Re: [h-cost] new books

2006-04-27 Thread Lloyd Mitchell
I am waiting for another 18thC book I ordered last week...18th C Costume in
the National Museums and Galleries on Merseyside.  I will look for your
title also!
Kathleen
- Original Message - 
From: Bjarne og Leif Drews [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, April 26, 2006 6:39 PM
Subject: [h-cost] new books


 This is not one of the books talked about here, but i do really look
 forwards to this book, wich will be released 29th of april:
 Dress in France in the Eighteenth Century
By: Madeleine Delpierre

 Bjarne





 Leif og Bjarne Drews
 www.my-drewscostumes.dk

 http://home0.inet.tele.dk/drewscph/


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Re: [h-cost] Re: Things that make you cringe....

2006-04-26 Thread Lloyd Mitchell
a favorite moment watching one of these on late nightfilms: the ad sequence
included Hartz Mountain flea powder.  Of course, the ad breaks would air
just when the poor monster was in one of his dances!

- Original Message - 
From: Pierre  Sandy Pettinger [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, April 26, 2006 2:02 AM
Subject: [h-cost] Re: Things that make you cringe


 The favorite one that happened to me was during Godzilla 2000 (yeah,
 bad movie, but) - Godzilla is rampaging thru New York or
 someplace like that, and they've called out the military to try and
 stop him.  There's a helicopter chasing him thru the skyscrapers, and
 the pilot says something like, Firing Sidewinders now.  I said
 (half out loud) That's not gonna work! at the same time things got
 very quiet on screen.Of course it didn't work - it homed on a
 heat source in one of the buildings, rather than ostensibly
 cold-blooded Godzilla.

 That movie also has a really good line - some poor grunt in the line
 gets his first look at Godzilla and you hear I'm gonna need a bigger
 gun (whimper)!

 Not costume, but good for a chuckle or two...

 Sandy

 At 01:04 PM 4/25/2006, you wrote:
 Date: Tue, 25 Apr 2006 09:49:59 -0700 (PDT)
 From: Kahlara [EMAIL PROTECTED]
 Subject: [h-cost] Re: movies-things that make you cringe
 
 Or watching a modern military action film with a vet. That is the
 completely wrong insignia... etc. Apparently A Few Good Men was
 pretty accurate with its uniforms.
 
 Date: Tue, 25 Apr 2006 08:07:39 -0300
 From: kelly grant
 Subject: [h-cost] Movies-things that make you cringe!
 
   but because of my DH the entire family is known to yell at the
  screen in any movie historical or modern PICK UP THE
  AMMO/WEAPON, as the good guy runs around ect...
 
 Our favourite thing to make us yell at the screen...Close the damn
door!
 When the actor walks intoa building and leaves to door open, to be closed
 miraculously by someone else!

 Those Who Fail To Learn History
 Are Doomed to Repeat It;
 Those Who Fail To Learn History Correctly --
 Why They Are Simply Doomed.

 Achemdro'hm
 The Illusion of Historical Fact
   -- C.Y. 4971

 Andromeda


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Re: [h-cost] Historical Films: fact vs. fiction

2006-04-24 Thread Lloyd Mitchell
At least they had some imagination in not calling this The Thing III!
Kathleen
- Original Message - 
From: kelly grant [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, April 24, 2006 6:11 AM
Subject: [h-cost] Historical Films: fact vs. fiction


  I think most modern people have both a healthy skeptism about
advertising,
  and an awareness that fiction (including films) is not reality.
 
 I would have to disagree with you on the 'most modern people' part of your
 statement.  I think that history nerds, of which I am a proud member ;-),
 are in the minority.

 Why else would Hollywood have the balls to make the new Titanic movie that
 is comming out this summer...the one where they find Jack Dawson's body
 frozen in a block of ice at the bottom of the North Atlantic, bring him to
 the surface, thaw him out and he's perfectly healthy! I saw the trailer
the
 other night...look for it, but try not to gag!

 We had enough problems at the museum with the first movie...here goes
round
 two! You would not believe the things people say.
 Kelly
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Re: [h-cost] Re: The Hype will go on.....

2006-04-24 Thread Lloyd Mitchell
I went to see the movie with a group from my book club; out to snack later
they all swooped upon me with What did you think of the wonderful
costumes!! I was only willing to speak about a couple of the hats in a more
or less complimentary manner and they couldn't understand...
Kathleen
- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, April 24, 2006 2:31 PM
Subject: [h-cost] Re: The Hype will go on.


 In a message dated 4/24/2006 2:00:33 P.M. Eastern Standard Time,
 [EMAIL PROTECTED] writes:

 AMEN!
 Kathleen
 
 
  Hahahahahathat's science  fiction! Anything's better that the
original!
  [I'm  teasing!]
 **

 Now I must be fare and admit the sinking of the ship was amazingly done
and
 very exciting. But the damn PLOT keep interfering and getting in the way!

 To keep on subject: I hate most the costumes in Titanic. I don't think the
 designer understood the period at all. Some of the gowns [especially the
 mother's] look real and are fine. And the hats are great. But Rose's
costumes  were
 awful. Thank God everyone's stopped making that boring red jump dress
for
 prom night! And I love the image of fluttering silk as they run through
the
 engine room, but the dress has little to do with the period. And that
clunky
 yellow thing she wears topside which looks like it had puffer paint on it.
The
 opening hat was fantastic; the suit, with the switcheroo stripe details
 looked  like a high school design. Ever her corset was wrong.

 If you want to see how Rose, a wealthy young avant garde, should've  been
 dressed, I suggest a film that came out about the same time: Wings of the
 Dove. The delicious Charlotte Rampling runs around in hostess pajamas and
a
 turban. The two girls on holiday in Venice wear Fortuni gowns and kimono
style
 overtunics in Art Nouveau printed velvets. And the colors! It's just
perfect.
 One of Sandy Powell's best!

 Good flick too.



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Re: [h-cost] Possibly little known costume film

2006-04-22 Thread Lloyd Mitchell
We caught this on Turner Classics last week and were charmed (if that is the
right word!) with the story line as well as the costumes.
Kathleen
- Original Message - 
From: Lavolta Press [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, April 21, 2006 5:45 PM
Subject: [h-cost] Possibly little known costume film


 The Life and Death of Colonel Blimp, produced in England in 1943 in
 early Technicolor (which here comes off looking painterly rather than
 crude). This film is a rather mild, understanding, even sentimental
 satire of the Victorian/Edwardian school of gentlemanly war, and indeed
 of that style of gentleman. However, due to the war effort the film came
 under a great deal of criticism at the time, and Churchill was among
 those who felt it should not even be released.  With historical
 hindsight, its political points seem quite true, rather than inflammatory.

 But it's not entirely a war flick; in fact, it's in large part a
 romance.  It starts in 1901 or 1902 (I forget which) and continues up to
 the early 1940s.  As far as costumes, settings, etc. go it's quite
 lavish for its period.

 It's a good thing this film has been re-released.

 Fran
 Lavolta Press
 http://www.lavoltapress.com







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Re: [h-cost] Mouldy linen/dyed linen

2006-04-22 Thread Lloyd Mitchell
A drastic move because it contains chlorine...Aunt Ellen's stain remover
(JoAnns carries it) This is a wonder product for the type of stain you are
dealing with. I had a tux shirt that went through the wash with the bow tie
in the pocket and was dismayed that the red bled at that spot of contact.
Used AE while the garment was still wet and it worked like magic.  I then
tried it on my favorite Tea Cozy that had long set in stains from normal use
and was amazed that I was able to bring it to almost new appearance. It is a
'spot' cleaner, and as I said has some chlorine in it and ? But it works,
and my linens do not seem to be the worse for the treatment. It comes for
colored fabric as well as white.  I have not seen noticeable affect on the
surrounding fibers.
- Original Message - 
From: Gwen [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, April 22, 2006 9:01 AM
Subject: [h-cost] Mouldy linen/dyed linen


 I've read all the posts about the mouldy linen but what about a white
linen
 that dye has bled into?  I have heavy white linen and it has blue black
 stains on it from another fabric that was touching it.

 Gwenhwyfar

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[h-cost] Fw: Colonial Gentlemen

2006-04-19 Thread Lloyd Mitchell
Heads up for you folk in Virginia.  The following 'shoot' will be in your
neck of the woods and mayhap some of you might like to respond to Mary, at
Paladin. I assisted this group in February, and they were great folk to work
with.
Kathleen
- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, April 19, 2006 10:27 AM
Subject: Colonial Gentlemen


Hi,Kathleen,

Thanks very much for your help on this.  We are having a very difficult
time casting these roles, so any assistance you could provide would be
fantastic.  Here are the specs for what we need.  You can just cut and
paste this into an email.

Thanks again to you and all of your contacts who help us spread the word!

Mary


Paladin Communications, producer of When the Forest Ran Red and George
Washington's First War, is seeking gentlemen who could portray
burgesses/congressmen in Gentleman Warrior: George Washington, a new
feature documentary.

Gentleman Warrior explores the hidden side of Washington--the inner
conflicts of the man who would forge a nation. Here we see his military and
political career, and also the personal story of his involvement with Sally
Fairfax and Martha Custis. And as a nation, we begin to understand his
growth of character from a hot-headed youth to a man capable of winning a
revolution. Paladin will present for the first time on screen the real
George Washington--not an icon, not the perfect American, but a
flesh-and-blood human being who became the greatest hero of all.

We are seeking gentleman who:

1. Have their own appropriate 18th century wardrobe.

2. Are available to be on location at the College of William  Mary in
Williamsburg, Virginia on May 23 or 24 (one or both days).

Other information about the portrayals:

* These are non-speaking roles.

* Compensation is, at minimum, $100.

* Lunch will be provided.

* You can find more information on Paladin Communications and the
production at http://www.paladincom.com/gentlemanwarrior.shtml

* Contact Mary Matzen at [EMAIL PROTECTED] or 866-831-4840.

Thank you for your interest in being part of this ground-breaking
documentary!










mail2web - Check your email from the web at
http://mail2web.com/ .



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Re: [h-cost] Two questions

2006-04-15 Thread Lloyd Mitchell
Curious...when we were in Austin, TX. in the '90s, I was amazed to see as
many shoe/hat reconditioning/ cleaning establishments as Cleaners!  Or so it
seemed.  I made the assumption that this might be typical of most Western
states. Once or twice I have seen discreet signs where one might be buying
Stetsons, of a hat cleaning service available...
Kathleen
- Original Message - 
From: Elizabeth Young [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, April 15, 2006 1:04 PM
Subject: Re: [h-cost] Two questions


 my (almost) local hat store will stretch hats.

 liz young (near sacramento)

 Sylvia Rognstad wrote:
  I live in the Denver area and haven't come across any such place.  Maybe
  I'll check a shoe repair shop.
 
  On Apr 14, 2006, at 4:16 PM, [EMAIL PROTECTED] wrote:
 
  In a message dated 4/14/2006 5:44:19 P.M. Eastern Standard Time,
  [EMAIL PROTECTED] writes:
 
  Speaking  of stretching hats, is there any way to stretch out a leather
  cowboy  hat?
  ***
 
  I'm sure you can do that. They stretch gloves and shoes. You need to
make
  the leather supple. I'm sure a shoe repair place [that stretches
  shoes] can help
   you with what product will do that. Then you need some kind of form to
  stretch  the hat on. Are there no places that blocks hats in your area?
 
 
 
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Re: [h-cost] curtains

2006-04-11 Thread Lloyd Mitchell
I got it too, but haven't had time to reply.Can do it later today!
Kathleen
- Original Message - 
From: Katie Lewis [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, April 11, 2006 1:21 AM
Subject: Re: [h-cost] curtains


 Kathleen wrote:

  Bought the sarong at the same time and inquired how I might get a bolt
of
  That fabric.  The response was NA.  Sigh...

 Coincidentally, I just got an email from Dharma asking for suggestions
about what new fabrics people want to see, so it might be worthwhile to
email them.

 -Katie

 -- 
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 Search for businesses by name, location, or phone number.  -Lycos Yellow
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http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC=lycos10


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Re: [h-cost] curtains

2006-04-09 Thread Lloyd Mitchell
What a great idea!  I am always having trouble finding cotton shear enough!
Dharma carries the right weight, but only in sarongs (72 lengths). Their
other cottons are quite wonderful, but heavier than one needs for a nice
Regency.

Kathleen

- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, April 08, 2006 9:09 PM
Subject: Re: [h-cost] curtains



 In a message dated 4/8/2006 8:56:23 P.M. Eastern Standard Time,
 [EMAIL PROTECTED] writes:

 Am I the  only one who goes shopping for new curtains thinking, And
  when I get  tired of these I can use them for costumes!


 I just buy curtains to make costumes in the first place--Indian cotton
 sheers make great Regency-era dresses.

 Ann Wass
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Re: [h-cost] curtains

2006-04-09 Thread Lloyd Mitchell
I have wanted to try these panels or coverlet for an 18thC petticoat.  I
have an older one cut (It was shabby and I suppose could have been used for
a quilt batt) but this is a little heavier than the contemporary
bedding/drapery.  It will be somewhat bulky I anticipate...
Kathleen
- Original Message - 
From: Dawn [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, April 08, 2006 11:12 PM
Subject: Re: [h-cost] curtains


 Elizabeth Walpole wrote:

 
 
  but it's really hard to get curtains without rubber backing (unless you
  make them yourself but that's time you could be spending on garb)
  Elizabeth

 Here in the US they come without rubber backings, and I saw quite a
 number of velvets and brocades at a home store Friday. Ended up with
 lovely (polyester) matelasse panels for the bedroom. No rubber backs. :)


 Dawn


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Re: [h-cost] Eyelet insertion trim

2006-03-24 Thread Lloyd Mitchell
You will find cotton laces at Homesew.com. I have been using their notions
catalogue for years.  Great selections of trim and notions in small yardage
or whole bolts. (And their packets of 25 machine needles for less than $4 is
a must for anyone doing costume type sewing!)

Kathleen
- Original Message - 
From: Katy Bishop [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, March 24, 2006 8:22 AM
Subject: Re: [h-cost] Eyelet insertion trim


 This site claims to have all cotton trims, they're pricey.

 http://www.baltazor.com/xmasemb.html

 Katy

 On 3/24/06, Sylvia Rognstad [EMAIL PROTECTED] wrote:
  Does anyone have any good online trim resources besides Jay Trims and
  Cheaptrims?  I am looking for black eyelet insertion or dyeable white
  and can't seem to find it anywhere.
 
  Sylrog
 
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 --
 Katy Bishop, Vintage Victorian
 [EMAIL PROTECTED]www.VintageVictorian.com
  Custom reproduction gowns of the Victorian Era.
   Publisher of the Vintage Dress Series books.

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Re: [h-cost] adding sleave frills

2006-03-24 Thread Lloyd Mitchell
I like the lay better if the ruffles are gathered and set separately..
Otherwise, the fold you describe appears more as a time saver lacking in
grace.
Kathleen
- Original Message - 
From: Bjarne og Leif Drews [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, March 24, 2006 2:47 PM
Subject: [h-cost] adding sleave frills


 Hi,
 When adding 2 frills to an 18th century outfit, would you not gather each
 frill up separately, and then attach them on top of eachother?
 If i gather both on the same time, they make the same folds, wich i dont
 think is right?

 Bjarne





 Leif og Bjarne Drews
 www.my-drewscostumes.dk

 http://home0.inet.tele.dk/drewscph/


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Re: [h-cost] Re: Eyelet insertion trim

2006-03-24 Thread Lloyd Mitchell
In my experience, the product is super even if a little pricey for some of
the patterns.
I have had very good service.

Kathleen
- Original Message - 
From: Kathy Page [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, March 24, 2006 2:57 PM
Subject: [h-cost] Re: Eyelet insertion trim


 This was years ago, and I dealt with a Canadian
 distributor, which she was ahem... difficult, to say
 the least to deal with.  I gave her the name The
 Dragon Lady for very good reason. She has since
 passed away and now Canada has no distributor, that I
 am currently aware of.
 I have no idea what Capitol is like directly though.
 I have a bunch of Val kicking around as well not
 earmarked for a project. If I have enough for your
 project, or at least some of it to get you started,
 let me know and we'll work something out. I'm only
 looking to get my costs out of this stuff, so I'm not
 planning on charging a fortune. I only keep the stuff
 I might make an outrageously fancy heirloom dress for
 my daughter out of. I largely don't do Vic anymore,
 swiss and val laces look wrong on Ren kits.

 Kathy

  I've ben thinking of looking into Capitol Imports.
  How are they to
  deal with?  I have a big project coming up that will
  require lots of
  Val lace trim.

 Ermine, a lion rampant tail nowed gules charged on the shoulder with a
rose Or barbed, seeded, slipped and leaved vert

 It's never too late to be who you might have been.
 -George Eliot
 For every beauty there is an eye somewhere to see it. For every truth
there is an ear somewhere to hear it. For every love there is a heart
somewhere to receive it.
 -Ivan Panin

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Re: [h-cost] ladys 18th century tangled garden

2006-03-23 Thread Lloyd Mitchell
In making a jacket of this mode,I
 have found that the kind of fabric sort of dictates whether or not to
gather or pleat. I think that pleating has a more formal look. Given the
planned embroidery, the formalness of the garment is already indicated.
I have made several of this style and have found that if the fabric is thick
or heavy, trying to pleat is ends up with a very stiff flare in the areas
that most need drape.

