Hello all,
I'm trying to show Joseph Cornell's "Rose Hobart" here. I've checked with
Anthology and MoMA, and neither are loaning their prints at the moment. If
anyone has leads on other sources, I'd be grateful. Thanks!
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Hello,
Consider also Guy Sherwin's *At the Academy *and *Metronome, *both of which
feature timekeeping devices related to the clock.
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
On Mon, Oct 29, 2018 at 4:20 PM Albert Alcoz wrote
fter being within the
narrative.
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
On Thu, Jul 19, 2018 at 12:22 PM Nicole Baker wrote:
> Thanks for the suggestions everyone!
>
> It seems there are fewer than I expected. I was conside
work might apply, such as Timothy
Asch's and Napoleon Gagnon's The Ax Fight, or Asch's and Linda Connor's
Jero on Jero. Jean Rouch wrote extensively about his participation in
ritual as a filmmaker while filming (cine-trance), and his Tourou et Bitti
might be the most explicit example of that.
An
not sure how
that would work as a projection surface. Any advice is much appreciated.
Best,
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
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difficult
to find any moving image work without sound that doesn't originate somehow
on film.
I know Frameworks is devoted to work on film and not video, but perhaps
some on this list can help. Thanks for any leads.
Best,
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q
I believe MoMA has prints of some of the Workers' Film and Photo League
films.
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
On Sun, Apr 8, 2018 at 3:23 PM, Brandon Walley <brand...@gmail.com> wrote:
> Looking for exp
Jim McBride's "David Holzman's Diary"
--
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
Spring 2018: Film Love presents The American Music Show retrospective
<http://www.frequentsmallmeals.com/AmericanMusicShow_Retr
Daina Krumins' Aether and The Divine
> Miracle.
>
> Fred Coulter's electronic track for Richard Myers' Akran is pretty intense
> and interesting.
>
> Carter Thomas did excellent tracks for Kathy Rose's Mirror People and
> Sky-David's Sonoma.
>
>
> Mark T
>
>
>
&
version of Gordon Matta-Clark's Office Baroque I believe had
an electronic soundtrack. This was later replaced by Richard Landry's
saxophone-based soundtrack, but if memory serves this had electronic
effects and looping as well.
I suppose the ascending sine wave tone in Wavelength would count!
Andy
I believe Jane is heard, only briefly, in one of Brakhage's few sync sound
films, "The Stars Are Beautiful." Jane is the subject of Barbara Hammer's
student film "Jane Brakhage," available from Canyon, and she does the
narration for that.
Also see Chick Strand's film "Sof
of a conversation with Brakhage about his time with Maclaine, published in
Radical Light.
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
On Wed, Jul 5, 2017 at 10:02 AM, Gene Youngblood <ato...@comcast.net> wrote:
> Fra
en filters that highlight the
psychopathy of the protagonist.
I've recently learned that Ben van Meter's Acid Mantra was feature-length
(and projected multi-screen) in one of its original iterations.
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.or
George Kuchar, Season of Sorrow (1996)
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
On Sat, Mar 18, 2017 at 11:43 AM, Margaret Rorison <
margaret.b.rori...@gmail.com> wrote:
> Dear Film Friends,
>
> I am curious abou
improvised commentary long after filming. I
wouldn't use the term "lying" for this one - more a playful ambiguity about
how much they're pulling the viewers' legs.
See also Buñuel's Land Without Bread.
And Shirley Clarke's Portrait of Jason.
Andy Ditzler
Founder and curator, Film Love:
Willard Maas and Marie Menken
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
On Fri, Feb 10, 2017 at 10:59 AM, minou norouzi <minou.noro...@gmail.com>
wrote:
> Dear Frameworkers,
>
> I'm doing some research on fil
In addition to his Xmas diaries, George Kuchar made a video for my own
holiday song "Solstice": https://vimeo.com/7912244
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
On Mon, Nov 14, 2016 at 7:54 AM, Harriet War
Laura Kissel's Cabin Field (2005): http://www.laurakissel.com/#/cabinfield/
Ben van Meter and Gilbert Shelton's Set the Chickens Free (1972)
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
On Sat, Nov 12, 2016 at 3:32 PM, Linda
uot; in
which we see images of a concert performance, and hear sounds of that
performance, but not in sync. The same principle applies to the 1950s
ethnographic films of John Marshall (for example, A Joking Relationship)
and Jean Rouch (Les Maitres Fous and others).
Thanks for any suggestions!
Hi Ken,
Errol Morris' The Thin Blue Line comes to mind immediately. The
re-enactments are indeed expressive within the film's overall minimalist
approach.
