On Apr 14, 2013, at 8:16 PM, Toine to...@repiuk.nl wrote:
Our cat on the kitchen table:
http://www.repiuk.nl/index.php/blog-mainmenu-97/251-plumeaux
shot with the Q 06 zoom. This lens is a real gem.
Nice portrait.
There's a cat in our neighbourhood who looks just like that. He caught a rat
On Apr 15, 2013, at 6:28 AM, Tim Bray tb...@textuality.com wrote:
On Sat, Apr 13, 2013 at 11:55 PM, David Mann dmann...@gmail.com wrote:
How do you deal with the lack of telephoto lenses?
I thought get closer was the correct answer.
It is, except when you’re photographing live lava. When I
on 2013-04-14 2:16 Toine wrote
Our cat on the kitchen table:
http://www.repiuk.nl/index.php/blog-mainmenu-97/251-plumeaux
shot with the Q 06 zoom. This lens is a real gem.
sweet, and nice exposure
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What photos are you losing because your gear isn't performing well enough, or
because it doesn't have a feature that you need? And in what situations does
this present itself? If there is a work around, what do you need to do to get
the shot?
Poor autofocus? Can't use the flash in the rain?
On 15 April 2013 18:12, Larry Colen l...@red4est.com wrote:
What photos are you losing because your gear isn't performing well enough, or
because it doesn't have a feature that you need? And in what situations does
this present itself? If there is a work around, what do you need to do to
Well, Larry.
1. I live in Israel - the sun of almost eternal bright sun. So any
small mistake in exposure metering either on my side or on the side of
my camera that involves bright areas means mostly lost shot for me. It
is w.r.t. K-5. It does not protect itself very well from bright sun,
in a
Looks like you're having a good time with the Q. I went out with a camera in
the gray morning but never pulled the trigger.
Paul
On Apr 14, 2013, at 9:44 PM, Mark C pdml-m...@charter.net wrote:
Another Q macro -
http://www.markcassino.com/b2evolution/index.php?blog=2
Permalink:
On Apr 15, 2013, at 4:12 AM, Larry Colen l...@red4est.com wrote:
What photos are you losing because your gear isn't performing well enough, or
because it doesn't have a feature that you need? And in what situations does
this present itself? If there is a work around, what do you need to do
On Mon, Apr 15, 2013, Larry Colen wrote:
What photos are you losing because your gear isn't performing well
enough, or because it doesn't have a feature that you need? And in
what situations does this present itself? If there is a work around,
what do you need to do to get the shot?
Poor
Larry,
To paraphrase William Shakespear,
The problem Horatio is not in our gear, but in our selves.
Regards, Bob S.
On Mon, Apr 15, 2013 at 3:12 AM, Larry Colen l...@red4est.com wrote:
What photos are you losing because your gear isn't performing well enough, or
because it doesn't have a
I have a Canon T2. I've had it about a year, and am still learning it,
because I haven't shot with it that much.
1. Sometimes the shutter doesn't release in low light. So I usually
increase the shutter speed in those situations. I haven't played that much
with
increasing the ISO yet. This
On 2013-04-15 4:12, Larry Colen wrote:
What photos are you losing because your gear isn't performing
well enough, or because it doesn't have a feature that you need?
And in what situations does this present itself? If there is a
work around, what do you need to do to get the shot?
The two
Oops
http://www.flickr.com/photos/55001392@N08/8649459997/in/set-7215763324399620
5/
I'm really liking the FA35/2.
I'm going to have to try a Y1 filter for bw mode.
But I noticed that the camera leaves bw mode when I change lenses. Hmmm.
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It doesn't accept film
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Nice shot. Have you taken close ups of the peeling paint too? Seems like
you'd have a LOT to work with.
Marnie aka Doe :-)
In a message dated 4/11/2013 8:33:12 P.M. Pacific Daylight Time,
parsons.da...@gmail.com writes:
http://www.flickr.com/photos/alohadave/8641958744/
I went out
Actually, I do still have a film camera.
But blads are not good for action shooting.
http://www.apug.org/gallery1/showimage.php?i=71585catid=memberimageuser=21
541
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OH. That is a spectacular shot Tim!
Dan
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
On Mon, Apr 15, 2013 at 2:38 AM, David Mann dmann...@gmail.com wrote:
On Apr 15, 2013, at 6:28 AM, Tim Bray tb...@textuality.com wrote:
On Sat, Apr 13, 2013 at 11:55 PM, David Mann
Doesn't do a lot for me. I think you're better at what you do. And you do
that quite well.
