Black experience 
 
 and
 
 finding new strategies to overcome racism and classism.
 
 By this definition, Afrofuturism is meant to be an *intentional*
 
 thing. Its
 
 members must *see* tech and SF as a means of blah blah blah. If 
 
 you
 
 don't
 
 write SF with the intention of exploring the Black experience and
 
 combatting
 
 racism/classism, then you shouldn't be counted as part of the 
 
 movement.
 
 It's not just being a black person writing SF that qualifies 
 
 you. 
 
 Heck, by
 
 this definition, you don't even have to be black -- you just 
 
 have to
 
 have
 
 that exploratory, developmental purpose in mind.

 I *am* black, and it permeates everything I do, but I'll be 
 
 frank:
 
 exploring the Black experience is the furthest thing from my 
 
 mind
 
 when I
 
 write most of my stuff, even when I'm writing about black 
 
 people. 
 
 I'm not
 
 trying to combat racism, I'm just trying to have fun telling a
 
 story. So if
 
 someone tried to stick the Afrofuturism label on me, I would
 
 probably react
 
 in much the same way as Nalo. Afro whatism? *Me*? Huh?

 I think it's a disservice, both to authors and to this nascent
 
 movement, to
 
 hijack people into it. A movement doesn't *need* to go hunting 
 
 for
 
 members,
 
 if it has the ideological strength to grow and develop on its 
 
 own; its
 
 members will find it, because it serves a need. But when people 
 
 declare
 
 that so-and-so's work *must* be Afrofuturism, whether that person
 
 intended
 
 it that way or not, they're trying to bogart her into it. The 
 
 thing
 
 is, by
 
 doing this they make the movement, if indeed it is a movement, 
 
 look
 
 too weak
 
 to stand on its own. It has to coerce its most prominent 
 
 members to
 
 join?
 
 That's not a movement, that's Scientology.

 Even worse, by insinuating that she's a sellout if she doesn't, 
 
 any
 
 Afrofuturists trying to claim Nalo may effectively achieve the 
 
 complete
 
 opposite effect, and send her running for the hills. 

 
 It is not clear what she is saying. First she says it isn't 
 
 a 
 
 movement. Then if it is she doesn't have anything to do with 
 
 it. 
 
 Then she admits that she helped start it--whatever it is. 
 
 There is a 
 
 lot of confusion here that is open to interpretation.
 She is in the public eye. She will be classified, 
 
 catgegorized, 
 
 turned into a brand folded spindled and mutilated just like 
 
 all the 
 
 rest, from Plato to Oprah--
 It's part of the game--
 
 Bullshit. It's one thing to discuss the probable intentions of 
 
 an
 
 author
 
 who's dead, or impossible (for us) to contact, a la Octavia 
 
 Butler.
 
 But to
 
 do this to a woman who's alive, when **you've got her blog right
 
 there** and
 
 you can talk 

Re: [SciFiNoir Lit] Hopkinson sells out?

2006-06-02 Thread Tracey de Morsella (formerly Tracey L. Minor)



The link to her book, Brown Girl in the Ring goes to the following link:
http://www.amazon.com/exec/obidos/ISBN=0446674338/vietnamgeneratioA/

They do not need her permission to do that

TRacey

Chris Hayden wrote:
 Check again. That is not from Amazon. That is from the Afrofuturism 
 website

 --- In SciFiNoir_Lit@yahoogroups.com, Tracey de Morsella (formerly 
 Tracey L. Minor) [EMAIL PROTECTED] wrote:
 
 Those are amazon affiliate links amazon books sales. You do not 
 
 need 
 
 the authors permission for that. also i do not get the impression 
 
 that 
 
 she is against afruturism, but simply reluctant to own the title as 
 
 an 
 
 Afrofuturist

 Tracey

 Chris Hayden wrote:
 
 She never saw fit to have her name removed from this

 http://www.afrofuturism.net/text/lit.html


 






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Re: [SciFiNoir Lit] Hopkinson sells out?

2006-06-03 Thread Tracey de Morsella (formerly Tracey L. Minor)



I responded to it inadvertently. I posted around the same time saying 
basically, that I got the impression that as a member of two groups that 
frequently get pigeonholed into very tightly targeted genres with very 
segmented markets: (women and African Americans), I felt like she she 
was trying not to be labeled. 

Tracey

[EMAIL PROTECTED] wrote:
 
 
 -Original Message-
 From: Dr. Lester K Spence [EMAIL PROTECTED]
 To: SciFiNoir_Lit@yahoogroups.com
 Sent: Fri, 2 Jun 2006 19:59:12 -
 Subject: Re: [SciFiNoir Lit] Hopkinson sells out?


 Nora made the most cogent point, given Hopkinson's comments...but no 
 one has responded to it:
 On Jun 1, 2006, at 2:08 PM, Nora wrote:
 
 I think I responded to it. She thinks it is a disservice. I do not.
 
 Let us be Frank. Nalo Hopkinson is not suffering as a result of my actions. She will lose no sleep. She will suffer no anguish. No one will stand up at her next readings and demand she be down with Afrofuturism or else. If this discussion comes to her attention, if she pays it any attention, it will probably be to laugh.
 
 Nora is attributing to her feelings and reactions she might not have. But she is passionate and committed and fun.
 
 It is possible even that Nalo Hopkinson, after some thought, might agree with me and withdraw her comments. Where will all of you be then?

 
 I think it's a disservice, both to authors and to this nascent 
 movement, to
 hijack people into it. A movement doesn't *need* to go hunting for 
 members,
 if it has the ideological strength to grow and develop on its own; its
 members will find it, because it serves a need. But when people 
 declare
 that so-and-so's work *must* be Afrofuturism, whether that person 
 intended
 it that way or not, they're trying to bogart her into it. The 
 thing is, by
 doing this they make the movement, if indeed it is a movement, look 
 too weak
 to stand on its own. It has to coerce its most prominent members 
 to join?
 That's not a movement, that's Scientology.
 
 
 Furthermore this is from a person who has told me--not once, but several times--to Love it or Leave it when it comes to Sci Fi.
 
 I am going to make her Queen of Black Speculative Fiction if it kills me
 

 What I got from her comments is that she was real uncomfortable being 
 labeled as the leader of something just because she was one of the 
 most successful folks (art wise) on the afrofuturist list. The only 
 two people who could compare to her are probably Kodwo Eshun and DJ 
 Spooky (who have both since left the list). The movement to the 
 degree it exists could be about all types of stuff that she doesn't 
 know aboutbut because she's black, an author, and used to be on 
 the list, she is not only associated with the concept, SHE IS ASKED 
 TO SPEAK AUTHORITATIVELY ABOUT IT.
 
 What's wrong with that? Isn't that what happens to you when you get out in public?
 
 If I am not mistaken that is how you make your living.
 
 It's honest.

 In that context? If someone asks me to speak about something from 
 the authoritative standpoint, and I don't actually have expertise?

 I back the hell up.
 
 Excuse me if there was a gap in the typing. I fainted dead away at the intelligence that LK Spence has a reverse gear on it.
 
 I seem to remember a discussion we had about amendments to the Constitution a while back...

 This is what she did, from my perspective.

 
 Even worse, by insinuating that she's a sellout if she doesn't, any
 Afrofuturists trying to claim Nalo may effectively achieve the 
 complete
 opposite effect, and send her running for the hills.
 

 Chris is just trying to get people interested enough to respond, but 
 I feel you.
 
 If she runs for the hills it will be to get her shootin' irons, I bet. You don't get to be Nalo Hopkinson without being able to get down.
 
 Nora is being protective. She is doing it out of love. 
 
 That's why we adore her

 
  Bullshit. It's one thing to discuss the probable intentions of an 
 
 author
 who's dead, or impossible (for us) to contact, a la Octavia 
 Butler. But to
 do this to a woman who's alive, when **you've got her blog right 
 there** and
 you can talk to her directly, and to do it with this deliberately 
 insulting
 polemic, smacks of whispering behind your hand to me. It's 
 disrespectful
 and cowardly, not to mention catty as hell.
 
 
 Catty? Isn't that a sexist term? If I was a woman, I might be insulted.
 
 Maybe I came to you guys first instead of insulting her. So if I was wrong I could be set straight. Very well.
 
 Nobody calls out The Notorious BIG of SF. See my email to her.

 One of the first threads I participated in when I got here was on a 
 thread where someone asked what Steven Barnes needed to do to get to 
 the next level.

 I said my piece...and then we had a long discussion about it.

 After a while I realized that it was foolish for me to talk about 
 Barnes HERE...and not do so to HIM (http://darkush.blogspot.com for 
 those 

[SciFiNoir Lit] Re: [CarlBrandon] Are you selling out?

2006-06-03 Thread Tracey de Morsella (formerly Tracey L. Minor)



Nalo:

I'm part of that discussion. I thought you should have some background 
on this. The message thread which can be viewed by the public at: 
http://301url.com/nalo-sells-out

Here is the short version: He posted a link to your blog with the 
question of you selling out. (great post and discussion by the way- 
added your blog to my feeds, so I'm glad he brought it to our 
attention) Most who were involved in the discussion, did not agree that 
your well a sell out. Some of us interpreted your comments to be a 
clarification of your position and that in world in which female and 
African American writers can be easily pigeon-holed, perfectly reasonable.

Most of us do not really understand his premise for saying that you are 
a sell out. Most of us had a problem with the fact, that he raised the 
question with us and not you, since you provided a forum for discussion 
that matter below the post. His reason was that he did not want to take 
the time to register. That prompted several participants in the 
conversation to discontinue. So, perhaps that is what prompted him to 
finally address you directly. He posted, in my opinion, irrelevant 
factors that he claimed were evidence that you sold out and were 
indeed a part of the Afrofuturism movement in the past. They include:
the fact that you have not forced Alondra to remove the Amazon link to 
Brown Girl in The Ring from her Afrofuturism site and that you 
dramatically changed your look to a straighten hair do. Many of us felt 
his accusation and lack of real substance in his argument to be a 
crabs in the barrel act (as Nora put it). sniping at someone who's 
successful and trying to make them look bad.

I'm glad he has decided to address you directly since you provide 
several ways in which people can do so. I'm also glad this conversation 
was raised because it inspired an interesting discussion on Afrofuturism

Note: I'm cross-posting this on SciFinoir Lit

Tracey de Morsella
SciFiNoir Literature Moderator

Nalo Hopkinson wrote:
 It's going to be a day like this, apparently. Just received the 
 following email, which was copied to the SciFiNoir discussion group on 
 Yahoo:

 Dear Ms. Hopkinson:

 I saw this on your blog.
 
  
 http://nalohopkinson.blogspot.com/2006/04/just-want-to-clarify.html
 
  **Are you selling out?**



 My response:

 NH: Dear (embargoed):

 Read the post. Read my blog. Read my writing. Read about the
 political work I do. Come to your own conclusions. I'm not
 interested in trying to convince you one way or t'other.

