Re: [GO] sequels/series

2004-11-14 Thread Nicky Smith

- Original Message -
From: "Ellen Jordan" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Sunday, November 14, 2004 7:40 AM
Subject: Re: [GO] sequels/series


> Pam writes:
>
> I wondered  when book sequels & series first became common? . .
.Series
> feature largely in GO fiction - was there anything much before Alcott
/
> Montgomery / Oxenham series & Brazil's pairs?

Ellen suggested

> The earliest I can think of at the moment are The Fairy Bower and The
> Lost Brooch by Harriett Mozley, both published in 1841. Charlotte
Yonge
> saw them as the inspiration for the whole genre of books for girls.
>

I've not read Sandford and Merton but the publication dates are
1783-1789 so I assume it was published in several volumes. I don't think
we are ever going to come up with an official 'earliest sequel' !
There's also Through the Looking Glass which hasn't been mentioned.
There's also Leila books of the 1840s (the first is 1839, the second
1842 - I've been looking through Gillian Avery !). But I think American
children's writers have always been more series conscious - as well as
Alcott, there's Katy and Elsie. And there has never been a British
equivalent to the Stratmeyer (sp) syndicate books - the nearest is some
of the story papers which would draft in subsitute authors when the main
one was on holiday. I don't own the Phantom Friends guide to series but
IIRC that includes quite a few nineteenth century books.

Nicky

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[GO] my e-mail address

2004-11-14 Thread Janferie Westwood



Hi all!
    I seem to have finally managed 
to set up my e-mail successfully so it should work normally from now on. I 
anyone has any problems, please let me know.
 
Thanks!
    
Janferie
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[GO] Re: Girlsown Digest, Vol 6, Issue 75

2004-11-14 Thread LHermann2
My great grandmother's sister was Althea pronounced Al-thee-a with a soft  
th.  She shortened it to Thea, but pronounced Thee (soft th again), not  The-a. 
 
I read Thea as The-a normally though just as I do Irene as I-rene  rather 
than I-ren-e even though I've only ever known I-ren-e used.
Lisa
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[GO] Rachel and Pauline

2004-11-14 Thread LHermann2
Would I be right in thinking that Rachel (and Jane Winter) are no less  
typical of actresses in getting their big break through being 'in the right  
place 
at the right time' than Pauline Fossil's more gradual progress?
Lisa
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[GO] Princess magazines

2004-11-14 Thread Rickard/Paulson
Guess who's bought a whole boxful of Princess magazines?  They are the very
GOish story papers containing stories, cartoon strips, letters, all sorts of
stuff.  I've got about fifty of 'em now, dating from 1963 to 1965.  I think
they're only 24 pages each but never mind.  One of them contains a full
colour (!) pinup of Cliff Richard which ought to send me weak at the knees.
Some of them have offers for clothes available by mail-order and mostly they
are awful.  Equally awful knitting patterns are printed too.  Plenty of
serial stories, almost every issue has a Sue Day cartoon, but also there are
bits of stories by Streatfeild, Aiken, Hazel Armitage, Pat Smythe, all
sorts.  Plenty of ballet - something about ballet in just about every
magazine.
I used to read these magazines when I was 8 or 9, going through the stacks
left in the shed of our house by the previous owner.  Dad threw them out.
This is revisiting childhood with a vengeance.
Georgie

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[GO] BD Sweet Violets

2004-11-14 Thread Sally Dore
Barbara's fascinating notes on mothers illustrated most of the uses of
illnesses in children's books that Dorian and the subsequent discussion had
put forward.  What strikes me reading Eva's notes on DFB, and contrasting
them with the
other authors so far mentioned, Haverfield and LMM particularly as well as
some of
the various American ones covered by Christine, is that DFB uses illness in
many of the *plot-progressing* ways outlined by Dorian, but unlike the
others, she seems not to use illnesses in the other way of varying the
emotional tone, tugging heart-strings, as the others do.  There are no
bedside crises.  If EBD etc have
*more* illness in their books than real-life would have indicated at the
time, surely DFB has *less* than would be representative of the times.  And
she doesn't even seem to use them as a way of illustrating character,
indicating stoicism etc.  Why?

Sally

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[GO] (GO) Izzie - WAS Sara/h

2004-11-14 Thread Elaine Moore
Sandra said:
 I know I am going to
have enough trouble stopping people calling my Isabella "Izzy" (shudders).
I have a granddaughter called Isabelle who is always called Issy (pronounced
Izzy).  When she was born I kept quiet like all grandmothers should but was
perturbed at the thought of Issy rather than Belle or Bella but of course it
is part of her now and she is just our Issy.  I guess it was the thought of
Aunt Izzie in WKD.
Oddly enough I have a grandson called McKenzie and everyone (including his
parents) assumed he would be called Mac but this rarely happens, he is
always called by his full name.  His two year old brother Alastair is called
Alec by his parents, which I think is a shame as I love Alastair as a name.
Elaine M


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Re: [GO] Tolerance - was something else but I'm not sure what

2004-11-14 Thread ReggieRhino
In a message dated 14/11/2004 04:02:21 GMT Standard Time, 
Diane  writes:

>NB: Sue, what is true tolerance as opposed to laxness?  I  mean, how can
you tell? <

Well, I suppose I'm not authorised to do so (Judge not...), but in  principle 
I'd say that if it hurts, it's tolerance. The word is  from 'tuli', the 
perfect tense of 'ferre' (IIRC), meaning 'to bear' -  like bearing a burden.

Sue
 
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Re: [GO] sequels/series

2004-11-14 Thread ReggieRhino
In a message dated 14/11/2004 04:02:21 GMT  Standard Time, Pam writes:

>I've just finished watching UK terrestrial  TV's premiere of 'Bridget Jones'
Diary' and noted the links between it and  'Pride & Prejudice' (didn't spot
the plot links on my first viewing at  the cinema - doh!!). Anyway, given BJD
has a sequel  ('Edge of Reason'),  although P & P doesn't, I wondered  when
book sequels & series  first became common? I know the Bible & Shakespeare
have several, but I  meant in modern (20th century) fiction - especially
children's stuff. Series  feature largely in GO fiction - was there anything
much before Alcott /  Montgomery / Oxenham series & Brazil's pairs?<

I can't help on  girls' stuff generally, but as far as girls' school stories 
are  concerned, I think the prototype in that genre is Raymond Jacberns 
(you're  looking at late 19th/early 20th here): she - it was a pseudonym - 
doesn't 
have a  series quite in the modern sense, where a set of girls are followed 
through  their school career, but she does follow up individuals and schools in 
various  books, and there is a definite sequence.  If you're looking for pairs, 
 L.T.Meade is the earliest I've discovered so far: A World of Girls has a  
sequel.  There may well be earlier pairs/series, but I don't know of them,  and 
would be glad of any contributions here for the second edition of The Book  
(GGBP are planning a paperback edition).

Sue  

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Re: [GO] sequels/series PS

2004-11-14 Thread ReggieRhino



I ought to qualified 'girls' school stories' by 'British and Commonwealth' 
at some point - while the American girls' school story is very interesting (and, 
given 'What Katy Did at School', very important for the development of the 
British genre), the Book, and my knowledge, is mostly confined to these islands 
and our old Empire.
 