HTH, Marnie aka Doe :-) BTW, I like the one with the jeaned legs better.
In a message dated 4/14/2013 5:09:36 P.M. Pacific Daylight Time,
rwomer1...@yahoo.com writes:
My flow of PESOs (always
On 15/04/2013 2:12 AM, Larry Colen wrote:
What photos are you losing because your gear isn't performing well enough, or
because it doesn't have a feature that you need? And in what situations does
this present itself? If there is a work around, what do you need to do to get
the shot?
Poor
Unreliable AF with my studio lights is a huge problem.
You use AF in a studio setting? What f/l are you using?
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the
On Mon, Apr 15, 2013 at 4:29 AM, Rob Studdert distudio.p...@gmail.com wrote:
With the K5 I mainly lose pics due to poor AF in low light, supposedly
the solution is to upgrade to K5II bodies but frankly in the swap I
would get stuff all but the AF that the K5 should have had for
significantly
On Apr 15, 2013, at 9:52 AM, Collin Brendemuehl coll...@brendemuehl.net wrote:
Unreliable AF with my studio lights is a huge problem.
You use AF in a studio setting? What f/l are you using?
I found that surprising as well. My DA* 50-135 focuses fine with the modeling
lights of my
On 15/04/2013 7:52 AM, Collin Brendemuehl wrote:
Unreliable AF with my studio lights is a huge problem.
You use AF in a studio setting? What f/l are you using?
Usually the 55/1.4 or the 70mm or 77mm. The Nikon owners at the studio
all used AF as well, and couldn't believe the amount of
On 16 April 2013 00:08, Paul Stenquist pnstenqu...@comcast.net wrote:
I found that surprising as well. My DA* 50-135 focuses fine with the modeling
lights of my strobes, but I generally focus manually for studio work. Why not?
Manual focus might be OK in a fairly relaxed environment ie no
On 15/04/2013 8:08 AM, Paul Stenquist wrote:
On Apr 15, 2013, at 9:52 AM, Collin Brendemuehl coll...@brendemuehl.net wrote:
Unreliable AF with my studio lights is a huge problem.
You use AF in a studio setting? What f/l are you using?
I found that surprising as well. My DA* 50-135 focuses
On 15/04/2013 8:19 AM, Rob Studdert wrote:
On 16 April 2013 00:08, Paul Stenquist pnstenqu...@comcast.net wrote:
I found that surprising as well. My DA* 50-135 focuses fine with the modeling
lights of my strobes, but I generally focus manually for studio work. Why not?
Manual focus might be
From: Aahz Maruch
On Sun, Apr 14, 2013, John Sessoms wrote:
From: Aahz Maruch
On Sat, Apr 13, 2013, Tim Bray wrote:
I considered both and ended up with the X-E1 rather than X-Pro1. That
35mm is oh my goodness. The E1 is lighter and has the same sensor, and
saves you substantial bucks
Sometimes the stuff in the background of and old photo is as
interesting as the original subject. Just a couple of personal
observations.
http://george-sinos.squarespace.com/blog/2013/4/13/dad-and-the-philco-1959
gs
George Sinos
www.GeorgesPhotos.net
www.GeorgeSinos.com
From: Larry Colen
On Apr 14, 2013, at 7:47 PM, Rick Womer wrote:
Yeah. It's the business end for an endoscope used on elephants and hippopotami.
I see a new marketing slogan:
Pentax, for big assholes.
Like Hoya?
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From: Aahz Maruch
On Fri, Apr 12, 2013, Godfrey DiGiorgi wrote:
This old building soon to be razed for a new development.
http://www.flickr.com/photos/gdgphoto/8641854465/lightbox
Soon Gone #1 - Douglas 2013
http://www.flickr.com/photos/gdgphoto/8642955740/lightbox
Soon Gone #2 - Douglas
Enjoyed the read, George. Thanks for the reminiscences.
BTW, I ended up being the custodian of my father's Admiral TV in our
home. I cycled up to the drugstore with any suspect tubes to run
through the tube tester. I too ended up in electronics (and from there
software). Funny how that goes.
On
My K20D has a hotspot with a clump of about 150 dead pixels. It's a pain
to Photoshop out.
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On 16 April 2013 00:46, John Sessoms jsessoms...@nc.rr.com wrote:
My K20D has a hotspot with a clump of about 150 dead pixels. It's a pain to
Photoshop out.
