Peter,
Thank you and Chris for providing the images and the question. I learned a
lot about highlight reconstruction and color reconstruction just playing
with these two images.
Bill
On Wed, Apr 11, 2018 at 12:23 PM, Peter Cripps
wrote:
> Thanks Bill, thats much better
Thanks Bill, thats much better than I've been able to achieve with dt. I
clearly need to spend time learning how to use the highlight
reconstruction module!
Before posting the inevitable Lightroom comparison, let me say that I
really don't like using that software. I have a long list of
I took another shot at the image with better results this time
https://www.dropbox.com/s/4fihvmxi0ct9jt6/orf.jpg?dl=0
Sidecar is attached.
Bill
On Mon, Apr 9, 2018 at 4:26 PM, Peter Cripps wrote:
>
>
> On 04/09/2018 10:28 AM, Timur Irikovich Davletshin wrote:
>
>>
>>
On lundi 9 avril 2018 22:26:01 CEST Peter Cripps wrote:
> On 04/09/2018 10:28 AM, Timur Irikovich Davletshin wrote:
> > Well, did they look the same before reducing exposure? I wonder if
> > basecurve is the same in both cases (two options are available in DT).
> > Looks like LR does some sort of
On 04/09/2018 10:28 AM, Timur Irikovich Davletshin wrote:
Well, did they look the same before reducing exposure? I wonder if
basecurve is the same in both cases (two options are available in DT).
Looks like LR does some sort of highlight reconstruction by default, if
you enable LCh
On 09/04/18 20:35, Remco Viëtor wrote:
If it were that simple, we wouldn't have the discussions about importing
editing instructions between programs. But in practice, each program has its
own tweaks, and its way of doing things. From what I see here, LR does a few
things automatically that need
On lundi 9 avril 2018 19:28:15 CEST Timur Irikovich Davletshin wrote:
> On Mon, 2018-04-09 at 10:06 -0700, Peter Cripps wrote:
> > At risk of complicating this discussion, I processed an over-exposed
> > RAW
> > file in darktable and Lightroom. In both cases, I pulled the
> > exposure
> > back
On 09/04/18 19:28, Timur Irikovich Davletshin wrote:
On Mon, 2018-04-09 at 10:06 -0700, Peter Cripps wrote:
At risk of complicating this discussion, I processed an over-exposed
RAW
file in darktable and Lightroom. In both cases, I pulled the
exposure
back by 2ev. No other tweaks. The results
On Mon, 2018-04-09 at 10:06 -0700, Peter Cripps wrote:
> At risk of complicating this discussion, I processed an over-exposed
> RAW
> file in darktable and Lightroom. In both cases, I pulled the
> exposure
> back by 2ev. No other tweaks. The results are quite different, and
> seem
> to show
At risk of complicating this discussion, I processed an over-exposed RAW
file in darktable and Lightroom. In both cases, I pulled the exposure
back by 2ev. No other tweaks. The results are quite different, and seem
to show that dt is losing some of the high intensity pixels.
(I said 'seem
On Mon, Apr 9, 2018 at 7:09 AM, Matthieu Moy wrote:
> - Original Message -
> > From: "Chris"
>
> > Seems as though the pink colours appear in my image when I disable
> 'highlight
> > reconstruction'.
>
> Yes, this is expected. The module is
Chris,
a number of people spent their own time to help you understand the details
of your problem. I see a lot of high-quality information in this thread,
conveyed in a pretty polite way - definitely not "getting attacked by
random people", as you state it. You just need to share your RAW file
So glad I asked my question on this mailing list... love getting attacked
by random people who never take a minute to try understand the other
persons perspective.
On Mon, 09 Apr 2018, 06:41 Patrick Shanahan wrote:
> * Chris Cunnington [01-01-70
* Chris Cunnington [01-01-70 12:34]:
> As have been a lot of my replies today... I do not do things blindly, I
> work with lossy on purpose and have my reasons which have worked well for
> me for over 5 years now.