 Best,

 -nalo

 -- 
 I'm never terribly sanguine about the metaphor of tools, functionality or work when it's appropriated for any discussion of the central purpose of one or another branch of art, literary or paraliterary (and that includes what's generally perceived as ethnic, racial, or class-based art.)
 -- Samuel R. Delany
 


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[SciFiNoir Lit] [Fwd: Cornel West: His Harvard peers seek his return]

2006-06-06 Thread Tracey de Morsella (formerly Tracey L. Minor)
 Original Message 
Subject:Cornel West: His Harvard peers seek his return
Date:   Tue, 6 Jun 2006 09:02:04 -0400
From:   Walter Kwami [EMAIL PROTECTED]
Reply-To:   [EMAIL PROTECTED]
Organization:   Village Idiot Productions
To: [EMAIL PROTECTED]



Some seek a scholar's return
His Harvard peers hope to woo West 

By Marcella Bombardieri, Globe Staff | June 6, 2006

With Harvard University president Lawrence H. Summers about to exit, some
professors are planning an effort to woo back celebrity scholar Cornel West,
who decamped to Princeton after Summers assailed his scholarship and
teaching.

``Nothing could please me more than West's return, said Henry Louis Gates
Jr., the outgoing chairman of the school's department of African and African
American studies. ``Cornel West is the man.

Gates, interviewed yesterday, said many of his colleagues in the department
felt the same way. He declined to comment on whether he believed that West
was interested, saying they have not had formal talks. West did not respond
to a call last week, and an assistant said he was traveling yesterday and
unreachable.

Perhaps no other event at Harvard could serve as a greater symbolic rebuke
of Summers than a decision to rehire West, a scholar of religion and
political philosophy. Summers's dispute with West in 2001 produced the first
major controversy of his presidency, giving him a reputation among campus
critics as a bully whose approach to leadership favored attack over
persuasion. Conversely, his champions saw it as evidence of a refreshing
boldness lacking among most college presidents.

West's departure was a blow to African-American studies at Harvard.
Enrollment plummeted in the introductory class he had taught. The departures
of four other professors, three of them renowned scholars, for a variety of
reasons over the last four years contributed to a sense that the ``dream
team that Gates built had fallen apart.

Bringing West back would require the approval of either Derek Bok, who next
month will become interim president, or Bok's successor.

The African and African American studies department has been hiring large
numbers of respected but lesser-known scholars. It remains strong, professor
Ingrid Monson said yesterday, ``but none of us are as electric in the
classroom as Cornel West.

``I think everyone of us, when we learned president Summers was leaving, had
this on our mind, added Monson, who is chairwoman of the music department
as well as a professor in African and African-American studies. ``I called
Skip [Gates] immediately and asked, `Have you talked to Cornel?' 

West has left no doubt that he returned to Princeton, where he had taught
previously, because of Summers. In his 2004 book, ``Democracy Matters, he
described the fateful encounter in October 2001.

Summers began the meeting by using an obscenity to ask West to help him
cause problems for an outspoken conservative professor, Harvey Mansfield,
West said. Then the president complained that West had missed three weeks of
classes to work on Bill Bradley's presidential campaign in 2000, that he was
contributing to grade inflation, and that his rap CD was an embarrassment to
Harvard. He also said West needed to do more scholarly work.

West denied all the accusations, saying he had missed one class in his
entire time at Harvard, that his grades would hold up next to those in any
other department, and that he had written 16 books, including scholarly
work.

Summers, West wrote in this book, ``messed with the wrong Negro.
Summers has never publicly offered his version of the episode, but has said
he tried to reach out to West before the professor left Harvard. A Summers
spokesman did not return a call yesterday.

Charles J. Ogletree Jr., a professor at Harvard Law School and a friend of
West, said he would welcome him back, but expressed skepticism that he would
leave Princeton. ``He loves Princeton, Ogletree said. ``He's got wonderful
colleagues and a supportive president, and an environment where his teaching
and his scholarship are consistently respected.

The fact that Gates wants to poach West from Princeton suggests he is not
planning to leave Harvard, despite regular rumors to that effect. Gates said
he intends to stay in Cambridge and continue making documentary films on
African-American history.

While he is stepping down at the end of the month as department chair after
15 years, he will remain director of the W.E.B. Du Bois Institute for
African and African American Research. A new department chairman has not
been named.

Gates said he expects that in the fall, the faculty will discuss the idea of
recruiting West with Bok and Jeremy Knowles, who will become interim dean of
the Faculty of Arts and Sciences. Bok did not return a call yesterday, and
Knowles said he didn't know anything about it.

Bombardieri can be reached at [EMAIL PROTECTED]



HOW-TO-JOIN: Join Boston Blacks Online via the World Wide Web at

Why Bulter's works were not displayed - [SciFiNoir Lit] Oops! Forgot about this...]

2006-06-11 Thread Tracey de Morsella (formerly Tracey L. Minor)
the profile of Anor was just posted with a really relevant question I thought I 
would bring to the groups's attention.  See below :
15. Anything else you think is important: THE WEEK BUTLER DIED, ISHOULD HAVE 
BEEN ABLE TO WALK INTO ANY BN OR BORDERS AND FIND
FLEDGLING (at the very least) PROMINENTLY FEATURED--DID NOT! WHAS'UP WITH 
THAT???

Any comments from the group?






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[SciFiNoir Lit] [Fwd: Diversity in SF/Fantasy for Youth]

2006-06-15 Thread Tracey de Morsella (formerly Tracey L. Minor)
 Original Message 
Subject:[CarlBrandon] Diversity in SF/Fantasy for Youth
Date:   Thu, 15 Jun 2006 20:59:35 -0500
From:   Nnedimma [EMAIL PROTECTED]









*I just found this article and book list (on Booklist's website):

Core Collection: Diversity in SF/Fantasy for Youth.*
Mattson, Jennifer (author).
FEATURE. First published May 15, 2006 (/Booklist/).

As Alma Flor Ada has said, Children need windows and mirrors—windows 
that offer glimpses of other worlds, mirrors that reflect and validate 
their own experience. For the child or young adult drawn to speculative 
fiction, recommenders looking for stories that reach beyond European 
traditions have long faced challenges. After all, much of classic youth 
fantasy, from Lloyd Alexander’s Prydain Chronicles to Susan Cooper’s The 
Dark Is Rising sequence, has obvious roots in Arthurian and 
Tolkien-inspired mythologies. Recently, though, numerous authors have 
offered welcome detours from thoroughfares teeming with wizards, 
fairies, trolls, and goblins. One of these is Sophie Masson, whose 
//Snow, Fire, Sword/ default.aspx?page=show_productpid=1652234/ 
(2006) roams the literal and spiritual landscapes of an alternate 
Indonesia; for others, look to the list below, which includes titles 
published for adults as well as youth, and encompasses both fantasy and sf.

Because of the list’s particular focus on tales set in recognizable 
versions of our own world, or in invented worlds steeped in familiar 
cultural traditions, readers will emerge aware of innumerable roads not 
taken. One hopes, though, that even the list’s limited scope will help 
perform what Hazel Rochman, Books for Youth Contributing Editor and 
author of /Against Borders/ (1993), considers one of the key tasks of 
multicultural literature: to make a difference in dispelling prejudice 
and building community: not with role models and literal recipes, not 
with noble messages about the human family, but with enthralling stories 
that make us imagine the lives of others.

*Alexander, Lloyd.* The Iron Ring. 
default.aspx?page=show_productpid=572122 1997. Puffin, paper, $5.99 
(0-14-130348-4).

Gr. 6–9. The struggle to be true to one’s dharma, or ethical code, and 
the mythology of India are at the core of this adventure, in which a 
young king journeys to fulfill a debt.

*Allende, Isabel.* City of the Beasts. 
default.aspx?page=show_productpid=1658827 2002. HarperCollins, $19.99 
(0-06-050918-X).

Gr. 9-–12. The ancient spiritualities of South American native peoples, 
as well as the lush, mystery-draped Amazonian setting, are at the crux 
of Allende’s first novel for young adults.

*Blackman, Malorie.* Naughts and Crosses. 
default.aspx?page=show_productpid=1180222 2005. Simon  Schuster, 
$15.95 (1-4169-0016-0).

Gr. 8–11. This intelligent work of speculative fiction sets a 
star-crossed romance within an alternate English society, in which 
persecuted naughts, who are white, are segregated from privileged 
crosses, who are black.

*Butler, Octavia E.* Kindred. 1979. Beacon, $14 (0-8070-8369-0).

Originally published for adults, this classic time-slip novel mixes 
fantasy with piercing history as it thrusts a modern-day African 
American woman into an era where she must live as a slave.

*Cooper, Susan.* Green Boy. default.aspx?page=show_productpid=901035 
2002. Simon  Schuster, $16 (0-689-84751-3).

Gr. 4–7. In an action-packed ecological fable, 12-year-old Trey and his 
younger brother slip into the Otherworld, where environmental oblivion 
parallels threats their Caribbean community faces from developers.

*Corder, Zizou.* Lionboy. default.aspx?page=show_productpid=1501333 
2004. Dial, $15.99 (0-8037-2982-0).

Gr. 4–7. Half-Ghanaian Charlie’s proud biracial ethnicity is a 
matter-of-fact but important part of his quest to rescue his kidnapped 
parents, which continues in two additional installments.

*Dalkey, Kara.* Little Sister. 
default.aspx?page=show_productpid=1005133 1996. Sagebrush, $13.99 
(0-613-08265-6).

Gr. 5–8. Thirteen-year-old Little Puddle, daughter of a noble family in 
twelfth-century Japan, journeys deep into the spirit world to reclaim 
her sister’s wandering soul. Details of culture and history invigorate 
this quest story, originally published by Harcourt.

*Divakaruni, Chitra Banerjee.* The Conch Bearer. 
default.aspx?page=show_productpid=1649736 2003. Roaring Brook, $16.95 
(0-7613-1935-2).

Gr. 5–8. Indian settings and spirituality infuse Divakaruni’s tale of an 
impoverished Calcutta boy who becomes responsible for a magical conch 
shell. Book 1 in the Brotherhood of the Conch series.

*Farmer, Nancy.* The Ear, the Eye, and the Arm. 
default.aspx?page=show_productpid=451445 1994. Scholastic, $19.99 
(0-531-08679-8).

Gr. 7–10. In a dystopian Zimbabwe in the year 2194, the 13-year-old son 
of the nation’s military ruler embarks on a series of perilous 
adventures. A 1995 Newbery Honor Book.

*Gaiman, Neil.* Anansi 

[SciFiNoir Lit] What are you reading?

2006-06-18 Thread Tracey de Morsella (formerly Tracey L. Minor)
Before my Mexican adventure began, I used to be more on top of things. 
Anyway, I'm trying to repent and get things back on track.  So what are 
you guys reading these days, say over the past several months.  What are 
your thoughts on the books you have read.  Did you like them are were 
they are waste of time.  If you liked or haded the books, why do you 
feel the way you do.  and finally are there any books you plan on 
starting within the next few weeks?

Tracey


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Re: [SciFiNoir Lit] Re: What are you reading?