Pentax may have benefitted due to their dalliance with Samsung but I
really don't think that it was good for us as photographers, I really
On Mon, Apr 15, 2013 at 9:52 AM, Collin Brendemuehl
coll...@brendemuehl.net wrote:
Unreliable AF with my studio lights is a huge problem.
You use AF in a studio setting? What f/l are you using?
I'm surprised that you seem surprised. Everyone I've shot with uses AF
in the studio. That's one of
On Mon, Apr 15, 2013 at 10:51 AM, Rob Studdert distudio.p...@gmail.com wrote:
On 16 April 2013 00:46, John Sessoms jsessoms...@nc.rr.com wrote:
My K20D has a hotspot with a clump of about 150 dead pixels. It's a pain to
Photoshop out.
Pentax may have benefitted due to their dalliance with
Manual focus might be OK in a fairly relaxed environment ie no rush
and a single model but watching pros at work in studio where there are
multiple models and clothing changes I would say AF is pretty much
mandatory. If AF is reliable (and the top end Canon and Nikon DSLRs
appear to be) it just
On 16 April 2013 00:57, Collin Brendemuehl coll...@brendemuehl.net wrote:
I did have some problems with casual dancer shots earlier, with the K-x that
came before my K5, where the AF fine adjustment was the issue. Now I look
forward to people in motion. My first thought is just a center AF
On 16 April 2013 00:57, Bruce Walker bruce.wal...@gmail.com wrote:
Funny. I love it. I love that its noise looks like film grain and I
sometimes leave it as-is.
It's what happens in the shadows even at relatively low ISO that I
can't tolerate. I basically never picked up my K20 after I bought
I've found the most workable solution for dancing or other face paced
movement on stage is to use centre point AF sensor and disconnect AF
from the shutter button half press, you can then use either AF S or C
mode independent of the shutter.
Maybe I'm old school. When I shot dancers with the
Unless I've slipped over to another thread (not impossible), the
original poster's camera of my dreams was an 8x10 view camera.
It wasn't the first in the thread, but that Nagaoka is one really nice
camera.
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Starting sometime a single-digit number of years ago, it became
painfully clear to me that the number of times the limiting factor in
shot quality was the camera rather than its operator was declining to
very nearly zero. The only shortcoming of my K-5 is its size and
weight, as the time spent
On Mon, Apr 15, 2013, John Sessoms wrote:
From: Aahz Maruch
On Fri, Apr 12, 2013, Godfrey DiGiorgi wrote:
This old building soon to be razed for a new development.
http://www.flickr.com/photos/gdgphoto/8641854465/lightbox
Soon Gone #1 - Douglas 2013
George,
Enjoyed the photo and the discussion.
The stuff in the background is interesting.
And your Dad could have smiled!
We had a '49 (??) Halicrafters TV that lasted forever.
Our TV repairman made house calls in his station wagon.
With luck, he fixed it on the spot.
Otherwise, he took it back
Yes, it is great to see things in the background. Sometimes the background
is the foreground. Everything contributes to memories.
I have photos of my parents engagement in 1930's. In the background through
a glass door you can see the cable radio distribution amplifiers in their
apartment!
Enjoyed the trip back, George.
Our family's first TV was a 1950 Zenith. Three shaky, grainy channels on an
antenna. Closest TV broadcast station, about 75 air miles away.
WARNING: Stay out of my Dad's view during the TV wrestling.
Jack
- Original Message -
From: George Sinos
People can complain about autofocusing all they want, but photographers
made do without autofocusing cameras for years and still got good
photographs. Even in fast action situations. My beef is with the
metering system on the K20D. I often feel that my (gasp), more that 50
year old Spotmatic,
Smallest APS-C sensored camera in the world.
28mm (equiv.) lens.
http://www.youtube.com/watch?feature=player_embeddedv=88LiM3RSVVo#!
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Hi y'all,
I've photographed two weddings over the past two weekends for friends of
mine, which is keeping me pretty busy -- but I digress.
The first wedding I did involved a young lady who had to have her arm
amputated below the elbow. She's not at all self-conscious about it, but
I can't
On 15/04/2013 9:53 AM, P. J. Alling wrote:
People can complain about autofocusing all they want, but
photographers made do without autofocusing cameras for years and still
got good photographs. Even in fast action situations.
This was back when viewfinders were a decent size and manufacturers
On 15/04/2013 10:05 AM, Walt wrote:
Hi y'all,
I've photographed two weddings over the past two weekends for friends
of mine, which is keeping me pretty busy -- but I digress.
