On 30 Oct 2008, at 04:18, Robert Patterson wrote:
The most interesting enhancement in the new Fin09a release was
staff assignment lists, especially as I had made a lot of noise
about Staff Lists after Fin09 came out.
MM has upped the number of true staff lists (now renamed Score
Lists)
I agree with you. It's only necessary to put an a tempo after a
fermata if there is a rall., rit. or other such tempo change just
before it. This becomes very clear in a piece with a lot of fermatas,
like the duet between Dorabella and Guglielmo in Cosi fan Tutte: an
a tempo after each
As John Blane says, it's the Page Format for Score that isn't set
correctly. Do this:
- Go to a page where all is well. Make sure that a system on this
page is selected.
- Choose Resize Page (page reduction) The dialog will come up
with the value for that page. Make sure that Page X
I can reproduce this. There is a setting which governs this behaviour:
When you use the percentage tool to resize the system in the piano
part, there is an option Update Page Format. If this option is
checked, the page format for all parts is changed, meaning that any
new systems in any
On 3 sept. 08, at 19:19, Brian Williams wrote:
BTW, I still usually create a separate file for parts because time
signatures cannot be invisible on certain staves of the score yet
visible on
the parts.
Yes they can. Create a staff style that hides time signatures, apply
it in the score
There's no problem with the notation you describe. Darcy suggests
breaking the half into two tied quarters, but I consider this
unnecessary. It might even give players the idea of putting a slight
accent on the third beat. It's common to have a fermata on a long
note in some parts while
The Igor site still exists at http://www.noteheads.com but it hasn't
been updated in years (nor has the program). If [EMAIL PROTECTED]
doesn't reply, you could try the snail mail address:
NoteHeads
Sveavägen 61
SE-113 59 Stockholm
Sweden
or the telphone
+46 8 766 44 86
Michael
On 11
The answer is strange. You need to go to MIDI Quantization
settings. In the Quantization Settings dialog, click on More
Settings, and then check the option Allow Dotted Rests in Compound
Meters.
Why do you have to change a setting about rests in a MIDI menu to
affect something that has
Scott explains well how the new staff lists give us advantages, but
not how a piece with many staff lists would create more work for a
publisher. I cannot see why this should be so.
I am happy with the new behaviour for my own work, since I have
always entered dynamics and the like as
the installer only gave permission to the
Admin account to use Finale. I imagine that an updated installer will
be released, but until then the above procedure removes the problem.
Michael
On 28 juil. 08, at 21:55, Michael Cook wrote:
I've installed Finale 2009 on a PowerBook G4
I've installed Finale 2009 on a PowerBook G4. In the administrator's
account it runs OK, but in any other account (including a brand new
test account) it quits when the launch process gets to the point
where the MIDI setup window pops up.
Here's what I've already tried:
- Restart the Mac
OT is a common abbreviation for Office de Tourisme, so I'm pretty
sure that's what she meant. In any case, ot is not a word in French.
Michael
On 13 Jul 2008, at 14:39, [EMAIL PROTECTED] wrote:
Hi,
The context is, when I asked about where I could get wi-fi internet
connection tu peux
Apple's iWeb is extremely basic, but it may be enough for your needs.
I'm happy with Freeway from http://www.softpress.com : there are two
versions, Pro and Express, which you can try as free downloads
(limited to a month, I think). Even the Express version gives you
more power than iWeb.
This happens if you click on the Finale 2008 menu while a dialog is
open on the screen.
A restart seems to be the only cure.
On 6 Jul 2008, at 16:18, Robert Patterson wrote:
Has anyone else seen the Preference menu (under the Apple Menu)
disappear? I've had it happen at least twice now, but
Config Error Code -43.
What should I try next?
Michael
On 29 Jun 2008, at 19:38, Michael Cook wrote:
Thanks Christopher. I have just tried trashing the prefs: no luck.