2006-06-19 Thread Tracey de Morsella (formerly Tracey L. Minor)
I loved my soul to keep.  I think you should read the living blood 
(sequel) after it.  both are awesome.How is black rose?  coming back 
to the states in a few weeks to visit my mom and I plan on stocking up 
some some good sci fi to get me through the summer

Tracey

Princess Watterson wrote:
 right now i'm reading tananarive due black rose. then i'll read my soul to 
 keep by tannarive due
   i tried to read walter mosely's blue light but i didnt like it.   i 
 also attempted to read clive barker's damnation game but i didnt like that 
 either

before that octavia's wild seed book. 

   before that i read parable of the sower and parable of the talents by 
 octavia butler. absolutely loved those two. she had a 3rd installment to the 
 parable series called parable of the trickster but i dont know how far she 
 got into it because she died before she published it if its just one page i 
 want to read it!
   before that i read the bluest eye by toni morrison (i think) i reallly 
 really like the bluest eye i love to see people delve into the psyche of 
 black people
   
 conseulafrancis [EMAIL PROTECTED] wrote:
   I'm re-reading Toni Morrison's novels for a class. Song of Solomon 
 is better than I remembered. Sula left me cold this time around. 
 I'll second Chris's rec of _Men of Tomorrow: Geeks, Gangsters, and 
 the Birth of the Comic BooK_. Excellent read.

 conseula

 --- In SciFiNoir_Lit@yahoogroups.com, Chris Hayden 
 [EMAIL PROTECTED] wrote:
   
 By the way, if you are down there prospecting for gold in the 
 
 Sierra 
   
 Madre with three crazy white guys don't go to sleep--

 What am I reading?

 Tried to read Blind Lake by-- forgot his name--couldn't.
 Marvel Visionaries:: Stan Lee--don't waste time or money on it
 The Campaigns of Napoleon--re reading it for the third time--I 
 
 love 
   
 this book
 V for Vendetta by Alan Moore--first two parts were good, last one 
 
 he 
   
 fell apart--didn't like the artwork
 History of Def Jam records--read that one--real good
 Title escapes me--about Geeks and Gangsters--a history of comix 
 mostlyh about the tradgedy of Jerry Siegel--real good

 --- In SciFiNoir_Lit@yahoogroups.com, Tracey de Morsella 
 
 (formerly 
   
 Tracey L. Minor) tdlists@ wrote:
 
 Before my Mexican adventure began, I used to be more on top of 
   
 things. 
 
 Anyway, I'm trying to repent and get things back on track. So 
   
 what 
   
 are 
 
 you guys reading these days, say over the past several months. 
   
 What 
   
 are 
 
 your thoughts on the books you have read. Did you like them are 
   
 were 
 
 they are waste of time. If you liked or haded the books, why do 
   
 you 
   
 feel the way you do. and finally are there any books you plan 
   
 on 
   
 starting within the next few weeks?

 Tracey

   



  


 http://members.blackplanet.com/asiaticearth

   
   
   
   Humanity's first sin was faith; the first virtue was doubt.
   
 -
 New Yahoo! Messenger with Voice. Call regular phones from your PC and save 
 big.

 [Non-text portions of this message have been removed]




 Community email addresses:
 Post message: SciFiNoir_Lit@yahoogroups.com
 Subscribe:[EMAIL PROTECTED] 
 Subscribe Digest Mode: [EMAIL PROTECTED]
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Re: [SciFiNoir Lit] Re: What are you reading?

2006-06-19 Thread Tracey de Morsella (formerly Tracey L. Minor)
i forgot black rose was her book on madame cj walker

Tracey

Tracey de Morsella (formerly Tracey L. Minor) wrote:
 I loved my soul to keep.  I think you should read the living blood 
 (sequel) after it.  both are awesome.How is black rose?  coming back 
 to the states in a few weeks to visit my mom and I plan on stocking up 
 some some good sci fi to get me through the summer

 Tracey

 Princess Watterson wrote:
   
 right now i'm reading tananarive due black rose. then i'll read my soul to 
 keep by tannarive due
   i tried to read walter mosely's blue light but i didnt like it.   
 i also attempted to read clive barker's damnation game but i didnt like that 
 either

before that octavia's wild seed book. 

   before that i read parable of the sower and parable of the talents by 
 octavia butler. absolutely loved those two. she had a 3rd installment to the 
 parable series called parable of the trickster but i dont know how far she 
 got into it because she died before she published it if its just one page i 
 want to read it!
   before that i read the bluest eye by toni morrison (i think) i reallly 
 really like the bluest eye i love to see people delve into the psyche of 
 black people
   
 conseulafrancis [EMAIL PROTECTED] wrote:
   I'm re-reading Toni Morrison's novels for a class. Song of Solomon 
 is better than I remembered. Sula left me cold this time around. 
 I'll second Chris's rec of _Men of Tomorrow: Geeks, Gangsters, and 
 the Birth of the Comic BooK_. Excellent read.

 conseula

 --- In SciFiNoir_Lit@yahoogroups.com, Chris Hayden 
 [EMAIL PROTECTED] wrote:
   
 
 By the way, if you are down there prospecting for gold in the 
 
   
 Sierra 
   
 
 Madre with three crazy white guys don't go to sleep--

 What am I reading?

 Tried to read Blind Lake by-- forgot his name--couldn't.
 Marvel Visionaries:: Stan Lee--don't waste time or money on it
 The Campaigns of Napoleon--re reading it for the third time--I 
 
   
 love 
   
 
 this book
 V for Vendetta by Alan Moore--first two parts were good, last one 
 
   
 he 
   
 
 fell apart--didn't like the artwork
 History of Def Jam records--read that one--real good
 Title escapes me--about Geeks and Gangsters--a history of comix 
 mostlyh about the tradgedy of Jerry Siegel--real good

 --- In SciFiNoir_Lit@yahoogroups.com, Tracey de Morsella 
 
   
 (formerly 
   
 
 Tracey L. Minor) tdlists@ wrote:
 
   
 Before my Mexican adventure began, I used to be more on top of 
   
 
 things. 
 
   
 Anyway, I'm trying to repent and get things back on track. So 
   
 
 what 
   
 
 are 
 
   
 you guys reading these days, say over the past several months. 
   
 
 What 
   
 
 are 
 
   
 your thoughts on the books you have read. Did you like them are 
   
 
 were 
 
   
 they are waste of time. If you liked or haded the books, why do 
   
 
 you 
   
 
 feel the way you do. and finally are there any books you plan 
   
 
 on 
   
 
 starting within the next few weeks?

 Tracey

   
 

  


 http://members.blackplanet.com/asiaticearth

   
   
   
   Humanity's first sin was faith; the first virtue was doubt.
  
 -
 New Yahoo! Messenger with Voice. Call regular phones from your PC and save 
 big.

 [Non-text portions of this message have been removed]




 Community email addresses:
 Post message: SciFiNoir_Lit@yahoogroups.com
 Subscribe:[EMAIL PROTECTED] 
 Subscribe Digest Mode: [EMAIL PROTECTED]
 Unsubscribe:  [EMAIL PROTECTED]: 
 http://groups.yahoo.com/group/SciFiNoir_Lit/ 
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[SciFiNoir Lit] [Fwd:NAN Grant for Women Webcomic Creators]

2006-06-24 Thread Tracey de Morsella (formerly Tracey L. Minor)


 Original Message 


Date:   Sat, 24 Jun 2006 04:54:25 -
From:   grlshaka [EMAIL PROTECTED]






This just popped over the email. Hernandez says pass it along to any and all 
who might be 
interested, so feel free to forward beyond this list.


WOMEN WEBCOMICKER GRANT NAN

PURPOSE
In order to foster women publishing independently, with economy, and as owners 
of what 
they create, I will award FOUR grants annually, of a year's free hosting at 
WebComicsNation.com, to women making a regularly-updating new or existing 
webcomic 
of any genre or style. 
The recipients will have unlimited data storage and bandwidth, the ability to 
choose to 
support their work with ads, and a storefront for selling merchandise.
 
The name of the grant is Nan, after the digital person Nan 11 from Rumble 
Girls: Silky 
Warrior Tansie. In RG, Nan agitates, comments on, and works behind the scenes 
to help 
the heroine, Raven, come to the understanding that being her own girl is the 
key to her 
strength. 
 
I believe the Web already has what women wanting to make comics need, and that 
it has 
and continues to transform American comics from a work-for-hire Boy's Club to a 
stage 
for everyone to perform on and be seen. The Web is living up to its promise, 
and comics 
can, too. 

DEADLINE
Submissions are now open. Deadline for submissions is FRIDAY, SEPTEMBER 1, 
2006, 6PM 
Central. 

ANNOUNCEMENT OF GRANTS
NAN Grant recipients will be notified WEDNESDAY, SEPTEMBER 13, 2006, via email. 
A press 
release will be sent out concurrently. (Because, dadgum, we all need good news 
by 
Wednesday.) 

ELIGIBILITY
1. Persons applying MUST be female. You will have to provide me with a document 
such as 
a driver's license, birth certificate, military I.D., etc. stating you are 
female. In the case of 
team comics (no more than three persons on a team), the entire team MUST be 
female, 
and remain so for the period of the grant. 
2. Applicants must be 18 years old.
3. The work submitted must be free of contractural obligation for web 
publication, must 
be the property of the applicant(s), must not infringe on other's rights, nor 
be libelous or 
slanderous. 
4. I am kindly disposed towards manga and Oni-like comics, but good comics most 
of all. 
5. Previous experience a plus, but not neccessary. 
6. The NAN Grant is open to ALL female webcomickers, regardless of experience. 
This 
includes young, brand-new comickers, older brand-new comickers, experienced 
comickers now paying a success tax for bandwidth use, professionals from other 
fields. 
You have to either already be making a comic that needs hosting, or want to 
host a new 
one. 
7. Applicant bears sole responsibility for following these guidelines. Failure 
to comply with 
items 1.-3. will result in revocation of awarded grant.

RIGHTS
1. Applicants retain ALL rights to their work. Submissions are the sole 
property of their 
creator(s), period. 
2. Comics published with a NAN Grant that are later collected for print are 
requested to 
add Originally published in (year) on Webcomicsnation.com, with the aid of 
Women 
Webcomicker Grant Nan to their indicia. 
3. I reserve the right to use applicant's names and representative art to 
publicize NAN 
without further compensation.  (This means I will tell people who's applied, 
who's won, 
and point the inquiring to their work.)
4. NAN Grant recipients are encouraged to crow as soon as they recieve 
notification 
emails.

GUIDELINES
1. Ideally, BEFORE YOU SEND ME YOUR PROPOSAL, BUY or BORROW and READ How To 
Write a Book Proposal by Michael Larsen. (Amazon: http://www.amazon.com/exec/
obidos/ASIN/1582972516/qid=1066192984/sr=2-1/
ref=sr_2_1/103-7710080-8024610)
While it is geared towards non-fiction proposals, it does teach everything you 
need to 
know about crafting a readable proposal.
What I do not want to see is your entire story written out in a single-spaced 
block in email. 
Have mercy. 