The first wedding I did involved a young lady who had to have her arm
amputated below the elbow. She's not at all
On Mon, Apr 15, 2013, Walt wrote:
The first wedding I did involved a young lady who had to have her
arm amputated below the elbow. She's not at all self-conscious about
it, but I can't help feeling like I ought to crop strategically on
the images where the amputation might be distracting to
On 4/15/2013 11:19 AM, Bill wrote:
On 15/04/2013 10:05 AM, Walt wrote:
Hi y'all,
I've photographed two weddings over the past two weekends for friends
of mine, which is keeping me pretty busy -- but I digress.
The first wedding I did involved a young lady who had to have her arm
amputated
Thanks, Paul. I took off yesterday morning as well and never took a
camera out of the bag. At least the late afternoon turned out nice.
I just realized I should have named that photo the gnat's eyebrows...
Mark
On 4/15/2013 7:10 AM, Paul Stenquist wrote:
Looks like you're having a good time
On Mon, Apr 15, 2013 at 1:12 AM, Larry Colen l...@red4est.com wrote:
What photos are you losing because your gear isn't performing well enough,
or because it doesn't have a feature that you need? And in what situations
does this present itself? If there is a work around, what do you need
Ask her, privately, while displaying hesitancy and a considerate manner.
I gather you have no personal connection with the bride.(?)
Jack
- Original Message -
From: Walt ldott...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc:
Sent: Monday, April 15, 2013 9:05 AM
Subject:
On Apr 15, 2013, at 11:07 , Darren Addy pixelsmi...@gmail.com wrote:
Smallest APS-C sensored camera in the world.
28mm (equiv.) lens.
http://www.youtube.com/watch?feature=player_embeddedv=88LiM3RSVVo#!
Yow! That looks nice so far.
-Charles
--
Charles Robinson - charl...@visi.com
On Mon, Apr 15, 2013 at 12:07 PM, Darren Addy pixelsmi...@gmail.com wrote:
Smallest APS-C sensored camera in the world.
28mm (equiv.) lens.
http://www.youtube.com/watch?feature=player_embeddedv=88LiM3RSVVo#!
I was pretty excited by the rumors I saw of APS-C with 28mm lens,
but then
On 4/15/2013 11:25 AM, Aahz Maruch wrote:
On Mon, Apr 15, 2013, Walt wrote:
The first wedding I did involved a young lady who had to have her
arm amputated below the elbow. She's not at all self-conscious about
it, but I can't help feeling like I ought to crop strategically on
the images where
Thanks, Jack.
I'll have a sit-down with her and see if I can steer the conversation in
that direction. It's just a little difficult to find a good segue, but
I'll figure it out.
Thanks again.
-- Walt
On 4/15/2013 11:29 AM, Jack Davis wrote:
Ask her, privately, while displaying hesitancy
It's Her wedding, do what she wants.
On 4/15/2013 12:05 PM, Walt wrote:
Hi y'all,
I've photographed two weddings over the past two weekends for friends
of mine, which is keeping me pretty busy -- but I digress.
The first wedding I did involved a young lady who had to have her arm
amputated
Interesting.
Don't remember the brand of our first TV. I do know Dad or someone put it
on a swivel stand so it could be turned around to be watched either in the
living room or the dining room. And a special hole was made in the room
divider so it that opened on both sides, and shutters
I think, then, most of the problem is on your side, not hers. But I would
recommend asking too. I seriously doubt she will be surprised that you ask.
Marnie aka Doe :-)
In a message dated 4/15/2013 9:41:42 A.M. Pacific Daylight Time,
ldott...@gmail.com writes:
The young lady in question
Talking about the K20D, and in order of relevance:
- Size, weight...it makes me lazy to take it with me
- High ISO, i would like to be able to shoot 6400 without hesitation, as K-5
owners say they do.
- AF in low light, moving subjects,... I have missed many pictures because of
this
-
Oh. Nice shot, Larry. That's a keeper (didn't look at whole set).
Marnie aka Doe :-)
In a message dated 4/13/2013 11:50:27 A.M. Pacific Daylight Time,
l...@red4est.com writes:
Our lady of peace, across the street from my office:
http://www.flickr.com/photos/ellarsee/8645289393/
Full set
The goal is to make the subjects look good.
If they are happy with what you have done on their behalf, that is all that
matters.
Sensitivity is good if the subject is equally sensitivity.
Otherwise second-guessing may detract from a quality product.