I'd already tried setting the folder manually, but that didn't
help. If I can't think of anything else I'll do a re-install
in the Browser. It
simplifies matters immensely for me;-)
Henry Howey
From: Michael Cook [EMAIL PROTECTED]
Sent: Wednesday, July 02, 2008 10:44 AM
To: finale@shsu.edu
Subject: Re: [Finale] Problem with Help files on Mac, Finale 2008b
I still can't get
I just moved my second Finale installation from an iBook to a
PowerBook. The de-authorization and authorization worked fine and
Finale 2008b seems to be working normally, with one exception: I
can't access the help files. Each time I try, I get this message:
Unable to launch URL: Internet
, Michael Cook wrote:
I just moved my second Finale installation from an iBook to a
PowerBook. The de-authorization and authorization worked fine and
Finale 2008b seems to be working normally, with one exception: I
can't access the help files. Each time I try, I get this message:
Unable to launch
A couple of times I've sent a request to MakeMusic to make the
handling of dotted rests more detailed. Like Darcy, I don't want
dotted half rests and dotted quarter rests in 4/4, but I do want to
use dotted eighth rests. I'd like an option something like allow
dotted rests only within
On 2 Apr 2008, at 08:03, dc wrote:
Thanks to all. Yes, I should have given the context, of course.
This is a section of a Lully motet. The source I'm transcribing has
all groups of (last) three or four 8ths beamed. Personally, as a
performer myself, I think this is perfectly clear. But I'm
On 1 Apr 2008, at 22:08, Darcy James Argue wrote:
I didn't see Michael Cook's original, only Chris's reply, but in
response to his comments, my feeling is that beaming is usually
(not always, but usually) a poor way to indicate phrasing in modern
music. I try to discourage the composers I
Innstead of shift+option+click use Ctrl+option+click. This will bring
up the paste multiple dialog which will alow you to make multiple
copies both horizontally and vertically if needed.
Michael
On 29 Mar 2008, at 20:38, Neal Gittleman wrote:
Still fumbling around in 2k8 (Mac)...
Used to
This question come up from time to time. Beaming the three eighth
notes together cannot be considered as wrong. Look at serious
Urtext editions of Beethoven, Schumann or Chopin, where beaming is
reproduced as the composers wrote it: both versions are seen and
often corresponds to subtle
In the Utitilities menu, choose Check Notation Check Elapsed
Time...
Michael
On 20 Mar 2008, at 07:09, Ray Horton wrote:
Am I nuts?
In 2008a, where has the command to tell how long the piece, or
section of the piece, gone? I can't find it anywhere, and the
manual is no help.
Once you have de-optimized and dragged the staves into the order you
need, use the Sort Staves command in the Staff menu. Fiinale should
now treat the top staff as top and the bottom as bottom.
Michael
On 13 Feb 2008, at 08:15, Brennon Bortz wrote:
Hello all,
I am respacing measures in
I'm happy with ChronoSync, which I let run automatically each time I
start up the computer. You can also set it to run a particular backup
when a particular drive is attached. There's a demo at http://
www.econtechnologies.com/site/Pages/ChronoSync/chrono_overview.html
so you could give it
On a Mac all you need is the system software:
1. Open PDF.
2. Choose print.
3. In the Print dialog choose the page (or page range) you want.
4. Choose Save as PDF.
Michael
On 31 Jan 2008, at 14:34, Marcello Noia wrote:
Hi, not having the whole Adobe PDF software but only the reader,
what
I think the only way to get the effect you want is to use a trick.
You could create an empty, zero-width measure (use blank notation to
remove the whole-measure rest) at the beginning of the part and put
the treble clef in the next measure.
Michael
On 28 Jan 2008, at 10:47, [EMAIL
keyboard. Using the Simple tool you have three actions for each
note: hold note, hit Enter, hit right arrow.
I'll send a message to MakeMusic.