Kathleen
- Original Message - 
From: Ann Catelli [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, March 23, 2006 8:31 AM
Subject: Re: [h-cost] ladys 18th century tangled garden



 --- WickedFrau [EMAIL PROTECTED] wrote:
   Bjarne og Leif Drews wrote:
   Pleats or gathers where?  Sleeves or peplum?

  Gathers for the sleeves, pleats for the peplum is
  my vote!
 
   Sg

 I'll go with this, too, or pleats on both.

 Ann in CT

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Re: [h-cost] Book on Lace Question

2006-03-22 Thread Lloyd Mitchell
Ah, but remember that boys of this time period did not wear distinctive
dress until they had been breached!
Kathleen
--- Original Message - 
From: Alexandria Doyle [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, March 21, 2006 11:10 PM
Subject: Re: [h-cost] Book on Lace Question


I have this one, and it looks like three girls, not the boy and two sisters
described.  I've found a couple of James I family paintings, but not this
one, yet.

alex


  I got this one to show up that sounds like it might be it, but it's
  tiny.

 http://www.elalmanaque.com/infantil/images/Retratoninasp.jpg

 And of course, if would have helped if I'd uncluded the URL!


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Re: [h-cost] Simplicity 4219

2006-03-21 Thread Lloyd Mitchell
My immediate take of this pattern item is that the book-holder is meant to
be a Cleric and thus gives an illustration for a third class of users for
the pattern.  It almost looks as if it were a cassock of some style,,,even
with the fallen lace band.

kathleen
- Original Message - 
From: Suzi Clarke [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, March 20, 2006 11:57 AM
Subject: Re: [h-cost] Simplicity 4219


 At 16:49 20/03/2006, you wrote:
 This is a new pattern for costume shirts. I was wondering if anyone
 can identify view A (lower right corner with the book) and tell me
 what time period it's supposed to be from:
 
 http://www.simplicity.com/assets/4219/4219.jpg
 
 
 
 Dawn


 Apparently, here in England, a shirt like this is sold as a poet
 shirt. (Not sure which one this refers to, although I think maybe
 bottom left  - was talking to someone at the weekend about this
 pattern but as I wasn't planning on buying, didn't register all of
 the info!) I think as the shirt you refer to has a black stock it
 is likely to be that loose period Regency meaning anything from
 late 18th to mid 1840's, according to some descriptions I've read.

 Suzi


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Re: [h-cost] RE back side lacing was:Stomacher --a photo demo

2006-03-21 Thread Lloyd Mitchell
I forget which pattern I followed, but the instructions for the bib front
has a inner bodice front that hooks center front. The 'bib' is sewn at the
right shoulder and armseye.  The other side flips up and is fastened with
snaps across the shoulder and down the left side following the seam line
which includes the other armseye.
The skirt front is sewn to the lining (Bodice) to the center front and this
too is attached to the L side seam with hooks/eyes and snaps.

One of the antique garments that I have seen was of a shear dimity with a
floral pattern.  Th left side of the under bodice had a strip  of about
4this patterned cloth sewn over the bodice, so that when closed by the bib,
would appear the same as the outer cover...if there were gaps.

Putting this dress on can be done by one's self...A plus!
Kathleen
- Original Message - 
From: Hope Greenberg [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, March 20, 2006 9:24 PM
Subject: Re: [h-cost] RE back side lacing was:Stomacher --a photo demo



 Here are a few examples from the Bradfield book Bjarne mentioned:
 Early style (1803-10):
 Apron front:
 http://www.uvm.edu/~hag/regency/books-helps/bradfield-costume-p88.jpg
 anther apron style:
 http://www.uvm.edu/~hag/regency/books-helps/bradfield-costume-p89.jpg
 http://www.uvm.edu/~hag/regency/books-helps/bradfield-costume-p90.jpg
 Back closure ties and button:
 http://www.uvm.edu/~hag/regency/books-helps/bradfield-costume-p92.jpg
 Back closure, ties and hooks:
 http://www.uvm.edu/~hag/regency/books-helps/bradfield-costume-p94.jpg
 Another variation of the apron style:
 http://www.uvm.edu/~hag/regency/books-helps/bradfield-costume-p96.jpg

 Here's a later style (1815ish) with back hooks:
 http://www.uvm.edu/~hag/regency/evening-extant/1815-ball-peach-mccord.JPG
 and one with ties (c. 1823):
 http://www.uvm.edu/~hag/regency/evening-extant/1823-clear-blue-bowes.jpg


 It's a bit odd to modern eyes because there are gaps, but beneath the
 gaps would have been a shift, probably some form of stays, and a
petticoat.

 - Hope
 (who is currently in the throes of pulling together materials for a
 presentation to the local English Country Dance Group on early 19th
 century gowns, probable title It's All in the Details, or, How to Make
a Regency Ballgown that Doesn't Look Like a Hippie Prom Dress)

 Jean Waddie wrote:
  This pink dress reminded me... a friend is making a Regency style gown,
  for a party so it doesn't have to be particularly authentic, but neither
  of us can work out - how/where do they fasten?  Some have buttons down
  the centre back, but most don't seem to have any visible opening.
  Please, somebody, give us a clue?
 
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Re: [h-cost] Simplicity 4219

2006-03-21 Thread Lloyd Mitchell
My apologies.  I meant Cotta.  I have seen some clerical formal garments
that have the lace ruffle. The sleeve style is what struck me as being
significant. The Presbyterian collar (also Methodist?) is the collar of
which you spoke, I believe.
Kathleen
- Original Message - 
From: Kate M Bunting [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, March 21, 2006 9:19 AM
Subject: Re: [h-cost] Simplicity 4219


 The ruffle looks to me like an early 19th century shirt-frill. Clerical
bands are not ruffled - and a cassock is not a shirt but a close-fitting
coat with long skirts.

 Kate Bunting
 Librarian and 17th century reenactor

  [EMAIL PROTECTED] 21/03/2006 13:38 
 My immediate take of this pattern item is that the book-holder is meant to
 be a Cleric and thus gives an illustration for a third class of users
for
 the pattern.  It almost looks as if it were a cassock of some style,,,even
 with the fallen lace band.

 kathleen
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Re: [h-cost] Early 19th century French term

2006-03-19 Thread Lloyd Mitchell
The translation sure sound like the tool I got in January...online.
Kathleen
- Original Message - 
From: Diana Habra [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, March 18, 2006 11:27 AM
Subject: Re: [h-cost] Early 19th century French term



  Has anyone run across a reference to some sort of early 19th-century
  tool for pinking fabric called an arrache-pièce à dents?  (I'm not sure
  the accents will come through in the email you receive, but I tried.
  The only modern reference I've found to this terms to a tool called a
  gear puller in English, and this is certainly not that.)  If so can
  you point me to any more info?

 As near as I can translate it (from my 4+ years of high school french) the
 literal translation is a piece puller with teeth.  So your modern
 reference is very close to the french term.

 Could it be like the antique pinking tools you can see on EBay where you
 turn a crank and run the fabric through to pink the edge?

 Hope that helps...

 diana

 www.RenaissanceFabrics.net
 Everything for the Costumer

 Become the change you want to see in the world.
 --Ghandi

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Re: [h-cost] Early 19th century French term

2006-03-19 Thread Lloyd Mitchell
Do I recall a thread( that might now be in the archives) when the topic of
pinking became a lively discussion of just such punchers that some of the
people who do 18th C and maybe earlier were using...or looking for? I recall
that someone had an earlier tool that others were suggesting that maybe
someone doing metal crafting might copy for the benefit of the members who
might want one.
I guess that I had not seen the referent for the tool presently in question.
Alas...
Mine for the 19th C is proving to be most useful.  I sure am glad I spotted
it when I did.  One that would do both sides at once would be an even Bigger
help.

Kathleen
- Original Message - 
From: Lavolta Press [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, March 19, 2006 12:18 PM
Subject: Re: [h-cost] Early 19th century French term


 My reference comes from almost a century earlier than the crank pinker
 you bought--I checked the picture of yours when you bought it. Do you
 have a picture of a crank pinker for home use like the one you bought
 but from the early 19th century/Regency period?  All the other
 references I have from the same document are for an emporte-pièce, that
 is a punch, for pinking. From context the arrache-pièce à dents is
 something that pinks both edges of a strip of material, but I do not
 know whether it is a two-sided punch or some other kind device.

 Thanks,

 Fran
 Lavolta Press
 http://www.lavoltapress.com

 Lloyd Mitchell wrote:

  The translation sure sound like the tool I got in January...online.
  Kathleen
 
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Re: [h-cost] Great Coat

2006-03-17 Thread Lloyd Mitchell
Sounds to me that this coat might be her own term for a RobeD'Anglais?
Even in these modern times I hear discussions about coat dresses of the 18th
C.

Kathleen

- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, March 16, 2006 10:20 PM
Subject: Re: [h-cost] Great Coat



 In a message dated 3/16/2006 8:51:40 PM Eastern Standard Time,
 [EMAIL PROTECTED] writes:

 When  Struensee, a german doctor was excecuted in Copenhagen, the
newspapers
 wrote that he wore a Viltskur wich is the danish name of a greatcoat
made
 of fur. His fur coat was made of wolf. It was angle lenght and had a  big
 collar attached to it according to the print they published of the
episode.
 The german doctor had first his right hand cut off, then his  head. He had
an
 affair with our queen.



 Thanks Bjarne, but in the context this is definitely a dress of some
kind.
  One of several references--We have retired to dress for  dinner.  Shall
I
 tell you our dresses? I hear you say Yes.  Mrs. P.  wears a brocade;
Cousin
 M. her pink Great-Coat, and I my pink.

 However, your story reminded me that I read a historical novel years ago
 about this queen.  According to that author, her husband was, ahem, not
that
 interested in women, so she turned elsewhere for solace.  It was so  long
ago
 that I don't remember the title or author, but I remember it was  about a
queen
 of Denmark, and that her lover was a learned man.

 Ann Wass
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Re: [h-cost] Great Coat

2006-03-17 Thread Lloyd Mitchell
Also, is this diary American or English or whatever.  I suppose that could
in itself give a clue.
Kathleen
- Original Message - 
From: michaela [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, March 16, 2006 10:53 PM
Subject: Re: [h-cost] Great Coat


  I'm reading a diary of a young woman in Virginia in 1787, and she uses
the
  term great coat for an article of clothing.  It is clear from the
 context
  that this is NOT the many-caped, overcoat type garment.  I know that
 coat
  could refer to a petticoat, but any ideas as to this particular usage?

 Would it be possible to read this in context? It may help us understand
the
 context better as well.

 Have you tried the 18thC woman list on yahoo?
 http://groups.yahoo.com/group/18cWoman/

 michaela de bruce
 http://glittersweet.com




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Re: [h-cost] Re: monk underwear

2006-03-15 Thread Lloyd Mitchell
This was my first thought, too!! Makes one wonder what the daily Rule was.

Kathleen

- Original Message - 
From: Gail  Scott Finke [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, March 15, 2006 7:41 AM
Subject: [h-cost] Re: monk underwear




  In latin: (for those who don't trust translations :-)
  Femoralia hi qui in via diriguntur de vestario
  accipiant, quae revertentes lota ibi restituant. Et
  cucullae et tunicae sint aliquanto a solio quas habent
  modice meliores; quas exeuntes in via accipiant de
  vestario et revertentes restituant.
 
  And in English:
  Brothers going on a journey should get underclothing
  from the wardrobe. On their return they are to wash it
  and give it back. Their cowls and tunics, too, ought
  to be somewhat better than those they ordinarily wear.
  Let them get these from the wardrobe before departing,
  and on returning put them back.

 Wow! And I thought Wear clean underwear without holes in case you get in
a
 car crash and have to go to the hospital was a NEW sensibility!

 Gail Finke


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Re: [h-cost] Stiffening wool felt hats

2006-03-14 Thread Lloyd Mitchell
Taking a hint from my sister the dollmaker, get a can of cheap hairspray
like Aquanet and spray the hat inside and out to a feel of saturation.  As
the hat dries, work the 'dents' out with your fingers and mold it to the
shape you want.  Spray lightly for the finish and let it dry thoroughly. I
have been using this method on recondition my round hats and tricorns etc
for some time and they look very nice.

Kathleen

- Original Message - 
From: A  J Garden [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, March 13, 2006 5:10 PM
Subject: [h-cost] Stiffening wool felt hats


 Does anyone have a recipe I could use to stiffen some hats? I've got
 some old floppy wool felt hats I want to turn into cavalier hats.
 Thanks, Aylwen

 http://www.earthlydelights.com.au

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Re: [h-cost] Tea towels

2006-03-13 Thread Lloyd Mitchell
Ah, but one misses out on the practical activity of treading all the dusty
or muddy trails! A great way to walk off a few pounds.  Also, the venture of
the hand and eye in discovering potential bargains has its own pleasure.
In our region, most of the reproductive linen has catered more to the
multitudes of Battenberg enthusiast than good old birdseye and other
interesting weaves.  Huck cloths aplenty, too.
Kathleen
- Original Message - 
From: Lavolta Press [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, March 12, 2006 1:58 PM
Subject: Re: [h-cost] Tea towels


 There are hundreds and hundreds of fancy (and not so fancy) vintage and
 antique tablecloths, towels, tea towels, bedspreads, handkerchiefs, and
 linens of all sorts on eBay.  Embroidered, printed, crocheted, tatted,
 fringed, woven, plaid, striped, plain, and everything you can think of.
   You can buy them individually or as part of a big lot, and in
 conditions ranging from perfect to awful.

 I was buying embroidered tablecloths to make into skirts for awhile, at
 great prices, but after buying eight or so within a few days I gave up
 browsing the textiles.  There were just too many.  But if you look under
 Collectibles/Linens, Fabric and Textiles or Antiques, Textiles and
 Linens (the latter are generally pricier items), you'll never have to
 spend hours at a flea market again--just in front of your computer.

 I had the sense to do a search on tea towels, after I posted. Irish
 Linen tea towels appear to have been popular since the early 1970s,
 judging by the fact that some are dated (because they're printed with
 calendars for the year).  There are scads on eBay, though most are
 printed with very tacky designs.  I didn't find any William Morris ones
 (even though I've just worn out four in my kitchen, bought from museum
 catalogs at different times).  If anyone is interested, many of the
 towels are listed on eBay for about $5, and they are very effective as
 hand and dish towels.

 I got three printed with Book of Kells designs which are a bit bright
 for my taste, but that will fade as they get beat up and washed every
 week (the reason why I passed up all the vintage embroidered ones
 listed--we use the towels heavily).  Also one printed with a picture of
 the Louvre (tea towels seem to be popular tourist items).

 Then someone on h-costume, whose message I accidentally deleted, kindly
 sent me a link to the online store of the Country Dance and Song
 Society, where you can buy the Book of Kells towels:

 http://www.cdss.org/sales/holiday.html

 But if anyone knows anywhere in the US to get more William Morris tea
 towels (I did find some places in England), please let me know.

 Fran
 Lavolta Press
 http://www.lavoltapress.com

 Lloyd Mitchell wrote:
  Fran, the only time I have seen any that might be as you describe is at
  antique flea markets...such as Brimfield in Ma.
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Re: [h-cost] Re: European ancestors

2006-03-13 Thread Lloyd Mitchell
Bjarne. My older daughter had a strange experience the first time she went
to the USSR.  As her group passed through Helsinki, she felt she was seeing
many people who looked like her, and that the language she should have been
studying was Finnish and not Russian.  Her senior year in college she
changed her language from Russian to Finnish and spent the rest of her
senior in Turkou.  The following summer she traveled up into the Arctic
Circle to meet the Lapps.  It was here that she Really felt at home.  We
have a picture of her in Lapp costume in a large family group where she
looks to be like everyone else.

Her great grandfather has the name of Fenlason...and always felt His family
was from Scotland.  I think the Scottish  link to have been from
Scandinavia.  Erika is somewhat short and tends to be round.  My family is
southern Ireland and southern England.
The genes will 'out.Kathleen Original Message - 
From: Bjarne og Leif Drews [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, March 13, 2006 4:36 PM
Subject: Re: [h-cost] Re: European ancestors


 Hi,
 Yes and i would like to add, as it was me who sended the bad message at
 first about all americans being of europe origin. This was a stupid thing,
 it was not intended to be of any type of racism or anything, just a blubr
 from my part.
 I should have said that every american has origins from the old world, not
 europe. Sorry about this.
 What about russia, dont russia count in as european? I really dont know.
 Everytime i visits the gustavians in Sweden, i can always tell they are
 swedish, and that even that we are so close neighbors, Denmark and Sweden
it
 is very typically the way they look like. Something about their eyes, and
 their shape of face. Off cause many swedes are very pale and has blue eyes
 and golden hair, but it is not only that.
 Here in Denmark we have many danes with very dark hair and also dark skin.
 They have their origin from Spain, as Denmark had a lot of spanish troops
 living in Jutland, during the wars in 1864.
 Funny how our past still have so much influence for us all.