Sue
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[GO] The Book

2004-11-14 Thread Beth & Rich

would be glad of any contributions here for the second edition of The Book
(GGBP are planning a paperback edition).
Sue

I'm so pleased GGBP are planning a paperback edition. I'm looking forward to 
finally having a copy after hearing so much about it.

Cheers
Beth from NZ 

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Re: [GO] sequels/series

2004-11-14 Thread kirkhead
Ellen said:

>Charlotte Yonge herself was a great one, if not exactly for series, at
>least for linked novels. The first in her group was Scenes and
>Characters published in 1847, but over the years she kept introducing
>characters from one book into another until by the time she wrote Modern
>Broods in 1900 the characters from a large number of her major novels
>had become related to one another by marriage

So THAT'S where EJO got her ideas from!!!
Pam K
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[GO] Tolerance

2004-11-14 Thread Diane Purkiss
In message <[EMAIL PROTECTED]>, girlsown-
[EMAIL PROTECTED] writes
>>NB: Sue, what is true tolerance as opposed to laxness?  I  mean, how can
>you tell? <
>
>Well, I suppose I'm not authorised to do so (Judge not...), but in  principle 
>I'd say that if it hurts, it's tolerance. The word is  from 'tuli', the 
>perfect tense of 'ferre' (IIRC), meaning 'to bear' -  like bearing a burden.

Qui tollis peccata mundi, then.  So to tolerate a sin is to bear its
burden - and bear it away? - from the sinner?  Fascinating.  Much more
interesting than what I was getting at.  

I suppose what I meant was can you tolerate something while trying to
convert/change/reprieve/expel it or them?  If eg I tolerate kids letting
off fireworks in my street in the sense of saying 'Boys will be boys'
through gritted teeth, but also mention it to their parents or the
police, has my tolerance failed?  

Bringing this back on topic, this too is a common GO dilemma; what is
tolerance and what is merely slack, as in Dimsie Head Girl.  
-- 
Diane Purkiss
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Re: [GO] sequels/series

2004-11-14 Thread Ellen Jordan
Yes Nicky is right. If one broadens the category to children's books
more generally, one can find examples of series/sequels even back in the
1780/1810 period. 

I have just pulled from the shelf two tiny little books with
marbled-paper covers that I'd almost forgotten I had. One is called
"Frank/In Four Parts/PartIII/ Eighth of the Series of Early Lessons by
Maria Edgworth" and is dated 1803. The other is Frank Part IV. I'm not
sure if her Harry and Lucy stories (mentioned I think in Little Men)
began as a series, but according to Copac they were issued as Practical
Education in 1780, and the Copac lists suggest she went on writing
others to follow.

I'm not so sure about Sandford and Merton being a series, though. Copac
lists a number of copies in libraries with the date 1783, and then a
1790 "fifth edition, corrected". There was also an abridged edition
"embellished with elegant plates" published in 1790, but no suggestion
of anything that could be seen as a sequel.



Ellen Jordan
University of Newcastle
Australia
[EMAIL PROTECTED]
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Re: [GO] Wintle's Wonders

2004-11-14 Thread Janice Benson
Me:

I found the unfairness of the court of honour distressing in Autumn Term.  I
think it was one of the first books i'd read where things didn't come right
in the end.  Mostly I still miss out on the whole rickyard/court of honour
when I reread.

Janice

Pat wrote:

> Hi Marcia & others, I wonder what you found distressing in AF's Autumn
> Term - can you remember? I have just read it again and wonder if it was
the
> unfairness re the expulsion from Guides. Regards, Patricia
>

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Re: [GO] Wintle's Wonders

2004-11-14 Thread Barbara Ann BROWN
I only have a 1995 paperback called 
Dancing Shoes - assume that there is
not too much difference from the
original.

I think that the mis-understood
jealousy is a bit clumsy and
unnecessary (NS often seemed to
add these sub-plots).The very
unfairness of Mrs W is the sort of
 thing that appeals to the young 
readers, and seeing Dulcie fall
is a great delight.

Maybe NS is trying to let
children know that it is OK to
"sell yourself".

Barbara

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[GO] OT - sorry

2004-11-14 Thread Helen_A
If Pamela Gallen is around, would you email me off-list about a book 
I bought from you? Thanks.

--
Helen_A



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Re: [GO] sequels/series

2004-11-14 Thread Nicky Smith

- Original Message -
From: "Ellen Jordan" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>
Sent: Sunday, November 14, 2004 10:21 AM
Subject: Re: [GO] sequels/series


> > I have just pulled from the shelf two tiny little books with
> marbled-paper covers that I'd almost forgotten I had. One is called
> "Frank/In Four Parts/PartIII/ Eighth of the Series of Early Lessons by
> Maria Edgworth" and is dated 1803. The other is Frank Part IV. I'm not
> sure if her Harry and Lucy stories (mentioned I think in Little Men)
> began as a series, but according to Copac they were issued as
Practical
> Education in 1780, and the Copac lists suggest she went on writing
> others to follow.
>
> I'm not so sure about Sandford and Merton being a series, though.
Copac
> lists a number of copies in libraries with the date 1783, and then a
> 1790 "fifth edition, corrected". There was also an abridged edition
> "embellished with elegant plates" published in 1790, but no suggestion
> of anything that could be seen as a sequel.
>

According to the DNB it "was published in three volumes (1783, 1786, and
1789), it tells how rebellious Tommy Merton, the spoilt son of a wealthy
plantation owner from Jamaica, and his friend Harry Sandford, the poor
but worthy son of a local farmer, are patiently educated by the Revd Mr
Barlow-and how Master Tommy is brought, by precept and self-discovery,
to see the error of his ways."

I don't know enough about 18th century publishing to know whether each
volume is complete in itself - I would assume so.but don't know for
sure.  Has anyone read the book ? It was still being read at the end of
the 19th century (I think there's a joke in Three Men in a Boat about a
very good boy being nicknamed Sandford and Merton). Probably a lot of
early novels that we think of as complete were actually published in
more than one part (see Little Women/Good Wives which are thought of as
all one book in the US though they were definitely published as two)

I remembered Edgeworth but I'm not sure if that is the same thing.
Aren't the individual Harry and Lucy stories all self-contained short
stories (I like some of her children's stories enormously especially The
Little Merchants, set in Italy and the Frank and Rosamund stories.
Alcott was a big fan - Lazy Laurence, used as a chapter heading in Good
Wives, comes from Edgeworth). Interestingly the DNB article on her
hardly  mentions her children's stories at all. I would have thought
that insofar as she is remembered now, it is because she is discussed in
histories of children's literature, rather than for her adult fiction
which may be influential but probably isn't read except by those doing
university courses on The Early Novel. Perhaps she needs an Andrew
Davies adaptation to get her on the map again. You can find some of her
stories at http://www.gutenberg.net/etext/3655 including The Barring Out
which is a famous early boarding school story. Sadly though I can't find
The Purple Jar which is probably her most famous story.

Nicky

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[GO] Stratemeyer Syndicate

2004-11-14 Thread Stephen Copson
What about the Animal Ark series? They are written by 'Lucy Daniels', who
doesn't exist - in fact, they're written by various authors in a very
uniform hack-work style. Even the name Daniels was a marketing tool; it was
chosen for library shelf proximity to another writer about animal stories,
name beginning with D, name temporarily escaping me..