On 7 Jan 2008, at 21:36, Christopher Smith wrote:
On Jan 7, 2008, at 2:12 PM, Michael Cook wrote:
The repitch tool on the Simple palette is a useful time
The repitch tool on the Simple palette is a useful time saver. I just
discovered that it doesn't take grace notes into account. Is this a
bug, or just bad design?
I'm transcribing a long passage which consists entirely of staccato
eighth notes, each eighth note being preceded by an
Hyphens are much improved. As far as I can tell, they are as good as
they were before all the problems started in 2006. They no longer
disappear too early.
Michael
On 7 Dec 2007, at 12:00, dc wrote:
I notice:
Improved placement of lyrics hyphens, especially in tight spacing.
Has
I'd choose 1, f natural, without parentheses. This should remove any
confusion or hesitation while sight-reading, especially considering
that the barlines are dotted. I don't think it is necessary to draw
attention to the false relation between e flat and e natural: this is
a common
Although Finale 3.0 was a big change from previous versions, it was
not developed from scratch. As far as I know, Finale has never been
redeveloped from scratch. I've only known Finale since version 2.6,
so I can't say for sure, but I think some parts of present-day Finale
are unchanged
On 4 Jul 2007, at 08:07, dc wrote:
I just heard from MM:
There are no planned changes to hyphens in Finale 2008. They
should function just as they did in Finale 2007c.
MM left out a word. This should read:
There are no planned changes to hyphens in Finale 2008. They should
function
I got it right, but I admit I was helped by knowing who conducted the
other three extracts: I immediately recognised Norrington and Reiner,
and the choice between the other two was reasonably easy. For me the
give-aways were the solo clarinet sound and the almost too perfect
balance, with
I haven't encountered this bug myself, but I wonder if this would work:
Create a new, duplicate expression. Replace all instances of the
buggy expression with the new one, then delete the buggy one. Then
correct the part name if necessary.
And complain, complain, complain to Makemusic!
12/8 is usually conducted in 4, or if it's extremely slow each beat
is subdivided into three. The slow movement of Beethoven's 6th
Symphony (Beethoven's MM being dotted quarter = 50) is conducted in 4.
12/8 is never conducted in 3 sets of 4/8: if the measures are
rhythmically so divided,
For those interested in supposed secret codes and other zany stuff.
As reported by the BBC:
A father and son team from Edinburgh think they have found a secret
piece of music hidden in carvings at a famous medieval chapel in
Midlothian. Stuart Mitchell, 41 and his father Tommy, 75, said
I'll quote myself here:
- From 2006b to 2007 (inclusive) all hyphens show, but hyphens
between closely-spaced syllables are too far right.
- In 2007a and 2007b, many (too many) hyphens disappear and a
hyphen at the end of the system is too near to the syllable before it.
- In 2007c, too many
If one of the world's finest violinists plays in the entry hall of a
Washington Metro station, how many passers-by stop to listen? Here
you will find the answer:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/
AR2007040401721.html?hpid=topnews
I couldn't reproduce this one. Could you give exact details of the
hyphen settings in document options, or anything else you can think
of that might be affecting the hyphens? I'm very interested in
keeping track of all the hyphen bugs.
Michael
On 2 Apr 2007, at 09:08, dc wrote:
Just
This seems to happen in all flavours of Finale 2005, 2006 and 2007
(in previous version the extra space at beginning of measure option
did not exist). And the only cure I can find is to turn on smart
hyphens.
Michael
On 2 Apr 2007, at 10:41, dc wrote:
Michael Cook écrit:
I couldn't
On 2 Apr 2007, at 14:10, dc wrote:
If I turn on smart hyphens, and check never, what is the
difference with the stupid hyphens I use?
Good question. I really don't know. I'd just try it and see if it
causes any other problems.
What to you think of the placement of the first hyphen after
said, things changed in 2007: now the
FAN files are also used for the placement of articulations, ties and
non-engraver slurs as well as engraver slurs.
