).
-Lee
Thanks for your response. Going further :
- Quarter note up stem with tremolo and number 3 above (eight
note tuplet):
fingering above?
- Never along side the noteheads (inside staff) even when double note or
triple note?
Pierre
-Message d'origine-
From: Lee Actor
Sent: Friday
copied by hand and not typeset.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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I just copy all 4 voice to both horn staves, then use TGTools
Modify-Special Modifications to remove 2nd and 4th, or 1st and 3rd notes.
Very quick and easy.
-Lee
-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu]On Behalf
Of Jari Williamsson
Sent:
is to go into Speedy and remove them
manually. But this is time consuming.
Would this be an easy enough thing to do with a plugin?
Matthew
Isn't this covered by TGTools Modify-Special Modifications?
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http
of
problems.
-Lee
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
Hello all,
I have a question related to the discussion about transposed scores
(scores with or without key signatures, but where instruments are
notated as the players see
to be
superior. The wireless networking works great and the software is well
designed, allowing you to set up different profiles to scan to jpg, pdf,
etc. It is a bit on the large side, but at under $250 street a great value.
-Lee
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto
booklets or any other scaled output without it.
-Lee
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu]on Behalf
Of Cecil Rigby
Sent: Friday
Earlier versions of Finale may not have this plugin (I'm on 2004, which
doesn't), but I've been using Jari's JW Score System Divider plugin for
years and I'm very happy with it. Is the one that ships with Finale the
same?
-Lee
Blake Richardson wrote:
I'm working with Finale 2009 on a Mac
the ease and
flexibility of JW Tempo.
-Lee
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
Assistant Conductor, Nova Vista Symphony
http://www.leeactor.com
Ditto. I've tried rits and accels once or twice, each new version. I
always end up putting in my own
always thought it
odd that adjusting staff position seemed to be the only item I had to adjust
by eye and not by numerical position. Thanks for pointing this out!
(Adjusting by eye does work pretty well, though.)
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
in such a low range that the
player wonders if it's possible that it should be an octave higher. Best to
stay in treble clef if at all possible; it's not unusual to see notes for
horn in treble clef as low as an octave below middle C (concert F).
Lee Actor
Composer-in-Residence and Assistant Conductor
Hayden
Lee Actor wrote:
CoilMac-M, standard base unit.
J D wrote:
I have the CoilMac 41 ECI.
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J D and Lee, which models do you own?
Paul Hayden
CoilMac-M, standard base unit.
-Lee
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One thing you can't get at Kinko's is a coil longer than 12. I have a
CoilMac and a supply of 36 coils in three different sizes (and cover
stock). Longer coils may not be an issue for some, but it's a big plus for
me. Even better, I don't have to go to Kinko's.
-Lee
Comb binders work, but I
I've had plenty of rehearsals slog down with
questions about assumed dynamics that aren't written in, but never about
dynamics that seem to be redundant. :-)
When the identical dynamic reappears in succession within sections
without rests, this causes lots of discussion here. Is there
dynamics that aren't written in, but never about
dynamics that seem to be redundant. :-)
-Lee
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
Assistant Conductor, Nova Vista Symphony
http://www.leeactor.com
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The UI on beat chart editing is just awful. I don't mind moving
the beat spacing around, and I accept that it's something I take
upon myself as a fussy engraver -- but the crappy way that the
handles are moved one at a time and you can't really see what
you're doing is so unnecessary. If
Matthew Hindson (gmail) écrit:
Has anyone else run into this?
Avoid collision of notes and accidentals is checked in the
Music Spacing
options.
The spacing is being applied to this particular part only, i.e.
there are
no other staves affecting the spacing. The other bars in the
part
binding their own music
(you can get a Coil-Mac online for around $300). As you undoubtedly already
know, Kinko's is utterly useless for this kind of thing. Alternatively, you
could find a commercial printer to do the binding, but it would probably be
quite expensive.
Lee Actor
Composer-in-Residence
The Windows download is labeled version 2.60, but it's still version 2.51.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
Assistant Conductor, Nova Vista Symphony
http://www.leeactor.com
I just got this from Tobias!