There is another series called the Sleepover Club - can't now recall name of
author (definitely having a senior moment!) but I've sometimes wondered if
they too are syndicated - they're tremendously formulaic.

Belinda


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Re: [GO] Violets BD: Sick mothers in GO fiction part 1

2004-11-14 Thread Tom & Tash
[There are some spoilers for The Daisy Chain coming. If you haven't read it,
it is a top read so do try it!]
Thank you, Barbara and everyone who has written an article so far. I hope
the lack of criticism in the last few days isn't disappointing - I think it
is actually a compliment, as no one is disagreeing, just reading with
enjoyment!
Anyway, hoping to do my bit. One book that I thought of while reading
Barbara's article was The Daisy Chain. Mrs May doesn't really count as a
sick mother, as she was killed outright at the beginning of the book, but
this leaves her elder daughter, Margaret, to be a sort-of proto Katy, an
invalid elder sister of a long family who adopts the elder sister/mother
role so beloved by EBD, among others. Like Katy, she runs has the reins of
the household firmly gripped in her small but capable hands, all the time
while confined to her bed.
Also in The Daisy Chain, illness and death as a punishment are illustrated
by Flora's baby. Flora married for money, and was punished by the poor
health and subsequent death of her baby. It later transpired that the baby
was being fed laudanum by its nurse, to keep it quiet.
The ultimate royal sick mother might be the last Tsarina - she seemed to
lurk around being non-specifically ill a lot. I wonder what was actually
wrong with her, does anyone know? Depression?
Other sick mothers: (and apologies if they have already been mentioned):
Diggory's mother in The Magician's Nephew; Will's mother in The Subtle
Knife; the mother in The Railway Children.
I wonder why sick mother's are more appealing than sick fathers? Fathers
tend to me abroad working or something, rather than ill. I can think of
Gwen's father in Mallory Towers but not any others - there must be SOME,
surely?
Natasha

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[GO] BD Sweet Violets

2004-11-14 Thread Eva M. Löfgren
Sally Dore wrote:


 What strikes me reading Eva's notes on DFB, and contrasting
them with the other authors so far mentioned, Haverfield and LMM 
particularly as well as some of the various American ones covered by 
Christine, is that DFB uses illness in
many of the *plot-progressing* ways outlined by Dorian, but unlike the
others, she seems not to use illnesses in the other way of varying the
emotional tone, tugging heart-strings, as the others do.  There are no
bedside crises.
The character building is more on the side of the characters who must 
take on responsibility because of somebody else's absence - not only 
illness or accidents - like Daphne gaining a new confidence in herself. 
Or, showing up as incompetent for responsibility. DFB is more interested 
than EBD in the building of plots based on the interaction of leadership 
and friendship inside the school community and illness is only one of 
the devices she uses for creating such situations. Peggy's situation in 
New House Captain is similar to that of Daphne even if Diana is 
physically well and present.

 If EBD etc have *more* illness in their books than real-life would 
have indicated at the
time, surely DFB has *less* than would be representative of the times.  
And
she doesn't even seem to use them as a way of illustrating character,
indicating stoicism etc.  Why?
I have no real theory why. Her mother was an invalid for many years, so 
she had experience of  illness, but perhaps she thought she had enough 
of if in RL? DFB seems to have used different aspects of illness and 
accidents when they suited her plots. The epidemic is an important plot 
device in New House Captain. Being somewhat delicate is part of the 
characterisation of Nicola Carter, which is used again as an important 
plot device in Captain Anne. But she's doing her best to ignore her 
delicacy. (I must confess this method suits me better, who grew up as a 
badly delicate child and never liked reading much about illness )

As I suggested, DFB is less Victorian than EBD in many aspects, though 
EBD shows rather modern attitudes in some politic issues. But I think 
the idfference is mainly due  to DFB's basic interest in the interaction 
of characters and plot.

Eva Margareta
(suffering from an ordinary banal cold)
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[GO] DF Bruce

2004-11-14 Thread Eva M. Löfgren
Avital wrote:

I've just read my first Dorita Fairlie Bruce book, The Girls of St Bride's.
I loved the book, but think the girls sound pretty awful on the whole, only
liking people if they have done anything "for the school". And as for the
"sneaking", if the other girls' lives were at risk then Winifred/Cynthia
should have been thanked. I like Morag and Christine though, hope they don't
become too St Bride-ish later on.

I'm not sure whether you'll be disappointed when you read the next book, Nancy at St. Bride´s, Avital. The St. Bride's/Nancy series is rather complex;  only three of the books are set at St. Bride's - with several years between them - and the rest in Maudsley Grammar School, a day school in south England, and the last one in Scotland during the War. The Girls of St. Bride's was evidently not intended as part of a series, as the idea of a series from the same school was more or less founded by DFB, with the Dimsie books, and EJO by this time. Girls of St. Bride's plays the same part as a 'prequel' to a series as Girls of the Hamlet Club. 

Nancy at St. Bride's is a retrospective book about Nancy's first term at St. Bride's, before she gets to Maudsley. It takes place several years after GOSB, when Christine is a prefect; Morag has left school but appears briefly in this book. Nancy Goes Back is set several years later again, when Nancy returns for a last year and meets some of her contemporaries from her first sejour. 

I'm not sure if Christine in the second book turns into what you call 'St. Bride-ish' GOSB is very  much about how Morag, Cynthia and the juniors fights against what must be the tendencies you dislike in the other seniors - some of them are not intended to be very nice -. Don't you even like Christine's set among the juniors? I'm not wholly sure I undersand exactly what you mean by 'St. Bride-ish'; being too obsessed about what you can do for the school is very common in school stories, for good or bad.

Girls of St. Bride's is one of my favourite DFBs, both for the setting and atmosphere and the skilfull handling on the plot. Inchmore is  in this book said to be in the Outer Hebrides, but it's seen from the two later books that it's really Great Cumbrae in the Firth of Clyde - which is sometimes counted among the Inner Hebrides - opposite Largs,  which, as 'Redchurch' and 'Colmskirk', is the centre of DFB land in Scotland. 

Eva Margareta

DFB Website: http://home.swipnet.se/flickbok/bruce.html

I'm afraid I haven't had time to finish the short summaries I was rash enough to promise long ago

In reading order:
The Girls of St. Bride's
Nancy at St. Bride's 
That Boarding School Girl (Maudsley)
The New Girl and Nancy (Maudsley)
Nancy to the Rescue (Maudsley)
The Best Bat In the School  (Maudsley)
Nancy in the Sixth (Maudsley)
Nancy Returns to St. Bride's (Maudsley)
Nancy Calls the Tune 


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[GO] Sick fathers

2004-11-14 Thread Tom & Tash
As soon as I posted, I thought of Dr Carr - was he sick or just old? - and 
Emily of New Moon's father has consumption before shuffling off.