2. Show me you already know how to put a comic/images online. I want to see 
clean 
presentation (which means learning how to use an image editing program to take 
out 
grays from scans), good lettering (many decent free fonts available at 
blambot.com, so 
there's no excuse for lettering in Times New Roman), and basic HTML (which will 
greatly 
enhance your experience in hosting with WebComicsNation.com).
Excellent proposals by Lynn Lau and Leigh Dragoon that won their creators 
contracts at 
GirlAMatic.com can be found here:
http://tentative.net/jupiter/
And here:
http://www.spidric.com/proposal/default.asp 

3. Email me at [EMAIL PROTECTED], subject line NAN: (title), otherwise my 
spam 
filters will eat it.
To this address, send me the URL of your submission, and attach a scan of a 
document 
that verifies your gender. 
Don't tell me it isn't your best work. If it's not, why should I look at it?
If you do things like use u for you, 4 for four and LOL for 
punctuation, don't when 
you write me. 

[SciFiNoir Lit] [Fwd: Fwd: Disney Doesn't Dream Black]

2006-06-27 Thread Tracey de Morsella (formerly Tracey L. Minor)
 Original Message 
Subject:Fwd: Disney Doesn't Dream Black
Date:   Tue, 27 Jun 2006 12:13:21 EDT
From:   Miriam Lee Hilton [EMAIL PROTECTED]
Reply-To:   GIRLFRIEND [EMAIL PROTECTED]
To: [EMAIL PROTECTED]



Hello:
I thought that I would share this e-mail I got from my listserv this morning. 
Please read, sign, and pass along. 
Peace - Miriam

Greetings, Everyone:
The message below is both intriguing and disturbing.  On one hand, it would 
be wonderful to see Disney follow through with the production of an African 
American fairytale; but, on the other hand, it is troublesome to think that our 
fairytales do not count unless they are validated by a Disney production. 
As librarians/historians/writers/educators, we all know of African American 
fairytales, such as, the stories by Virginia Hamilton and others.  I wouldn't 
want Ms. Helm to be inundated with e-mail from us, but perhaps a short list of 
titles about AfroAm fairytales from someone in BCALA (a Children's 
specialist?) would be appropriate.  Are there any takers?  
(Note: I am forwarding Hurley's article, Seeing White: Children of Color and 
the Disney Fairy Tale Princess from The Journal of Negro Education to her.  
Maybe someone has additional suggestions.) 
 
Jean Currie Church
Chief Librarian
Moorland-Spingarn Research Center
Howard University
Washington, DC 20059
Phone: 202-806-7497
Fax: 202-806-6405
E-mail: [EMAIL PROTECTED] 
 



From: shwesterfield 
Sent: Monday, June 19, 2006 8:56 PM
To: 
Subject: Fw: Disney Doesn't Dream in Black - Please sign and pass on
 
 - Original Message - 
From: 
To: 
Sent: Monday, June 19, 2006 7:57 AM
Subject: FW: Disney Doesn't Dream in Black - Please sign and pass on
 
 Dear Disney Company,

 In December 2005, I made my first visit to Disney World with my
family.
 The experience was breathtaking.  Throughout our journey, the adults
 were astonished by how the themes were brought to life.  The children 
 were fascinated and engaged particularly by the Princess', Minnie's
 House, the fake snow that fell at night, the parade, eting the
 characters and asking questions as well as taking pictures with the 
 characters.  Above all, the girls were intrigued by the Princess' mini

 shows.  However, my daughter had a question.  She
said, How come there's no Princess here like me?  I asked, What do 
you mean?  She replied, You know, a Princess like That's So Raven or
Penny Proud.  I responded by saying, Unfortunately, Disney has not
created fairytales for children like you.  In other words, there are no 
Princess' of African American descent.

As the evening came to an end, I began to ponder on her question.  I
thought to myself...well, why aren't there any African American
Princesses in such a place where the motto is We Make All Dreams Come 
True.  I decided to email your company to ask why.  A few weeks later,
I received a surprising call.  The woman I spoke to reassured me that my
question and concern was taken seriously and would be looked into 
further.

During this conversation, I asked why there aren't any African American
Princesses.  The woman stated because there aren't any African American
fairytales.  She said, Well we have Pocahontas who represents Native 
America, Mulan who represents the Chinese, Jasmine who represents the
descendants of the Middle East and the African Americans have Lion King
out of Africa. That reply left me with the thought that she just 
compared African Americans to wild animals.  After that statement, I
just laughed and respectfully ended the conversation.  One thing I
realized was that I can't blame her for her response.  Disney has not
created an African American fairytale. 

As an educator/parent, we all know that through life experiences what we
can touch, see, feel, taste, and hear leaves a lasting impression.

Disney, you hold the power to make life experiences become a reality to 
a melting pot world, which includes African Americans.  Disney's motto
is We Make All Dreams Come True.
Well, Disney, my child and other children like her have a dream and
through their Disney experience, they are depending on you to make it 
come true.

Thank you,

Katrina Y. Helm and others

Please press forward and circulate to everyone in your address book.

When we reach 1000 names, return to [EMAIL PROTECTED] Thanks!

1.  Katrina Helm, CLT, NC
 2.  Shewana Gamblin, CLT, NC
 3.  Hunter Heath, CLT, NC
 4.  Steven White  VA
 5.  Arielle  White  VA
 6.  Dion Stith  NY 
 7.  Alexandria Stith NY
 8. Itasha Hilton, NY
 9. Qiessence Coleman, NY
 10. L. Buchanon, NY
 11. K. Wallace, NY
 12. K. Penn - NY
 13. D. Wall - NY
 14. J. Scott - VA 
 15. A. Jackson - OR
 16. D. Bailey-Braxton - OR
 17. M. Raiford - GA
 18. A. Shaw - GA
 19. C.Burke - OR
 20. A. Pledger - OR
 21. A. McCoy - IL
 22. T. Pledger - IL 
 23. C. Lobbins - IL
 24. J. Lobbins - IL
 25. Jessie Whitaker, IN
 26. Vernell Ball-Daniel IN
 27. Charlotte D. Pfeifer-Gillam-IN
 28. R. Crowelle, Hbg, Pa
 

Re: [SciFiNoir Lit] Saw Battlefiled Earth over the weekend

2006-07-03 Thread Tracey de Morsella (formerly Tracey L. Minor)
Why did the military do that with clancy books

Chris Hayden wrote:
 Had heard about how bad it was and tried to watch it but had to give up 
 (shortly after the scene in the bar where Travolta, playing a monster) 
 is getting drunk and complaining about being screwed over by his boss--

 Gawd!  It was bad.

 But come to think of it, so were the books.

 But I remember they were best sellers, though I have never known 
 anybody who personally raved about them.

 Do you think the church of Scientology jacked up the numbers by 
 buying/ordering those books?  I have heard that  the military used to 
 do that with Tom Clancy books all the time.






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I am legend news Re: [SciFiNoir Lit] six feet under creator does vampires-Southern Vampire book series.

2006-07-06 Thread Tracey de Morsella (formerly Tracey L. Minor)
 pages because the author went on and on about how beautifully blond 
 and buxom the main character is...I was like Dude!  I just can't relate.  
 Then I tried again a week later and devoured it, s satisfying.  Reminds 
 me of the Tanya Huff detective series.  Now that is something I will get HBO 
 for!

   Hey, did you all hear about I Am Legend becoming a movie starring Will 
 Smith as the last human, and Johnny Depp as the head vamp  Oh I'm so 
 excited...let me see if I can find the link...

 Tracey de Morsella (formerly Tracey L. Minor) [EMAIL PROTECTED] wrote:
   Has anybody heard about this, the rest of the world tends to get 
 HBO 
 stuff about three to six months behind you guys, so I have not seen 
 anything like this.

 Tracey
 ==

 HBO, 'Six Feet' creator reunite for new series By Andrew Wallenstein
 Thu Oct 27,11:59 PM ET

 LOS ANGELES (Hollywood Reporter) - HBO has dug up a new deal with Six 
 Feet Under creator Alan Ball, but this time he's switching from the 
 dead to the undead.

 ADVERTISEMENT

 The first project covered under the two-year development deal Ball 
 signed with the premium cable channel will be based on the Southern 
 Vampire book series.

 Written by Charlaine Harris, the series chronicles the intermingling 
 world of humans and monsters in contemporary rural Louisiana, 
 particularly vampires, thanks to a synthetic blood formula that allows 
 them to roam far from their coffins.

 The books are funny, scary, sexy, romantic, bizarre and really fun, 
 Ball said. I couldn't put them down. I will try to remain as true to 
 the spirit of her book as possible.

 HBO has ordered an hour-long pilot to be written and directed by Ball. 
 There is no set timetable for shooting the Southern pilot, but Ball 
 believed it would happen sometime next year.

 Ball, who also won an Oscar for writing American Beauty, last created 
 Six Feet Under, which revolved around a family mortuary business. The 
 Emmy-winning series ended in August.

 I was ready to do something a little lighter in tone than 'Six Feet,' 
 Ball said. Five years of staring into the abyss was enough.

 Bringing Ball back into the fold represents a coup for HBO, which has 
 proved adept at getting the creators of its hit series to come back for 
 another try; Deadwood executive producer David Milch recently signed a 
 new deal, and Sex and the City executive producer Michael Patrick King 
 already has completed a second series for HBO, The Comeback.

 I had always assumed that Alan was done with TV, said Carolyn Strauss, 
 HBO's president of entertainment. I thought he was going to do movies, 
 so we didn't even try. Then he read this book and said, 'I want to do 
 this.' It was really a beautiful surprise.

 Since burying Six Feet Under, Ball has also written several 
 screenplays on spec and developed a theatrical production in New York, 
 All That I Will Ever Be.

 Reuters/Hollywood Reporter


  

   
 -
 Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls.  Great rates 
 starting at 1¢/min.

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[SciFiNoir Lit] [Fwd: SLF Mentorship Program: Autumn Session]

2006-07-12 Thread Tracey de Morsella (formerly Tracey L. Minor)
Original Message 
Subject:[CarlBrandon] SLF Mentorship Program: Autumn Session
Date:   Wed, 12 Jul 2006 11:46:34 -0500
From:   Mary Anne Mohanraj [EMAIL PROTECTED]
Reply-To:   [EMAIL PROTECTED]
To: [EMAIL PROTECTED], Carl Brandon 
[EMAIL PROTECTED], [EMAIL PROTECTED], 
[EMAIL PROTECTED], [EMAIL PROTECTED]


SPECULATIVE LITERATURE FOUNDATION ANNOUNCES FALL MENTORSHIP PROGRAM

The Speculative Literature Foundation (SLF) announces the second  
session of its mentorship program. The program will take place August  
1 through October 31, 2006. Participants will be able to gain  
valuable advice in the areas of business and craft from accomplished  
professional writers willing to share their experience. The mentors  
will not be critiquing mentee work, but will be talking about the  
nuts and bolts of writing.

This session's mentors include Leah Cutter, Nnedi Okorafor-Mbachu,  
Jenn Reese, Ben Rosenbaum, and John Scalzi.

***

Leah R Cutter is the author of three historical fantasy novels as  
well as several fantasy, science fiction and horror short stories.  
Her most recent novel is The Jaguar and the Wolf (Roc 2005). She's  
lived all over the world, inc luding Hungary and Taiwan, and now  
resides in Seattle, WA with her cat and many books. She supports  
herself and her writing habit by doing technical writing for a  
California-based software company. Her website appears at http:// 
www.leahcutter.com.