>
> but whilst everyone has now decided to point blame at
- Original Message -
> From: "Chris"
> Seems as though the pink colours appear in my image when I disable 'highlight
> reconstruction'.
Yes, this is expected. The module is precisely here to remove this pink color.
> With this disabled the Green & Blue channels
Hi Chris,
I post a screenshot of a similar problem, showing how I used the color
reconstruction module. The screenshot contains a snapshot, so that half the
image is the darktable default, including the basecurve.
I drag the sliders until I get the best result.
Prior to color reconstruction,
On lundi 9 avril 2018 08:20:05 CEST Chris Cunnington wrote:
> As have been a lot of my replies today... I do not do things blindly, I
> work with lossy on purpose and have my reasons which have worked well for
> me for over 5 years now.
Yes, you will have yuor reasons for a workflow that is valid
As have been a lot of my replies today... I do not do things blindly, I
work with lossy on purpose and have my reasons which have worked well for
me for over 5 years now.
but whilst everyone has now decided to point blame at the dng format I
think we can stop this thread. As I hoped to learn more
Two important things concerning the DNG*) format:
1) Lossless is an option
2) The DNG format also specifies a non-raw format called Linear DNG.
See http://www.barrypearson.co.uk/articles/dng/linear.htm
If any of the above is in actual play then your results are to be
expected.
*)
Yes, I removed all EXIF data for privacy reasons!
On Sun, 08 Apr 2018, 22:42 S. Witt wrote:
> Just tried to play with the file. It seems to me that the dng does not
> contain raw data at all. Modifying the demosaicing seems to have no
> effect, in particular when choosing
Just tried to play with the file. It seems to me that the dng does not
contain raw data at all. Modifying the demosaicing seems to have no
effect, in particular when choosing "passthrough". That is not what I
would expect from real raw data.
Even exif data seem to be removed.
Am 09.04.2018 um
True... ultimately everyone's help here has been great, definitely
getting close to a work around.
Speaking of lossy .dng files... what would your suggestions be for an
alternative format that maintains a good amount of data without costing
to much in filesize?
Chris
On 2018/04/08 08:04 PM,
I took a shot at this and did the following
opened highlight reconstruction and set method to reconstruct in LCh and
clipping threshold to 2.000
decreased exposure .5 ev
opened color reconstruction and set threshold to 87.5 which gets rid of the
magenta
opened levels and moved the midtones right
* Chris [04-08-18 22:35]:
> Agreed! The original cr2 would have more data.
>
> The fact remains though that LR is able to do a much better job with
> this compressed DNG than DT can.
>
> Chris
>
>
> On 2018/04/08 07:21 PM, Patrick Shanahan wrote:
> > might be better if
Agreed! The original cr2 would have more data.
The fact remains though that LR is able to do a much better job with
this compressed DNG than DT can.
Chris
On 2018/04/08 07:21 PM, Patrick Shanahan wrote:
> might be better if you would provide the "original" raw image instead of
> the conversion
* Chris [04-08-18 21:22]:
> Fascinating! So dt is clipping somewhere somehow, or the dng format
> 'pro' adobe somehow? :p
>
> So, just taking this further and assuming the detail I was looking for
> was in the red channel.. I was able to desaturate the reds... but
>
If I slightly move the s white point slider the image looks ok but the
reality is that the dt histogram initially reports that the sky is 'blown'.
My experience using dt over several years is to always leave a little
room at the high end of the histogram during the taking process. This
has
Fascinating! So dt is clipping somewhere somehow, or the dng format
'pro' adobe somehow? :p
So, just taking this further and assuming the detail I was looking for
was in the red channel.. I was able to desaturate the reds... but
obviously this would not work if I had someone wearing red in the
And, 'for the sake of science', I downloaded the .dng and opened it in
Lr and dt.