Natasha 

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[GO] early series/Sandford & Merton etc

2004-11-14 Thread Stephen Copson
As luck would have it, I actually have a first ed 1789 copy of Vol 3 of
Sandford & Merton (though sadly not vols 1 & 2).  It is quite definitely one
continuing novel in three volumes rather than three complete stories later
put together as one; Vol 3 starts out with reference to events in the
previous volume but without explanation, thus:

'While these scenes were passing, Mrs Merton, though ignorant of the danger
of her son, was not undisturbed at home.'

It's a lovely edition with publisher's adverts at the back, from which we
learn that the original 3 volume set cost 10s 6d bound.

Serial at a stretch, given the length of time between publication, but
series definitely not.

Re Nicky's ref to Edgeworth's The Purple Jar, this is the first of 17 moral
tales about a little girl Rosamond; collected in one volume in my 1856
edition. Great reading - poor Rosamond is a moral failure and ends up a
sadder but wiser (and duller?) girl on 17 separate occasions.

Belinda


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[GO] Violets BD: Sick mothers in GO fiction part 1

2004-11-14 Thread claire
>>I wonder why sick mother's are more appealing than sick fathers? Fathers
tend to me abroad working or something, rather than ill. I can think of
Gwen's father in Mallory Towers but not any others - there must be SOME,
surely?
Natasha<<
Noel Streatfeild does sick/injured fathers, in fact several plots hinge on 
them: Painted Garden, Caldicott Place & the father in Gemma not being able 
to play the violin but I forget if that was car crash or illness. I'm 
pretty sure EB has a few as well. The father In Jean Little's Mama's Going 
to Buy You a Mocking Bird is also ill.

In the conclusion of her interesting paper, Barbara said:
>>The one constant is that most girls love their
mothers, however inadequate they may be, and that the fear of loss of a
parent is one of childhood's greatest dreads. Illness will therefore always
be a staple plot tool for writers who want to stir the reader's emotions<<
The removal of *parents* is, IMO, one of the chief features of kidlit, 
whether this allows children to enjoy a greater freedom than they would 
have under the normal restraints of family life, or it sets them on a quest 
to find their parents, or it simply allows them to experience the world 
away from the family. As a literary device, the illness or disappearance of 
one or both parents often serves as a catalyst for change. Usually the 
children have to rise to the occasion and grow up quickly; often  the 
family has to relocate or a child has to sacrifice her career/wishes for 
the good of the family/health of the mother. Barbara has pointed out a 
number of these, but a few more came to mind. (As you have all discovered 
by now, none of the F&LLs are in any of these...)

AoGG gives up her plans for University because of Marilla's failing 
eyesite. (I think one could say the Anne saw Marilla as a mother, no?)

The mother's illness in the Railway Children is the introduction to The Old 
Gentleman

One sick mother that has not been mentioned (in this context) is Mrs 
Linton. Her illness drives the plot in The CS & the LIntons. Other CS 
pupils' mothers who are also suffering/breathing their last at the San, not 
merely mentioned in passing include Princess Balbini & Audrey whatsits mum. 
And what about Margot Venables, tho she doesn't do a lot of visible 
languishing, but dies neatly off-stage, as it were?

Claire


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Re: [GO] early series/Sandford & Merton etc

2004-11-14 Thread Nicky Smith

- Original Message -
From: "Stephen Copson" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Sunday, November 14, 2004 5:34 PM
Subject: [GO] early series/Sandford & Merton etc


> As luck would have it, I actually have a first ed 1789 copy of Vol 3
of
> Sandford & Merton (though sadly not vols 1 & 2).  It is quite
definitely one
> continuing novel in three volumes rather than three complete stories
later
> put together as one; Vol 3 starts out with reference to events in the
> previous volume but without explanation, thus:
>
> 'While these scenes were passing, Mrs Merton, though ignorant of the
danger
> of her son, was not undisturbed at home.'
>
> It's a lovely edition with publisher's adverts at the back, from which
we
> learn that the original 3 volume set cost 10s 6d bound.
>
> Serial at a stretch, given the length of time between publication, but
> series definitely not.

The full text is at
http://www3.shropshire-cc.gov.uk/etexts/E000276.htm - where does Vol 3
begin so we can see if Vol Two ends on a cliffhanger (will Tom neglect
his studies or will he get his Latin grammar done ? Tune in in three
years time for the thrilling conclusion)

Nicky

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[GO] crying and BD

2004-11-14 Thread Caroline Tabach
I cried in all the books you have mentioned but also in the Blyton books
such as those dreadful children where the mother is ill and the children at
red roofs.
I seem to cry more as I grow older, is it because you feel more affected by
all the tragic things?

Caroline Tabach
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[GO] streatfield

2004-11-14 Thread Caroline Tabach
I was always fond of When a siren wails as in the year before last of
primary school, we learnt the second world war with a fabulous history
teacher who also ran the book club.
On the other hand,  although saw the TV series I cant stand the book called
Carrie's war.
However for some strange reason I have never come across wintels wonders.


Caroline Tabach
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Re: [GO] Sick fathers

2004-11-14 Thread Ann Dowker
Mr. Underwood in Charlotte Yonge's "The Pillars of the House" has
consumption, and dies a pious death early in the book, but not 
before giving his wife 13 children in 16 years, which evidently 
doesn't do very much for *her* physical or mental health.

The father in Mary Mapes Dodge's "Hans Brinker, or the Silver 
Skates" has brain damage from an accident at work, and is 
miraculously cured by an operation after 10 years.

There are a number of recent books where a father is ill. In
Jean Little's "Mama's Gonna Buy You a Mocking Bird", the father 
has cancer and dies during the book. In Linda Newbery's "Ice 
Cat", the father has an unspecified chronic illness. In Helene
Pielichaty's "Jade's Story", the father has depression.

A bit earlier, Noel Streatfield's "The Painted Garden" and
"Caldicott Place" both feature fathers who are ill as a result
of what would now probably be called post-traumatic stress
disorder.

There are also some books where a father's more acute illness
is used as a plot device; e.g. Noel Streatfield's "The 
Growing Summer", where the children stay with Aunt Dymphna
because their mother has to go to be with their sick
father.

Ann




In message <[EMAIL PROTECTED]> Tom & Tash <[EMAIL PROTECTED]> writes:
> As soon as I posted, I thought of Dr Carr - was he sick or just old? - and 
> Emily of New Moon's father has consumption before shuffling off.
> 
> Natasha 
> 
> 
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[GO] Stratemeyer Syndicate - Sleepover Club

2004-11-14 Thread Eva M. Löfgren
Belinda wrote:
There is another series called the Sleepover Club - can't now recall 
name of
author (definitely having a senior moment!) but I've sometimes wondered 
if
they too are syndicated - they're tremendously formulaic.
I found one of those in a charity shop some time ago - very odd English 
children's books turning up but hardly ever any really interesting one - 
and was going to ask GO about them. This one is Sleepover Girls on the 
Range, by Fiona Cummings, Collins, 2000; no 30.  'Original series 
characters, plotlines and  settings c Rose Impey 1997.' It's set in 
England but has an American feel. There are PC features like the rich 
benevolent Indian businesswoman Mrs Chandri, who sounds more likely in 
the UK, however.

So I'm curious to know more about this series which I'd never heard 
about before. I'm not sure whether to ut this for sale or keep it as an 
example of modern girls' fiction.