 Bjarne

 - Original Message - 
 From: Adele de Maisieres [EMAIL PROTECTED]
 To: Historical Costume [EMAIL PROTECTED]
 Sent: Monday, March 13, 2006 9:17 PM
 Subject: Re: [h-cost] Re: European ancestors


  I'm mainly of Irish and French-Canadian descent, with some Swedish,
Welsh,
  and English thrown in.  Apparently, I'm very Irish looking with
extremely
  fair skin and green eyes.  My costume obsession: early 16th-century
  Florence.
 
  -- 
  Adele de Maisieres
 
  -
  Habeo metrum - musicamque,
  hominem meam. Expectat alium quid?
  -Georgeus Gershwinus
  - 
 
 
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Re: [h-cost] Tea towels

2006-03-13 Thread Lloyd Mitchell
Ah Me...My passion these last two months has been e-Bay and dolls!  I have
managed in a space of about 3 months to amass a fairly well balanced doll
collection with which to play with in my dotage.
The one thing I have realized is that I have a real thing for china dolls.
Since I am after the right heads and bodies that will be graced by 19thC
clothing, I have not been too particular with the original (so called)
clothing or body condition. I have a nice store of vintage and antique
sawdust, linen, and fabulous lace to play with.

Some of the dolls have already suffered extreme makeovers,so I am not cowed
by the antiquarian idea that all this history should be preserved. I am
taking notes of all the carcasses along with pictures, and will save any
threads that seem to be remarkable...and discard all the wrappings and
patches that managed to keep the poor things together for their final
destination.

I've been doing the costume thing since 1976 and am rapidly getting free of
the things I don't want to play with, and am basically diminishing the size
of the costume project but retaining the construction and detail including
jewelry and findings.  Your books have been tremendously helpful to me in
the past and I have discovered occasionally that I can almost take your
pattern shapes as they exist on the page exactly as they are.
Thank You for all your hard work.

In my e-Bay travels last week I did net a wonderful pair of purple silk
mules that had crewel embroidery on them for my late 18th C kit.  Even the
heel was ok!

Happy hunting,
Kathleen



- Original Message - 
From: Lavolta Press [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, March 13, 2006 2:46 PM
Subject: Re: [h-cost] Tea towels


 We have vintage clothing and textile shows here too (there's one this
 coming weekend), and I used to love going to them.  But now I love eBay
 more, to the extent that, when I'm pressed for time, I don't even always
 go to the local shows.  On eBay there's just so much more merchandise
 available, and new stuff every day (from all over the world), and it's
 so much easier and quicker to browse it.  I've been collecting clothing
 and textiles,and related publications, since I was 16. The net has just
 opened up the market incredibly; even though I often used to buy from
 other geographic areas by mail.  I'm not really much of a window
 shopper; I look for things to buy rather than just spending hours
 looking around. And I don't need to lose weight, so that's not a factor.
I agree though, that walking is practical exercise, in that you can
 get somewhere as you do it.

 Fran
 Lavolta Press
 http://www.lavoltapress.com


 Lloyd Mitchell wrote:
  Ah, but one misses out on the practical activity of treading all the
dusty
  or muddy trails! A great way to walk off a few pounds.  Also, the
venture of
  the hand and eye in discovering potential bargains has its own pleasure.
  In our region, most of the reproductive linen has catered more to the
  multitudes of Battenberg enthusiast than good old birdseye and other
  interesting weaves.  Huck cloths aplenty, too.
  Kathleen
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Re: [h-cost] New pattern

2006-03-09 Thread Lloyd Mitchell
These hoops and bustles are wonderful, Lorena!  I have the first one and the
last as antiques and you have made them up just as they should be. The last
one differs only from mine in that the train part button of mine buttons
onto the hem of the main hoop shape.  Bravo

Kathleen
- Original Message - 
From: Deredere Galbraith [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, March 09, 2006 12:00 PM
Subject: Re: [h-cost] New pattern


 Somehow I find the hoops and bustles a bit weird looking.
 I am not sure what it is.


 Five Rivers Chapmanry wrote:

 Thought some of you who re-enact Victorian and Dickens eras
 would be interested in the new pattern from Laughing Moon (I'm just
waiting
 for my new stock to arrive). It's the Hoops and Bustles package, LM112.
 Looks like another fabulous addition to this premiere line of patterns.
For
 details you can visit http://www.5rivers.org/en-gb/p_1058.html which will
 take you to that specific pattern.
 
 
 
 There's also been a wonderful addition to the Laughing Moon
 Men's Frock Coat pattern, in that in now includes a single-breasted, as
well
 as the double-breasted frock coat, with the original two vests that were
 included in the pattern. Again, I'm just waiting for my new stock to
arrive.
 You can view that pattern at: http://www.5rivers.org/en-gb/p_776.html
 
 
 
 Regards,
 
 Lorina
 
 Five Rivers Chapmanry
 
 purveyors of historical sewing patterns, quality hand-crafted cooperage,
 re-enactor and embroidery supplies, and more.
 
 519-799-5577 [EMAIL PROTECTED] - www.5rivers.org
 
 
 
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Re: [h-cost] abuse of fabrics (aka care and washing)

2006-03-07 Thread Lloyd Mitchell
Ain't modern fabrics a wonder?
Early in my collecting career, I spent days mending and shoring up of a
fragile georgette   to get it to a wearable state (plainly rescued from the
burn barrel).  it was a wonderful pale peach color ornamented with tiny
silver beads and sequins.  When I had done all I could to give it one more
outing I thought I would just dip it in the sink to freshen it.  Ten minutes
later I returned to rinse it and all that remained of the lovely design was
the beads. (No one had yet told me that sequins from just about before WW2
were made of gelatin!
- Original Message - 
From: Dawn [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, March 06, 2006 2:05 PM
Subject: Re: [h-cost] abuse of fabrics (aka care and washing)


 Leah L Watts wrote:

 
  I've always suspected Do Not Wash, Do Not Dry Clean, Spot Clean Only
  was a synonym for We Couldn't Be Bothered To Test This But Don't Want
To
  Be Held Responsible.

 I picked up a gorgeous fully beaded and sequinned evening gown at a
 local thrift shop with just such a tag. It reeked of  dancing all night
 in a smoky club but for $4 I took a chance. Laid it in a tub of cold
 water with mild soap and just kind of swished it gently and it came out
 beautifully.

 I'm all ready for the palace ball, I just need my glass slippers and the
 invitation from the prince



 Dawn


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Re: [h-cost] abuse of fabrics (aka care and washing)

2006-03-06 Thread Lloyd Mitchell
That has certainly been my take on it for years! The so called care label
puts the blame on the owner or outside establishment if the garment fails to
survive the cleaning.

Besides the Talon (zipper) ads, remember the Union Label (buy American!)
ads when all the new fibers began to come out in the 1950s? Some of the
American labels such as Jonathan Logan took great pride that you could
depend on their products not to shrink or misshape in the wearing (and
caring)

Kathleen
- Original Message - 
From: Leah L Watts [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, March 06, 2006 7:10 AM
Subject: Re: [h-cost] abuse of fabrics (aka care and washing)


  One of the things I learned in my studies was that legally, clothing
  manufacturers have to put a care label on their garments, and they
  have to
  test the garment in what ever method they recommend.

 Not that all manufacturer's actually _test_ the garments ... I think
 Tommy Hilfiger still holds the record for biggest fine from the FTC for
 inaccurate care labels.  There's a fashion boutique that opened recently
 in Omaha that is already notorious among the local dry cleaners; the
 company I work for has told everyone to refuse garments from them because
 they cannot be dry cleaned regardless of the care tag.

 For *most*  garments,
  regardless of fiber content, the easiest and cheapest route is to
  label the
  garment Dry Clean Only. This way they are not responsible for the
  poor
  results if the garment is cleaned some other way, and they have to
  spend
  very little money researching other cleaning methods.

 I've always suspected Do Not Wash, Do Not Dry Clean, Spot Clean Only
 was a synonym for We Couldn't Be Bothered To Test This But Don't Want To
 Be Held Responsible.

 Leah
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Re: [h-cost] Re: Piecework

2006-03-06 Thread Lloyd Mitchell
This group of a single gartered, lace covered leg, provocatively extended
from various froths of silk skirts and petticoat.  There are 5!  each one
more delicious than the other...
A very cute idea.

kathleen

- Original Message - 
From: Gail  Scott Finke [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, March 05, 2006 7:01 PM
Subject: [h-cost] Re: Piecework


 Kathleen wrote:

  Hey there, Folk,
  Have you seen the latest Piecework, yet? Garden Embroidery with
snippets of
  a stomacher and an Eliza. purse, plus a lovely coverlet all in florals.
There
  is also a presentation of Stumpwork with instructions and a project.
Knit
  cuffs that might be useful for the reinactor,and a wonderful 'penny rug'
for
  contemplation by the 19th C, folk.  There is also an article on
collecting and
  caring for household textiles (including a handful of 'naughty
pincushions'
  that I have not seen before).  And finally, a calendar of textile events
and
  shows from around the country.


 Naughty pincushions

 Gail Finke


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Re: [h-cost] abuse of fabrics (aka care and washing)

2006-03-06 Thread Lloyd Mitchell
This is what I understood back in the '50s.  The ads about
'non-shrinking/misshaping were placed by the WGWU, as you can still find
their label in older garments.  That was their hallmark about buying quality
fabric.  It seems that when Fashion (the customer/business ordering) took
prescidence on the label, that quality began to slip.  Not just  in the
fabric...but when outsourcing to save a union wage buck was becoming the
norm...and the result is in one time wearing garments.
Kathleen
- Original Message - 
From: monica spence [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, March 06, 2006 9:11 AM
Subject: RE: [h-cost] abuse of fabrics (aka care and washing)



 Hi--
 I was a designer / patternmaker and technical designer in the garment
 industry for 24 years. Do not blame the manufacturer (the people who
 actually sew the garment) for the wording of care labels. Very often the
 people who make the garment follow what is demanded by the Customer (the
 people who order the garment from the manufacturer: Disney,. Walmart,
Sears
 etc.) The customer gives the manufacturer a manual that gives phrases and
 the care label must be taken from that. The Federal Government also
prevents
 the manufacturer from doing preventative care labling: unless you know
 that a certain fabric will react by doing something (eg: pouring chlorine
 bleach on a swimwear fabric) you cannot say do not bleach. The problem
 with this is that sometimes the customer insists on going the extra step
in
 stupidity-- over the advice of the manufacturer. I once had an on-going
 agrument with Nordstroms about using non-chlorine bleach on a chiild's
 swimsuit. I lost. They insisted that the label say non-chlorine bleach as
 needed. The fabric was done no favors with that!

 Don't blame the manufacturer, blame the people who place the order with
the
 manufacturer. We have our own share of frustrations. (Don't get me started
 on off-shore manufacturing...)

 Yours-
 Monica Spence


 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
 Behalf Of Lloyd Mitchell
 Sent: Monday, March 06, 2006 8:33 AM
 To: Historical Costume
 Subject: Re: [h-cost] abuse of fabrics (aka care and washing)


 That has certainly been my take on it for years! The so called care label
 puts the blame on the owner or outside establishment if the garment fails
to
 survive the cleaning.

 Besides the Talon (zipper) ads, remember the Union Label (buy American!)
 ads when all the new fibers began to come out in the 1950s? Some of the
 American labels such as Jonathan Logan took great pride that you could
 depend on their products not to shrink or misshape in the wearing (and
 caring)

 Kathleen
 - Original Message -
 From: Leah L Watts [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Monday, March 06, 2006 7:10 AM
 Subject: Re: [h-cost] abuse of fabrics (aka care and washing)


   One of the things I learned in my studies was that legally, clothing
   manufacturers have to put a care label on their garments, and they
   have to
   test the garment in what ever method they recommend.
 
  Not that all manufacturer's actually _test_ the garments ... I think
  Tommy Hilfiger still holds the record for biggest fine from the FTC for
  inaccurate care labels.  There's a fashion boutique that opened recently
  in Omaha that is already notorious among the local dry cleaners; the
  company I work for has told everyone to refuse garments from them
because
  they cannot be dry cleaned regardless of the care tag.
 
  For *most*  garments,
   regardless of fiber content, the easiest and cheapest route is to
   label the
   garment Dry Clean Only. This way they are not responsible for the
   poor
   results if the garment is cleaned some other way, and they have to
   spend
   very little money researching other cleaning methods.
 
  I've always suspected Do Not Wash, Do Not Dry Clean, Spot Clean Only
  was a synonym for We Couldn't Be Bothered To Test This But Don't Want
To
  Be Held Responsible.
 
  Leah
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Re: [h-cost] abuse of fabrics (aka care and washing) question

2006-03-05 Thread Lloyd Mitchell
Ah, but many of the products for washing and cleaning have changed!  This
will have some small effect on the textiles being treated...from my own
experience.

Kathleen
- Original Message - 
From: Kim Baird [EMAIL PROTECTED]
To: 'Historical Costume' [EMAIL PROTECTED]
Sent: Sunday, March 05, 2006 12:46 PM
Subject: RE: [h-cost] abuse of fabrics (aka care and washing) question


 If you really want to know about properties and care of various fabrics,
get
 a college textiles textbook. It will have all the technical details. You
 could look for a used one on alibris or abebooks. You don't need the most
 current, up-to-date book, because you are looking for natural fiber info,
 which hasn't changed much.
 Try a college library if you don't want to buy.

 Kim

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
 Behalf Of Kahlara
 Sent: Sunday, March 05, 2006 7:11 AM
 To: [EMAIL PROTECTED]
 Subject: [h-cost] abuse of fabrics (aka care and washing) question

 Can someone point me in the right direction for info/resources on best
 washing methods fof various natural fabrics, especially linen and wool. I
 know that many of my off the rack 'modern' clothes specify dry cleaning,
but
 if I were to wash my linen and wool yardage first (cool water of course),
 would that make the finished garment washable by the same method as well
 without too much risk of shrinkage? It would be so much simpler.

   Thanks,
   Annette M


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 Bring photos to life! New PhotoMail  makes sharing a breeze.
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[h-cost] Piecework!

2006-03-04 Thread Lloyd Mitchell
Hey there, Folk,
Have you seen the latest Piecework, yet? Garden Embroidery with snippets of  
a stomacher and an Eliza. purse, plus a lovely coverlet all in florals.  There 
is also a presentation of Stumpwork with instructions and a project.  Knit 
cuffs that might be useful for the reinactor,and a wonderful 'penny rug' for 
contemplation by the 19th C, folk.  There is also an article on collecting and 
caring for household textiles (including a handful of 'naughty pincushions' 
that I have not seen before).  And finally, a calendar of textile events and 
shows from around the country.
Now there is a summer vacation to think about...
Alas, now to make it through April Fool's Day, which I will be celebrating  up 
in West Moreland Cty (Pa.) presenting Baubles, Bangles, and Beads, another 
vintage/antique fashion show for a fundraiser for a service club scholarship 
program. I will be trotting our some of my beaded and fancy clothes one more 
time...

Kathleen 

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Re: [h-cost] RE: Goldwork

2006-03-04 Thread Lloyd Mitchell
On the subject of gold work:
I picked up a very interesting volume last year that has been tweaking my
curiosity enough to go looking for some gold threads.  The title is The
Stumpwork, Goldwork and Surface Embroidery Beetle Collection every kind of
beetle and related bug imaginable is reproduced in needlework...  I picked
it up with the idea of getting inspired to do some of the bees that are
found on textiles from the 16th/19th C.  particularly during the First
French Empire (Napoleon and Josephine)
It is awesome!  When this whole discussion re gold work came about, I pulled
it off the shelf again...Something new to catch my finger's fancy...
Kathleen

- Original Message - 
From: E House [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, March 04, 2006 12:54 PM
Subject: Re: [h-cost] RE: Goldwork


 Thanks for all the info, Lorina... In a couple of years, I may be putting
 together an order for the rarefied stuff!

 -E House

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Re: [h-cost] RE: Goldwork

2006-03-04 Thread Lloyd Mitchell
It does not present items from history as much as demonstrating how to
replicate these insects in stump work...using a lot of gold threads.  It
does speak plainly about handling the necessary fibers and the possible
pit-falls of same.  The illustrations themselves could be from a 'chapbook'
of field studies of beetles (and some of their friends and relations).
You might contact me privately about how you could have a 'look-see' before
you invest in this volume.
- Original Message - 
From: Susan B. Farmer [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, March 04, 2006 6:08 PM
Subject: Re: [h-cost] RE: Goldwork


 Quoting Lloyd Mitchell [EMAIL PROTECTED]:

  On the subject of gold work:
  I picked up a very interesting volume last year that has been tweaking
my
  curiosity enough to go looking for some gold threads.  The title is The
  Stumpwork, Goldwork and Surface Embroidery Beetle Collection every kind
of
  beetle and related bug imaginable is reproduced in needlework...  I
picked
  it up with the idea of getting inspired to do some of the bees that are
  found on textiles from the 16th/19th C.  particularly during the First
  French Empire (Napoleon and Josephine)

 Is there much 16th C (or earlier) things in there?  That sounds like
 something that I'd like to get!