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
John Q in the New York Times
lists remain essential. I've heard good things about
Mailchimp. I personally use ymlp.com and have found it effective and very
easy to work with - worth the yearly fee, definitely. Hope this helps.
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org |
https://www.facebook.com/groups
an
streets is crucial to the film's magical atmosphere.
A pixleated excerpt, minus the section where the camera is attached to the
pendulum, is here:
http://www.nytimes.com/video/t-magazine/10001274396/pendulum.html
Andy Ditzler
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
welcome. Many thanks.
Best,
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
--
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
___
Fra
Hi Stephen,
If I remember correctly, Bob Cowan's wonderful short film Rockflow was
filmed at Electric Circus. Film-Makers' Coop should have it.
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
On Fri, Feb 19, 2016 at 4:23 PM, Oddball
ar the end of
that film. The ending shot of Antonioni's The Passenger might qualify?
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
On Wed, Feb 17, 2016 at 8:22 PM, Fred Truniger <fred.truni...@gmail.com>
wrote:
> does straub/huill
a definition of
agriculture you have in mind.
I once saw a Ben van Meter film - I think it was made later than the 60s
work for which he's best known - about a chicken farmer on LSD.
Andy Ditzler
Founder and curator, Film Love: www.filmlove.org
Co-founder, John Q collective: www.johnq.org
On Thu
on of Christ or, especially, Marlon
Riggs' Tongues Untied, which most saw on public television - no screen to
tear down, but plenty of invective, much of which I have always suspected
was triggered by the film's form as much as its content.
Andy Ditzler
Founder and curator, Film Love: www.filmlov
I'd second the suggestion of Spiral Jetty - it was the first film that came
to my mind!
Also Michael Snow's La Region Centrale.
Several of Robbie Land's films that draw on photosynthesis or other
processes of natural light, like Matters of Bioluminescence.
Andy Ditzler
Founder and curator
Ditzler
Andy Ditzler
www.filmlove.org
www.johnq.org
On Thu, Aug 6, 2015 at 11:33 AM, Amanda Christie
ama...@amandadawnchristie.ca wrote:
Hello hive mind,
I'm looking for examples of films about or related to solfège.
thanks,
amanda
The player piano and its theme, recurring in Orson Welles' Touch of Evil.
Andy Ditzler
www.filmlove.org
www.johnq.org
On Thu, Jun 18, 2015 at 11:10 PM, Shashwati Talukdar m...@shashwati.com
wrote:
I am looking for examples of the use of music and songs in films that can
be described as noir
. They even take measurements of their
subjects on camera, in a parody of 19th-century anthropological
photography.
I would agree that if you're looking for films that merit the collective
eye-roll, Flaherty, Rouch, Gardner, Mead, Asch, Marshall et al are not
where I'd turn.
Andy Ditzler
On Fri
Thanks, Dennis, for this much more nuanced view on the Johnsons' films.
Andy Ditzler
On Fri, May 1, 2015 at 4:12 PM, Dennis Doros milefi...@gmail.com wrote:
There's also many more considerations in this question as we have found
out over the years.
As Andy points out, the Martin and Osa
precisely upon its *difference*, which is perhaps one reason I'm
sympathetic to it. In any case, there's no reason that screenings of this
film cannot be deeply sensuous and engaging experiences, especially for
artists.
Best,
Andy Ditzler
On Sun, Mar 29, 2015 at 9:11 AM, Sasha Waters Freyer swfre
Orange by Karen Johnson, 1971
Andy Ditzler
On Sat, Jan 31, 2015 at 3:39 AM, Benjamin Popp noiseonf...@gmail.com
wrote:
I'm looking for films with a theme of the color Green or Orange.
Any ideas?
ben
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Cinema
David E. James, Allegories of Cinema
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Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University
On Thu, Jan 29, 2015 at 1:16 PM, Michael Betancourt
hinterland.mov...@gmail.com wrote:
I'm sure I'm forgetting something, so please help
If I understand the question correctly, much of Jack Smith's work would
apply; I would highlight Normal Love and No President in particular.
Some of the Actionist films of Otto Muehl/Kurt Kren also come to mind:
perhaps Cosinus Alpha, Zock Exercises, and O Christmas Tree.
Andy Ditzler
On Mon
.
More info: http://www.frequentsmallmeals.com/ProjectionistPleaseRead.htm
Facebook event: https://www.facebook.com/events/817549774952645/
--
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University
Hi all,
I'm making a second request here, in case anyone has contact info for
Malcolm Le Grice. Messages to Central St Martins in London are bouncing, so
if anyone has further ideas I'd be grateful. Thanks!
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory
Got the info. Thanks!