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Walt,
In my professional life (a pediatric oncologist with a particular interest in
connective tissue tumors) I have dealt with lots of amputees. For many years I
took our teen and young adult patients with amputations skiing for a week every
winter, and shot the lessons, races, and annual
I guess I should explain why answered even though I've never taken
weddings. I knew a guy for several years who had one arm. He was totally
comfortable with himself. Others might look at him and see incompleteness, but
when
he looked at himself he just saw his self.
HTH, Marnie aka Doe
On 4/15/2013 12:16 PM, Bill wrote:
On 15/04/2013 9:53 AM, P. J. Alling wrote:
People can complain about autofocusing all they want, but
photographers made do without autofocusing cameras for years and
still got good photographs. Even in fast action situations.
This was back when viewfinders
P. J. Alling wrote:
Skill is often mistaken for blind luck.
And vice-versa!
--
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www.robertstech.com
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From: Collin Brendemuehl
Unless I've slipped over to another thread (not impossible), the
original poster's camera of my dreams was an 8x10 view camera.
It wasn't the first in the thread, but that Nagaoka is one really nice
camera.
But, I am at least in the right thread?
--
PDML
That doesn't seem to be a general problem however...
On 4/15/2013 10:46 AM, John Sessoms wrote:
My K20D has a hotspot with a clump of about 150 dead pixels. It's a
pain to Photoshop out.
--
Buy a Leica to get the full “Leica Experience”, (a quick reduction of funds in
the bank account).
Thanks Collin, Marnie, P.J. and Rick.
I really do appreciate the guidance. I've never had to contend with
anything like that before and wasn't sure if there was a general
convention with regard to such things.
I'll ask her about it and go with my instincts on a per-photo basis. I
cannot
Unfortunately in low enough light the noise on my K20D takes on a linear
pattern, that's obviously digital in nature. Badly under exposed images,
which happen more often than I like to think about, really bring it out,
and there's not much I seem to be able to do about it.
On 4/15/2013 10:57
From: Aahz Maruch
On Mon, Apr 15, 2013, John Sessoms wrote:
From: Aahz Maruch
On Fri, Apr 12, 2013, Godfrey DiGiorgi wrote:
This old building soon to be razed for a new development.
http://www.flickr.com/photos/gdgphoto/8641854465/lightbox
Soon Gone #1 - Douglas 2013
On 4/15/2013 1:46 PM, Mark Roberts wrote:
P. J. Alling wrote:
Skill is often mistaken for blind luck.
And vice-versa!
Not in my case, it's blind luck.
--
Buy a Leica to get the full “Leica Experience”, (a quick reduction of funds in
the bank account).
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On 2013-04-15 4:12, Larry Colen wrote:
What photos are you losing because your gear isn't performing
well enough,
The photos that are so good I can retire on the royalties. I blame the camera.
B
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From: Walt
Hi y'all,
I've photographed two weddings over the past two weekends for friends of
mine, which is keeping me pretty busy -- but I digress.
The first wedding I did involved a young lady who had to have her arm
amputated below the elbow. She's not at all self-conscious about it, but
From: P. J. Alling
Skill is often mistaken for blind luck.
It's mistaking blind luck for skill that gets you in trouble.
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On Mon, Apr 15, 2013 at 2:07 PM, John Sessoms jsessoms...@nc.rr.com wrote:
From: P. J. Alling
Skill is often mistaken for blind luck.
It's mistaking blind luck for skill that gets you in trouble.
Skill is learning to shoot often enough that blind luck becomes
statistically significant.
--
Well, don't know. I always claim my blind luck was skill.
Marnie aka Doe :-)
In a message dated 4/15/2013 10:47:12 A.M. Pacific Daylight Time,
postmas...@robertstech.com writes:
P. J. Alling wrote:
Skill is often mistaken for blind luck.
And vice-versa!
--
Mark Roberts - Photography
Why is this a quandary? Just show her the photos. She already knows
about her arm.
On 4/15/13 12:05 PM, Walt wrote:
Hi y'all,
I've photographed two weddings over the past two weekends for friends of
mine, which is keeping me pretty busy -- but I digress.
The first wedding I did involved a
On PDML, being in the right thread usually doesn't matter.
HTH, Marnie aka Doe :-)
In a message dated 4/15/2013 10:47:52 A.M. Pacific Daylight Time,
jsessoms...@nc.rr.com writes:
But, I am at least in the right thread?
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on 2013-04-15 10:27 Stan Halpin wrote
*Note: a perfect AF system would read my mind and focus on what I think is the
right point in the scene. Many moons ago a guy who worked for me had a Canon with an
eyeball sensor which was said to AF on the point you looked at in the scene. It didn't work
I imagine you plan to, but suggest you have some images to share. You might
just show her some that incxlude both and ask her advice.