Nnedi Okorafor-Mbachu 's first novel, Zahrah the Windseeker, was  
published in 2005 by Houghton Mifflin. It will be published in  
Nigeria in 2007 by Kachifo Ltd. Her second novel, Ejii the Shadow  
Speaker, will be published by Hyperion Books for Children in 2007.  
Her short story, The Chaos Magician's Mega Chemistry Set will be  
published in Space and Time Magazine's 100th issue in 2006. Nnedi is  
currently finishing her PhD in English at the University of Illinois,  
Chicago. She is also a graduate of the Clarion Science Fiction and  
Fantasy Writers' Workshop (2001).

Jenn Reese lives in Los Angeles, where she studies martial arts,  
plays strate gy games, and sits in traffic. She's a 1999 Clarion  
workshop survivor and her stories have appeared in Polyphony,  
Flytrap, and various DAW anthologies, as well as online at Strange  
Horizons and Lone Star Stories. Her first novel, Jade Tiger, is  
forthcoming from Juno Books. Her website appears at www.jennreese.com.

Ben Rosenbaum has been a finalist for the Nebula, Hugo, and Sturgeon  
awards. His stories have appeared in Asimov's, Ft;SF, Harper's,  
Nature, McSweeney's, YBSF, YBFH, and other publications.

John Scalzi is the author of 10 books, including the Hugo-nominated  
Old Man's War and its sequel The Ghost Brigades, the astronomy  
handbook The Rough Guide to the Universe , and the best-selling Book  
of the Dumb humor series. His work has also appeared in various  
newspapers and magazines, including the Washington Post , the Chicago  
Tribune, the San Francisco Chronicle, the Dayto n Daily News, Jungle  
magazine, the Official US PlayStation Magazine and others. Scalzi  
Consulting, his writing/editing shop, consults for online and  
financial institutions such as AOL, Network Solutions, US Trust and  
Oppenheimer Funds. He enjoys pie.

***

We are accepting a maximum number of 25 applicants, as each of the  
five mentors will receive five mentees. If you are accepted, we'll  
ask you for a $15-$30 fee for participation in the three month  
program. The fee (as with all our fees) is sliding-scale; pay what  
you can afford. Fees go directly to supporting other SLF programs,  
such as our travel and older writers' grants.

To apply, please send a one-page bio and personal statement that  
includes an assessment of your writing experience and what you would  
like to get from a mentorship as an attached Word .doc or .rtf (Rich  
Text Format) file to [EMAIL PROTECTED] .org. This will serve as your  
introduction to your mentor and the group, if you are selected for  
the program. Also, indicate if you have a preference for a particular  
mentor (preferences are not guaranteed, however). There is no fee for  
application to the program.

Applications are due by midnight, July 25th, 2006

For more information, visit our mentorship website at http:// 
www.speculativeliterature.org/Programs/Mentorship.php or email PR  
contact Ashley Gronek at [EMAIL PROTECTED]

Thank you!

--

The Speculative Literature Foundation is a volunteer-run, non-profit  
organization dedicated to promoting the interests of readers,  
writers, editors and publishers in the speculative literature community.

Speculative literature is a catch-all term meant to inclusively  
span the breadth of fantastic literature, encompassing literature  
ranging from hard and soft science fiction to epic fantasy to ghost  
stories to folk and fairy tales to slipstream to magical realism to  
modern mythmaking -- any literature containing a fabulist 

[SciFiNoir Lit] [Fwd: [AFAMHED] Judging a Book by Its Writer's Color]

2006-07-24 Thread Tracey de Morsella (formerly Tracey L. Minor)
 Original Message 
Subject:[AFAMHED] Judging a Book by Its Writer's Color
Date:   Mon, 24 Jul 2006 09:11:40 -0500
From:   S. E. Anderson [EMAIL PROTECTED]
Reply-To:   S. E. Anderson [EMAIL PROTECTED]
To: [EMAIL PROTECTED]


Note: How can you be neutral on a moving train?  In this case, the moving 
train is US literature. When one does not write about one's race one is still 
writing about one's race. Why? Because we live in a nation and world that is 
governed by race and class. White publishers of Black authors really don't 
like Black authors to give them manuscripts solely about whitefolk. they didn't 
like when Richard Wright was alive and don't like it now.

But we Blackfolk have the right to write about whitefolk in their world without 
having a single central Black character. That's not writing beyond race. 
That's writing within race. Many of us Blackfolk know both world's 
intimately. It's just a question of can some of us Blackfolk write NOT just 
about Blackfolk, but about other folk as well? Yes we can and we should. 

But... that doesn't make our writing better  or universal or race-free 
because we choose to write NOT about Blackfok.
xxx

http://chronicle.com/weekly/v52/i47/47b01201.htm
 July 28, 2006

Judging a Book by Its Writer's Color
By GENE ANDREW JARRETT

Thanks to the widely acclaimed Norton Anthology of African American Literature, 
we can read and celebrate an assortment and abundance of fiction, nonfiction, 
poetry, and drama by black writers. But this admirable book ignores a 
remarkable history: Some of our most celebrated black authors weren't always so 
hungry for texts about themselves, an actual phrase used to introduce the 
anthology's second edition. Contrary to this claim, some canonical authors were 
just as interested in writing about our common humanity, regardless of racial 
differences.

Take a look at this list of authors and some of their fiction. Ironically, 
although numerous anthologies tend to hail the former, they often ignore the 
latter: Francis Ellen Watkins Harper's Sowing and Reaping (1876-77); Paul 
Laurence Dunbar's The Uncalled (1898); Nella Larsen's The Wrong Man and 
Freedom (1926); Jean Toomer's York Beach (1929); Wallace Thurman's The 
Interne (1932); Ann Petry's Country Place (1947); Zora Neale Hurston's Seraph 
on the Suwanee (1948); Chester Himes's Cast the First Stone (1952); Richard 
Wright's Savage Holiday (1954); James Baldwin's Giovanni's Room (1956); Samuel 
R. Delany's Time Considered as a Helix of Semi-Precious Stones (1968); Toni 
Morrison's Recitatif (1983); and Octavia Butler's Bloodchild (1984).

These short stories, novelettes, or excerpts of novels have two things in 
common. First, they feature characters who are white or racially unmarked or 
ambiguous. Second, these works tend to go unread, undersold, or out of print. 
For those reasons, they could be thought of as the anomalies of 
African-American literature.

A 2004 international bibliography of academic scholarship prepared by the 
Modern Language Association supports this point, particularly because the 
editors of anthologies of African-American literature tend to be scholars. In 
an analysis I did of the MLA bibliography, I found that anomalous stories 
constituted the main subject matter of less than 2 percent of all the 
dissertations, articles, chapters in edited collections, and books published on 
African-American writers since 1963. Such a circumstance has certainly 
prevented us from realizing how prolific and sophisticated our most famous 
black authors actually were.

By neglecting these works, we also fail to learn more about the most famous 
examples of African-American literature. The Wrong Man and Freedom, stories 
about the emotional struggles of white women, anticipated Nella Larsen's 
experimentation with certain literary themes and techniques that later appeared 
in her two classic novels about racially mixed women, Quicksand (1928) and 
Passing (1929). The themes of dialect and male chauvinism in Seraph on the 
Suwanee recalled Zora Neale Hurston's earlier outstanding novel, Their Eyes 
Were Watching God (1937). Finally, by the time Recitatif appeared, Toni 
Morrison had already released two well-known novels — The Bluest Eye (1970) and 
Sula (1973) — whose themes of strong women and deadbeat fathers also enhanced 
her first short story.

In addition to the idea of anomalies, the lesser-known works of fiction 
mentioned here could also be thought of as African-American literature written 
beyond race. The word beyond doesn't necessarily assert an optimistic belief 
that we can advance beyond race in our world. To do so would be naïve; it would 
ignore race's persistent and pervasive social impact today. However, it does 
mean, as Toni Morrison explained in a 1994 lecture at Princeton University 
entitled Home, that blacks can admirably and usefully write literature that 
is at once race specific and 

[SciFiNoir Lit] [Fwd: DiversiconDiversicon: a Project of Speculative Fiction.

2006-07-29 Thread Tracey de Morsella (formerly Tracey L. Minor)
--- Original Message 











Hi, everyone!
 
As we're gearing up for Diversicon (www.diversicon.org 
http://www.diversicon.org) in MN this August 11-13, I wanted to send a 
quick note out that if anyone has any postcards, buttons, bookmarks or 
other fun free promotional items regarding your recent/older books, or 
fun upcoming events, let me know at [EMAIL PROTECTED] 
mailto:[EMAIL PROTECTED] and I'll send you my address so that we can 
set it out on the tables, although the space is limited to first-come, 
first-serve. 
 
We're expecting about 100 to 125 people for this year's convention, 
which focuses on multicultural speculative literature (fantasy, horror 
and science fiction.)
 
I'd need to know by Monday, though, so we can get things in the mail 
on-time.
 
We've got some great writers and publishers stopping by, and as an 
additional fun note, there will be great give-aways at Diversicon 
including terrific back issues of Asimov's Science Fiction, Fantasy and 
Science Fiction Magazine, Mental Floss, and fun things from Dark Wisdom, 
Tripmaster Monkey Magazine, and more.
 
At this point, registration is $40 for adults and $30 for students. It 
will take place at Holiday Inn Select International Airport, 3 Apple 
Tree Square, in Bloomington. For more information visit 
www.diversicon.org http://www.diversicon.org.
 
Have a great day,
 
Bryan Thao Worra
http://members.aol.com/thaoworra
http://thaoworra.blogspot.com



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Re: [SciFiNoir Lit] [Fwd: DiversiconDiversicon: a Project of Speculative Fiction.

2006-07-31 Thread Tracey de Morsella (formerly Tracey L. Minor)
Hi Andrea:

 I'm glad you are going.  Unfortunately I'm not going.  I just thought 
it was n interesting event

Tracey

Andrea Hairston wrote:
 Hey Tracey,

 I'm coming to Diversicon--I'll see you there and I'll bring some stuff fro my 
 novel, Mindscape.

 Andrea

   - Original Message - 
   From: Tracey de Morsella (formerly Tracey L. Minor)mailto:[EMAIL 
 PROTECTED] 
   To: scifinoir2@yahoogroups.commailto:scifinoir2@yahoogroups.com ; 
 SciFiNoir Litmailto:SciFiNoir_Lit@yahoogroups.com 
   Sent: Saturday, July 29, 2006 2:50 PM
   Subject: [SciFiNoir Lit] [Fwd: DiversiconDiversicon: a Project of 
 Speculative Fiction.


   --- Original Message 











   Hi, everyone!