Michael
On 20 Mar 2007, at 16:36, Johannes Gebauer wrote:
On 20.03.2007 Michael Cook wrote:
Johannes, try this simple test:
- Before
In Document Options Layer options, you can set a particular layer
so that it does not affect music spacing.
On 19 Mar 2007, at 18:15, Don Hart wrote:
Seems like I remember there being a way to turn off the spacing of
notes
hidden with alternate notation. If so, I can't seem to find it
perform
it. The actual tempo of this movement differs much from performance
to performance (Beethoven didn't supply a metronome marking), but
there's no doubt that something like quarter=38 would be too fast for
this piece.
Michael Cook
On 15 Mar 2007, at 22:22, Brennon Bortz wrote:
I have
I've been using Cyberduck for a couple of years. It's easy to
understand, it's only crashed once and it does all I need: highly
recommended.
Michael
On 14 Mar 2007, at 17:22, Aaron Sherber wrote:
Hi all,
I'm trying to get a Mac friend of mine going with FTP. Are there
any recommended
. If you have it, I would recommend going back to
2005b for work with lyrics.
Michael Cook
On 12 Mar 2007, at 12:44, Christopher Smith wrote:
On Mar 12, 2007, at 12:02 AM, Francis Fitzpatrick wrote:
Does anyone else still have disappearing hypens in lyrics in
Finale 2007?
I met a couple
I think this is a good idea. It would be nice if we could select a
region of a part with Mass Edit, then apply a command Change score
to match part.
On 11 Mar 2007, at 23:17, Chuck Israels wrote:
Wouldn't it be a good feature to be able to edit in the part and
then re-link that edit to
French scores, the
trend seems to be towards flatter beams, so that the spaces between
the beams can fall within spaces between staff lines, meaning that
the question of having to erase bits of staff line never arises. To
my eyes, this looks better.
Michael Cook
On 9 Mar 2007, at 22:39
Yes, measure widths and beat chart changes are considered part of
music spacing. In most cases I think this is what we want. But here
you have a situation where you'd like at least part of the score
spacing to be reflected in the part. You could make a feature
request: maybe two options
It's standard to connect the groups of four 32nd notes with one beam.
You can check this out in editions of virtuoso piano music by such
composers as Liszt, Ravel, Debussy...
On 8 Mar 2007, at 21:06, Aaron Sherber wrote:
Hi all,
I've got some passages in 2/4 with running 32nd notes, and I
Maybe the Preferences file is corrupted. Go to User Library
Preferences and trash the Finale 2006 Preferences file. Finale
should create a new one, setting all preferences back to factory
defaults. Now if you set other preferences, do they stick?
On 7 Mar 2007, at 07:21, Brennon Bortz
Have a look here: http://www.concertpitchpiano.com/
DiagramsAndImages.html
Michael
On 4 Mar 2007, at 04:47, shirling neueweise wrote:
does anyone have any links to diagrammes or images of the inside of
a piano? i need something (for reference) which names many of the
components -
Christopher got most of them.
Langsam, jedoch fliebend should be Langsam, jedoch fließend. The
correct translation is Slowly, but flowing.
I've never seen the word Schlufslied. Could this be a misreading of
Schlaflied, meaning lullaby?
Michael
On 4 Mar 2007, at 13:57, Lawrence David
As literal as possible:
When it forgets itself in dust,/ Bear it with patience
On 4 Mar 2007, at 18:30, Andrew Stiller wrote:
As long as we're on this subject, I'd like to ask the list's German
speakers to vet a few lines of a translation of mine.
In a 19th-c. oratorio text, the poetry at
Schlufslied is a word I've never come across. My big Duden German
dictionary was no help: could you give a source for this word?
Michael
On 4 Mar 2007, at 19:27, Hans Swinnen wrote:
But Schlufslied exists as a Song of the rooster.