 Susan
 -
 Susan Farmer
 [EMAIL PROTECTED]
 University of Tennessee
 Department of Ecology and Evolutionary Biology
 http://www.goldsword.com/sfarmer/Trillium/


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Re: [h-cost] Fit of a victorian bodice

2006-03-03 Thread Lloyd Mitchell
My experience, based on antique bodices in my collection, features this
fitting mode only on the lining or under bodice.  This point of fitting is
then 'upholsterd by the outer fabric that is draped and tweaked in such a
manner that the adjustment is not obvious.  A dressform is definitely a plus
for one of these constructions.

Kathleen
- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, March 02, 2006 2:12 PM
Subject: [h-cost] Fit of a victorian bodice


 Hi, I'm making an 1865-70 bodice (first bustle era) starting from the
Truly Victorian ball bodice pattern, and I'm having trouble with the fit
around the armholes -- there's a horizontal stress line about 1/2 above the
bottom of the armhole (right at the top of my corset) it extends about 3
into the bust, and about the same length across the back. I'm not sure how
to get rid of it -- the rest of the bodice fits beautifully... I also had
this problem on my princess-line tea gown using their pattern... But I
thought it was due to the weight of the fabric, but that can't be the case
for my current bodice... Does anyone have any suggestions for how to handle
this fitting problem? Should I make the armhole bigger (and if so, should it
be lower side front, lower side back, or the bottom? I'm afraid if I widen
the armhole it'll just pull the armhole out of shape due to the pull...)
should I let the side seam out a little bit? I thought about putting padding
inside the bodice ther!
  e, but there is very little room... And the bodice is satin so it shows
every little crinkle or dent - unfortunately you can even follow the line of
the lace on the chemise if you look closely.

 Does anyone have any suggestions?
 Thank you,
 -sunny

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Re: [h-cost] Partly OT: Stains on table linen

2006-03-03 Thread Lloyd Mitchell
My  anti-stain shelf includes a bottle of Aunt Ellen's (both for whites and
colors, found at JoAnn's) and Oxiclean paste, as well as a tree product.
Aunt Ellen's does have a bleaching element but it took 30 yr. stains out of
my favorite teacozy without showing any damage to the linen fibers. A recent
rescue mission for my daughter's white damask tablecloth was somewhat
successful with a liberal application of Oxiclean.  My favorite brightner
right now is the non-chlorine product of a company called Mellauca. This is
what I am using on my antique laces and other delicates, including silk.  It
does a great job on the obvious 'age' tints without removing the true
antique colors.

Kathleen





- Original Message - 
From: Dawn [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, March 02, 2006 11:49 AM
Subject: Re: [h-cost] Partly OT: Stains on table linen


 Kate M Bunting wrote:

  My mother has had to go into a nursing home and I'm clearing her house.
I've found numerous tablecloths and napkins, some quite old and interesting,
a lot of which have food stains on. I've washed them with Vanish (if you
don't have that in the US, it's a new oxygen-based stain remover) but it
doesn't get everything out. I don't want to bleach antique or coloured
items. Suggestions, anyone?
 

 Hydrogen peroxide is pretty mild, but if the oxy-stuff didn't work you
 may not have luck with this either.

 Tried sun-bleaching it?


 Dawn


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Re: [h-cost] Fit of a victorian bodice

2006-03-03 Thread Lloyd Mitchell
This is kind of what I meant when I spoke of doing a fine-fit with the
lining before you add the garment fabric.  A well fitted muslin will deal
with some if not all the problems of possible bias when the the outer fabric
is added. Most of all my antique jackets were constructed in this way. There
seems to be a slight change in the shape and the wearing when the two layers
come together.
My experience, anyway.  This is one area that really shows up when modern
patterns try to emulate the ninteenth century fit...starting with the
shoulder seam sitting squarely on the shoulder.  Another way the
seamstresses seemed to solve the problem is with a little wadding in the
armhole area.  If you are using an antique construction, maybe adding the
padding which will also give a look of a fuller bustline, is what is missing
in your calculations.

Kathleen
- Original Message - 
From: Cin [EMAIL PROTECTED]
To: sunny sunshine buchler [EMAIL PROTECTED]; h-cost
[EMAIL PROTECTED]
Sent: Friday, March 03, 2006 1:47 PM
Subject: Re: [h-cost] Fit of a victorian bodice


 On 3/3/06, Cin [EMAIL PROTECTED] wrote:
  Hi, I'm making an 1865-70 bodice (first bustle era) starting from the
  Truly Victorian ball bodice pattern, and I'm having trouble with the
  fit around the armholes -- there's a horizontal stress line about
  1/2 above the bottom of the armhole (right at the top of my corset)
  it extends about 3 into the bust, and about the same length across
  the back. I'm not sure how to get rid of it -- the rest of the bodice
  fits beautifully...

 I'm sure you've thought of these, given your professional training,
 but I thought of another possible cause, the stress lines are actually
 due to slight bias stretch.  Fix this by interlining with straight
 grain goods (selvedge offcuts are traditional) or tailors tape, tho
 this may be too heavy if your chemise lace is showing thru.

 Yet another possible cause, the shoulder strap wants to lie slightly
 outside or inside of where it was designed to go. You may have to
 release the side  CB seams, then pivot or slide the section until the
 straps lie right.
 --cin
 Cynthia Barnes
 [EMAIL PROTECTED]

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Re: [h-cost] various fashion

2006-02-26 Thread Lloyd Mitchell
Re the color black, some of you might find the chapter on Black in Anne
Hollander's book Seeing Through Clothes to be very interesting..I myself
have found the book to be very fascinating as well as useful for the social
historian, in general.
Kathleen
- Original Message - 
From: Dawn [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, February 25, 2006 3:57 PM
Subject: Re: [h-cost] various fashion



  I heard a comment about the color black in clothing:  People wear black
  because it reflects the mood of the times.
 

 The guys I know who wear black, aside from the wannabeagoth crowd, do so
 because they know it will match all their other black stuff. They want
 to look nice, but are design challenged when it comes to picking colors
 or textures. Fashion changes too much to keep up with, so they stay with
 safe neutral colors.

 As for dressing up in historic costume but not in real life, I rarely
 have RL chances to wear long gowns, silk dresses , beaded fabrics or
 anything requiring a crinoline. But costume events give me several
 chances a year to get decked out in something fancy and original. It's
 not that I don't want to wear ball gowns, I just don't get to many State
 Dinners or Coronations. :)




 Dawn


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Re: [h-cost] Tambour hook/ was A book for Bjarne, and other 18thcentury embroiderers!!

2006-02-24 Thread Lloyd Mitchell
Hedgehog Handiworks also carries them.
Kathleen
- Original Message - 
From: [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, February 24, 2006 3:10 PM
Subject: Re: [h-cost] Tambour hook/ was A book for Bjarne, and other
18thcentury embroiderers!!


 Try Lacis: http://www.lacis.com/catalog/search.php.
 --Ruth Anne Baumgartner
 scholar gypsy and amateur costumer

 -Original Message-
 From: Suzi Clarke [EMAIL PROTECTED]
 Sent: Feb 24, 2006 11:32 AM
 To: Historical Costume [EMAIL PROTECTED]
 Subject: [h-cost]  Tambour hook/ was A book for Bjarne, and other 18th
century embroiderers!!
 
 
 Now I have had time to look at this beautiful book, I want to try
 tambour embroidery. (Not beading.) Does anyone have a source for the
 hooks? I have the handle part somewhere, but a source for that would
 probably be good too.
 
 Suzi
 
 
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Re: [h-cost] Woolen underclothing....where to find such fabric

2006-02-22 Thread Lloyd Mitchell
I watch the ads in Sierra Trading Post catalogues.  They seem to garner lots
of European Woolies. I also found some other sites by googling wool undies.
A couple South American sites/Australian were also interesting.

Kathleen
- Original Message - 
From: Lavolta Press [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, February 21, 2006 9:48 PM
Subject: Re: [h-cost] Woolen underclothingwhere to find such fabric


 Cashmere!  I'm quite sensitive to wool next to the skin (senstivity
 seems to vary a lot with the individual), but usually not pure cashmere.

 Fran
 Lavolta Press Books on Historic Costuming
 http://www.lavoltapress.com

 WickedFrau wrote:
 Any ideas on where to find wool fabric which is really, really
  soft and not itchy?
 
  Thanks,
 
  Sg
 
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Re: [h-cost] Princess Elizabeth

2006-02-21 Thread Lloyd Mitchell
Re the perception of color in these portraits:
For you who do dyeing (Natural or otherwise) did the color of dyed textiles
of the past change because of exposure to sunlight or was there some
chemical element that was not always stable and would mute or even mutate
over a period of time.  In the present world, I have seen color changes on
bolts and even garments that have never seen the light of day go entirely
from one color to another.
For instance, there is a certain grey from the middle of the 20th C, that
seems to change to pink within a 40 yr. span.  My daughters pale blue
taffeta promgown from the 1990s is now a sort of interesting pale rose.  I
have a bolt of rayon velvet from the'70s that is presently an interesting
shade of lavender.

In reference to these portraits under discussion, might the colors on the
canvas have changed, or the garments themselves have been 'changeable'?

kathleen
- Original Message - 
From: Sue Clemenger [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, February 20, 2006 11:19 PM
Subject: Re: [h-cost] Princess Elizabeth


 Misremembering happens to all of us! g Seriously, though, it could be
two
 different copies--I know that some of the portraits of Elizabeth I (as
 queen) and her sister, Mary, were done multipe times--there's that great
 chapter in QEUnlocked that talks about them.  So it could be that,
 especially since so many of our details are similar.  And maybe it
explains
 why some of the reproductions seem so pink and others more orange? I don't
 know about yours--we only had time for the National Gallery of Art
(which
 was on its last day of a Truly Cool Exhibit on Fabric in Portraits), and
 didn't make it over to the Portrait Gallery.  Well, maybe we could have,
if
 I hadn't been making a complete pig of myself in the bookstore. weg
 I've seen monochrome embroidery done in red in a couple of portraits in my
 books, and a little of it in the Textile Rooms at the VA.  A friend of
mine
 says it's known as morisco work (spelling optional at this time of the
 evening ;o) I *think* I've got a copy of a painting of Mary I with red
 embroidery somewhere.  I *think.*  (sorry...bad case of chocolate cravings
 paired with knitting fatigue from the Knitting Olympics! LOL!)
 --Sue
 p.s.  I like your Ghandi quote

 - Original Message -
 From: Diana Habra [EMAIL PROTECTED]
 To: Historical Costume [EMAIL PROTECTED]
 Sent: Monday, February 20, 2006 7:45 PM
 Subject: Re: [h-cost] Princess Elizabeth


 
   When did you see it in the Portrait Gallery? I was in England in 2002,
 and
   saw the painting at Windsor.  The dress was screaming pink, no orange
to
   it
   at all.
   The forepart and undersleeves are made of a gold pile/cream base cut
 and
   voided velvet, although I suspect that the pile, in this case, is
gold
   thread (looks distinctly metallic).
   --Sue, wondering if there are two of them out there
 
  Hmmm...maybe I was mistaken.  I know I saw the Princess Mary Tudor
  portrait while I was there.  I thought I saw the Elizabeth one, too.
 
  But seeing the Mary Tudor portrait in person was pretty cool because I
  discovered that her chemise had redwork on the cuffs!  I hadn't heard of
  redwork before then and the photos I had seen of the painting didn't
have
  enough detail to show it.   Very cool!
 
  Diana
 
  www.RenaissanceFabrics.net
  Everything for the Costumer
 
  Become the change you want to see in the world.
  --Ghandi


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Re: Perception of color, Re: [h-cost] Princess Elizabeth

2006-02-21 Thread Lloyd Mitchell
Thanks for the many responses to my query on color perception and
'mutations'.  This has been very interesting to me with examples of both
fibers and painting/printing copies.  Through the years I have had customers
who come armed with a picture from which they expect a costume copy. Trying
to tell them that they do not have a 'fair print' for reproduction purposes,
especially regarding color, has truly been problematical. If it is a color
that was not available for the time period, there is usually fuss and
bother. Lately, I do not mind telling them to pick a 'right color' or find
someone else to do up their creation.
Sigh,
Kathleen
- Original Message - 
From: Suzi Clarke [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, February 21, 2006 11:39 AM
Subject: Re: Perception of color, Re: [h-cost] Princess Elizabeth


 At 16:01 21/02/2006, you wrote:
 Fabric dyes vary in their resistance to color
 change.  Some dyes change color, some just fade,
 some do both.  It also depends upon the fabric
 itself; in my experience cottons and linens tend
 to hold their colors better than silks.  Wools
 have held their colors well.  I had some acetate
 plaid taffeta that changed color while stored in
 a dark closet under fairly constant climatic
 conditions.  So synthetics, in my experience,
 have the worst survival characteristics.
 
 Pigments for painting are generally minerals, so
 the colors have a better chance to survive
 intact, although where some organic pigments are
 used, they can fade/change just like
 fabric.  There are some minerals that do change
 color due to chemical reactions with air, though
 modern analytic techniques can determine what
 the original mineral was and restore the proper
 color.  The usual reason for color changes in
 portraits are the accumulation of dust, soot,
 etc., on the surface and earlier attempts to
 protect the painting with varnish, which often darkens with age.

 According to QEWU The deep pink gown is
 fashionably cut and the material is described in
 the records of Edward Vl's collection of pictures
 the ladye Elizabeth her grace with a booke
 in her hande her gowne like crymsen clothe of
 golde with workes. Just o confuse matters you
 understand. When I was at college we went to see
 the portraits at Windsor, and this was always
 referred to as the Pink Princess, which tends
 to make me think that we all saw it as a pink dress.

 Suzi

 Hi,
 Ah yes, and the purple wheelfarthingale dress i
 made for Castle Selsø has turned brownish grey :-)
 Anyway it was a dupioni silk, and they dont
 hold their colours very long. Dress was exhibited in a room with morning
sun.
 
 Bjarne
 
 
 Re the perception of color in these portraits:
 For you who do dyeing (Natural or otherwise) did the color of dyed
textiles
 of the past change because of exposure to sunlight or was there some
 chemical element that was not always stable and would mute or even
mutate
 over a period of time.  In the present world, I have seen color changes
on
 bolts and even garments that have never seen the light of day go
entirely
 from one color to another.
 For instance, there is a certain grey from the middle of the 20th C,
that
 seems to change to pink within a 40 yr. span.  My daughters pale blue
 taffeta promgown from the 1990s is now a sort of interesting pale rose.
I
 have a bolt of rayon velvet from the'70s that is presently an
interesting
 shade of lavender.
 
 In reference to these portraits under discussion, might the colors on
the
 canvas have changed, or the garments themselves have been 'changeable'?
 
 kathleen
 
 
 Misremembering happens to all of us! g Seriously, though, it could
be
 two
 different copies--I know that some of the portraits of Elizabeth I (as
 queen) and her sister, Mary, were done multipe times--there's that
great
 chapter in QEUnlocked that talks about them.  So it could be that,
 especially since so many of our details are similar.  And maybe it
 explains
 why some of the reproductions seem so pink and others more orange? I
don't
 know about yours--we only had time for the National Gallery of Art
 (which
 was on its last day of a Truly Cool Exhibit on Fabric in Portraits),
and
 didn't make it over to the Portrait Gallery.  Well, maybe we could
have,
 if
 I hadn't been making a complete pig of myself in the bookstore. weg
 I've seen monochrome embroidery done in red in a couple of portraits
in my
 books, and a little of it in the Textile Rooms at the VA.  A friend
of
 mine
 says it's known as morisco work (spelling optional at this time of
the
 evening ;o) I *think* I've got a copy of a painting of Mary I with red
 embroidery somewhere.  I *think.*  (sorry...bad case of chocolate
cravings
 paired with knitting fatigue from the Knitting Olympics! LOL!)
 
 
  
When did you see it in the Portrait
  Gallery? I was in England in   2002,
 and
saw the painting at Windsor.  The dress was screaming pink, no
orange
 to
it
at all.
The 

Re: [h-cost] Mystery Bag

2006-02-20 Thread Lloyd Mitchell
Or even the 19th C? The overall scrolling of the fleur de lis design with
the addition of some beading would place this for me, in the 1870s/80s.

Kathleen
- Original Message - 
From: Joan Jurancich [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, February 19, 2006 4:38 PM
Subject: Re: [h-cost] Mystery Bag


 At 01:03 PM 2/19/2006, you wrote:
 Kathy Page wrote:
 
 http://ca.geocities.com/absynthe30/avatars/M91_165.jpg
 
 I've looked at dozens of bags in the past two weeks but can't recall
 that one, sorry. It does look more 17th century (mid-late?) to me
 than 16th, though. It's metal embroidery, it's symmetrical, there's
 that stylized scrollwork and leaves... I'm in the process of trying
 to make one myself.
 
 Dawn

 Could it be 19th century?  Part of the Renaissance/medieval revival
 fashion?  Those really heavy tassels look overdone for the 16th-17th
 century to me.


 Joan Jurancich
 [EMAIL PROTECTED]

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Re: FW: [h-cost] modes and manners

2006-02-20 Thread Lloyd Mitchell
One of my more droll findings in etiquitte books (American, late 19th C) is
a note that ladies never take off their gloves even at a
dinnertable...unless the hostess does!!  For the nouveu upper middle class,
this advice  would speak woe to the idea that one might well ruin many pairs
of long white kid gloves attending affairs of someone who really was Not In
the Know.