   As we're gearing up for Diversicon 
 (www.diversicon.orghttp://www.diversicon.org/ 
   http://www.diversicon.orghttp://www.diversicon.org/) in MN this August 
 11-13, I wanted to send a 
   quick note out that if anyone has any postcards, buttons, bookmarks or 
   other fun free promotional items regarding your recent/older books, or 
   fun upcoming events, let me know at [EMAIL PROTECTED]mailto:[EMAIL 
 PROTECTED] 
   mailto:[EMAIL PROTECTED]mailto:[EMAIL PROTECTED] and I'll send you my 
 address so that we can 
   set it out on the tables, although the space is limited to first-come, 
   first-serve. 

   We're expecting about 100 to 125 people for this year's convention, 
   which focuses on multicultural speculative literature (fantasy, horror 
   and science fiction.)

   I'd need to know by Monday, though, so we can get things in the mail 
   on-time.

   We've got some great writers and publishers stopping by, and as an 
   additional fun note, there will be great give-aways at Diversicon 
   including terrific back issues of Asimov's Science Fiction, Fantasy and 
   Science Fiction Magazine, Mental Floss, and fun things from Dark Wisdom, 
   Tripmaster Monkey Magazine, and more.

   At this point, registration is $40 for adults and $30 for students. It 
   will take place at Holiday Inn Select International Airport, 3 Apple 
   Tree Square, in Bloomington. For more information visit 
   www.diversicon.org http://www.diversicon.orghttp://www.diversicon.org/.

   Have a great day,

   Bryan Thao Worra
   http://members.aol.com/thaoworrahttp://members.aol.com/thaoworra
   http://thaoworra.blogspot.comhttp://thaoworra.blogspot.com/





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Re: [SciFiNoir Lit] Kill Harry?

2006-08-01 Thread Tracey de Morsella (formerly Tracey L. Minor)
I read that by killing a major character, it makes it near impossible 
for corporations involved to continue the story without the author

Tracey

Chris Hayden wrote:
 In response to rumors that JK Rowling plans to kill Harry Potter, some 
 people are urging her not to do it.

 Let's take our own poll.

 I say she should kill him.  In the most ghastly manner possible.

 What sez everybody?

 This could get as good as the poll where the DC readers decided to 
 kill Robin!






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[SciFiNoir Lit] [Fwd: Has anyone seen this forthcoming Octavia Butler collection?]

2006-08-08 Thread Tracey de Morsella (formerly Tracey L. Minor)
 Original Message 


Date:   Mon, 7 Aug 2006 20:14:49 -0700 (PDT)
From:   Libero Della Piana [EMAIL PROTECTED]






Hey all,

Maybe everyone knows about this, but aparently a new
volume collecting all four patternist novels is
coming out in January 2007. I stumbled across this
reference on Amazon.

The title is Seed to Harvest. Anyone know anything
else about it? I don't believe these novels where ever
collected in one place before.

http://www.amazon.com/gp/product/0446698903/ref=pd_ys_ir_all_75/102-7167531-0173752?%5Fencoding=UTF8v=glancen=283155

Libero






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Re: [SciFiNoir Lit] World Spying Upon Girls Community!!!

2006-10-28 Thread Tracey de Morsella (formerly Tracey L. Minor)
No, I've been very ill and my brain is foggy.  I let 4 spams get by.  
Sorry about that

Tracey

Astromancer wrote:

 Looks like a spammer got by Tracey...


 for.email [EMAIL PROTECTED] mailto:for.email%40yahoo.com wrote:
 World Spying Upon Girls Community!!!
 Only real spying pics/video upon wifes, girlfriends, sisters, spying
 for girls on beach, nature, windows, locker rooms, street, indoor,
 office, parties, and etc. Spying for women's upskits, pissing,
 showers and etc.
 Join us! Add your pics / video!

 La'V' is always watching...Be careful who you talk to. - The Side 
 Street Chonicles by C.W. Badie

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[SciFiNoir Lit] [Fwd: Diversicon, August 3-5]

2007-02-08 Thread Tracey de Morsella (formerly Tracey L. Minor)
--- Original Message 
Subject:[CarlBrandon] Diversicon, August 3-5
Date:   Thu, 08 Feb 2007 11:22:25 -0500
From:   [EMAIL PROTECTED]


Mind you, it's a TOTAL bias- but I'm also going to say it would be great
if people can make it to Diversicon this year (www.diversicon.org 
http://www.diversicon.org) in
August in Minneapolis. 
 
Their guest of honor is absolutely awesome and *not to be missed*.
 
She's a dynamic speaker and a vibrant personality with some tremendous
experiences and a unique perspective to draw upon.  With her experience
in theater, short fiction and a novel, and with African American studies at
the academic level, it's really worth your time. I had a chance to visit 
with
her during the last Diversicon, and she's the kind of guest I wish could 
come
back every year.  There should be some kind of special fund or something
like that. :)
 
And of course, I'll be back again as well, showcasing a few all-new panels
on Southeast Asian mythology and cryptozoology, cryptogeography and a
few other fun discussions just for Diversicon. 
 
I might even show off the secret robot army I picked up from last year's
auction when my wife wasn't looking. But that's a long story. :)
 
B.
 
http://www.myspace.com/thaoworra

** 
http://pr.atwola.com/promoclk/1615326657x4311227241x4298082137/aol?redir=http%3A%2F%2Fwww%2Eaol%2Ecom%2Fnewaol



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[SciFiNoir Lit] [Fwd: Minirant: Racism within the SF community]

2007-03-02 Thread Tracey de Morsella (formerly Tracey L. Minor)
From: [EMAIL PROTECTED]
 Original Message 
I was griping on my blog, earlier this week, about how I've encountered more

overt homophobes, racists, sexists, etc., within the speculative fiction
community than in any other literary realm.  Some of them are of the
not-quite-benign, one day we'll all be one race so let's try hard to breed
racism away, stupidism branch of the family.  But there are also a
surprising number of unapologetic extremists (e.g., Orson Scott Card).  Now
as I read about the racist opinion piece published last week in the
Asianweek newspaper by columnist Kenneth Eng, (details here:
http://www.maynardije.org/columns/dickprince/070228_prince/ ) I see some
articles pointing out that Eng is a science fiction writer.

WTF??  What *is* it about this field that attracts such people?  Aren't we
supposed to be progressive?

Nora




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[SciFiNoir Lit] [Fwd: [CarlBrandon] Eng's Scifi book]

2007-03-02 Thread Tracey de Morsella (formerly Tracey L. Minor)
 Original Message 
Subject:[CarlBrandon] Eng's book
Date:   Fri, 2 Mar 2007 09:25:41 -0500
From:   Nora [EMAIL PROTECTED]
Reply-To:   [EMAIL PROTECTED]
To: [EMAIL PROTECTED]



Oh, this looks all kinds of stupid:

http://search.barnesandnoble.com/booksearch/isbnInquiry.asp?z=yisbn=097487650Xitm=1
 

http://search.barnesandnoble.com/booksearch/isbnInquiry.asp?z=yisbn=097487650Xitm=1

Anybody know anything about DNA Press?  Are they a real publisher, or a
publisher like Publish America?

Nora






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[SciFiNoir Lit] [Fwd: MODERATE -- [EMAIL PROTECTED] posted to SciFiNoir_Lit]

2007-03-04 Thread Tracey de Morsella (formerly Tracey L. Minor)


 Original Message 
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Date:   4 Mar 2007 16:28:20 -
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Hello,

A message has been sent to the SciFiNoir_Lit group from

  [EMAIL PROTECTED] 

The message summary:

FROM: [EMAIL PROTECTED] 
DATE: Sun, 04 Mar 2007 16:26:32 - 
SUBJECT: Kolon 

Hello My pdf book is in spanish, but have a lot of pictures 
and my question, is: what do you think about my book, is it 
graphic novel, novel with images or is comic? 
http://www.kolon.es 



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[SciFiNoir Lit] Intro:raul lilloy, cuevas del almanzora, almeria,spain

2007-03-04 Thread Tracey de Morsella (formerly Tracey L. Minor)
1.   Name: raul lilloy  
2.   Location: cuevas del almanzora, spain
3.   Nickname/ Alias: rlilloy
4.   Favorite Speculative Fiction Genres: novel
5.   Favorite Speculative Fiction Books: martians chronique
6.   Favorite Speculative Fiction Authors:bradbury, ballard, borges
7.   Favorite Speculative Fiction Characters: ripley
8.   Favorite Speculative Fiction Film or TV Adaptation of a Book:twilight
zone
9.   Topics of importance to you:science fiction
10.  Your views on how people of color are depicted in Speculative Fiction:
i dont know, what author do you recommend me?
11.  Your own published works, if any:kolon.es
12.  Your web site:parquelunar.com (in spanish, imsorry)
13.  Your Speculative Fiction Pet Peeves: mmm
14.  Memberships in science fiction clubs: this is the first
15.  Anything else you think is important:write cool



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[SciFiNoir Lit] Octavia Butler's Work Pitched For Comics

2007-04-03 Thread Tracey de Morsella (formerly Tracey L. Minor)
Butler's SF Pitched For Comics

Writers House literary agent Merrilee Heifetz is trying to pitch graphic 
novel adaptations of the works of the late SF writer Octavia Butler, 
Publishers Weekly reported. Heifetz represents the Butler estate and 
told the publication that she's received permission from the estate to 
seek out publishers to produce comic-book adaptations of Butler's 
novels. There's no deal yet, but Heifetz has begun shopping the idea.

The estate wants to make sure that Octavia's audience continues to 
grow, Heifeitz said. They want to make sure she has younger readers.

Butler is the author of such acclaimed works as Kindred and the Parable 
series. She received the 1999 Nebula Award for best novel and a 1995 
MacArthur Fellowship. She died in February 2006.

Heifetz is also the agent for graphic novelist Neil Gaiman and fantasy 
novelist Sherilynn Kenyon, whose Dark Hunter works are being adapted 
into comics by St. Martin's Press and Marvel Comics.

Heifetz said that she knew and worked with Butler and is convinced 
Butler would have sought to turn her works into graphic novels if she 
were still alive.
http://www.scifi.com/scifiwire/index.php?category=0id=40872


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[SciFiNoir Lit] Re: File - welcome

2007-04-08 Thread Tracey de Morsella (formerly Tracey L. Minor)
Hi! ND, here. Happy Easter!

 

1.   Name: ND (N. D. Hansen-Hill)
2.   Location: Auckland, New Zealand
3.   Nickname/ Alias: ND/Melody
4.   Favorite Speculative Fiction Genres: all
5.   Your web site: www.NDHansen-Hill.com http://www.NDHansen-Hill.com
6.  Your Speculative Fiction Pet Peeves: I prefer books which begin
today, in the here and now. I hate it when I don't like it when I
need a map or lots of backstory to understand what's happening.
-- 
Heroic Fantasy, SF, Horror
GILDED FOLLY, ELF, TREES, STATIC
http://www.NDHansen-Hill.com
Fictionwise, Cerridwen Press, Five Star 



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[SciFiNoir Lit] [Fwd: [scifinoir2] OT: Steven Barnes Weighs in on Imus on NPR]

2007-04-13 Thread Tracey de Morsella (formerly Tracey L. Minor)
 Original Message 
Subject:[scifinoir2] OT: Steven Barnes Weighs in on Imus on NPR
Date:   Fri, 13 Apr 2007 22:05:05 -
From:   ravenadal [EMAIL PROTECTED]
Reply-To:   [EMAIL PROTECTED]
To: [EMAIL PROTECTED]



Steven Barnes, who I have often found to the center of my left, offers
an astute commentary on the Imus situation on the NPR program All
Things Considered, tonight.