That way it's her choice and it needn't be taken any further.
Jack
- Original Message -
From: Walt ldott...@gmail.com
To: Pentax-Discuss Mail List
On Mon, Apr 15, 2013 at 01:12:29AM -0700, Larry Colen wrote:
What photos are you losing because your gear isn't performing well enough, or
because it doesn't have a feature that you need? And in what situations does
this present itself? If there is a work around, what do you need to do to
Just some old retired ties. Makes a nice desktop wallpaper.
http://www.flickr.com/photos/55001392@N08/8653159618/in/photostream/lightbox
/
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I hadn't seen this before, and thought I'd pass it along. Only 36
views on YouTube, as I type this.
http://www.youtube.com/watch?v=rdCq-1MJmHwfeature=youtu.be
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Peter Galassi
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On 15/04/2013 11:44 AM, P. J. Alling wrote:
On 4/15/2013 12:16 PM, Bill wrote:
On 15/04/2013 9:53 AM, P. J. Alling wrote:
People can complain about autofocusing all they want, but
photographers made do without autofocusing cameras for years and
still got good photographs. Even in fast action
The public beta of Lightroom 5 is available for download:
http://labs.adobe.com/technologies/lightroom5/
New Features in Lightroom 5 Beta
Advanced Healing Brush – Easily remove objects and fix defects—even
those with irregular shapes such as threads or lint—with a single
brush stroke. Take
Watching the news here... :-(
NOThing yet on cause of the explosions near end of the Marathon -
not clear if intentional explosion or not
ann (in NY)
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Thanks, Darren for posting this. Loved it.
Jack
- Original Message -
From: Darren Addy pixelsmi...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc:
Sent: Monday, April 15, 2013 11:50 AM
Subject: OT: Ansel Adams 1983 BBC interview (1 year before his death)
I hadn't seen this
Two explosions 15 seconds apart, placed near finish line is clearly
intentional and designed to inflict maximum damage.
You can check on runners from your state, town, etc. here:
http://www.baa.org/individual.html
No group has yet taken responsibility. Given that it is Tax Day, it
could be
Could perfectly well be a gas leak too. That would still be a bad
thing, but a much less bad thing.
On Mon, Apr 15, 2013 at 1:05 PM, Darren Addy pixelsmi...@gmail.com wrote:
Two explosions 15 seconds apart, placed near finish line is clearly
intentional and designed to inflict maximum damage.
I'm sure they will find a way to spin it into a terrorist attack
regardless of the explosion source. News is only reporting 4 injuries. If
it was a terrorist attack, it was highly ineffective. Something tells me
our fellow bostonian pentaxians are fine (hopefully).
Tim
Paul via phone
On Apr 15, 2013, at 4:13 PM, Zos Xavius zosxav...@gmail.com wrote:
I'm sure they will find a way to spin it into a terrorist attack
regardless of the explosion source.
Ridiculous.
News is only reporting 4 injuries. If it was a terrorist attack, it was
On Mon, Apr 15, 2013 at 01:08:02PM -0700, Tim Bray wrote:
Could perfectly well be a gas leak too. That would still be a bad
thing, but a much less bad thing.
I found this video from a month ago:
http://www.youtube.com/watch?v=nwo3XfZV470
Boston explosion on huntington ave
Heard 2
Multiple devices found. Unexploded are being dismantled.
On Mon, Apr 15, 2013 at 3:22 PM, Larry Colen l...@red4est.com wrote:
On Mon, Apr 15, 2013 at 01:08:02PM -0700, Tim Bray wrote:
Could perfectly well be a gas leak too. That would still be a bad
thing, but a much less bad thing.
I
On Apr 15, 2013, at 15:08 , Tim Bray tb...@textuality.com wrote:
Could perfectly well be a gas leak too. That would still be a bad
thing, but a much less bad thing.
My wife tells me she just heard on WBUR that two more (unexploded) bombs have
been found and disarmed, so gas leak probably
Boston Globe is reporting that police getting multiple reports of
unexploded devices around Boston. Who knows if they are legitimate or
people's paranoia, but under the circumstances I would guess that
every report will be checked out.
On Mon, Apr 15, 2013 at 3:30 PM, Darren Addy
Just seeing news about explosions at the Boston Marathon. Hope you guys
are OK.
And I hope the toll doesn't get any worse. Shame there's any toll at all.
--
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