Kathleen

- Original wwqMessage - 
From: otsisto [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, February 20, 2006 4:14 AM
Subject: RE: FW: [h-cost] modes and manners


 -Original Message-
 This may be etiquette in the U.S. but it is not in court circles in
Britain.
 Manners may well differ in different countries. My comment was an answer
to
 Bjarne according to British habits. Under normal circumstances, most
ladies
 would be wearing gloves, so the actual kiss on the skin of the hand would
 not happen anyway. Gloves were not taken off when one was introduced to
 someone.

 Suzi
 __
 As I said Perhaps and some
 Please note from the site:
 Period books of (American) etiquette state that not removing one's gloves
 by the gentleman is perfectly proper. If your character is European,
 however, the gentleman would remove the glove from the hand that takes the
 lady's.
 This is more 1800s etiquette and from what little I understand of the
 period, much of both US coasts were fascinated by European etiquette
during
 the 1800s and tried to emulate it.
 Perhaps I misread Bjarne's email as I do not remember seeing Britain
 specified. I apologies for the bandwidth in posting the url. I will
 definitely make sure that I do not make that mistake again.
 De


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Re: [h-cost] Mystery Bag

2006-02-20 Thread Lloyd Mitchell
Ah, but what I find interesting about this piece besides the outer design is
the placement of the tassels...and their possible function.  I may be off
the wall, but because of the slowness of total vision as the picture came up
on my screen, I  viewed the tassels attachment as a possibly second set of
drawer strings, which would make the pouching double (ie. two compartments).
Hmmm
Kathleen



 - Original Message - 
From: Dawn [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, February 19, 2006 4:03 PM
Subject: Re: [h-cost] Mystery Bag


 Kathy Page wrote:

 
  http://ca.geocities.com/absynthe30/avatars/M91_165.jpg
 

 I've looked at dozens of bags in the past two weeks but can't recall
 that one, sorry. It does look more 17th century (mid-late?) to me than
 16th, though. It's metal embroidery, it's symmetrical, there's that
 stylized scrollwork and leaves... I'm in the process of trying to make
 one myself.


 Dawn



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Re: [h-cost] Victorian Bristish Costume Book

2006-02-17 Thread Lloyd Mitchell
Penny, I saw the 'Men's book yesterday at ABE bookseller.  I forget the
price but there it was!
Kathleen
- Original Message - 
From: Penny Ladnier [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, February 16, 2006 7:11 PM
Subject: [h-cost] Victorian Bristish Costume Book


 I have this book and been working on getting it on my website for the past
 two years.  Even though some of the costumes are not period correct, they
 are the costumes that people during this time wore to fancy dressed balls,
 plays, etc.  We have about half of the book's descriptions typed.  I can't
 pull the book at this moment to quote from it. But going on memory, it was
 written or supported by a large costume house in London.  When I am
working
 on the book again, I will pull the credits and provide more information.
 Kathleen once I have the book online, I will loan it to you.

 This book on eBay is *one* edition of the book and the costumes are for
 women and children.  There were a few editions.  I think the last one was
 published in 1900.  I have been looking for the menwear edition of this
book
 for a few years.  I found one dealer who had the men's costume book, but
he
 was in England and the price and shipping was more than I had at the time.

 The price of this book is high.  I have seen it extremely high  You can
find
 some tattered editions at antique bookstores online.  My copy is in good
 condition.

 Queen Victoria was fascinated with historically inspired costume balls and
a
 lot of research went behind the costumes worn to them.  I have been
working
 on a few articles about these balls.  One reason for the balls was to give
a
 boost to the economy of England in the 1840s  1850s.  There is a really
 good article about her balls in an 1980s Costume Society of America's
 journal Dress.  The article goes into more detail about this.

 Kathleen, your 1868 book, The Corset and the Crinoline, will have three
more
 chapters (5-7) online within a week or so.  Watch for the announcements.

 Penny E. Ladnier
 Owner,
 The Costume Gallery, www.costumegallery.com
 Costume Classroom, www.costumeclassroom.com
 Costume Research Library, www.costumelibrary.com

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Re: [h-cost] Looking for 1850-60 muff pattern

2006-02-17 Thread Lloyd Mitchell
I have some muffs from this period and they are made thus:
Make 2  tubes of muslin cut about 13/14 x21, one should be about 2 less
than the other.Stitch one end together and make a 3/4 chenille for elastic,
and fill with feathers (or you may opt for heavy poly quilt filler)Stitch
the open end; make a chenille as in the other end .
(you may wish to sew satin facings of about 6 oh each end of the inner bag
as the lining might show.
Cut and thread 2 pieces of elastic about 10 in the ends
Make a second (well, third) tube of fur, chenille, or other fabric of your
choice about 1 less than the tube already assembled, and cover the inner
piece.
Add a handle on one end, of silk braid or rope.
Embellish with tassels to taste.

Kathleen
- Original Message - 
From: Deredere Galbraith [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, February 17, 2006 6:51 AM
Subject: [h-cost] Looking for 1850-60 muff pattern


 Hi,

 A friend of mine is looking for a 1850-60 muff pattern.
 Something like this
 http://www.gbacg.org/Patterns/forever.htm
 But I've read that this pattern is discontinued.
 She really likes the draught-stoppers.

 Greetings,
Deredere

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Re: [h-cost] Re: Tudor patterns was Tudor rose

2006-02-16 Thread Lloyd Mitchell
If some of my memory serves me right, doesn't fashion history suggest that
children were more or less dressed as minies of their elders , especially
during this time period?  My children's clothing history does not present
separate patterns or expectations until the very end of the 18th C.

Since most of the pattern companies that have been issuing period dress also
have basic children's versions that at least have been sized for smaller
frames, putting the pattern pieces next to H-costume pieces and reshape them
for the Historical look.  I have even been doing this with doll patterns of
late and as you know, the Cut is where the history happens.

Kathleen

- Original Message - 
From: otsisto [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 15, 2006 3:15 PM
Subject: [h-cost] Re: Tudor patterns was Tudor rose



http://www.sewingcentral.com/cgi-bin/Web_store/web_store.cgi?page=pp.htmlca
 rt_id=71329_959

 Patterns 51 and 52 (need to scroll down) Sorry, for adults but can give an
 idea of what to look for in making you daughters outfit.
 I had thought that Margo Anderson was working on some Elizabethan
children's
 patterns for her next major patterns but I guess I was thinking of another
 history pattern company.
 Once upon a time I could have sworn that there was a Tudor pattern for
girls
 that with a bit o' tweaking could be very close to period in construction
 but I can't seem to find it.
 De


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Re: Victorian ideas of Renaissance clothing, was Re:[h-cost]italianchilds renaissance dress

2006-02-16 Thread Lloyd Mitchell
I mut look this one up!  It might have all those dicey tid-bits that would
amuse women at Tea.

Kathleen
- Original Message - 
From: Robin Netherton [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, February 16, 2006 12:30 AM
Subject: Re: Victorian ideas of Renaissance clothing, was
Re:[h-cost]italianchilds renaissance dress



 On Wed, 15 Feb 2006, Lloyd Mitchell wrote:

  I'd like to see That one...(And who said that Victorians were lacking
  in a sense of humor...  when it came to Dress?

 Some of the examples I use during my talk on the Victorian view of
 historic costume come from a book called Fancy Dresses Described, by
 Ardern Holt, a very popular manual of ideas for costumes for fancy-dress
 parties. In addition to a large number of historical figures, it gave
 instructions (and a few illustrations) for how to dress as a deck of
 cards, a tea set, various flowers, etc. (The historical designs, of
 course, bore little resemblance to actual period costume of the historical
 figures.)

 --Robin

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Re: Victorian ideas of Renaissance clothing, was Re:[h-cost]italianchilds renaissance dress

2006-02-16 Thread Lloyd Mitchell
I often use my 19th C etiquette books, especially Putnam's as an
introduction to conversation.  Many of them also deal with Correct Fashion,
so Fancy Dress will be another  topic.

Kathleen

- Original Message - 
From: Robin Netherton [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, February 16, 2006 10:02 AM
Subject: Re: Victorian ideas of Renaissance clothing,was
Re:[h-cost]italianchilds renaissance dress



 On Thu, 16 Feb 2006, Lloyd Mitchell wrote:

 [about Fancy Dresses Described, by Ardern Holt:]

  I mut look this one up!  It might have all those dicey tid-bits that
  would amuse women at Tea.

 I've found it only in rare book rooms, but it was a very popular book
 (went into five or six editions) so it should be in a sizable number of
 collections.

 Don't know what sort of dicey tidbits you're looking for; the entire book
 is costume descriptions.

 --Robin


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Re: Victorian ideas of Renaissance clothing, was Re:[h-cost]italianchilds renaissance dress

2006-02-16 Thread Lloyd Mitchell
Just did a quick search with the usual book vendors and my jaw is still
flapping!  How about $500.00!!

Kathleen

- Original Message - 
From: Robin Netherton [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, February 16, 2006 10:02 AM
Subject: Re: Victorian ideas of Renaissance clothing,was
Re:[h-cost]italianchilds renaissance dress



 On Thu, 16 Feb 2006, Lloyd Mitchell wrote:

 [about Fancy Dresses Described, by Ardern Holt:]

  I mut look this one up!  It might have all those dicey tid-bits that
  would amuse women at Tea.

 I've found it only in rare book rooms, but it was a very popular book
 (went into five or six editions) so it should be in a sizable number of
 collections.

 Don't know what sort of dicey tidbits you're looking for; the entire book
 is costume descriptions.

 --Robin


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Re: [h-cost] Fiskars scissors/shears- springs replaced

2006-02-16 Thread Lloyd Mitchell
'Twas I,  Suzi.  This is the first company in a long time that treats me
(and you) like a valued customer!
Kathleen
- Original Message - 
From: Suzi Clarke [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, February 16, 2006 10:15 AM
Subject: [h-cost] Fiskars scissors/shears- springs replaced



 Whoever commented that Fiskars sent her replacement springs - thank
 you so much.

 They sent me two new springs, one of which my DH fitted, and I am go
 for cutting again. They really need a professional sharpen, (I tried
 to cut a pin, and for once I can't sharpen them well enough) but they
 are still better than the big ones I had to use.

 Suzi


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Re: Victorian ideas of Renaissance clothing, was Re:[h-cost]italianchilds renaissance dress

2006-02-16 Thread Lloyd Mitchell
You have said it! I use their edition of Braun and Schneider for lots of
picture references so I can leave the 19th C edition on the shelf.  Now to
plot my course re Fancy Dress coming from foreign climes...if I should get
it.  Will look further for an affordable copy in the US.  Got a book on line
last fall and it was going to cost four times the win for the Royal Mail.
Alas-alack! (Did find another one sometime later)
Kathleen
- Original Message - 
From: Robin Netherton [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, February 16, 2006 10:32 AM
Subject: Re: Victorian ideas of Renaissance clothing,was
Re:[h-cost]italianchilds renaissance dress



 On Thu, 16 Feb 2006, Suzi Clarke wrote:

  Whooo, that's got more pictures than mine. Good luck bidding, if you
  decide.  I might bid if the price stays like that and nobody else is
  interested, then sell on my less complete copy. However, I don't want
  to enter a war with anybody on list, so p[lease let me know.

 I won't be bidding; I don't really need it, and there are other books I do
 need more if I had the money to spend. Keep us posted!

 If ever a book begged for Dover reprint, this is it. The fully illustrated
 volumes are lovely. (The book grew, and gained more pictures, as the
 years/editions progressed.)

 --Robin

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Re: [h-cost] American Civil War Confederate Uniform Pattern

2006-02-16 Thread Lloyd Mitchell
At least for the officer's pattern, any period frock coat pattern will get
you started.  I think that my latest was from Past Patterns.  The carry
other Cw patterns (I think)
- Original Message - 
From: Lalah [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, February 16, 2006 3:57 PM
Subject: [h-cost] American Civil War Confederate Uniform Pattern


 I doubt if half the subject showed up, but I wanted to be sure just which
civil war (stupid name for a very uncivil action) and which side of the
conflict I was researching.  I have a multitude of pictures of Confederate
uniforms, but would really love to have a decent pattern to start with.  I
don't need patterns for myself or most women, but have not done enough men's
clothing to wing it.  Does anyone know of a reasonably accurate pattern?
Many thanks,

 Lalah, Never give up, Never surrender


 _
 Netscape. just the net you need
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Re: [h-cost] Re: Tudor patterns for children

2006-02-16 Thread Lloyd Mitchell
I would think that would go without saying, as in any age. Especially when
fashionable clothing was so involved both to dressing and wearing.  I
suppose that one reason we have Visual examples at all is that the child
would be prepared for the sitting(s) much as children of the 19th/20th C
were prepared for photograph sittings. In general, not until candid
photography was possible do we get any real vision of what people actually
wore in the every day.

Kathleen
- Original Message - 
From: otsisto [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, February 16, 2006 3:31 PM
Subject: [h-cost] Re: Tudor patterns for children


 That seems to be the common thought from the portraits. but I have noticed
 that there are some differences in construction. In Arnold's book the
 child's opening is at the shoulder. There was a woodprint that I would
 estimate to be 3 years old with closing in the back like a keyhole
neckline
 with ties at the point. The example just recently posted by Bjarne. Style

 silhouette are similar to the adults but there is probably a different
 construction to accommodate the child's body shape and convenience of
 dressing the child.
 De

 -Original Message-
 If some of my memory serves me right, doesn't fashion history suggest that
 children were more or less dressed as minies of their elders , especially
 during this time period?  My children's clothing history does not present
 separate patterns or expectations until the very end of the 18th C.

 Since most of the pattern companies that have been issuing period dress
also
 have basic children's versions that at least have been sized for smaller
 frames, putting the pattern pieces next to H-costume pieces and reshape
them
 for the Historical look.  I have even been doing this with doll patterns
of
 late and as you know, the Cut is where the history happens.

 Kathleen

 - Original Message -
 From: otsisto [EMAIL PROTECTED]
 To: Historical Costume [EMAIL PROTECTED]
 Sent: Wednesday, February 15, 2006 3:15 PM
 Subject: [h-cost] Re: Tudor patterns was Tudor rose


 

http://www.sewingcentral.com/cgi-bin/Web_store/web_store.cgi?page=pp.htmlca
  rt_id=71329_959
 
  Patterns 51 and 52 (need to scroll down) Sorry, for adults but can give
an
  idea of what to look for in making you daughters outfit.
  I had thought that Margo Anderson was working on some Elizabethan
 children's
  patterns for her next major patterns but I guess I was thinking of
another
  history pattern company.
  Once upon a time I could have sworn that there was a Tudor pattern for
 girls
  that with a bit o' tweaking could be very close to period in
construction
  but I can't seem to find it.
  De
 
 
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Re: Victorian ideas of Renaissance clothing, was Re: [h-cost]italian childs renaissance dress

2006-02-15 Thread Lloyd Mitchell
I have in my collection just such a gown of the '70s that got reshaped and
trotted out as QE1!  It is indeed a hoot.
  My very favorite of these can be seen at The Museum of the City of NY:  A
purple velvet number of the late '70/ early '80s and worn by Mrs. Astor.
She went to the party as a Light Bulb!!  Her Diamond headdress provided
the twinkling lights.

Kathleen

- Original Message - 
From: Joan Jurancich [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 15, 2006 10:47 AM
Subject: Victorian ideas of Renaissance clothing, was Re: [h-cost]italian
childs renaissance dress


 At 02:48 AM 2/15/2006, you wrote:
 Thats interresting. Its funny they want to keep the edwardian shape
 even for renaissance.
 
 Bjarne
 
 - Original Message - From: Kimiko Small [EMAIL PROTECTED]
 To: Historical Costume [EMAIL PROTECTED]
 Sent: Wednesday, February 15, 2006 4:36 AM
 Subject: Re: [h-cost] italian childs renaissance dress
 
 
 At 09:42 AM 2/14/2006, you wrote:
 Found this, and thoaght some of you might not have seen it yeat.

http://www.mfa.org/collections/search_art.asp?coll_keywords=dresssubmit.
x=3submit.y=10coll_start=81
 
 Bjarne
 
 
 Thank you Bjarne,
 
 I got to playing around with the search engine, and found this
 interesting gown, from the House of Worth.
 http://tinyurl.com/92mz4
 
 I found it amusing that they would do a renaissance style gown for
 the well to do. I could almost see this gown on a friend of faire
 person, someone who likes to dress up with something that looks
 kinda right, but isn't.
 
 And in purple velvet, it's rather fetching.
 
 Kimiko

 I have a fashion print showing historical outfits for a fancy dress
 (costume) ball in the 1880s.  It's hilarious from a costumer's
 viewpoint.  Imagine Mary Queen of Scots with an 1880s shape. :-D  Very
funny.


 Joan Jurancich
 [EMAIL PROTECTED]

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Re: Victorian ideas of Renaissance clothing, was Re:[h-cost]italian childs renaissance dress

2006-02-15 Thread Lloyd Mitchell
Your day sounds much like mine.  The most difficult problem for me has been
getting customers to keep to business hours when it comes to the telephone!
No, I am not happy to take your call between the hours of 6PM and Am!!
Call me when the shop is open. ( And don't show up on a Sunday afternoon
and expect that the shop is..or can be open!!)  We solved that one by taking
off for the day sometime after 9AM and get home maybe after dark.