I don't know the context, neither the age, neither the
In the editions I use I'm used to seeing neither left barline nor
brace in this situation. This doesn't seem to be a hard and fast
rule: I have at least one score where a left barline is put on a
single optimized staff. But the majority of editors seem to agree:
when a system is optimzed
Finale won't accept 2560 EDUs as one note. If you want to use EDUs,
put 2048 + 512 in the first box on the bottom. Or, without using
EDUs, just create a time signature of 1 over 2 + 8.
On 19 Feb 2007, at 07:44, Darcy James Argue wrote:
Hey List, Allen,
In trying to set up a measure of 5/8
:
On Feb 17, 2007, at 2:55 PM, Michael Cook wrote:
You can take your pick: in 2007 (original version) hyphens never
disappear, even in situations where you might want them to. It is
also noticeable that when syllables get close together, the
hyphens are placed too far to the right.
This seems
, use 2007 (original). If you prefer having hyphens
disappear unless you set the spacing rather wide, use 2007c. If you
want hyphens to work as they did in older versions, use an older
version!
Michael
On 17 Feb 2007, at 18:59, dc wrote:
Michael Cook écrit:
But the disappearing hyphens
One hyphen bug is fixed in 2007c: hyphens at the end of a system are
no longer too near to the last syllable of the system. But the
disappearing hyphens still disappear, so hyphens are still in a bad
way: 2007c remains unsuitable for serious publishing with lyrics.
Michael
On 16 Feb
First thing to try is Edit Update Smart Word Extensions and Hyphens.
Note that there is also a setting in Program Options View where you
can decide if you want the updating to happen automatically. But I
think even with auto-update on there may be situations where you
still need to
If you've kept a backup copy of the original Finale 2007, it will
open the files created with 2007a.
On 19 Jan 2007, at 09:40, dc wrote:
I was just about to send a message to the list on the question of
hyphens, because they are indeed messed up in 2007a: some of them
appear on screen but
I'm not sure, but I think that hyphens in 2006a work as they do in
2004. In 2006b a new bug appeared, that produced two undesirable
effects:
1. When syllables got closer than a certain amount, the hyphens were
too far to the right.
2. Hyphens no longer disappeared when the syllables were
After I ran the Mac 2007a updater, I ended up with one app called
Finale 2007, which on closer inspection was indeed the updated
version. I was happy to have kept a backup copy of the original 2007
version: I renamed the updated version Finale 2007a and copied the
backup copy of 2007 back
File Import... should give you the option you need.
On 13 Jan 2007, at 14:57, Lawrence David Eden wrote:
I want to ask an OT question to my Mac friends on the List.
How do I get my old OS9 Mozilla bookmarks into my new OSX Firefox?
Firefox looks for IE favorites only. I am hoping that I
Here are two ways you can show 3/2 next to 6/4:
1. Add an extra empty measure at the beginning of the piece. Give
this measure a time signature of 3/2. Apply blank notation to this
measure and set its width to zero. Give the next measure a time
signature of 6/4.
2. Go to document options
Select the multimeasure rest with measure tool, choose Multimeasure
Rests Edit... from the Measure menu and adjust the end point.
On 8 Jan 2007, at 18:40, Dennis Bathory-Kitsz wrote:
Hi all,
Quick one. F2k7. I have a multimeasure rest followed by a measure
with a
clef change. How do I
Select the bottom staff handles, not the top ones.
On 19 Dec 2006, at 17:49, dc wrote:
I have an optimized score where I've just added a group for Staff
System 1. But now I want to add another group to this Staff System
1 only. And when I go to Add group, the group gets marked as
Global
All measure-attached smart shapes are affected by the same problem:
you can unlink vertically, but not horizontally. I haven't noticed
any difference between 2007 and 2007a in this respect.
On 17 Dec 2006, at 18:14, dc wrote:
The following problem seems to have appeared since I installed
Go carefully! If the score already has been optimized and carefully
laid out, you don't want to mess this up.