Eva Margareta
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Re: [GO] Violets BD: Sick mothers in GO fiction part 1

2004-11-14 Thread Lisa Spurrier
I think perhaps sick fathers may be different in that in many GO familiies a
sick father may mean loss of a breadwinner.  That obviously leads to another
possible plot opening, with the family coping with a channge in economic
cicumstances.

One sick father is Mr Atherton in A Headgirl's Difficulties, who is
apparently unable to work after WWI.

Lisa
- Original Message -
From: "Tom & Tash" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; "Barbara Dryden" <[EMAIL PROTECTED]>
Sent: Sunday, November 14, 2004 8:05 AM
Subject: Re: [GO] Violets BD: Sick mothers in GO fiction part 1
> I wonder why sick mother's are more appealing than sick fathers? Fathers
> tend to me abroad working or something, rather than ill.

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Re: [GO] Wintle's Wonders

2004-11-14 Thread Allison Angell
   I dislike stories where exceptional talent suddenly
breaks out (like Joey Bettany.  Writing is very much a
sideline, to be done occasionally, until she leaves
school.  Certainly not "the breath of life" to her!). 
But Rachel *doesn't* suddenly develop acting talent. 
Remember in the play (Wind in the Willows) in
Folkestone, where she was Ratty, but Hilary was only a
Wild Wood-er?  The teachers there must have seen
talent in her then.
   I suspect that she was excellent in the play at the
end because she felt at home in the part.  A sequel to
Wintle's Wonders might have shown Rachel having less
success in other roles, because they didn't suit her
as well.  
   This isn't meant to be argumentative, Nicky - it's
just that I've been re-reading the book, and I noticed
the early evidence of her talent.
   Allison
   [EMAIL PROTECTED]

--- nicky smith <[EMAIL PROTECTED]> wrote:

> I only read Wintle's Wonders as an adult and liked
> it up until the last chapter 
> when Rachel suddenly becomes a fabulous dramatic
> actress. Which I hated because 
> it seemed as if NS had spent the whole book saying
> that artistic talent wasn't 
> everything and there were many different sorts of
> achievement (and kudos to her 
> for letting Hilary do musical comedy. I'm sure Lorna
> Hill would have been 
> horrified) and then in the last chapter she says
> that really Rachel has the 
> most important talent of all. I wanted her to be
> like Petrova or Myra and good 
> at something else or just be a nice person with no
> particular talents. But if 
> I'd been a child, maybe I would have gone with the
> fantasy more. 
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Re: [GO] Teas and Translation

2004-11-14 Thread Lisa Spurrier
I had the same reaction to you in expecting the plot to go in that
direction.  I thoiught it was a very entertaining book, if not the most
plausible of plots (g).
Lisa S
- Original Message -
From: "Constance Martin" <[EMAIL PROTECTED]>
To: "Girlsown" <[EMAIL PROTECTED]>
Sent: Saturday, November 13, 2004 8:28 AM
Subject: [GO] Teas and Translation
Having
> very much enjoyed The Honour of the School, I recently read the Cinderella
> Girl by E.M. Channon, which has a sort of cooking theme.  ...
> S
>
> P
>
> O
>
> I
>
> L
>
> E
>
> R
>
> Have I read too many books where girls marry men twice their age?  At the
> beginning, I was sure Stacy would eventually marry Agatha's handsome
father,
> Sir Humphrey Phayre, and thus be rescued from her woeful life.  When I
> realized he had financial troubles, that was clearly not going to happen,
> and then the man committed suicide, spoiling his eligibility to be Prince
> Charming to Stacy's Cinderella.  It was very thoughtless of him...
>
>

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[GO] Pronunciation of Sarah - phonetically or otherwise

2004-11-14 Thread Robertssmo
Mm, just read some interesting emails. The type that have me shouting & waving 'over here mates'. And the type that I have to comment on, you have left me know choice I'm afraid.

Isn't 'S-air-ra' the same as Sera ??

If it isn't, then what is it?

Calm down now girl, and get to the point. I have noticed two different ways of saying 'Sarah', one way (my way) is 'Sera'; the other way is 'Sara' (where the a is pronounced as an a).

Now, since I went to primary school with a Sarah/Sally (of the Denny type) I could see that for some reason the was a completely unphonetical way of writing my name. However, I always assumed that meant all those without the silent 'h', were pronounced how it was written. How wrong was I - it seems there is at least one Sara who calls herself Sera.

You know, when I found that out I just stood there. I simply could not take it in, luckily I didn't go by instinct & scream as I was in a room full of people, but really. Have you English no sense at all when it comes to phonetism? Why can you not say things as they are written? Why must I always have to find myself being forever corrected as to how you say these things?

There is one thing I would like to ask of you all, could you remember that are a few of us who have been brought up to pronounce every syllable of every word & in the same way. We have out stresses (if there are any, which I doubt) at the start of the sentence, with a rise in tone at the end, regardless of what it consists of.

I do find all theses comments about where the 'stress' goes in a word confusing. I'm not even sure, I have it's meaning correct. And if you going to mention somewhere, do remember that I may think you mean a completely different place.

Take care,

Sera Mair Owen Roberts 

Pronounced exactly how you see it; with no hidden letters, or with syllables that sound different to they look 
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[GO] Unfairness in Autumn Term - was Wintle's Wonders

2004-11-14 Thread pat bland
Thanks for the comments, Janice. I agree that the rickyard/expulsion
incident is distressing even to an adult - it is interesting to hear the
perspective from someone who read the book as a child. What I find
interesting reading it  now is how cleverly AF makes clear who the real
"winners" and :"losers" are - Lois loses her friendship with Jill, she is
ticked off and made to feel a worm by Miss Redmond, admits her own
culpability in a bitter aside,  and  it is made clear later that Lois never
fulfils her potential as a patrol leader and her Patrol is a rabble
afterwards. The incident has ruined Guides for Lois as well. The chapter is
called Court of Honour, the issue is indeed "honour" - Lois has none - and
Nicola and Lawrie still have theirs. What a genius AF is! Steel yourself
next time, Janice, and give it a go. But childhood feelings are hard to
overcome.
Patricia

I found the unfairness of the court of honour distressing in Autumn Term.  I
think it was one of the first books i'd read where things didn't come right
in the end.  Mostly I still miss out on the whole rickyard/court of honour
when I reread.

Janice

Pat wrote:

> Hi Marcia & others, I wonder what you found distressing in AF's Autumn
> Term - can you remember? I have just read it again and wonder if it was
the
> unfairness re the expulsion from Guides. Regards, Patricia

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Re: [GO] Sick fathers

2004-11-14 Thread Angela Mulry
Lorna at Wynyard's dad is ill and then dies.  From my
reading of this, he has been ill a while.  


--- Tom & Tash <[EMAIL PROTECTED]> wrote: 
> As soon as I posted, I thought of Dr Carr - was he
> sick or just old? - and 
> Emily of New Moon's father has consumption before
> shuffling off.
> 
> Natasha 
> 
> 
> -- 
> 
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>  

=
Ange



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Re: [GO] Re: school Christmas plays

2004-11-14 Thread Emma DW
The year that I worked in a Special School in London, we did a "Rock &
Roll" Christmas - I can't quite remember it all, but the the kings
came on Motor bikes (well, electric wheelchairs to be strictly
accurate)

Then, in PNG we had to have Jospeh on the Donkey & Mary dragging it
(the donkey had wheels & he couldn't walk very well) & 1 of the Kings
arrived on a Tractor.