Hello,
TGTools 2.60 for Finale 2010
.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
Assistant Conductor, Nova Vista Symphony
http://www.leeactor.com
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against you. I should add that string players will almost always change the
printed bowings, but it's still important to make the intention of your
phrasing clear.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
Assistant Conductor, Nova Vista Symphony
http
several hundred
years of Western music, going back at least as far as Gabrieli.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
Assistant Conductor, Nova Vista Symphony
http://www.leeactor.com
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told me that
regardless of what is in the part, every harpist will write in their own
pedaling. I see it as similar to printing fingering in string parts (i.e.,
presumptuous), unless your name is Carlos Salzedo.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
that their mp does represent
a sudden change.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
Assistant Conductor, Nova Vista Symphony
http://www.leeactor.com
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Hey, I agree that it's not technically necessary. I wouldn't write it
myself. But I don't consider it incorrect, or even unnecessarily cluttered
(and I'm a big proponent of removing unnecessary clutter). I do sympathize
with the (apparent) attempt to induce the players to play the piece, not
utilities Ive ever
used.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
Assistant Conductor, Nova Vista Symphony
http://www.leeactor.com
-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu]on Behalf
Of Noel Stoutenburg
Sent
, but are
virtually always completely marked up when initially delivered.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
Assistant Conductor, Nova Vista Symphony
http://www.leeactor.com
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to be.
Hide notes/rests with the o (letter o, not zero) and if
they're already hidden, hit the o key again to unhide them.
--
David H. Bailey
You can also hide/unhide notes and rests with the H key. Seems more
intuitive to me than O.
Lee Actor
Composer-in-Residence and Assistant Conductor
I have just realized that plastic coils are completely unavailable in
Germany, it seems. Even wire coils I couldn't find, let alone any
machines for them. The only alternatives to plastic combs are wire combs
(and I have had quite good experiences with them) and a system called
clickbind. I
cutters on it.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
Assistant Conductor, Nova Vista Symphony
http://www.leeactor.com
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them highly.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
Assistant Conductor, Nova Vista Symphony
http://www.leeactor.com
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by page and crease each
fold.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
Assistant Conductor, Nova Vista Symphony
http://www.leeactor.com
I wonder whether there would be interest to start a discussion about
printing, binding and finishing scores and parts
have to go back and make changes to score and parts,
it hasn't seemed particularly burdensome (usually fairly minor changes).
But I am curious as to exactly how TGTools Smart Explosion is broken in more
recent Finale versions.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto
of degradation will depend on the amount of compression. This will be
equally true in QuickTime Player as any other editor.
Lee Actor (former digital signal processing expert in another life)
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
Assistant Conductor, Nova Vista Symphony
http
I'm not familiar with the internals of the mp3 format, so I can't say for
sure. But considering that none of the edits mentioned operate in the
frequency domain (such as filters and most other types of audio processing),
I can see how it might be possible without conversion/reconversion. But
of the reasons
(among several) that I bought an Akiles CoilMac several years ago and can do
all my score production in-house. The only time I ever go to Kinko's any
more (besides FedEx) is now and then to have a ream of 11x17 paper cut to
11x14.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo
Looks like Engraver Slurs are finally fixed:
http://www.finalemusic.com/finale/features/engravertools/engraverslurs.aspx
. That alone might induce me to upgrade. It also looks like expression
selection is much improved.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto
annoying bug has been fixed.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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built-in, line/mic inputs, headphone out, a speaker,
and USB 2.0 connectivity. Believe it or not, the unit weighs only 1.7 oz,
including battery. Talk about portable. It's supposed to be shipping any
day now. Street price is $350.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto
if this
bug has been corrected since Fin2004?
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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harmonics
(easier in a passage with moving notes).
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
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Lee Actor wrote:
Hmm, I've never paid attention to text blocks before, but I
took a look at
the string quartet I'm currently engraving, and there are some 1500
different text blocks! Needless to say, the vast majority of them don't
actually appear anywhere in the piece. Now, my normal
, even by
Options-Remove Deleted Items. Is there any way to get rid of these unused
text blocks?
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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that there
are no surprises.
An update of the layout from page one wouldn't solve it?
Nope! I can send you a file off-list, if you'd like to see. FWIW,
Makemusic support was able to reproduce this with my files as well.
Aaron.
This has also happened to me, several times (FWin 2004a)
Lee Actor
Composer
.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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if they could, it's
nice not to have to go there).
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
Can't do a proof -- I don't have the document yet. And since you have
to order 100 coils at a time, I need a good all-purpose size. I just
want
, isn't it?
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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a minimum of 28 lb. bond (105 g/m2). Regular paper is 20 lb. bond
(75 g/m2) and is not only flimsy, it allows too much see-through from
double-sided printing.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
In this situation I use slurs on all the rolled notes except the last, where
you can use a tie. For correct playback use the sustain pedal (controller
64). A single slur would not indicate that the rolled notes are to be held
down.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo
For a chamber piece for piano, cello, and percussion, what staff
order would everyone recommend?
I'm thinking (top to bottom): perc - vc - pno?
Cheers,
- Darcy
I agree.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
I haven't gotten any messages from the Finale list today. Is it down or
just quiet?
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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with cadenzas: write them
out as real measures, which appear in the parts as a single multimeasure
rest with Cadenza written over it (and the last bit of the cadenza written
as a cue for those parts that enter right after it).