First, lock the existing measures in their layout. Then work out
about how many systems the measures ought to take up. Insert this
number of locked systems using the Page Layout
Yes, it seems like an oversight: it ought to be possible to set the
vertical position of the plus sign. I can only come up with
workarounds, either:
1. You could set the plus sign to a blank character, then add it as
an expression.
or
2. If you prefer keeping the plus sign as it is, you
The percussionists in the orchestra here in Mannheim have no problem
with this.
On 26 Nov 2006, at 20:53, Darcy James Argue wrote:
Hey all,
Are most orchestral percussionists comfortable using four mallets
(2-mallet grip in each hand) on xylophone? Or is this more of a
Jef,
what you describe corresponds (sadly) to my experience as well. I
find that the tech support person has not taken the trouble to read
through my message, they certainly have not taken the trouble to take
their copy of Finale and try the simple steps I have described, and
their
You want group barlines only at the end of each system? I can't think
of a way to get that done automatically, but here's a method that
might be faster than drawing them by hand:
- Set the group to have barlines drawn through staves. Now of course
you have many barlines where you don't
er... that's the solution I promosed in my original message: ...but
the only thing I can think of is to manually replace the hyphen with
a space.
On 21 Oct 2006, at 22:26, Mark D Lew wrote:
But that suggests a possible solution. One could go through the
the Edit Lyrics window of the
This bug was brought to my attention by somebody who does a lot of
vocal score work:
In 2005 and previous versions, if two syllables connected by a hyphen
are moved close enough together, the hyphen disappears. He has used
this in many vocal scores in places where spacing needed to be
Somebody I know who does vocal scores for Bärenreiter usually uses
10pt Times (fixed size) for the lyrics. He has also used 9pt Times,
but I find this too small.
On 21 Oct 2006, at 08:30, John Roberts wrote:
Just an aside question on this general topic. What is considered to
be a
As far as I can tell, the fastest way is to do as you say: generate
all the parts, then delete the ones you don't need.
On 6 Oct 2006, at 12:59, dc wrote:
dhbailey écrit:
You can edit the names of the parts, if they weren't automatically
named properly when the parts were created, in the
If you drag-select with the mouse, making sure that the first thing
that is covered by the dragging rectangle is a measure number, only
measure numbers should be selected.
On 30 Sep 2006, at 14:17, dhbailey wrote:
I was just wondering if there was a way to select ONLY the measure
number
Have you tried changing the .BAK extension to .MUS?
On 30 Sep 2006, at 17:23, Will Denayer wrote:
Thank you everyone, Now it makes sense again. However, I do not
seem to be able to open a BAK.file (I can't find it inside Finale
and when I click on the icon, Windows says that it cannot open
The URL points to an 80 MB WMV file, so it might take a while to
load: I saved the file to my hard disk and it was well worth the
wait. The video was apparently made in 1997 and the engraver is just
incredible.
On 24 Sep 2006, at 05:56, Dean M. Estabrook wrote:
I started to open the URL,
The list tells Finale which fonts it should consider as symbol
fonts: all the music notation fonts + Zapf Dingbats, Wingdings, etc.
Open it in TextEdit and delete any font that looks like it's a normal
text font (such as Times).
Michael Cook
On 22 juil. 06, at 17:09, Don Hart wrote
on the handle of the new clef to bring up the context
menu which permits you to change this clef to whatever you need.
Michael Cook
On 18 Jul 2006, at 23:08, Martin Banner wrote:
On FinMac 2003a, is it possible to insert two mid-measure clefs?
I'm working on an 18th Century Magnificat
This occurs in older scores. I think it has been abandoned in modern
editions: it is certainly not considered necessary and may, as you
say, be confusing.