Emma


On Wed, 10 Nov 2004 20:39:16 -, Kate Dixon <[EMAIL PROTECTED]> wrote:

> 
> Having said that I am running out of ways to ring the changes on the
> Christmas play.  We've done Christmas round the world, Christmas in history,
> Christmas carols, Christmas customs, and last year we did a version of "A
> Christmas Carol", with quite a lot of licence taken with the plot (e.g. five
> spirits instead of three!)  I am thinking of having a TV-documentary theme
> this year with a Year 6 film crew reporting on events from Bethlehem and
> interviewing the protagonists.
>
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Fwd: [GO] Dr Jack and Drink Spiking?

2004-11-14 Thread Emma DW
Sorry, hit "Reply" rather than "Reply All"


-- Forwarded message --
From: Emma DW <[EMAIL PROTECTED]>
Date: Sun, 14 Nov 2004 20:44:08 +
Subject: Re: [GO] Dr Jack and Drink Spiking?
To: "nicky.j.wade" <[EMAIL PROTECTED]>


> Ah! Of course! Only one step down from God : Without wanting to
> pre-empt / spoil, Jane Harris has written a fascinating piece in this
> quarter's FOCS mag which makes, indirectly, the point that certainly in
> the Tyrol days, only adults were dosed, not the girls. The rest of my
> response on this has, I'm afraid, to go to FOCS for next time!!
>
> NickyW

Let's hope I get that bit to proof read then :)

THanks to whoever pointed out A Chalet Girl in Trouble by the way - I
read it the other evening - couldn't stop :) Incidentally, what I did
which made it easier to read I thought, was to download the "Printing"
version, open in Word, then save in MS reader format (you need a
plugin for Word for that, & I think that you have to have WOrd XP or
greater), then read it in MS reader - which I find much easier for
reading on screen.

Emma
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[GO] Book buying in Suffolk

2004-11-14 Thread Kate Dixon
Just got back from a really great long weekend in Suffolk, and wanted to say
thanks to those GOers who gave me good advice and directions for where to
find bookshops, etc!  We did loads of walking and driving about, it was cold
but lovely and sunny and autumnal, and some of the places we went to were
extremely picturesque!

We also happened to get to Bury St. Edmunds just as the crowds of celebs
were leaving John Peel's funeral. (so I saw Feargal Sharkey and was able to
admire Elton John's floral tribute).

As far as bookbuying goes, the large secondhand bookshop near the cathedral
in Bury St Edmunds was quite interesting but didn't have much of interest in
the children's section.  On Saturday morning we went to a book fair in
Clare, and also to Clare's 3 secondhand book outlets - for GOers reference,
Clare Books had quite a few interesting children's books including a nice
hardback of "The Blakes Come To Melling".  Trinders bookshop is mainly
non-fiction arts and crafts books, nothing of GO interest.  The book section
of the Antiques Centre had lots of collectable Rupert annuals and Noddy
books, etc, but nothing for me.

Investigated the church bookstall in Lavenham, but still no luck.  (though
we did have a fabulous French lunch at the Great House Hotel, which I
thoroughly recommend to passing GOers).

I finally struck lucky in Sudbury, when my book-buyer's radar led me to
glance down a side alley and see a sign for the Parade bookshop, just off
North Street.  Had a great time browsing in there.   The children's section
was not too large but good quality, plus they had a lot of very nice picture
books.  I bought five books, including a beautiful Eleanor Farjeon in d/w
for me, a rare 60s Noggin the Nog for my sister's collection, and a
hilarious picture book to read to my class (couldn't resist, it's basically
the Trojan War only with a giant wooden carrot full of angry rabbits instead
of a wooden horse).  They did have about 12 different Seagull Oxenhams in
nice dustwrappers but I am not an EJO person so I left those.  I then
glanced at the adult fiction and found both the Georgette Heyers I needed to
complete my matching editions set of 70s Pan paperbacks (yes I am that sad!)
so all in all a satisfactory haul.There were also a great many Suffolk
charity shops I heroically refrained from going into.

Luckily my husband so enjoyed his tour of the Greene King brewery that he
didn't moan about all the book-shopping diversions at all!

Kate D.
(batteries now recharged for long week of school).

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[GO] PLEA FOR EB BOOKS ON TAPE

2004-11-14 Thread Barbara Ann BROWN
Does anybody know if EB's
St Clare's or Malory Towers are available
on tape? I know of a girl whose condition
means that she can't read for long, but can
listen.   She has "read" the Famous Fives.

I'd love to find her something .

Barbara

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Re: [GO] PLEA FOR EB BOOKS ON TAPE

2004-11-14 Thread Nicky Smith

- Original Message -
From: "Barbara Ann BROWN" <[EMAIL PROTECTED]>
To: "Girls Own" <[EMAIL PROTECTED]>
Sent: Sunday, November 14, 2004 9:14 PM
Subject: [GO] PLEA FOR EB BOOKS ON TAPE


> Does anybody know if EB's
> St Clare's or Malory Towers are available
> on tape? I know of a girl whose condition
> means that she can't read for long, but can
> listen.   She has "read" the Famous Fives.
>
> I'd love to find her something .
>
> Barbara
>
Indeed they are. See http://www.talkingbooks.co.uk/. The company also
has a large shop in Wigmore Street if you want to browse.

Nicky

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Fw: [GO] PLEA FOR EB BOOKS ON TAPE

2004-11-14 Thread Barbara Ann BROWN
Oh - I am delighted.
Nicky Smith replied by return, giving me
details of the "The Talking Book Shop" site.

Many thanks to Nicky
Barbara

- Original Message - 
From: "Barbara Ann BROWN" <[EMAIL PROTECTED]>
To: "Girls Own" <[EMAIL PROTECTED]>
Sent: Sunday, November 14, 2004 9:14 PM
Subject: [GO] PLEA FOR EB BOOKS ON TAPE


> Does anybody know if EB's
> St Clare's or Malory Towers are available
> on tape? I know of a girl whose condition
> means that she can't read for long, but can
> listen.   She has "read" the Famous Fives.
> 
> I'd love to find her something .
> 
> Barbara
> 
> -- 
> 
> Girlsown mailing list
> [EMAIL PROTECTED]
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[GO] Re: Sweet Violets - on topic, but not BD

2004-11-14 Thread Betula O'Neill
The current BD subject is especially poignant for me as I have a good 
book-friend currently receiving hospice care. I know that many Girlsowners 
have had periods of illness, and I would welcome any suggestions you might 
have on how to relieve the tedium of  being confined to bed with a body that 
doesn't work, hands which can't hold a book for long, and a mind that is 
working only too well?

We've suggested audio books, and tomorrow I'm going to send her a book of 
quizzes and crosswords that she can pick up and put down, but she is 
particularly fond of EJO and EBD's books, so quizzes featuring these would 
almost certainly go down well. If anyone has any book-related quizzes that 
they have done with their local groups and would be happy for me to print 
and send to her I would be grateful to receive them offlist.