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
On Apr 29, 2007, at 3:54 AM, Johannes Gebauer wrote:
JFYI: I sometimes enter music with around 100 expressions per page.
That explains a lot. Others do, too?
mdl
Ditto. Not hard to do when you're working with a large orchestral score.
Lee Actor
Composer-in-Residence and Assistant
or flats.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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TGTools lets you assign a hot key to any Finale menu item (at least the
Windows version does). I've been using hotkeys for partial measures and a
couple of dozen other Finale commands for years, and it's a real
productivity boost.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo
week to
the original poster's earlier question about issues in multi-movement works.
Makes me wonder why I bothered wasting my time trying to help.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
around
it. But at least now you know you're not alone.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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in separate files, especially when it comes to
extracting parts.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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on the changing
quality of the connection. True streaming methods also offer higher
security, though not perfect, as others have pointed out.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
.
Playlist files such as m3u and others can also point to true streaming in
Real, QuickTime, and even mp3 format, given that the server is properly set
up to do true streaming.
Just keep in mind that all formats which can do true streaming can also be
pseudo-streamed, depending on the server.
Lee
, not much better than listening
over a phone line). As with anything else, if you want to work even
semi-seriously with audio, you need decent tools -- reading and writing
different file formats, encoders with bit rate options, some kind of minimal
editing, etc.
Lee Actor
Composer-in-Residence
on the user's
machine, unlike true streaming.) Other streaming formats like Real,
QuickTime, etc. also rely on special software on the server end and
generally cost a premium (note: these can pseudo-stream as well, with the
same file download mechanism as mp3's).
Lee Actor
Composer-in-Residence
. This engraving practice has been carried over to modern times
for reasons of clarity and attractiveness of notation.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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: Update Groups...
-Randolph Peters
Damn! I wish I was aware of this two weeks ago when I updated all brackets
and groups one at a time in a large optimized score. That would have saved
me about an hour.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http
quarter note rest before leaving the measure.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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(Fineprint
on the PC), it's not a big deal. The 5200 has a new duplexer available, no
idea if it's any better than the ones for the 5000 and 5100.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
is equivalent to 32 lb. bond (120 g/sq.m).
FWIW, I've been using 28 lb. bond (105 g/sq.m.) for a number of years and
find it very satisfactory -- no show-through, suitable heft, readily
available, and easy for printers to handle.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto
I'd be very surprised if the duplexer for the 5200 involved any
substantial
engineering changes from the 5100 duplexer. In any case, it's
rated for a
max paper weight of 120 g/sq.m., which is equivalent to 32 lb. bond
or 80
lb. offset, so I suspect the 100 lb. offset paper (148
a cover page on the back of page 1?
BF
Page 1 is always a right-hand page. If you have a cover page, that is page
1, and the first page of music is page 2.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
performing them yourself, of course.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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awkward five-finger
passages that work much better on piano than strings; but his music is worth
the extra effort).
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
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D), but if it's that important, you can always add a sul E or just I
(Roman numeral one). Besides, in some contexts it may be advantageous to
playing it as an artificial harmonic, as this would allow vibrato
(impossible on a natural harmonic).
Lee Actor
Composer-in-Residence and Assistant
At 12:49 AM -0700 9/11/06, Lee Actor wrote:
Besides, in some contexts it may be advantageous to
playing it as an artificial harmonic, as this would allow vibrato
(impossible on a natural harmonic).
Not entirely true. It's a different kind of vibrato with limited
amplitude, but quite easy
Lee Actor écrit:
http://www.leeactor.com/pdf/PrelTrag_2.pdf. Depending on the viewing
magnification, some bar lines and ledger lines may be too thick,
but it is
legible, if not ideal.
I agree that the staff lines don't look bad, but the slurs and ties, with
all due respect, look like heck
at what resolution your sample pdf was created. I'm
still on WinFin2004.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
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Lee Actor écrit:
I've found that I get much results for screen display if I
produce pdfs at
300 dpi (for printing I create 1200 dpi pdfs). I don't know why
this is so,
but it makes me wonder at what resolution your sample pdf was
created. I'm
still on WinFin2004.
I also use WinFin2004
On 27.08.2006 Lee Actor wrote:
I've found that I get much results for screen display if I
produce pdfs at
300 dpi (for printing I create 1200 dpi pdfs). I don't know
why this is so,
but it makes me wonder at what resolution your sample pdf was
created. I'm
still on WinFin2004
Another novice question. I'm working with a score that changes
meter every now and then. I need to notate "parens, quarter note=quarter
note, or dotted half = whole note, parens." The manual, as usual, guards
these secrets. Any help is greatly appreciated.
I wouldcreate a
text
it sounds like the
only advantage of linked parts is that they're all in one big file.