Michael Cook
On 4 Jul 2006, at 11:49, Lon Price wrote:
I recently played through a set of clarinet etudes with a student,
and ran
by the editor, or do I have the choice, etc. etc. until I
work out that it must be an F-sharp anyway.
Michael Cook
On 4 Jul 2006, at 18:42, Chuck Israels wrote:
On a similar subject - is there a prevailing opinion on the use of
parentheses on courtesy accidentals?
I have always used them
if anybody else has
something to say about it here first.
Michael Cook
On 1 Jul 2006, at 06:26, Carl Dershem wrote:
Wikipedia is useful for some things, and completely useless for
others. In areas where there is very little reason to monkey with
what's posted (often technical articles
will have
to reach for a dictionary and even the English speakers may wonder
what you mean.
Michael Cook
On 1 Jul 2006, at 08:11, Don Hart wrote:
I'd like to get your vote on the following: what is the best way to
indicate
a specific variance in tempo *within* a section of music already
Go to Document Options Lyrics and put a large value (something
bigger than the width of a system, for instance) in the Maximum
Space Between Hyphens box.
Michael Cook
On 22 Jun 2006, at 22:10, Jacki Barineau wrote:
Hi, Everyone - for some reason suddenly the hyphens separating
syllables
PopCopy looks nice (maybe I'll buy it), but it won't help with
copying sections of a Finale file: it will only hold stuff that the
Mac system clipboard will hold.
Michael
On 16 Jun 2006, at 22:44, Eric Dannewitz wrote:
If you have a mac, check this out
Keith,
try this: http://www.musipedia.org/
Best wishes,
Michael Cook
On 14 Jun 2006, at 07:32, keith helgesen wrote:
Having had no reply or comment on this query (originally sent a few
days ago) I can only assume it either didn’t get posted- or nobody
really wants to talk to me
MM about it, it might help to move this bug higher on
the priority list.
Michael Cook
On 10 Jun 2006, at 03:41, Rich C wrote:
I recall a discussion about a bug people were reporting not too
long ago with tremolo printing. I discovered just now that the
Maestro characters contain
/Preferences).
Finale will create a new one when you re-launch it.
Best wishes,
Michael Cook
On 9 Jun 2006, at 07:31, Randolph Peters wrote:
I'm on FinMac 2k6c and I just discovered that in the Page Layout
Tool, the edit system margins box does not appear. Rather there
is a brief flash
keys), hide it (press 'H') or delete it.
Michael Cook
On 9 Jun 2006, at 15:13, [EMAIL PROTECTED] wrote:
I have received this question from my composer colleague with whom
I work on engraving projects with. I can only pass along his own
description of the problem because he is using Finale
Yas. A Universal Binary app. runs on both Intel and pre-Intel Macs.
On 3 Jun 2006, at 18:55, Andrew Stiller wrote:
On Jun 2, 2006, at 5:04 PM, Robert Patterson wrote:
Makemusic announced back in Jan. that Finale 2007 will run
natively on Intel Macs.
Plugins aside, 2K7 will also run on
On 28 May 2006, at 19:03, Richard Yates wrote:
It is a solo classical guitar transcription of a piano work by
Onslow.
How is the repeat notated in the original piano piece?
___
Finale mailing list
Finale@shsu.edu
backwards, which makes two page
turns. If you write it out it will be 4 1/2 pages, which will also
need two page turns, no more. Are you strictly limited to a certain
number of pages?
Michael Cook
On 28 May 2006, at 23:39, Richard Yates wrote:
It is a solo classical guitar transcription
Does Finale 2K3 run on the new Intel Mac?
No
Does it run on a new G5?
Yes
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
Microsoft for an upgrade) and run a load of other aged
software if I want to.
Michael Cook
On 24.05.2006 Phil Daley wrote:
A MAC user HAS to upgrade their software every time a new kind of
MAC comes out, and they buy one.
Windows users can decide to upgrade at their own convenience, even
though
1 - 100 of 216 matches
Mail list logo