Betula - who'd never make a GO heroine; not being in the *least bit* 
stoically accepting of the serious illness of a friend. 

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[GO] Pronunciation of Sarah - phonetically or otherwise

2004-11-14 Thread kirkhead
Sera,
To my shame, whenever I've seen your name on GO posts, I have 'slurred' over
its pronunciation - i.e. not really read it, but assumed it was something
exotic and foreign  and therefore unpronounceable. I really had no idea
it was the same as Sarah - and yet, it's so obvious, now you've pointed it
out!!!
Pam K

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[GO] 'Seven Little Australians' DVD review plus TV series background

2004-11-14 Thread Opsbooks
SEVEN LITTLE AUSTRALIANS
DVD set Review
10-episode miniseries first shown on ABC TV in 1973
Available from ABC shops now or online.

BACKGROUND
Ethel Turner's best selling novel, 'Seven Little Australians', continuously 
in print for more than 105 years, was the subject of an ambitious made for TV 
series back in 1973. Co-produced by Ethel Turner's son Adrian Curlewis, this 
was always going to be close to the novel and such was the case. The series was 
much loved in its time, and regularly shown via 16mm prints to appreciative 
audiences in later years. Often the subject of "when will it become available 
on 
DVD?" queries, the ABC issued it this month as a twin disc set with a couple 
of extras.

THE STORY
In a nutshell, it's the story of the Woolcot Family of Sydney in 1894. 
Captain Woolcot having lost his wife had remarried a much younger girl, 
bringing to 
the marriage 6 children. Another had come from the new marriage, so that the 
Captain felt it necessary to run the family with army discipline. However his 
rules and regulations were no match for the fun loving children, led by the 
redoubtable Judy. It takes a tragedy to eventually bring the family together.

THE DVDs
The series has undergone a total restoration by the national archive, most 
likely providing better viewing than was possible when it was first released. 
Total running time is close to 5 hours and we watched the two discs over two 
nights. 

The second disc includes a segment from 'Weekend Magazine', the newsreel 
which used to follow the ABC news at 7.20pm on Sunday nights. This extremely 
interesting item has interviews with Ethel Turner's son, cast members, the 
scriptwriter and includes a nostalgic shot of the children's shelf in a Sydney 
bookshop. It also gives behind the scenes shots of the production. Plus a 
gallery of 
Ethel Turner family photos, backed by the lady herself reciting one of her 
favourite poems.

OVERALL
A 'must have' for any lover of the book which it so closely follows. Top 
recommendation. This 10-episode mini-series, a masterpiece of its time, still 
stands up as a shining achievement of dear old Auntie in her prime. It's been 
given a restoration and probably looks better now than when it was first 
transmitted 30 years ago. Barbara and I viewed the close to 5 hours over two 
nights and 
barely moved from our seats. The 'Weekend Magazine' segment of behind the 
scenes interviews was a treat in itself. For all ratings out of 10, see my DVD 
section on http://www.collectingbooksandmagazines.com/home.html

THE CAST
Elizabeth Alexander plays Esther Woolcot. 
Elizabeth, born 1952, most recently played Dr. Alison Newell (as Liz 
Alexander) in 'All Saints'.

Mark Clarke plays Pip Woolcot. 
(IMDb) Born 1959, Mark's first break in television came in 1973 with 'Seven 
Little Australians'. He followed this the following year with a lead role in 
the ABC'S 'Where Did all the Magic Go?' in which he played a disillusioned 
youth 
from a broken home. He continued to act, mainly in bit parts for television, 
through the rest of his school years and throughout those of his university 
days. He became a secondary teacher in 1981 and continues to teach English and 
Drama to this day. Even though Mark has been a full time teacher he has 
continued to write music and scripts throughout the years. He has written eight 
musical comedies, several of which play regularly in amateur theatre companies 
and 
in schools across Australia and New Zealand. He has won several awards for 
songs in a variety of categories including: Children's; Novelty; Pop and 
Australiana. More recently, Mark has turned his hand to screenplay writing and 
is 
currently seeking interest in a sci-fi /horror script he wishes to place in the 
American market.(IMDb mini-biography by Mark Clark.) His father named him after 
General Mark Clark who led the Italian Campaign in World War Two. He went to 
school in Sydney, New South Wales. His primary (elementary) education was at 
Burnside Public School in Parramatta. Then he attended Cumberland High School 
in 
the same area. Later, he attended Macquarie University where he studied 
English, History and Drama and received a Bachelor of Arts and a Diploma of 
Education. He appeared in some advertisements in 1972. American producer, 
Charles 
Russell, saw one of them and found out who he was. This led to him being cast 
in 
the role of Pip in the ABC's television series of 'Seven Little Australians' 
in 1973. He was a decent cricket player in his youth, but his love of music and 
of songwriting took his attention away from that sport when he was seventeen. 
He still writes songs and performs in bands to this day.
Jennifer Cluff plays Judy (Helen) Wolcott. Born 1956 in  Mudgee, New South 
Wales. Sometimes credited as Jennifer Bennet, her most recent screen credit was 
as Coco in 'The Nugget' (2002). She also appeared in the TV Series  
Brenda... aka "Simone de Beauvoir's Babies" (1997). Also

[GO] Buffy ep names

2004-11-14 Thread Judith Ridge

> 
> I never see any titles of the Buffy episodes, so I never know where I am when
> titles are mentioned.
> 

Sorry if anyone has replied to this; I get digests at work and as it's
Monday morning I have about 10 still unread that came in over the weekend!

Anyway, the episode names don't actually appear on the episodes themselves;
you can get them easily, though, by googling "buffy episode guide" and
stacks of sites come up where you'll find them listed.

Judith (how far off topic is Buffy?!)



Judith Ridge
Editorial Staff
The School Magazine
PO Box 1928
Macquarie Centre
NSW 2113
AUSTRALIA
+61 2 9889 0044 (ph)
+61 2 9889 0040 (fax)


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[GO] Defending Jonathan :-)

2004-11-14 Thread Judith Ridge
On 14/11/04 2:32 AM, "[EMAIL PROTECTED]"
<[EMAIL PROTECTED]> wrote:

>> Is this the same Jonathan who's part of the three villains later?
> 
> He's in a lot of episodes.  A few examples: In Inca Mummy Girl the Inca
> Princess tries to drain him; there's an episode where he decides to gun
> down everyone from the Clock Tower

Sorry to be pedantic, but he's actually planning to suicide (although why he
needs such a high powered weapon to do so escapes me!). Buffy thinks he's
going to kill everyone because she heard someone in the cafeteria say they
were going to do so. Turned out to be the cafeteria lady planning to poison
everyone.

Judith, who spends way to much time with her DVD player


Judith Ridge
Editorial Staff
The School Magazine
PO Box 1928
Macquarie Centre
NSW 2113
AUSTRALIA
+61 2 9889 0044 (ph)
+61 2 9889 0040 (fax)


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[GO] SLA on DVD

2004-11-14 Thread Judith Ridge
On 15/11/04 11:18 AM, "[EMAIL PROTECTED]"
<[EMAIL PROTECTED]> wrote:

> SEVEN LITTLE AUSTRALIANS
> DVD set Review
> 10-episode miniseries first shown on ABC TV in 1973
> Available from ABC shops now or online.