--
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University
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Does anyone have email or other contact info for Malcolm Le Grice?
Thanks,
Andy Ditzler
--
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University
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Hello,
I am trying to screen Morgan Fisher's Projection Instructions and
understand that it's only available directly from him. Could anyone share
contact info with me?
Thanks,
Andy Ditzler
--
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory
time of eight hours.
I seem to recall an earlier Frameworks discussion on modifying Eiki
projector speeds by adjusting a belt, but cannot locate that thread in a
search. Any advice appreciated.
Thanks,
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory
I'm seeking email contact for Johan Kugelberg of Boo-Hooray gallery in New
York. Any leads appreciated. Thanks!
--
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University
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Does anyone have contact information for Hollis Frampton scholar Ken
Eisenstein?
Thanks,
Andy Ditzler
--
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University
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know the person shown playing bass at 1:18 in this video? I don't
recognize him.
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University
On Fri, May 30, 2014 at 7:08 PM, Jeff Kreines j...@kinetta.com wrote:
Thanks to Saul Levine for finding
deal. For those interested, it's at:
http://www.solresearch.org/~SOLR/cache/pubn/mag/Life/19640626-Gays.pdf
Sorry to take this far out of film - just thinking about one way of
contextualizing the underground film articles.
Andy Ditzler
On Sat, May 31, 2014 at 10:07 PM, Chuck Kleinhans chuck
the same time period, Barbara Rubin's Christmas on Earth featured a live
radio soundtrack.
Andy Ditzler
www.filmlove.org
On Thu, May 8, 2014 at 11:42 PM, Eric Theise ericthe...@gmail.com wrote:
Not sure if this is within the bounds of what the original poster had
in mind, but this discussion
is a
subject of the film, and there is a definite animal-human interaction as
well.
Lucien Taylor's and Verena Paravel's recent film Leviathan is an immersive
record of the activity (animal and human) on and around a fishing vessel at
sea.
Guy Sherwin's Animal Studies series, available from Canyon.
Andy
Contraband Cinema show here in Atlanta presented some newer
VCR-derived digital work:
http://contrabandcinema.com/400/broken-beauty-a-show-on-glitch-march-22-2014.html
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University
On Wed, Apr 2, 2014 at 4:16
for the students to go and observe the color
frames as they moved through the projector. If you can see that as you
observe the screen, there's no more spectacular lesson in the nature of
film projection (that is, the conversion of still frames to motion).
Andy Ditzler
www.filmlove.org
verbal description, albeit with some keystoning.
Andy
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University
On Tue, Apr 1, 2014 at 10:15 AM, Herb Shellenberger he...@ihphilly.orgwrote:
What Peter said. Version B was accomplished at a screening
The
Private Life of a Cat (for a birth scene) was one of the reasons that Amos
Vogel converted Cinema 16 to a private membership club (i.e., film
society). With such a club, he no longer had to submit films to the censor
board before screening.
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute
work by younger
filmmakers but also some classics. http://contrabandcinema.com/
Peripheral Visions is based at Georgia State University and hosts
filmmakers, some experimental (hi Roger Beebe!).
http://peripheralvisions.org/
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute
); and if you include a by-hand, cameraless
film exposure in your criteria for item #3, then if I'm not mistaken Lynn's
installation hits *all six* items on your list. Hooray!
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University
Film Love presents classics
Kyle Keyser made a video about a PJ Harvey tour, by convincing her record
company/management that he was a filmmaker:
http://vimeo.com/4977022
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University
On Sat, Feb 8, 2014 at 3:33 PM, Adam R. Levine ada
Anna Karina in Godard's Pierrot le Fou
Juliette Lewis in Natural Born Killers
Lindsay Crouse in House of Games
Thelma and Louise
Arsenic and Old Lace
Jeanne Dielman
Andy Ditzler
On Thu, Jan 23, 2014 at 3:37 PM, Barbara GMX barbara.kapu...@gmx.at wrote:
Hello everyone,
I´ve been following
from experimental here, but an argument could be made for This
Is Spinal Tap as a pivotal work of fake documentary, with influence far
beyond comedy/fiction.
Definitively unavailable, and completely pivotal: An American Family.
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute
Jeremy Deller's and Mike Figgis' The Battle of Orgreave.
Tom Palazzolo's Jerry:
http://www.undergroundfilmjournal.com/tom-palazzolo-jerrys-angry-deli/
Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University
On Tue, Jan 7, 2014 at 5:33 AM, Insa
Hi Roger,
I hadn't checked recently and didn't know about this DVD release - thanks
for the tip - but it looks like it's a condensed two-hour version of the
original 12-hour series. At least something's out there, but nothing can
replace the scope of the full series. Sad.