This is a much bigger advantage than you credit it for. Working
from one file allows you to
a) switch instantly between part views (much faster than
opening/saving/closing separate files).
b) work in
music; as others have suggested, check out the HP LJ 5000/5100 series.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
Bruce,
My feeling is that laser print is vastly preferable over inkjets
for scores and parts. That DesignJet looks like
Define pizz. and arco expressions with playback parameters that execute a
program change to the appropriate patch. For my MIDI setup I have one of
each expression defined for each string section; if you're using the GM
string patch you would only need two expressions total.
Lee Actor
Composer
At 08:17 AM 6/23/06 -0700, Lee Actor wrote:
Define pizz. and arco expressions with playback parameters that execute a
program change to the appropriate patch. For my MIDI setup I have one of
each expression defined for each string section; if you're using the GM
string patch you would only need
/06 -0700, Lee Actor wrote:
I assume this only works if you're using GPO for playback?
I believe it also works with regular human playback if you use the
Finale
built-in soundfont. It doesn't work if you're exporting the Midi to a
separate program that uses different sets of customized
). They had access to most scores, even contemporary Western ones.
Strange.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
I don't know of much RECENT music written for alto-tenor-bass orchestra
sections, though that was overwhelmingly
instead of curved...
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
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Is this a straight long-throw, or a saddle stapler?
-Lee
Office depot carries the Swingline - long reach- stapler which is ideal
for this, i used it and are very happy with it.
hope this helps.
gr
Johannes Gebauer wrote:
On 21.06.2006 Lee Actor wrote:
Now if I can just find
Oboist Claire Tindall, in her kiss-and-tell memoir _Mozart in the
Jungle_, describes how she memorized her part for _Les Misérables_, and
thereafter read books hidden behind her part during performances.
Andrew Stiller
That's Blair Tindall.
Lee Actor
Composer-in-Residence and Assistant
This feature has been available for quite some time with one of Jari's free
plug-ins, JW Playback, still available at
http://www.jwmusic.nu/freeplugins/index.html. I use it a great deal when
I'm composing (mostly big orchestra stuff) and can't imagine doing without
it.
Lee Actor
Composer
This feature has been available for quite some time with one of
Jari's free
plug-ins, JW Playback, still available at
http://www.jwmusic.nu/freeplugins/index.html. I use it a great
deal when
I'm composing (mostly big orchestra stuff) and can't imagine
doing without
it.
I just
You beat me! But I believe the correct title is the Albinoni Adagio for
Violin, Strings, and Organ in G minor (and not by Albinoni, but apparently
by Giazotto).
-Lee
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf
Of Ronald M. Krentzman
Sent: Wednesday,
Isn't there a creep setting in Finale? I don't have it with me at the
moment, but I know that other programs that can produce booklets or
signatures have creep settings.
Dennis
I wish. At least as of Finale 2004a, there isn't.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo
How do you work around this problem, do you change the margins in the
documents?
Isn't there a creep setting in Finale? I don't have it with me at the
moment, but I know that other programs that can produce booklets or
signatures have creep settings.
One of the Patterson
I tried all-English a few years ago, but I've reverted to a hybrid that
includes the common Italian terms. For example, I use mute on and mute
off as advance warnings, but con sord. and senza sord. at the points
where actual playing begins. Not standard, but makes sense to me.
Lee Actor
Solo/soli/tutti is standard. Actually, I can't recall ever seeing sola or
tutte on a viola part. But then, my memory ain't what it used to be.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
-Original Message-
From: [EMAIL
to print scores on
11x17 and take them in to be trimmed to 11x14 as needed, until it struck me
that it was a lot more convenient (and cheaper) to have an entire ream of
11x17 cut to 11x14 at once. Now I hardly ever have to go to Kinko's (that's
a good thing).
Lee Actor
Composer-in-Residence
Here's
what I do:
1) For
stem lengths, use Robert Patterson's "Patterson Beams" plug-in (it does stems
too). There are several longstanding bugs in Finale with regard to
incorrect stem lengths.
2)
Change the Default Vertical Position for the tremolo articulations to
-40.
This
is not a
On
Feb 18, 2006, at 3:15 PM, Lee Actor wrote:
Here's
what I do:1)
For stem lengths, use Robert Patterson's "Patterson Beams" plug-in (it does
stems too). There are several longstanding bugs in Finale with regard
to incorrect stem lengths.2)
Change t
not a big deal, since the solo part will be performed from memory.
BTW, the usual practice is to have at least 2 measures rest at the end of
the page to be turned.
Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com
with (traditional) musical dynamic markings,
which are relative and whose meaning to the performer is contextual. For a
score of an electronic music composition (often produced after the
performance), there are literally many dozens of useful, discrete volume
levels.
Lee Actor
Composer-in-Residence
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