Thanks so much for posting this information. I am sure I would have heard
about it sooner or later, but I'm so delighted that this is now available!

Judith

Judith Ridge
Editorial Staff
The School Magazine
PO Box 1928
Macquarie Centre
NSW 2113
AUSTRALIA
+61 2 9889 0044 (ph)
+61 2 9889 0040 (fax)


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Re: [GO] GO: The appropriateness of controversial subjects

2004-11-14 Thread claire
Hi Allison

   May I be catty for a moment?  Not about you, natch.
Laffing - you certainly wouldn't be the first
   I was one of those who e-mailed Eleanor offlist,
But are you gonna stand up in prayers & say so? Wimp! (s'ok - it's not 
worth it - this time)

but it *wasn't* a very positive e-mail.  It was filled
with (to paraphrase Harriet Vane) a deadly courtesy,
which any careful reader would have picked up.  She
didn't, as it happens, from her response to me offlist
and the e-mail below.
   So I'm very amused by this claim of Eleanor's!
I *had* kind wondered who these 'positive messages' had come from - I was 
sort of expecting they'd been Handed Down From On High. Or maybe OOAO 
Meredith, tho she's been strangely silent lately & I suspect Jim of the 
trusty voltmeter has finally done her in. I'm not surprised she didn't get 
it - Eleanor's none too bright as well as having practically all her screws 
loose (did you follow the links to her kitten site?). I only talk to people 
like her *on*list where I can be as rude as I like cos she won't get it but 
everybody else will. Deadly courtesy is obviously wasted upon her.

My post was akshully a dare (as so many are) cos I was too tied up with 
Real Life to really enjoy the Pullman Pummel & post at the right time. I am 
waiting to be Moderated - and trying to think of ways to steer legitimate 
discussions into strange paths that the pres won't see until it's too late. 
Ok, ok, I am not a nice person & I'm akshully very pleased that they've 
finally decided to pay attention, but it's such a *lovely* challenge.

Claire


>  >>Yes, well, I can also say that every message I
> received personally was very
> positive, including some from self-avowed liberals.
> And a few expressed
> fear of going public to avoid being attacked as I
> was.
> --
> Eleanor <<
>
> Eleanor, your guy *won*. So what's the problem?
>
> Claire

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[GO] BD - WSVS and Beany Malone (with spoilers)

2004-11-14 Thread dihenleygo
I finally received my Beany Malone books late last week (and yep, I spent the 
weekend reading 13 and a half of the 14 books).  Having been reading the WSVS 
papers with great interest and enjoyment (congratulations everyone on your hard 
work BTW), I noticed that there are a number of unwell characters presented and 
was 
mentally linking the discussion themes with the Beany Malone Books.

The mother of the Malone children is dead before the series opens and their 
father is 
often absent. Check box for children bringing themselves up and able to do 
stuff 
without appropriate supervision.

One of Beany's good friends, Rosellen, had polio as a child.  When she is 
introduced 
she is in a wheelchair, throughout the series she graduates to crutches.  
Rosellen is a 
graduate of the school of pain.  She is portrayed as wise and helpful to her 
friends, as 
well as being a happy, good natured girl who is an inspiration (in sort of a 
"what 
would Rosellen do?" way) and always the life of any party.

An undercurrent throughout the books in which Rosellen appears is her struggle 
with 
coming to terms with her weakness.  She recognises that she will never get 
better, 
but hides this from her family who are very hopeful that soon she will be 
walking with 
only a cane.

Several scenes show friends carrying Rosellen upstairs where she can't 
otherwise go 
in her wheelchair, she is also shown coming downstairs on her bum as she is 
nervous about putting weight on her bung leg once she graduates to crutches.

Another of Beany's friends, Kay, has a different kind of health problem once 
she 
grows up and gets married.  In a more old fashioned GOish sort of illness, she 
becomes very anemic when she is working too hard while pregnant.  She never 
really 
recovers.  This is obviously her punishment for eloping 

S
P
O
I
L
E
R


S
P
A
C
E

What I found really interesting was that when Rosellen finally does die, her 
brother 
Andy is angry.  Not stoic and accepting as seems to be the accepted way in 
British 
GO books, but go crazy off the rails mad at God angry and resentful.

Kay ends up dieing of leukemia.  The author obviously never did forgive her for 
her 
unladylike behaviour.


Cheers

Di
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Re: [GO] GO: The appropriateness of controversial subjects

2004-11-14 Thread Eleanor
Thank you SO much.
Who are the stupid ones now? At least I check where my responses are going to.
I don't show two different faces, one in private and one in public.
Your rudeness reflects on you, not on me. Have a nice day.
At 07:50 PM 11/14/2004, claire wrote:
Hi Allison

   May I be catty for a moment?  Not about you, natch.
Laffing - you certainly wouldn't be the first
   I was one of those who e-mailed Eleanor offlist,
But are you gonna stand up in prayers & say so? Wimp! (s'ok - it's not 
worth it - this time)

but it *wasn't* a very positive e-mail.  It was filled
with (to paraphrase Harriet Vane) a deadly courtesy,
which any careful reader would have picked up.  She
didn't, as it happens, from her response to me offlist
and the e-mail below.
   So I'm very amused by this claim of Eleanor's!
I *had* kind wondered who these 'positive messages' had come from - I was 
sort of expecting they'd been Handed Down From On High. Or maybe OOAO 
Meredith, tho she's been strangely silent lately & I suspect Jim of the 
trusty voltmeter has finally done her in. I'm not surprised she didn't get 
it - Eleanor's none too bright as well as having practically all her 
screws loose (did you follow the links to her kitten site?). I only talk 
to people like her *on*list where I can be as rude as I like cos she won't 
get it but everybody else will. Deadly courtesy is obviously wasted upon her.

My post was akshully a dare (as so many are) cos I was too tied up with 
Real Life to really enjoy the Pullman Pummel & post at the right time. I 
am waiting to be Moderated - and trying to think of ways to steer 
legitimate discussions into strange paths that the pres won't see until 
it's too late. Ok, ok, I am not a nice person & I'm akshully very pleased 
that they've finally decided to pay attention, but it's such a *lovely* 
challenge.

Claire


>  >>Yes, well, I can also say that every message I
> received personally was very
> positive, including some from self-avowed liberals.
> And a few expressed
> fear of going public to avoid being attacked as I
> was.
> --
> Eleanor <<
>
> Eleanor, your guy *won*. So what's the problem?
>
> Claire

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Authors and Books for Children, http://www.elliemik.com
Refined Ladies, http://www.refinedladies.com
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RE: [GO] Irene

2004-11-14 Thread Susan Dunnachie


Susan D 

I've known a few Irenes and the only way I've heard it pronounced is
without the e at the end.  Perhaps it's another difference in countries
such as Cheryl being pronounced as Sh here, at least as far as I've ever
heard.

> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of
> [EMAIL PROTECTED]
> Sent: Sunday, 14 November 2004 7:14 PM
> To: [EMAIL PROTECTED]
> Subject: [GO] Irene
> 
.
> I read Thea as The-a normally though just as I do Irene as I-rene
rather
> than I-ren-e even though I've only ever known I-ren-e used.
> Lisa
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