I will take appointments between 9Am and noon on Saturday...if I have to.
Funny thing, came the day when I realized that none of the costume shops or
suppliers worked aft Noon on Saturday and so I liberated myself.

The other problem work related is how easy (or hard not to) let the shop
inventory travel into the living quarters..

kathleen


- Original Message - 
From: Suzi Clarke [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 15, 2006 1:27 PM
Subject: Re: Victorian ideas of Renaissance clothing, was Re:[h-cost]italian
childs renaissance dress


 At 18:14 15/02/2006, you wrote:
 I have in my collection just such a gown of the '70s that got reshaped
and
 trotted out as QE1!  It is indeed a hoot.
My very favorite of these can be seen at The Museum of the City of NY:
A
 purple velvet number of the late '70/ early '80s and worn by Mrs. Astor.
 She went to the party as a Light Bulb!!  Her Diamond headdress provided
 the twinkling lights.


 I have a recent purchase of a fashion plate from the 1890's of a
 Bookworm - it was in German, so it took me a while to fathom out!

 Suzi



   Found this, and thoaght some of you might not have seen it yeat.
  
 
http://www.mfa.org/collections/search_art.asp?coll_keywords=dresssubmit.
 x=3submit.y=10coll_start=81
   
 
   I got to playing around with the search engine, and found this
   interesting gown, from the House of Worth.
   http://tinyurl.com/92mz4
   
   I found it amusing that they would do a renaissance style gown for
   the well to do. I could almost see this gown on a friend of faire
   person, someone who likes to dress up with something that looks
   kinda right, but isn't.
   
   And in purple velvet, it's rather fetching.
   
   Kimiko
  
   I have a fashion print showing historical outfits for a fancy dress
   (costume) ball in the 1880s.  It's hilarious from a costumer's
   viewpoint.  Imagine Mary Queen of Scots with an 1880s shape. :-D  Very
 funny.
  
  
   Joan Jurancich
   [EMAIL PROTECTED]


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Re: Victorian ideas of Renaissance clothing, was Re:[h-cost]italian childs renaissance dress

2006-02-15 Thread Lloyd Mitchell
I'd like to see That one...(And who said that Victorians were lacking in a
sense of humor...  when it came to Dress?
Kathleen
- Original Message - 
From: Suzi Clarke [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 15, 2006 1:27 PM
Subject: Re: Victorian ideas of Renaissance clothing, was Re:[h-cost]italian
childs renaissance dress


 At 18:14 15/02/2006, you wrote:
 I have in my collection just such a gown of the '70s that got reshaped
and
 trotted out as QE1!  It is indeed a hoot.
My very favorite of these can be seen at The Museum of the City of NY:
A
 purple velvet number of the late '70/ early '80s and worn by Mrs. Astor.
 She went to the party as a Light Bulb!!  Her Diamond headdress provided
 the twinkling lights.


 I have a recent purchase of a fashion plate from the 1890's of a
 Bookworm - it was in German, so it took me a while to fathom out!

 Suzi



   Found this, and thoaght some of you might not have seen it yeat.
  
 
http://www.mfa.org/collections/search_art.asp?coll_keywords=dresssubmit.
 x=3submit.y=10coll_start=81
   
 
   I got to playing around with the search engine, and found this
   interesting gown, from the House of Worth.
   http://tinyurl.com/92mz4
   
   I found it amusing that they would do a renaissance style gown for
   the well to do. I could almost see this gown on a friend of faire
   person, someone who likes to dress up with something that looks
   kinda right, but isn't.
   
   And in purple velvet, it's rather fetching.
   
   Kimiko
  
   I have a fashion print showing historical outfits for a fancy dress
   (costume) ball in the 1880s.  It's hilarious from a costumer's
   viewpoint.  Imagine Mary Queen of Scots with an 1880s shape. :-D  Very
 funny.
  
  
   Joan Jurancich
   [EMAIL PROTECTED]


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Re: [h-cost] Silk Cord for Lacing Purses

2006-02-14 Thread Lloyd Mitchell
Fire Mountain carries a full color range of rat-tail silk cord (and also
mouse-tail). I use these braided or twisted together as well as for
couching.  Dharma carries this also in white and now, black.

kathleen

- Original Message - 
From: Julie [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, February 13, 2006 2:31 PM
Subject: [h-cost] Silk Cord for Lacing Purses


 Hi Bjarne
 I don't know a thing about vendors in Denmark, but I know I went crazy
 trying to find appropriate cord to fingerloop braid when I made a purse.
 Check out your beading stores.  Silk cord is sold to restring necklaces,
 especially pearls.  I was able to buy spools of silk cord in several
 different colors...white being one of them.
 Julie in San Diego

 - Original Message - 
 
  Hi,
  Does any of you know of good suppliers of thick silk cord i can use for
  the
  purses i make?
  Dont mind if it is white, i could dye it.
 
  Bjarne


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Re: [h-cost] Roman women's hairstyles

2006-02-11 Thread Lloyd Mitchell
I have it on the shelf, but it is in the file to discard.
  Does anyone not know  about the R.Courson book I mentioned earlier.  He
covers hair styles from almost pre-history through most of the twentieth
Century.  This volume is about 3 thick; the drawings are based on statuary
of the ancients through gleanings from pictorial evidences of art and
photography.  All of the pic's are black and white line renderings of hair
style from any of the periods.  And it carries a fairly comprehensive
bibliography as well as interpretive  descriptions .

Kathleen
- Original Message - 
From: Catherine Olanich Raymond [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, February 10, 2006 11:51 PM
Subject: Re: [h-cost] Roman women's hairstyles


 On Thursday 09 February 2006 4:16 pm, [EMAIL PROTECTED] wrote:
  Hi,
  Can anyone point me to a reference for how to dress Roman ladies' hair?
  I've found a some simple styles, but wasn't there a period when they
wore
  really tall, complicated hairstyles?
 
  Oh, and has anyone seen this book: Daring Do's: History of hairstyles by
  Trasko? Is it any good?

 I looked through it in a bookstore once.   Fewer illustrations than I'd
like,
 and very un-informative text.  Moreover, I don't think it had any pictures
 whatsoever of Roman period styles.  Don't waste your money.

 If you want pictures of Roman ladies' hair styles, there's a nice little
 section in A.T. Croom's Roman Clothing and Fashion, which is still in
print
 and not too expensive (I think it runs about $35 USD).

 -- 
 Cathy Raymond [EMAIL PROTECTED]

 Physics is like sex; sure, it may give some practical
 results, but that's not why we do it.--Richard Feynman
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Re: [h-cost] Roman women's hairstyles

2006-02-11 Thread Lloyd Mitchell
I have the makeup book also. The book were given to me by a former
director...sort of in his will.  I will check my shelf for what might be a
digest version that I have acquired. (And thanks for the sp.check..)

Also, I think that Cassine-Scott did a fair job in his Greek and Roman
handbook for the stage.  At least a jumping off point.

Kathleen

- Original Message - 
From: Catherine Olanich Raymond [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, February 11, 2006 1:02 PM
Subject: Re: [h-cost] Roman women's hairstyles


 On Saturday 11 February 2006 8:56 am, Lloyd Mitchell wrote:
  I have it on the shelf, but it is in the file to discard.
Does anyone not know  about the R.Courson book I mentioned earlier.

 Yes, I am familiar with Corson's book.  However, I believe it's out of
print.
 It's certainly hard to find; after prowling the Internet for awhile I
managed
 to score a copy for $75 USD.  That's why I didn't recommend it first to
the
 lady who started this thread.

He
  covers hair styles from almost pre-history through most of the twentieth
  Century.  This volume is about 3 thick; the drawings are based on
statuary
  of the ancients through gleanings from pictorial evidences of art and
  photography.  All of the pic's are black and white line renderings of
hair
  style from any of the periods.  And it carries a fairly comprehensive
  bibliography as well as interpretive  descriptions .

 You are quite right, Kathleen.  Corson's book is my basic reference for
 hairstyles though it's not cheap to obtain.  My bet is that it'd be easy
 enough to find via ILL though.

 Corson also did a book on the history of makeup which I will eventually
track
 down, time and cost permitting.  :-)


 -- 
 Cathy Raymond [EMAIL PROTECTED]

 Physics is like sex; sure, it may give some practical
 results, but that's not why we do it.--Richard Feynman
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Re: [h-cost] Simplicity's new natural form era gown, opinions?

2006-02-10 Thread Lloyd Mitchell
Based on about 6/8 items in my antique inventory that this garment is trying
to emulate, bodices in this decade of the new pattern are always boned...in
addition to having the corset boned. The relaxed look would only be seen in
the reformed dress (sans corset) and probably never in such a formal
garment.
The poufffs at the hip seem very contrived; and the shoe topper skirt is
showing too much shoe (and horrors! an ankle)  it is true that skirts were
somewhat shorter in this time period, but I think not for formal attire.

My two cents worth, based on real garments that I have seen and inspected...

Kathleen

- Original Message - 
From: Elizabeth Walpole [EMAIL PROTECTED]
To: Historic Costume [EMAIL PROTECTED]
Sent: Wednesday, February 08, 2006 12:26 AM
Subject: [h-cost] Simplicity's new natural form era gown, opinions?


 I was just browsing Simplicity's website (I got a free pattern for
 submitting a sewing tip to their 'idea exchange') and I found that they
have
 a new historic costume pattern,
 http://www.simplicity.com/dv1_v4.cfm?design=4244 it looks like a bustle or
 natural form period gown, they may be trying to cash in on The Phantom of
 the Opera (though it seems a bit late) as their model does look quite a
bit
 like Emmy Rossum (who played the main character, Christine) although they
do
 already have a version of the costume she wears when she does her solo on
 stage for the rest of the film she wears typical late 1870s to early 1880s
 outfits.
 Anyway, onto my point does anybody have an opinion on how authentic this
is
 and whether any inauthentic parts would be fixable? The bodice doesn't
look
 too bad it's got 2 darts at the front and princess seams at the back, it
 reminds me of a polonaise except for the back drape. It would need fitting
 to be worn over a corset but otherwise I can't seem to pinpoint a flaw (I
 admit I don't like the look of the back of the skirt but I don't know if
 that's because it's inauthentic or I just dislike the style). Then again
 I've only done a little research into this era, so for those who have more
 expertise in natural form era outfits what is your opinion?
 Elizabeth
 
 Elizabeth Walpole
 Canberra Australia
 ewalpole[at]tpg.com.au
 http://au.geocities.com/e_walpole/



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Re: [h-cost] Simplicity's new natural form era gown, opinions?

2006-02-10 Thread Lloyd Mitchell
Exactly!
Kathleen
- Original Message - 
From: Becky [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 08, 2006 9:06 AM
Subject: Re: [h-cost] Simplicity's new natural form era gown, opinions?


 The actual picture looks as if the side poof is pulled to the front
opening
 but the drawing view does not. I don't know if that is the problem you
seek,
 but that is one difference I see. The ones I've seen like this are pulled
 more towards the back, not to the front. They form the bustle and butt
 enhancement with all the poofyness.
 - Original Message - 
 From: Elizabeth Walpole [EMAIL PROTECTED]
 To: Historic Costume [EMAIL PROTECTED]
 Sent: Wednesday, February 08, 2006 12:26 AM
 Subject: [h-cost] Simplicity's new natural form era gown, opinions?


 I was just browsing Simplicity's website (I got a free pattern for
  submitting a sewing tip to their 'idea exchange') and I found that they
  have
  a new historic costume pattern,
  http://www.simplicity.com/dv1_v4.cfm?design=4244 it looks like a bustle
or
  natural form period gown, they may be trying to cash in on The Phantom
of
  the Opera (though it seems a bit late) as their model does look quite a
  bit
  like Emmy Rossum (who played the main character, Christine) although
they
  do
  already have a version of the costume she wears when she does her solo
on
  stage for the rest of the film she wears typical late 1870s to early
1880s
  outfits.
  Anyway, onto my point does anybody have an opinion on how authentic this
  is
  and whether any inauthentic parts would be fixable? The bodice doesn't
  look
  too bad it's got 2 darts at the front and princess seams at the back, it
  reminds me of a polonaise except for the back drape. It would need
fitting
  to be worn over a corset but otherwise I can't seem to pinpoint a flaw
(I
  admit I don't like the look of the back of the skirt but I don't know if
  that's because it's inauthentic or I just dislike the style). Then again
  I've only done a little research into this era, so for those who have
more
  expertise in natural form era outfits what is your opinion?
  Elizabeth
  
  Elizabeth Walpole
  Canberra Australia
  ewalpole[at]tpg.com.au
  http://au.geocities.com/e_walpole/
 
 
 
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Re: [h-cost] pinker alert

2006-02-10 Thread Lloyd Mitchell
Were these Fiscars or look-alikes?

One of the advantages of the Fiscar Soft Touch is that there is no finger
pinching.  I don't remember if they use this design with the scrapbook line.

One interesting note re Fiscar service on the ST products, at least, is that
you can get replacement springs when they give out (from overwork?).The last
time I requested replacements, they sent me a small handful!  Would that
they would would put a quality spring in to begin with.
Any way, the ST line has saved my fingers from calluses.

Kathleen
- Original Message - 
From: Dawn [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, February 09, 2006 11:06 AM
Subject: Re: [h-cost] pinker alert


 [EMAIL PROTECTED] wrote:

  Fiskar, I believe, makes a variety of pinking/dagging scissors--a
variety of designs. I don't have any, and I've seen them advertised only in
art-supply catalogs, so maybe their usefulness is limited to paper. I'm
always tempted to try a pair, but I can't decide among  wavy-cut, deep pink,
deckled-paper-effect, and the more complicated dags...and can't afford to
buy them all!
  Again: maybe no good for fabricHas anybody tried them?
  --Ruth Anne Baumgartner

 I have a pair I bought when I made my wedding invitations, and I didn't
 think they were all that good on paper. The handles were small and hurt
 my hands -- though they cut ok -- I found them unpleasant to use. They
 probably would have worked on fabric when new, but they won't now. And
 how would you sharpen something like that anyway?



 Dawn



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Re: [h-cost] Roman women's hairstyles

2006-02-10 Thread Lloyd Mitchell
Richard Coursons's Hair book is the best reference I know of.  Since you
spend time researching examples of Fine Art that you probably can identify
his sources as you see them reduces to blackline drawings.

Kathleen
- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, February 09, 2006 4:16 PM
Subject: [h-cost] Roman women's hairstyles


 Hi,
 Can anyone point me to a reference for how to dress Roman ladies' hair?
I've found a some simple styles, but wasn't there a period when they wore
really tall, complicated hairstyles?

 Oh, and has anyone seen this book: Daring Do's: History of hairstyles by
Trasko? Is it any good?

 Thanks!
 Tea Rose


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Re: [h-cost] pinker alert/Fiskars scissors

2006-02-10 Thread Lloyd Mitchell
You are welcome!  The first time the problem happened, I sent the shears in
for service.  The last time, it was the 'clippers'.  They not only replaced
the spring in the ailing pair but sent along a new pair!  (Funny, the
clippers  never go on sale).  Also, the size of the clipper spring is about
one turn less than the Shears, so it makes a small difference when you are
trying to keep them in service.

kathleen



.- Original Message - From: Suzi Clarke [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, February 10, 2006 5:53 PM
Subject: Re: [h-cost] pinker alert/Fiskars scissors


 At 21:46 10/02/2006, you wrote:
 Were these Fiscars or look-alikes?
 
 One of the advantages of the Fiscar Soft Touch is that there is no finger
 pinching.  I don't remember if they use this design with the scrapbook
line.
 
 One interesting note re Fiscar service on the ST products, at least, is
that
 you can get replacement springs when they give out (from overwork?).The
last
 time I requested replacements, they sent me a small handful!  Would that
 they would would put a quality spring in to begin with.
 Any way, the ST line has saved my fingers from calluses.
 
 Kathleen


 Thanks for the suggestion Kathleen. I inherited my Fiskars Soft Touch
 third hand and recently broke the spring. Someone is bringing me a
 new pair from the U.S. as they are so much cheaper. I am too cheap to
 buy another pair, and I am having to use a pair of Fiskars shears
 instead - not nearly so easy. So I just wrote to Fiskars UK for a new
 spring, or somewhere I can get them fixed. Great tip - thanks again.

 Suzi


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Re: [h-cost] pinker alert

2006-02-09 Thread Lloyd Mitchell
Ah alas, these are for paper Only. I have a friend that uses a rotary cutter
that comes with a variety of blades for fancy cuts.