~rave!
__
The Black Prince. The Black Church. A State of Mind.
http://www.theworldebon.com http://www.theworldebon.com




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[SciFiNoir Lit] J.R.R. Tolkien to publish new book 30 years after his death

2007-04-18 Thread Tracey de Morsella (formerly Tracey L. Minor)
J.R.R. Tolkien is about to publish a new book

Studios Stalk Tolkien's Hurin

More than 30 years after his death, J.R.R. Tolkien is about to publish a 
new book, The Children of Hurin, and Hollywood studios are already 
interested in acquiring film rights, the Reuters news service reported. 
The book goes on sale April 17.

Tolkien's son and literary executor, Christopher, now in his 80s, 
constructed The Children of Hurin from his father's manuscripts and said 
he tried to do so without any editorial invention. Tolkien is the 
author of The Hobbit and The Lord of the Rings.

The story is set long before The Lord of the Rings in a part of 
Middle-earth that was drowned before Hobbits ever appeared, and tells 
the tragic tale of Turin and his sister, Nienor, who are cursed by 
Morgoth, the first Dark Lord.

David Brawn, director at Tolkien publisher HarperCollins, told Reuters 
that the initial worldwide print run for the new book, featuring 
illustrations by Oscar winner Alan Lee, was 500,000 and added that 
Hollywood studios are eager to buy the film rights of the new book.

We all want this first and foremost to enjoy life as a book, Brawn 
told Reuters. No one's saying never to a film, [but] the film rights 
are reserved by the estate. We want to see what reaction it gets and 
then let it run its course.

http://www.scifi.com/scifiwire/index.php?category=0id=41123


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[SciFiNoir Lit] Fwd: Intro: Marilyn, Orlando, FL

2007-04-25 Thread Tracey de Morsella (formerly Tracey L. Minor)
1. Name: *Marilyn *
2. Location: *Orlando, FL
*3. Nickname/ Alias: *MAS
*4. Favorite Speculative Fiction Genres: I have just really started to 
get into SciFI, so I am still really open to all books, written by all 
authors.
5. Favorite Speculative Fiction Books: N/A
6. Favorite Speculative Fiction Authors: So far, I like Brandon Massey, 
L.A Banks, Octavia E. Butler,  Gregory Townes
7. Favorite Speculative Fiction Characters: N/A
8. Favorite Speculative Fiction Film or TV Adaptation of a Book:N/A
9. Topics of importance to you: N/A
10. Your views on how people of color are depicted in Speculative 
Fiction: N/A
11. Your own published works, if any: N/A
12. Your web site: N/A
13. Your Speculative Fiction Pet Peeves: N/A
14. Memberships in science fiction clubs: None, this is my first.
15. Anything else you think is important: I really love to read and read 
all genres, by all authors regardless of race. As long as it is a well 
written book, that is all that matters to me.  I am also involved in a 
local bookclub in Orlando.


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[SciFiNoir Lit] Intro: Phyllis, Orlando, FL

2007-04-25 Thread Tracey de Morsella (formerly Tracey L. Minor)
1.   *Name:* Phyllis

2.   *Location:* Orlando, FL

4.   *Favorite Speculative Fiction Genres:*
 
Fairly open, but I tend to favor those dealing with some aspect of the 
African Diaspora and African folklore. 

5.   *Favorite Speculative Fiction Books:*

* My Soul to Keep, The Living Blood by Tananarive Due
* Lion's Blood by Stephen Barnes
* Kindred by Octavia Butler
* John Crow's Devil by Marlon James
* The New Moon's Arms by Nalo Hopkinson
* Unburnable by Marie Elena-Johns

6.   *Favorite Speculative Fiction Authors:* 

* In addition to the ones listed above:  I've enjoyed works by T.L.
  Gardner, L.A. Banks, Brandon Massey, Gregory Townes
* Non-AA authors:  Laurell K. Hamilton (Anita Blake series), J. K.
  Rowlings (Harry Potter series), Neil Gaiman (loved Anansi Boys);
  but I'm NOT a Stephen King fan.

11.  *Your own published works, if any*:  None - purely a reader/consumer.

12.  *Your web site:*  Don't have one...

14.  *Memberships in science fiction clubs:* Other than this forum, I 
don't have any.



 



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[SciFiNoir Lit] [Fwd:Writing Panel at East Coast Black Comic Convention]

2007-05-13 Thread Tracey de Morsella (formerly Tracey L. Minor)
 Original Message 
From:   blackmalewriter [EMAIL PROTECTED]

Hey folks,

I will be giving a panel on Saturday, May 19th, 2007 at the East Coast
Black Age of Comics Con in Philly about how unpublished talent can get
their careers started in this business.

Check out this link with a slew of other people of color in the business.

http://ecbacc.com/content/?q=node/32

The workshop is set up mainly for entry-level writers, so if you
might know someone who is interested in breaking into the biz as a
writer, feel free to drop me a note or just have them show up for the
panel.

Also, it would be nice to finally meet some people from this site, so
you are welcome to say hello during the show.

See you soon...
B

http://foolscrusade.blogspot.com/



 





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[SciFiNoir Lit] Inro: Mitch Mack, LA

2007-06-27 Thread Tracey de Morsella (formerly Tracey L. Minor)
1. NAME: Mitch Mack
2. LOCATION: L.A.
3. Favorite Speculative Fiction Genres: Sci-Fi, Fantasy, and 
supernatural horror, especially those with Afro-themed interests. That 
pretty much covers them all. Subs would be time-travel, 
vampires, zombies, and folklore all over the world.
4. Favorite Speculative Fiction Books: A lot of S.King's stuff, and two 
graphic novels Watchmen and Frank Miller's Give Me Liberty (Hope 
this get made into a movie with the lesbian chick from Smokin' 
Aces) I'll get back with you guys on more.
5. Favorite Speculative Fiction Authors: Stephen King, Octavia Butler, 
Steven Barnes, Tolkien.
6. Your own published works, if any: None yet, plenty of unpublished 
though roughly around three novels. :(
7. Your web site: None
8. Memberships in science fiction clubs: None
9. Your views on how people of color are depicted in Speculative
Fiction: I have too many views to list here.
10. Anything else you think is important: Have written tons of spec 
fiction, including screenplays for already produced short films. Working 
on black sci-fi documentary/book series.

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[SciFiNoir Lit] [Fwd: What Happen to the Great African American Author?]

2007-10-13 Thread Tracey de Morsella (formerly Tracey L. Minor)
 Original Message 
Subject:What Happen to the Great African American Author?
Date:   Sat, 13 Oct 2007 22:25:55 -0500
To: [EMAIL PROTECTED] [EMAIL PROTECTED]



What Happen to the Great
African American Author?
by LaShelle Turner 
http://www.thesop.org/html/writers.php?writer=turner Posted October 
12, 2007

Something is inherently wrong with the publishing industry 
http://www.thesop.org/article.php?id=7762# when former hip hop video 
star, Karrine Steffans, is the most interviewed and talked about African 
American author this year. This woman, who has made a career of telling 
lurid details of her intimate life with hip hop celebrities, has been on 
every major syndicated black radio program in the country.

Her first book, /Video Vixen/, became a bestseller and her second book, 
/The Vixen Diaries/, is gathering even more press. She even made it to 
the modern day pinnacle of author success; she was on Oprah. Are we so 
used to salacious gossip that it has become literature? Do we want these 
types of books to represent the model of a bestselling black author?

Karrine Steffans represents the reality for many black authors in 
today's publishing industry. There are few great examples of African 
American literary authors on bookstore shelves. Most chain bookstores 
are filled with books by black authors who write tales of lust, sex, 
drugs and more sex.

Steffans's books started a new genre of books, the Hip Hop Tattle Tell. 
Since the debut of her first book, many have followed her recipe for 
book selling success. Carmen Bryan's /It's no Secret/ told her story of 
becoming a hip-hop baby mama. Tarsha Jones's /Meet Ms/. /Jones/ tells of 
her sexual conquests of rap stars, being a DJ is the side story. Even 
Terry McMillan's ex-husband Jonathan Plummer has made his debut as an 
author. His book, /Balancing Act, / is a thinly veiled fiction version 
of his very public divorce from McMillan. No doubt ghostwriters are 
writing most of these books. It is hard to learn sentence structure and 
cohesion between all the bed hopping and chasing celebrities.

Note to all struggling black authors trying to get a publishing 
http://www.thesop.org/article.php?id=7762# deal: Forget sending out 
queries and taking creative writing workshops, just go sleep with a few 
black celebrities and remember to take good notes.
 
What is most frightening about these books is who is reading them. Most 
are young, impressionable teen-aged African American girls. These books 
basically tell young black girls how to become hip-hop groupies. It is 
sending the message that fame and sex are interrelated. Real talent is 
only a minor detail.

With the exception of Alice Walker or Terry McMillan 
http://www.thesop.org/article.php?id=7762#, most black authors do not 
garner the same media attention as Ms. Steffans. Very few become 
household names. Most live an obscure life, never making enough money to 
quit their day jobs or make the /New York Times/ best seller list.

As an avid reader, it is a hard task trying to find African American 
books http://www.thesop.org/article.php?id=7762# with good substance. 
True, there are many good nonfiction and romance books 
http://www.thesop.org/article.php?id=7762# by black authors, but where 
are all the great books like Alice Walker's /Color Purple/ or Edward P. 
Jones's /The Known World. /Where are our Joyce Carol Oates and Jodi 
Picoult?/ /One has little other choice but to read great fiction books 
by authors of other races. Still, one longs to read about the black 
experience through the imagination of a well-written author of color.

The publishing industry is sending a message to African American 
readers. Black Americans do read, but only at a superficial level.  
Substance and great writing talent does not sell; well at least in our 
communities.


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[SciFiNoir Lit] [Fwd: [NPHC] Americans Are Closing the Book on Reading, Study Finds]

2007-11-19 Thread Tracey de Morsella (formerly Tracey L. Minor)
 Original Message 
Subject:[NPHC] Americans Are Closing the Book on Reading, Study Finds



Bad news for all the authors among you


http://chronicle.com/http://chronicle.com/daily/2007/11/742n.htm

Monday, November 19, 2007

*Americans Are Closing the Book on Reading, Study Finds*

By JENNIFER HOWARD

Americans aren't just reading fewer books, but are reading less and less 
of everything, in any medium. That's the doleful conclusion of To Read 
or Not to Read, a _report_ http://www.arts.gov/pub/pubLit.php 
scheduled for release today by the National Endowment for the Arts.

Subtitled A Question of National Consequence, the report piles on the 
bad news delivered by Reading at Risk, the NEA's 2004 warning about 
the nation's rapidly declining literacy (/_The Chronicle,_/ 
http://chronicle.com/weekly/v50/i45/45a00101.htm July 16, 2004).