Andy Ditzler
David, thank you for this.
Andy Ditzler
On Wed, Nov 6, 2013 at 8:45 AM, David Baker dbak...@hvc.rr.com wrote:
At the Filmmaker's Coop a week ago the fearless indefatigable M.M. Serra
along with perspicacious resident scholar Greg Zinman
presented (for a tiny group of cognoscenti
MoMA lists Lipsett's Very Nice, Very Nice in their rental catalog:
http://www.moma.org/learn/resources/circulatingfilm#aboutcircfilm
Not sure whether they have others of his.
Andy Ditzler
www.filmlove.org
On Sat, Aug 24, 2013 at 6:12 AM, Chen Sheinberg chen...@netvision.net.ilwrote:
Dear
Hello,
I'm looking for leads on the above 1972 film. I seem to recall screenings
of it in the past few years, but can't find them now. Any information is
appreciated.
Thanks,
Andy Ditzler
www.filmlove.org
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tapes, the only other one of which I'm
aware is a haircut video done with Billy Name. Various articles by Callie
Angell in other publications mention the tapes as well.
Andy Ditzler
On Wed, May 15, 2013 at 4:24 AM, Lundgren 50lundg...@telia.com wrote:
**
I know that once on this list
Syd Barrett's First Trip.
Andy Ditzler
On Sat, Feb 9, 2013 at 2:40 PM, Eric Theise ericthe...@gmail.com wrote:
Hello Frameworkers,
I'm hoping to get suggestions for studying the tropes of the trip,
that is to say, the way hallucinatory and other drug experiences have
been portrayed
Anne Charlotte Robertson made one of the most extensive film diaries; check
with Harvard Film Archive on the current distribution status.
Andy Ditzler
www.filmlove.org
On Mon, Feb 4, 2013 at 11:48 AM, Kevin Obsatz ke...@videohaiku.com wrote:
Hello Frameworks!
I may have the opportunity
footage (a single long take) is then incorporated into the
film's fictional context as if it were shot by the film's protagonist.
Andy Ditzler
On Sat, Jan 26, 2013 at 2:13 PM, matt's frameworks address
li...@rodeofilmco.com wrote:
Hello Frameworkers,
I am trying to drum up a list of films
in Apartment Zero.
I believe there's a home movie projection scene in Carnal Knowledge - or
perhaps it's slides.
There are several projection room sequences in Andzrej Wajda's Man of
Marble.
There's a projection sequence in Chronicle of a Summer, but I can't
remember if the booth is visible in that.
Andy
.
Charlemagne Palestine has a video piece where he rides a motorcycle around
an island (Island Song?) over and over, singing to himself.
Best,
Andy Ditzler
On Fri, Dec 14, 2012 at 2:57 PM, Bryan Konefsky bkonef...@gmail.com wrote:
Hello Frameworkers - I am in the early moments of developing
also interested if
anyone has thoughts on them here.
Thanks,
Andy Ditzler
www.filmlove.org
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about art having something to do
with having a good time (in Scott MacDonald's interview with Nelson, I'm
quoting from memory).
Jacques Tati is not often mentioned in this context, but Playtime fits
right in here.
Portrait of Jason has outrageously funny moments amidst all the tension.
Andy
Not to forget Bas Jan Ader:
http://preview.instantcinema.org/rene/462/Fall-I
http://preview.instantcinema.org/rene/470/Fall-II
Andy Ditzler
On Mon, May 21, 2012 at 12:54 AM, Andy Ditzler a...@andyditzler.com wrote:
Great question! Many of Vito Acconci's early-70s actions approach
of a machine gun - flicker in the
service of the revolution.
Brian Frye's Lachrymae (2000) is a nice counterpart to flicker films - as
I believe Fred has pointed out elsewhere, the onscreen fireflies are an
evocation of film projection.
Andy Ditzler
Atlanta, GA
www.filmlove.org
On Tue, Apr 24, 2012
://www.frequentsmallmeals.com/Baldwin.htm
Best,
Andy Ditzler
Atlanta, GA
www.filmlove.org
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of the
performances Nares gave (at Ms. Jonas' loft and at The Kitchen), and would
be willing to talk with me, I would be grateful. (I'm already in touch with
Mr. Nares about it.)
Thanks,
Andy Ditzler
www.filmlove.org
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Hello,
I'm trying to track down a distribution source for the 1970s/early 80s
films of Beth B and Scott B, particularly Letters to Dad, G Man, and Black
Box. Also, while I'm at it, John Lurie's Men in Orbit. Thanks for any
leads!
Andy Ditzler
Atlanta, GA
www.filmlove.org
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