Kathleen
- Original Message - 
From: [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, February 09, 2006 10:43 AM
Subject: Re: [h-cost] pinker alert


 Fiskar, I believe, makes a variety of pinking/dagging scissors--a variety
of designs. I don't have any, and I've seen them advertised only in
art-supply catalogs, so maybe their usefulness is limited to paper. I'm
always tempted to try a pair, but I can't decide among  wavy-cut, deep pink,
deckled-paper-effect, and the more complicated dags...and can't afford to
buy them all!
 Again: maybe no good for fabricHas anybody tried them?
 --Ruth Anne Baumgartner
 scholar gypsy and amateur costumer

 -Original Message-
 From: Lavolta Press [EMAIL PROTECTED]
 Sent: Feb 8, 2006 8:40 PM
 To: Historical Costume [EMAIL PROTECTED]
 Subject: Re: [h-cost] pinker alert
 
 I've been tempted, off and on, to bid on one of those crank models for
 pinking trimmings (I don't generally like to finish seams that way).
 That's why I've been reassured to see there's always a good selection on
 eBay (although I'm sure some of them are rusty and/or dull).
 
 What I really want though, is a choice of shapes beyond the standard
 rather shallow zigzag.  Has anyone found a modern or historic tool that
 really works well for that?
 
 Fran
 Lavolta Press
 http://.lavoltapress.com
 
 Lloyd Mitchell wrote:
 
  Thanks Fran, I love the one I got and didn't think of some of the other
ways
  of listing to find  one of the same for other people who might like to
gain
  one of these.
  Kathleen
 
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Re: [h-cost] Pink, pinkers, pinking

2006-02-09 Thread Lloyd Mitchell
and my 'new' one sure works like new.  I was surprised how sharp the cut
was..
kathleen
- Original Message - 
From: Carolann Schmitt [EMAIL PROTECTED]
To: 'Historical Costume' [EMAIL PROTECTED]
Sent: Thursday, February 09, 2006 7:26 PM
Subject: RE: [h-cost] Pink, pinkers, pinking


 As to the old table-mounted rotary pinking machines, does anybody have
one
 that actually works?

 I do. Works like a charm, but apparently mine was maintained properly.

 Carolann Schmitt
 [EMAIL PROTECTED]
 www.genteelarts.com
 Ladies  Gentlemen of the 1860s Conference, March 2-5, 2006


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Re: [h-cost] Pink, pinkers, pinking

2006-02-09 Thread Lloyd Mitchell
Well, have any of you had a problem using someone else's scissors?  It is
kid of like a lefty using mine, or me using theirs.  Some how, using a
person's cutting tool  is never quite like using one's own.

kathleen

- Original Message - 
From: Martha Kelly [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, February 09, 2006 6:02 PM
Subject: [h-cost] Pink, pinkers, pinking




 (What I really want though, is a choice of shapes beyond the standard
 rather shallow zigzag.  Has anyone found a modern or historic tool that
 really works well for that?  Fran)

 I recently bought a lovely reproduction 18th century pinking tool from Dan
 Brown of Green Man Forge. It was $40.  He will resharpen for $10.  He can
 make any shape pinker you want. Here's his web site:
 http://www.greenmanforge.com/.  I wanted to use some pinked edges on my
new
 18th century patterns for Simplicity. Unfortunately, I couldn't find a
cheap
 alternative that would be readily available.   Can't you just imagine
people
 looking at the back of the pattern envelope and seeing that a
special-order
 $40 tool was required!

 As to the old table-mounted rotary pinking machines, does anybody have one
 that actually works?  Many years ago I was at a huge costume company (now
 defunct) called Brooks Van Horne.  They had several pinking machines and
 they were a PAIN.  They were always dull and full of lint and chewed your
 seam allowances to heck.  Maybe that's because everybody used them and
 nobody cleaned or sharpened them?

 Martha


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[h-cost] pinker alert

2006-02-08 Thread Lloyd Mitchell
Hi all, I forget who it was who was interested in a 19th C Pinker.  There is 
another up on eBay  right now.  You will find it listed under Sewing tools.  
This looks to be pretty much the same as the one I found two weeks ago.

Kathleen
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Re: [h-cost] pinker alert

2006-02-08 Thread Lloyd Mitchell
Thanks Fran, I love the one I got and didn't think of some of the other ways
of listing to find  one of the same for other people who might like to gain
one of these.
Kathleen
- Original Message - 
From: Lavolta Press [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 08, 2006 5:22 PM
Subject: Re: [h-cost] pinker alert


 If you go to ebay's Collectibles/Vintage Sewing category, without going
 down into Tools, and search on pinking machine as two words (not a
 phrase), searching for those words in the listings as well as the
 titles, there are about ten pinking machines are listed. Which is about
 the usual number for any given day on eBay.  I've thought of getting one
 off and on.

 Fran
 Lavolta Press
 http://www.lavoltapress.com

 Lloyd Mitchell wrote:

  Hi all, I forget who it was who was interested in a 19th C Pinker.
There is another up on eBay  right now.  You will find it listed under
Sewing tools.  This looks to be pretty much the same as the one I found two
weeks ago.
 
  Kathleen
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Re: [h-cost] pinker alert

2006-02-08 Thread Lloyd Mitchell
Checking the instructions given here, do note that all of the buy-it-now
items are art prints!
Kathleen
- Original Message - 
From: Lavolta Press [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 08, 2006 5:22 PM
Subject: Re: [h-cost] pinker alert


 If you go to ebay's Collectibles/Vintage Sewing category, without going
 down into Tools, and search on pinking machine as two words (not a
 phrase), searching for those words in the listings as well as the
 titles, there are about ten pinking machines are listed. Which is about
 the usual number for any given day on eBay.  I've thought of getting one
 off and on.

 Fran
 Lavolta Press
 http://www.lavoltapress.com

 Lloyd Mitchell wrote:

  Hi all, I forget who it was who was interested in a 19th C Pinker.
There is another up on eBay  right now.  You will find it listed under
Sewing tools.  This looks to be pretty much the same as the one I found two
weeks ago.
 
  Kathleen
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Re: [h-cost] pinker alert

2006-02-08 Thread Lloyd Mitchell
What I like about the nifty tool that I  got is that the edging results on
soft cotton is a rather dainty feathered effect,  On stiffer fabric, it
gives the expected sharp zig-zag- pattern.

My present project is mainly h-costume inspiration doll clothing and the
results for ruschings is  simpler but elegant strips that do not require
more ornamentation or time to turn the edges.  I have plans for Ordinary
costume seam finishing to look forward to.

Kathleen


 - Original Message - 
From: Lavolta Press [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 08, 2006 8:40 PM
Subject: Re: [h-cost] pinker alert


 I've been tempted, off and on, to bid on one of those crank models for
 pinking trimmings (I don't generally like to finish seams that way).
 That's why I've been reassured to see there's always a good selection on
 eBay (although I'm sure some of them are rusty and/or dull).

 What I really want though, is a choice of shapes beyond the standard
 rather shallow zigzag.  Has anyone found a modern or historic tool that
 really works well for that?

 Fran
 Lavolta Press
 http://.lavoltapress.com

 Lloyd Mitchell wrote:

  Thanks Fran, I love the one I got and didn't think of some of the other
ways
  of listing to find  one of the same for other people who might like to
gain
  one of these.
  Kathleen
 
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Re: [h-cost] 17th Century Glove Pictures?

2006-02-07 Thread Lloyd Mitchell
Also, Piecework did a fine article on 16th C embroideries last year. Gloves
from QE2 inventory were part of the presentation.  I will look this up
later..
Kathleen


- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 07, 2006 12:46 PM
Subject: Re: [h-cost] 17th Century Glove Pictures?


 Aren't there a bunch of close ups of the embroidery and lace on these
types
 of gloves in Fashion in Detail?
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Re: [h-cost] 17th Century Glove Pictures?

2006-02-07 Thread Lloyd Mitchell
How about QE1 !!
KSM
- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 07, 2006 12:46 PM
Subject: Re: [h-cost] 17th Century Glove Pictures?


 Aren't there a bunch of close ups of the embroidery and lace on these
types
 of gloves in Fashion in Detail?
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[h-cost] More eye candy

2006-02-07 Thread Lloyd Mitchell
My book  find of the week is What Dolls Wore Before by Florence Theriault.
She covers the years 1850-1925 in this volume of luscious real photos of doll 
costumes.
For those of you who have children for whom you do h-costume, this book 
provides designs and fabric and trim that has been difficult to pin down (well, 
so to speak,) before. Many of the dolls clothes were also what children were 
wearing in this period.

Next to the Kyoto volume that sparked our imaginations, this book will 
certainly sit in ready reach for ideas on how to do a more credible rendering.

Kathleen, who found this at the Amazon site...
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Re: [h-cost] 17th Century Glove Pictures?

2006-02-07 Thread Lloyd Mitchell
The text for this article is built on items of the Burrell Collection,
Glascow, Scotland.

Kathleen
- Original Message - 
From: Suzi Clarke [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, February 07, 2006 5:53 PM
Subject: Re: [h-cost] 17th Century Glove Pictures?


 At 23:10 07/02/2006, you wrote:
 There's an article on an early 17th c. hunting set including a pair
 of gauntlet gloves in Piecework Volume XI, Number 2 (March/April 2003).
 
 Melanie Schuessler


 As far as I know this magazine is not available in the U.K. At least
 I have never seen it here. Maybe I am looking in the wrong places?

 Suzi


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Re: [h-cost] mending techniques

2006-02-06 Thread Lloyd Mitchell
I would lean toward mending and leave patches for tears.  If you are
'respectable', I think you would not advertise that you are also dirt poor.
Somehow, I think illustrators of children's books have contributed to our
concepts of how people of the past dealt with worn clothing.  I find mending
to be the proper way and patches, a quick fix.  It is akin to using
safteypins in place of lost buttons.

Kathleen

- Original Message - 
From: Joy Shillaker [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, February 06, 2006 7:27 AM
Subject: [h-cost] mending techniques


 Hello,
 I would be very gratefull for advice as to how to sort out my 1670
midwives
 clothing which I've just retrieved from storage to discover a fair bit of
 moth damage. The whole set, boddice, and two pleated skirts all wool lined
 with linen ,the design based on Vermeer's mikmaid has to be remade anyway
as
 I've dropped from english size 20 to a 10. Re-making the kit is no problem
 but how should I repair the moth holes? I can darn and patch.I have lovely
 woolen yarn in a matching colour for darning and also scraps of the cloth
 for patching. Should I use a mix of darns and patches? I'm hoping to make
 the repairs part of the costume part of my presentation. My character is a
 respectable midwife, licesnsed by the Bishop, well repected etc etc but
not
 hugely wealthy.Any ideas gratefully recieved.
 Not downhearted about this as the kit is beggining to look like real
 clothing as oppossed to a costume, and making kit smaller is easier than
 making it bigger.
 sorry about my speelling mistakes.

 regards
 Joy

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Re: [h-cost] interpretation of an image

2006-02-05 Thread Lloyd Mitchell
Here's a wild guess.
The answer might  be cued from the piece of paper in his hand.  Since the
rest of the people in the scene seem to be laborers, the man in the robe
could be what we might now call a foreman of some sort.  The part of the
garment that has the effect of a yoke appears to me to be separate add-on.
There seem to be no gather as we see in later images of the robes that
became academic or judicial garb of honor.

Kathleen

- Original Message - 
From: Dawn [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, February 04, 2006 10:26 PM
Subject: Re: [h-cost] interpretation of an image


 Kimiko Small wrote:

  http://www.kismeta.com/diGrasse/Matejko/1470guild.jpg
 
 
  It looks to me to be a scholars gown, with black velvet perhaps for the
  upper body area, and maybe guards down the front. However, since the
  shadows are also in the same/similar darker pencil lines, I am not
  positive if that isn't just to represent shadows as well.
 


 It's that upper part I'm concerned about. I don't see yokes in men's
 clothing this early, and it's been suggested to me that this gown has a
 yoke. Even as a re-drawing, I'm hesitant to say that's why the top part
 is darker. I'm thinking it's just been colored badly.

 Unless someone knows of a real example of a yoked gown from the 1400's


 Dawn


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Re: [h-cost] Re: Cage crinolines: wire/steel hoops and casings query

2006-02-05 Thread Lloyd Mitchell
Wouldn't that be too flimsy?  Seems to me that the weight of any garment
would crush the extension.  I have read somewhere (Godey's) that piano wire
was one of the reliable wires for making these cages.  I have at least three
crins of this period and the wire in them is not quite tubular (think
'linguini and not speggitti).It is flexable but is not bent easily. The
originals were fiber cased. One I use for contemporary use ad shed most of
this covering in it's long history.  I recovered it with white florist tape.
This allows it to move freely in its traces and retards the rusting of the
steel. Another one has had the vertical tapes replaced with drapery
header.  I found one that was the width of the original and had the neat
tracers that accommodated the wire exactly.
Kathleen
- Original Message - 
From: Sharon at Collierfam.com [EMAIL PROTECTED]
To: 'Historical Costume' [EMAIL PROTECTED]
Sent: Sunday, February 05, 2006 2:00 AM
Subject: RE: [h-cost] Re: Cage crinolines: wire/steel hoops and casings
query


 I'm not sure if it would work, but can you try using the steel in
measuring
 tapes? If it's the right kind, you could maybe get it from the
manufacturer.

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
 Behalf Of [EMAIL PROTECTED]
 Sent: Saturday, February 04, 2006 8:39 AM
 To: [EMAIL PROTECTED]
 Subject: [h-cost] Re: Cage crinolines: wire/steel hoops and casings query


 I'd do it the way Suzi suggests too.

 I've never managed to find the watch spring that the originals were made
 from, and am no longer sure if it's made in large quantities any more
 (though if
 anybody knows otherwise, do let me know!)

 Though last time I used the narrowest flat steel I could find, and encased
 it
 in bone casing that I had, and ordinary cotton twill tape for the
verticals,

 and I hand stitched the hoops in at the intersections, through the casing
 and
 the tape.  I also made the flounce at the bottom separately and attached
it
 using buttons at regular intervals, so it could be removed for washing (it
 was
 for a wedding dress to later be used for re-enactment and so likely to be
 dragged around a muddy field).

 Would like to do the 'uber-authenitc' type, but it's one of the many
things
 on my list that I want to make for fun (rather than for customers), that I
 never seem to find the time for :-(

 Debs




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Re: [h-cost] RE: Moda a Firenze

2006-02-03 Thread Lloyd Mitchell
They are Wonderfully reliable!  Have been ordering from them for about 10
years!

Besides Lacis, they(she) have been offering all the specialty tools and
threads, besides books and manuals that anyone could want for all textile
arts for a very long time.  Lots of personal attention for your wants and
wishes.

(Unsolicited comments!)  Kathleen
- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, February 03, 2006 2:58 PM
Subject: [h-cost] RE: Moda a Firenze


 I bought my copy of _Moda a Firenze_ from Lacis (http://www.lacis.com/) in
Berkeley CA, but I have heard they ran out... you could call and see if they
got more in, as my info is a month old.

 Yesterday I noticed that Hedgehog Handworks
(http://www.hedgehoghandworks.com/catalog/BKCT6001.shtml) is selling it on
line. (I've never ordered from them on-line, so I don't know how reliable
they are).

 You can also order directly from the Museum, but they want payment in
Italian currency (and no credit cards) which I found problematic.
 -sunny




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Re: [h-cost] Protecting wool?

2006-02-02 Thread Lloyd Mitchell
Re the polar fleece, it does not breathe and can trap body moisture on the
inside.  I am always too warm when I wear a very nice jacket I made. (And of
course, it isn't exactly period...
Kathleen
- Original Message - 
From: Joan Jurancich [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thursday, February 02, 2006 4:40 PM
Subject: Re: [h-cost] Protecting wool?


 At 01:35 PM 2/2/2006, you wrote:
 Luckily, I'm putting a border of abut 12 inches of black(actually a
 black and gray plaid) arould the front opening and base of the cloak
 which will be a little more stain resistant.  But I do plan to cut
 it above the ankles. For the first time I'm going to photo document
 the whole process, so I'll let you all know when I get pictures and
 such up on a website.  I haven't 100% decided yet, but I may hand
 sew the thing, given the weight of the wool involved.
 
 While I'm at it, does anyone have recommendations for what to line
 with? I'm trying to decide between linen and light weight polar
 fleece.  This is blanket weight wool, so it will be plenty warm on
 its own.  Has anyone lined a winter cloak in linen?  Fur's not
 really an option for me, so what other historically accurate options do I
have?
 
 Tayla
 
 [snip]

 The period solution would probably be silk.


 Joan Jurancich
 [EMAIL PROTECTED]

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[h-cost] book

2006-02-01 Thread Lloyd Mitchell
Hi all, I just got my copy of Petite Dames du Mode and it is all I had hoped 
for. It sure is inspiring for attempts of replication of by gone fashion.

Also, my small crank pinker is Wonderful.  It is about the size of a meat 
grinder that screws on to the table. There is a thumbnail guide re the spacing 
of the fabric being pinked.  This helps the fabric to self feed as you 
crank...in the like manner of the early sewing machines.  I prepared strips of 
fabric the other eve to be rusched and ran about 4 yards through the pinker in 
about 2 min. The fabric I was using was a very soft Egyptian cotton.  The edges 
are somewhat feathery but uniform.  Using a stiffer textile, I got the sharp 
zigzag one would expect.

Martha Washington's Robe Anglais is looking very spiffy.
Kathleen
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Re: [h-cost] book

2006-02-01 Thread Lloyd Mitchell
This was a 'by chance' item on e-Bay. I happened to look in on a sellers
other items. We have had a discussion of pinkers on the List before.  There
seem to be some modern repros of tools that will pink out there but they
do not seem to be as convenient as this old 19th C. tool proves to be.