The story the data tell is simple, consistent, and alarming, writes 
Dana Gioia. the NEA's chairman, in the new report's preface. 
Elementary-school children have posted some gains in literacy, but 
there is a general decline in reading among teenage and adult Americans.

Most alarming, he continues, both reading ability and the habit of 
regular reading have greatly declined among college graduates.

Unlike the 2004 study, To Read or Not to Read examined not just 
literary reading but all kinds of reading, including online. And it 
tapped a far wider range of sources, notably statistics from the 
Department of Education and the Department of Labor, as well as academic 
and corporate studies.

None of it adds up to good news for the written word. Just how 
reading-averse have Americans become? In 2006, the study found, 
15-to-24-year-olds spent just seven minutes on voluntary reading on 
weekdays� 10 minutes on Saturdays and Sundays. They found time to 
watch two to two-and-a-half hours of television daily.

Older and presumably wiser� or at least more bookish� 
generations didn't do much better. In 2006 people ages 35 to 44 devoted 
only 12 minutes a day to reading. Even the best-read group, Americans 65 
and older, logged less than an hour each weekday and just over an hour 
on weekends.

This study shows that reading is endangered at the moment in the United 
States, especially among younger Americans, Mr. Gioia said during a 
telephone news conference announcing the report.

*Drop in Proficiency*

When Americans do manage to read something, whether it's a book or a 
blog, more and more of us can't do it well. The proportion of 12th 
graders reading at or above the proficient level fell significantly from 
1992 to 2005, from 40 percent� hardly a robust number to begin 
with� to 35 percent. Meanwhile, during roughly the same period, 
the share of college graduates who could reliably find their way through 
a piece of prose declined by 23 percent. If you think your master's or 
doctorate renders you immune to the national decline, think again: Even 
Americans who have studied at the graduate level saw their reading 
skills atrophy: 51 percent were rated proficient readers in 1992, but 
only 41 percent made that grade in 2003.

Aside from making authors, publishers, and librarians weep, what do 
those dismal numbers mean for the nation? These negative trends have 
more than literary importance, Mr. Gioia writes in the preface. As 
this report makes clear, the declines have demonstrable social, 
economic, cultural, and civic implications.

The report confirms that poor readers tend to make poor students, who 
become poorly paid workers. Twenty percent of American workers don't 
read at the level required by their jobs. In 2003, 58 percent of 
proficient readers earned at least $850 a week; only 13 percent of 
below-basic readers did.

That reality hasn't been lost on employers, 38 percent of whom say 
high-school graduates don't measure up when it comes to reading 
comprehension. And those employers are shelling out large 

amounts� an estimated $3.1-billion among corporations, for 
instance� for remedial training.

*A 'Distracted' Society*

The study does not dwell on what's to blame, but it makes ominous 
references to multitasking and to the omnipresence of electronic media.

You become distracted as a society, said Mr. Gioia in the news 
conference. I don't think, in a country that publishes 100,000 books a 
year, the problem is that people can't find something they want to read.

Absorbing one negative statistic after another, one wonders why the NEA 
didn't name the report Requiem for Reading. Mr. Gioia understands the 
cumulative disheartening effect. It's easy to read the data as a 
negative story, and the trends are almost consistently down, he told 
reporters.

But he refused to give in to despair: Is this a cultural apocalypse? No.

He made a game attempt to find a silver lining, observing that the 
report highlights the crucial importance that reading has on individual 
lives and 

[SciFiNoir Lit] [Fwd: [CarlBrandon] Am I a sellout?]

2007-11-29 Thread Tracey de Morsella (formerly Tracey L. Minor)
 Original Message 
Subject:[CarlBrandon] Am I a sellout?
Date:   Thu, 29 Nov 2007 07:51:48 -0600
From:   Nnedimma [EMAIL PROTECTED]
Reply-To:   [EMAIL PROTECTED]
To: Nnedi [EMAIL PROTECTED]
References: [EMAIL PROTECTED] 
[EMAIL PROTECTED] 
[EMAIL PROTECTED] 
[EMAIL PROTECTED] 
[EMAIL PROTECTED]



Something bit me this morning to write this essay titled /Am I A Sellou/t?

It's about assumptions about what people should read. I was irritated 
when I wrote this but I think I managed to keep my emotions in check. :-)

Read it at: http://nnedi.blogspot.com/

Nnedi



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[Fwd: [SciFiNoir Lit] Re: [Fwd: Research on Blade]]

2008-01-31 Thread Tracey de Morsella (formerly Tracey L. Minor)
Thanks Chris:

I am forwarding your reply to the person who sent the original inquiry

Tracey

 Original Message 
Subject:[SciFiNoir Lit] Re: [Fwd: Research on Blade]
Date:   Thu, 31 Jan 2008 19:31:28 -
From:   Chris Hayden [EMAIL PROTECTED]
Reply-To:   SciFiNoir_Lit@yahoogroups.com
To: SciFiNoir_Lit@yahoogroups.com



(Do you want to research Goyer or Blade?

You could start here

And follow to IMBd and Marvel links

http://en.wikipedia.org/wiki/David_S._Goyer 
http://en.wikipedia.org/wiki/David_S._Goyer

--- In SciFiNoir_Lit@yahoogroups.com 
mailto:SciFiNoir_Lit%40yahoogroups.com, Tracey de Morsella (formerly
Tracey L. Minor) [EMAIL PROTECTED] wrote:
 
   Original Message 
  Subject: Research on Blade
  Date: Wed, 30 Jan 2008 14:15:17 -0500
  From: Gerald Holmes GVHOLMES [EMAIL PROTECTED]
  Reply-To: African American Studies and Librarianship
  [EMAIL PROTECTED]
  To: [EMAIL PROTECTED]
 
 
 
 
  Hi,
 
  I am a little embarrassed to ask this question but I will.
I am
  working with a faculty member who is interested in scholarly
research
  on the topic of Blade created by David Goyer. I would appreciate
any
  suggestions.
 
 
Gerald Holmes
 
  Gerald Holmes
  Reference  Instructional Services Dept.,
  University Libraries, UNCG
  [EMAIL PROTECTED]
 
 
 
  [Non-text portions of this message have been removed]
 




[Non-text portions of this message have been removed]



[SciFiNoir Lit] [Fwd: [CarlBrandon] Trying to get Octavia E. Butler in the SciFi Hall of Fame]

2008-02-14 Thread Tracey de Morsella (formerly Tracey L. Minor)
 Original Message 
Subject:[CarlBrandon] Trying to get Octavia E. Butler in the SciFi 
Hall of Fame
Date:   Thu, 14 Feb 2008 09:00:49 -0800
From:   [EMAIL PROTECTED]
Reply-To:   [EMAIL PROTECTED]
To: [EMAIL PROTECTED]



Hello Peeps,

I just emailed the Science Fiction Hall of Fame (http://www.empsfm.org/) to
try to get Octavia E. Butler in there this year. It seems to me to be a large
oversight and long overdue. This was their answer. I don't know if we want to
exert any pressure here. They may just do the right thing on there own, but I
thought that I'd let people know how the issue currently stands.

Jenn 

- Original Message - 
From: 'Therese Littleton' [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wed Feb 13 14:36
Subject: Fwd: RE: Octavia E Butler


Hello;
Thanks for writing to us. Each year, EMP/SFM museum members nominate up
to four people for the Hall of Fame. Then the list of nominees is given
to a panel of 7-10 science fiction professionals--authors, filmmakers,
publishers, editors, fans, and artists--to choose the year's inductees.

Ms. Butler is frequently nominated for the Hall of Fame, and I am sure
that she will be chosen for induction soon, given the remarkable and
influential body of work she created.

I hope that clears up your question. Thanks again for writing.

Warm regards,
Therese Littleton
Director of Curatorial Affairs


-Original Message-
From: [EMAIL PROTECTED] [EMAIL PROTECTED]','','','')[EMAIL PROTECTED] 
Sent: Wednesday, February 13, 2008 9:40 AM
To: CEO
Subject: Octavia E Butler 



How can I get Octavia E Butler nominated to the

Science Fiction Hall of Fame? Is there a process?

Should I get a petition together?






Indigocafe.com ... http://www.indigocafe.com
An Independent Online Community Bookstore  Cafe

A Bookseller's Tale ... http://www.booksellerstale.com/
 















 
Yahoo! Groups Links








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[SciFiNoir Lit] [Fwd: Launchpad Workshop accepting applications]

2008-03-05 Thread Tracey de Morsella (formerly Tracey L. Minor)
 Original Message 
Subject:[CarlBrandon] Launchpad Workshop accepting applications
Date:   Wed, 05 Mar 2008 08:17:35 -0500
From:   KTBradford [EMAIL PROTECTED]
Reply-To:   [EMAIL PROTECTED]
To: [EMAIL PROTECTED]



In case you're all not aware, the Launchpad Workshop is open for 
applications again.  Some info:

Launch Pad is a free, NASA-funded workshop for established writers held 
in beautiful high-altitude Laramie, Wyoming. Launch Pad aims to provide 
a crash course for twelve attendees in modern astronomy science 
through workshops, guest lectures, and observation through the 
University of Wyoming's two large telescopes.

This year's guest instructor is writer and amateur astronomer Jerry 
Oltion. Other lecturers include University of Wyoming professors Michael 
S. Brotherton, PhD and Jim Verley.

Applications are now open for 2008's workshop, and will be accepted 
until March 31st, 2008. Attendees will be notified as soon as possible 
and no later than April 15th.



I attended last year's workshop and it was really, really wonderful. 
It's basically the science/astronomy class many SF writers wish they had 
in college.  Plus we got to look through some big ol' telescopes and see 
really amazing stuff.  (I've never seen Jupiter through a telescope 
before.  I saw 4 moons!  It was amazing.)

Writers of every level are encouraged to apply.  They're looking mostly 
for writers who have a publishing track record, but they also consider 
neo-pros with potential.  Mike is also committed to getting female and 
POC participants (really and for true).

Check out the website and apply, even if you think you have a slim 
chance, because your chances might not be so slim!

http://www.launchpadworkshop.org/about.html

Tempest






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[SciFiNoir Lit] [Fwd: turn off your lights...]

2008-03-29 Thread Tracey de Morsella (formerly Tracey L. Minor)
--- Original Message 
Subject:[CarlBrandon] turn off your lights...
Date:   Sat, 29 Mar 2008 06:53:43 -0600
From:   Nnedimma [EMAIL PROTECTED]
Reply-To:   [EMAIL PROTECTED]
To: undisclosed-recipients: ;


*Just want to pass this on:

Will You Turn Off Your Lights for an Earth Hour?*
http://sfist.com/2008/03/28/will_you_turn_o.php

Today, March 29, from 8 p.m. to 9 p.m. millions of people will turn of 
their lights to make a statement about climate change. It's all a part 
of Earth Hour, a green event conceived by the World Wildlife Fund. Over 
100 U.S. cities are participating in the do-goodery, including Atlanta, 
Chicago, Phoenix, and, of course, San Francisco. While this won't do 
much insofar as saving the planet--which is doomed!--it will make a dark 
and profound statement about conservation and the environment. 


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