The histograms are quite different, even allowing for log vs linear on
the y-axes. Lr shows a bunch of high intensity pixels on the far right
hand side; these are missing in dt. This is before applying any
Hi,
Seems as though the pink colours appear in my image when I disable
'highlight reconstruction'. With this disabled the Green & Blue channels
have a lot less data in the highlights than the red. Enable highlight
recon, and it seems to scale all the RGB to a simple range.
Odd, because I do not
Hi Guillermo,
For the sake of science here is the .dng file I was using for both the
DT & LR examples earlier.
https://www.dropbox.com/s/cavd1o7z8r5ao0n/_MG_1496.dng?dl=0
Busy playing with it now paying more attention to the histogram.
Chris
On 2018/04/08 04:17 PM, Robert Bieber wrote:
>
>
It may be truth (we need a developer to confirm), but in this case it seems
to be working like I say. Try it:
- open a picture
- over-expose it with the Exposure module
- try to recover using the shift white point slider on Shadows and
highlights.
Doing that, I lose all detail in the highlights.
Don't quote me on this, but since the pixel values are all floats I'm
pretty sure it's possible for one module to push them beyond the
"maximum" values and another one to bring them back in with the detail
still there, as long as everything ends up within the allowable bounds
by the time it
Can you provide the original DNG so people can play with it?
One think you should take into account is that modules in Darktable are
applied in a certain order (bottom to top on darkroom). In particular,
"Exposure" and "Base Curve" come before "Shadows and highlights". So, if
Exposure pushes the
To quote the "Development" page on the website:
Just use it! And afterwards let us know how you like it. Send your bug
reports, feature requests, suggestions or just your personal opinion to our
mailing list.
--
August Schwerdfeger
aug...@schwerdfeger.name
On Sun, Apr 8, 2018 at 5:25 PM, Chris
Hi,
Couldn't agree with you more Peter. I am not trying to pick apart
darktable... as I have actually just dumped adobe and am switching to
darktable fully. So I am really just trying to learn the program and
understand it better.
Maybe there is a way to really get to the nitty gritty of the raw
I've seen similar results to Chris. One of the (few) things that I've
found Lightroom does better than darktable is highlight recovery.
I have noticed that the darktable histogram doesn't seem to show content
at the far right hand side that does show in the Lightroom histogram.
Don't know if
Hi,
So the shadows & highlights module also does not seem to full 'reveal'
the detail in the clouds that I know exists... it simply darkens the
existing pixels that we can already see. So not really 'recovering
detail' as such.
https://www.dropbox.com/s/u3lo4oy9dokdbwh/darkt_04.jpg?dl=0
and
Le dimanche 08 avril 2018 à 14:25 -0700, Chris a écrit :
> Anyway, these are my adventures into highlights in DarkTable.
You haven't activate the "shadows & highlight" module, so indeed
nothing done for darktable :)
--
Pascal Obry / Magny Les Hameaux (78)
The best way to travel is by
Here are my results
DarkTable - UnEdited =
https://www.dropbox.com/s/jd4ozjhqrw1ft50/darkt_01.jpg?dl=0
LightRoom - UnEdited =
https://www.dropbox.com/s/5vbufsvyezodi7n/lr_01.jpg?dl=0
LightRoom - Highlight Slider =
https://www.dropbox.com/s/suw9v3jnsszbsec/lr_02.jpg?dl=0
see the amount of detail
Hello,
maybe this helps: https://www.darktable.org/2015/03/color-reconstruction/
On So, 08 Apr 2018 22:10:42 +0200 Chris bydersjo...@gmail.com
wrote
Hi All,
I am a recent convert to Darktable, and seem to be battling to find a good way
to recover detail in highlights.
Hi All,
I am a recent convert to Darktable, and seem to be battling to find a
good way to recover detail in highlights. Lightroom does such a good job
of it with a single slider.
I found this video: https://hooktube.com/watch?v=JF5CFQPgidk but he
doesn't recover any detail, simply push colour
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