Kathleen
- Original Message - 
From: Michaela Feudtner [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, February 01, 2006 4:00 PM
Subject: Re: [h-cost] book


 Dear Kathleen,

 Where did you get this pinker? I would love to buy one...

 Thanks,
 Michaela
 - Original Message -
 From: Lloyd Mitchell [EMAIL PROTECTED]
 To: H-Costume [EMAIL PROTECTED]
 Sent: Wednesday, February 01, 2006 8:19 PM
 Subject: [h-cost] book


 Hi all, I just got my copy of Petite Dames du Mode and it is all I had
 hoped for. It sure is inspiring for attempts of replication of by gone
 fashion.

 Also, my small crank pinker is Wonderful.  It is about the size of a meat
 grinder that screws on to the table. There is a thumbnail guide re the
 spacing of the fabric being pinked.  This helps the fabric to self feed as
 you crank...in the like manner of the early sewing machines.  I prepared
 strips of fabric the other eve to be rusched and ran about 4 yards through
 the pinker in about 2 min. The fabric I was using was a very soft Egyptian
 cotton.  The edges are somewhat feathery but uniform.  Using a stiffer
 textile, I got the sharp zigzag one would expect.

 Martha Washington's Robe Anglais is looking very spiffy.
 Kathleen
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[h-cost] Brit patterns

2006-01-31 Thread Lloyd Mitchell
Hope someone can help me with this
I am looking for a British pattern site that has patterns for the first quarter 
of the 19th C.
(Jane Austin and company,) Had it once and have lost it.

Kathleen
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Re: [h-cost] Re: Elizabethan Corset Habits was: Gestational Stays

2006-01-27 Thread Lloyd Mitchell
Such a good point, Fran. Besides the issue of body control as a fashion
issue, this matter of deformity must certainly weighed heavily in the matter
of corsetry in general.
I am just remembering that when I had my first child, my mother-in-law asked
me on the QT if I had made arrangements for a post-partum girdle. I had no
idea what she was talking about.  She also was a nurse, and after birthing 6
children, she was convinced that my body would never support the abdomen
without a proper foundation garment.  I should plan for the future.
I have had the opportunity to observe close on the difference between a
girdle and a foundation garment.  Have also seen the Mother of them all
garment to be worn in pregnancy.  Awesome!

Kathleen
- Original Message - 
From: Lavolta Press [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, January 27, 2006 12:55 AM
Subject: Re: [h-cost] Re: Elizabethan Corset Habits was: Gestational Stays


 I haven't followed this discussion but, if no one has mentioned this:

 Up into the Victorian period, one important type of body modification
 expected of corsets for pre-adults, including swaddling bands and
 childhood corsets, was to keep the person from developing skeletal
 deformtities, from becoming crooked.  It is true that in the 19th and
 I think 18th centuries there were anti-corset arguments that childhood
 corsets actually _made_ the body crooked. But the obsession with
 developing straight (understandable in periods where things like
 rickets were more common and there wasn't good medical treatment for
 people who were not straight) was still there.  I think modern diet
 (including Vitamin D pills), medical technology, and tolerance of the
 handicapped  have made us lose sight of this very important function.
 Corsets were not all about either a tiny waist or bust support.

 Fran
 Lavolta Press
 http://www.lavoltapress.com


 
  What seems to have been forgotten in the argument is that the overall
  body shape was different. If one wears a corset from a very young
  age, the body shape is altered, not as drastically as might appear,
  but altered.
 
 
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Re: [h-cost] Rubber garments to hide or lose weight

2006-01-26 Thread Lloyd Mitchell
On the rubber garments issue...
Does anyone remember the joys of wearing a Platex girdle in the 1950s?My
husband to be used to call it body armor.

Kathleen
- Original Message - 
From: [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, January 25, 2006 8:22 PM
Subject: Re: [h-cost] Rubber garments to hide or lose weight


 I cannot speak for some of the stuff in the original post but I have a
couple
 of bits to add:

 When I was much younger -- well, not that much for I am still bahh,
you'll
 never believe it -- I used to do odd things like try to keep fit. Part of
that
 was to make arm and head holes in a dry cleaning plastic cover and wear it
 under my track (sweat) suit while training. I know, I know, I know, there
are
 good reasons not to do this but, hell, it works when done right.

 As to hiding flab, these days I often work with those mountains of fitness
 called professional wrestlers. For one popular wrestler who has a second,
 masked and bodysuited character, I made a neoprene (wetsuit fabric)
bodysuit to
 wear under the costume to thin him in. It works,

 -C.


 
 This email was sent from Netspace Webmail: http://www.netspace.net.au

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Re: [h-cost] RE: Gifts for Brits

2006-01-26 Thread Lloyd Mitchell
And the best of all Stretch-Tite.
Makes me think of one of my favorite scenes in Fried Green Tomatoes when
the would be woman's libber opens the door to greet her husband at night all
done up in just plastic...

Kathleen
- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, January 26, 2006 10:19 AM
Subject: Re: [h-cost] RE: Gifts for Brits



 In a message dated 1/26/2006 10:10:44 A.M. Eastern Standard Time,
 [EMAIL PROTECTED] writes:

 I've
 also heard it called Saran Wrap (another brand name)


 **

 Funny...when I worked for a local theatre group years and years ago, we
had
 this running joke about making costumes out of Saran Wrap. It's cheap!
You
 don't even have to sew it, it just sticks to itself! It clings so things
always
  fit!
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Re: [h-cost] Les Petites Dames de Mode

2006-01-24 Thread Lloyd Mitchell
What a wonderful way to record a trip! And with a yoyo (Smile)
I will indeed try to find the source re MR. Burbridge that left me with the
impression of his demise. I have a vague memory of a 'tribute' being
given...

I am having waaay too much fun with all my doll kits and the dressing of the
ladies and gents as they crawl off the craft table.  I will be using my
Godey's and Peterson's for the Little Women.  Can't wait!!

Kathleen
- Original Message - 
From: Penny Ladnier [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, January 24, 2006 1:35 AM
Subject: Re: [h-cost] Les Petites Dames de Mode


 Kathleen,

 I am sorry for the confusion.  I have not heard if Mr. Burbidge is still
 with us or not.  The exhibit that I worked with him was in 1997 or 98.
The
 exhibit was just before or after we did the first Princess Diana gown
 exhibit.

 I have heard the videotape about the dolls is really good.  It is amazing
to
 me how detailed he was when making the dolls.  Going on memory... I think
he
 said that he made two or three dolls a year.  The research he did for each
 doll was so intense.  The dolls are clothed even with the undergarments
and
 each had their own traveling case.  My favorite were his bridal dolls.

 His wife is also a master cake decorator.  At the time Mrs. Burbidge had
 been making cakes for the royals of the world.  I met her at a birthday
 party for a friend.  She made my friend's cake.  It looked so perfectly
 decorated that I hated to see it cut.  Mrs. Burbidge and I discussing my
 dabbling in cake decorating.  She told me, Don't be upset, the
decorations
 are easy to make.  She took me into the kitchen and taught me a few of
her
 tricks.  What an honor!

 The Burbidges are that kind of people... very laid back and love to teach
 others their crafts.  At the time, she was also making a yo-yo quilt.
Mrs.
 Burbidge carried a bag with her full of her circles for yoyos where ever
 they traveled.  She showed me a completed section of the quilt.  On the
back
 of each yoyo, she stitched the date and location as to where she made it.
 She said it was her journal of their travels.

 Penny E. Ladnier
 Owner,
 The Costume Gallery, www.costumegallery.com
 Costume Classroom, www.costumeclassroom.com
 Costume Research Library, www.costumelibrary.com

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[h-cost] crimper

2006-01-24 Thread Lloyd Mitchell
Thought someone out there might have the need for a crimping iron.  A very nice 
one is available on ebay...with 5 hours to go.
Kathleen
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[h-cost] another old thread.

2006-01-22 Thread Lloyd Mitchell
One of my gleanings on e-bay this week was a pinking tool.  This small crank 
19th C. piece sounded very intriguing.  Remembering our last discussion of 
Pinking I decided I needed this .
.  And I think that there are at least three more up for sale...Also up just 
now is a number of fluting irons!

Kathleen
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Re: [h-cost] More fantastic figures/dolls

2006-01-22 Thread Lloyd Mitchell
For the 18thC, there a mold for the Beautiful Nyphenberg doll for which I
got the greenware before Christmas.  She is cleaned for the first firing.  I
have a neighbor who has a small kiln for the purpose.  I have all the paints
and stuff to fly with after this initial firing.  It is very hard to wait!!
In the meantime, back to my Little Women project.
A friend from church just gifted me today with a Huge box of vintage and
antique scraps...(Something to play with while THE GAME is on this
afternoon)

Kathleen (from the'Burg)
- Original Message - 
From: [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, January 22, 2006 12:04 PM
Subject: Re: [h-cost] More fantastic figures/dolls



  About 10 or 15 yeas ago, my mother was into doll-making and I was
 fascinated by the molds out there.  There are antique styles to
 make the parian dolls, mostly late 19th century and forward from
 there.  I was hoping she would find a mold for a mid-century doll
 that American Civil War reenactors might like.  That would be for
 making repros of dolls that actually existed at a particular time.

  There are also doll molds suitable for making a fashion doll, not
 necessarily period techniques, but all kinds of facial features and
 body shapes.  The base clay can be any skin tone, and then the
 features painted to any preference.

  Doll artists have their own ways of doing things, and my opinion of
 what to do for a historically correct look was different than what my
 mom wanted to do.  One mold, Coco, had a head and breastplate with
 fairly flat mounds, perfect for 18th century.  Her legs had shoes
 molded in, and I wanted the heels carved into a better shape.  mom
 thought they should stay as is, since that was the way the mold was
 made, but I convinced her to carve them and they look fine.

  Another doll mold , Isadora, had a torso with a corset  molded in.
 It ended under the bustline, which was a very natural shape - I
 could only dress her in that Edwardian style with the puffy front to
 conceal the shape.

  There are a lot more molds out there now than there were 15 years
 ago.  You can buy the soft, unfired greenware or already cleaned and
 fired.  You may have a local doll club or doll lady who has a kiln
 and will offer advice or classes.  My mother would paint on the fired
 piece and fire it again, multiple times as necessary.  (She has her
 own kiln).

  Anyway, if anyone wants a custom-made doll to dress in historic
 styles, getting the doll may be easier than you think!  Just watch
 out for the little foibles in the molds, and remember that doll
 artists' idea of perfect for historic is different.  :-)

  Oh, and the Coco mold with the shoes - I also made her to dress in
 Regency style, and made cloth legs instead of using the ceramic so
 she could have flat shoes.

  -Carol

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Re: [h-cost] fashion dolls again.

2006-01-21 Thread Lloyd Mitchell
I goggoled Tonner Dolls!
- Original Message - 
From: Susan B. Farmer [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, January 20, 2006 7:50 PM
Subject: Re: [h-cost] fashion dolls again.


 Quoting Lloyd Mitchell [EMAIL PROTECTED]:
 
  I just looked at your new dolls.
 Ok, I missed it -- How do I get to see the pictures of Bjarne's dolls?
 
 Susan
 
 
 
 
  Hi,
  I remember we disgussed this topic way back. I finally found a danish
  importer of the famous Tonner Dolls. I ordered 3 of these.
  Emme, American Beauty and Matt O'Neill.
  I was not happy about the horrible doll i made myself, it compleately
  stopped my wish to make small scale costumes :-)
  These dolls are fabulous, and i shall make a historical evolution of
  fashion
  at my webpage in the future.
  Must keep this in mind every time i go fabric shopping, to look for
  something that drapes well in a small scale.
 
  Bjarne
 
 
 -
 Susan Farmer
 [EMAIL PROTECTED]
 University of Tennessee
 Department of Ecology and Evolutionary Biology
 http://www.goldsword.com/sfarmer/Trillium/
 
 
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Re: [h-cost] attaching feathers to a hat

2006-01-20 Thread Lloyd Mitchell
I sometimes am able to piercing the 'stem' sufficiently to sew them on.
When this fails, I encase the 'stem' in a very tight binding of leather or
felt and then sew it to the hat.

Kathleen

- Original Message - 
From: Dawn [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Friday, January 20, 2006 11:08 AM
Subject: [h-cost] attaching feathers to a hat


 I'm curious, those of you who make or wear hats... how do you keep the
 feathers on? I've got two purchased hats and it seems the feathers are
 always sliding out of the hatband, especially when it's windy (which it
 is constantly here in the midwest). The quill part seems to be so thick
 that the pressure of the hatband itself isn't enough to hold it, moreso
 when there's more than one.

 Is it possible to use pins? I can't see pins going through the thickness
 of these two hats, or the feathers (without splitting them). Safety
 pinning to the band is just ugly.



 Dawn


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Re: [h-cost] fashion dolls again.

2006-01-20 Thread Lloyd Mitchell
This is my month to play with dolls and historical costume!  I am working
with a variety of doll kits by various designers...two different issues of
Little Women, and additions to my Early (US) Presidents by Yield  House.
They are not as grand as Tonner but will give ample opportunity to strut my
stuff.  A am trying to use all the correct pattern pieces I use on
Historical Costumes and not the simplification of construction in the
pattern. In the 12 size, I have been able to use Hunniset and Arnold just
as they are drawn! I also have a wonderful lady body that is very shapely
and that makes the task so much more pleasant than the usual angular body
given with the china!!

Kathleen

- Original Message - 
From: Bjarne og Leif Drews [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, January 20, 2006 12:07 PM
Subject: [h-cost] fashion dolls again.


 Hi,
 I remember we disgussed this topic way back. I finally found a danish
 importer of the famous Tonner Dolls. I ordered 3 of these.
 Emme, American Beauty and Matt O'Neill.
 I was not happy about the horrible doll i made myself, it compleately
 stopped my wish to make small scale costumes :-)
 These dolls are fabulous, and i shall make a historical evolution of
fashion
 at my webpage in the future.
 Must keep this in mind every time i go fabric shopping, to look for
 something that drapes well in a small scale.

 Bjarne





 Leif og Bjarne Drews
 www.my-drewscostumes.dk

 http://home0.inet.tele.dk/drewscph/


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Re: [h-cost] fashion dolls again.

2006-01-20 Thread Lloyd Mitchell
I just looked at your new dolls.  They should be Wonderful transformed by
Historical Costumes!  During the Holidays, I found a booth in an antique
mall that had odd dolls by Franklin Mint and Ashton-Drake for $10 and $12
each without boxes, but with their tags.  I came away with 5!!.  The Gene
doll is most like yours. The others feature 2 at about 14 dressed for the
ballet circa 1830s, and a face-lovely Gibson Girl about 20 who was begging
to have someone DO something about her mixed period wedding gown.
Any way, I did her a new skirt and added a proper veil and she looks
wonderful.  That gave me the push to get on with all the dolls I was going
to dress or make and dress when I retired. So, I've been sorting all the
fabric and trim in the antique part of my accumulation and am off and
running.

Enjoy!
Kathleen
- Original Message - 
From: Bjarne og Leif Drews [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, January 20, 2006 12:07 PM
Subject: [h-cost] fashion dolls again.


 Hi,
 I remember we disgussed this topic way back. I finally found a danish
 importer of the famous Tonner Dolls. I ordered 3 of these.
 Emme, American Beauty and Matt O'Neill.
 I was not happy about the horrible doll i made myself, it compleately
 stopped my wish to make small scale costumes :-)
 These dolls are fabulous, and i shall make a historical evolution of
fashion
 at my webpage in the future.
 Must keep this in mind every time i go fabric shopping, to look for
 something that drapes well in a small scale.

 Bjarne





 Leif og Bjarne Drews
 www.my-drewscostumes.dk

 http://home0.inet.tele.dk/drewscph/


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Re: [h-cost] knuckle length sleeves - how to?

2006-01-18 Thread Lloyd Mitchell
I am finding this discussion of knuckle  length sleeve discussion to be
interesting. In other cultures of this same time period or fashion
development, you can see a similar extra long sleeve in development.  I am
thinking of the 'hoof' cuff in northern Asia at the moment. The evolvement
of the Mongolian style seems to deal with the same question of cutting the
sleeve with cuff and then shaping it to fit arm and hand; or to make the
sleeve and add the hoof shape...to line either extension in same or
contrasting color and such.

Kathleen

- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, January 17, 2006 8:15 PM
Subject: Re: [h-cost] knuckle length sleeves - how to?



 In a message dated 1/17/2006 7:26:37 P.M. Eastern Standard Time,
 [EMAIL PROTECTED] writes:

 I would  cut the sleeve with a shaped flare at the cuff to go over the
hand,
 not  the add on pieces.  I like the look better, personally, without that
 extra seaming.



 Indeed. And lining the extension so it can be turned up if you want is
also
 an excellent idea. You might want to add some light interfacing from the
wrist
  down. This will keep the part over the hand from crinkling up too much
and
 help  hold the shape if you turn it up.

 BTWI love the look of the over this kind of sleeve. And it is a pain
to
 wearit's supposed to be. Like dragging hems in front, it's one of
those
 signs of leisure. One of those yes I have servants who do everything for
me
 messages.
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