and they did work, even across a linebreak. I'll offer a
free copy of the upcoming PMX 2.5 to the first person who can break this
undocumented capability.
--Don Simons
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the most common reasons for shifting dots have to do with chords or
slur or tie ends, none of which applies to rests.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Hiroaki
MORIMOTO
Sent: Thursday, December 11, 2003 6:29 AM
To: [EMAIL
the ocean to downtown to the mountains. We could see snow-covered peaks
over 100 miles away.
--Don Simons
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to
test the concept:
character*80 pathq
call getenv('PMXMODDIR',pathq)
print*,'PMXMODDIR: ',pathq
end
Before running the test, you can set the environment variable by entering
PMXMODDIR=/whatever/whenever/
on the command line.
--Don Simons
___
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down, nor questioning
where there is any organ in the world that has such high notes on its
keyboard. But evidently by bar 25 PMX got exhausted and gave up. I think we
should all give PMX a round of applause for hanging in there as long as it
did!
--Don Simons
to HH or f, and processing will continue. Local
curvature options in individual slur commands will take precedence over the
global default but will not change the default. The local option n in a
slur command will cause the slur to have the normal curvature (between f
and h).
--Don Simons
}
(! Too many }'s
\.#1-{\accent 95 #1}
.
Is there a way out for this error (without putting all files in 1
directory)?
Try using forward slashes in the path name. TeX may be confused by the
backslashes.
--Don Simons
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Robin--
Thanks for keeping your eyes open :-)
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Robin
Fairbairns
Sent: Sunday, February 15, 2004 3:19 PM
To: Typesetting music with TeX
Subject: Re: [Tex-music] PMX Version 2.5
don
Andre reported the mailing list was broken and this is a test to see if it
is still broken.
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Roland Stigge wrote
Hi Don,
thanks for working on this.
On Thu, 2004-02-26 at 16:36, Don Simons wrote:
I'm not sure where to go from here. I can try the same steps
manually under
linux when I get to the office later today, probably without the fsplit
operation.
Any suggestions
date and version number.
--Don Simons
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.
If you have compiled the PMX source file since I first uploaded it, I
suggest you download the modified zip and recompile.
http://icking-music-archive.org/software/pmx/pmx2501.zip
--Don Simons
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Dirk wrote:
Thus, t is indeed a poor brother of s, its only virtue being that
in one very
special case its use saves one some manual adjustment.
I suspect the original reason for the t slur was only because, before
labelled slurs, one needed two different slur symbols in the
for now, and include a comment in the next release of the manual
cautioning against this. I might also decide to screen for it in PMX or
scor2prt and issue a warning if it is found.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Luigi
Cataldi
Col. G. L. Sicherman wrote
Don Simons wrote
I can't remember why I ever coded up the replacement digits. Why would
anyone ever want to use them?
I sometimes use 5, 6, and 2.
So do I, whenever there are 5, 6, or 2 notes in the xtuplet. And PMX
automatically puts in the correct number
friends at the
International Baroque Institute at Longy in Cambridge, Massachusetts. Then
when you finish the typesetting, we can get together and play them :-)
--Don Simons
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are.
--Don Simons
Don Simons ha scritto:
When I saw the subject line I immediately thought about Pasquini
and those
strange pieces. Are there any other works with two parallel
lines of figured
bass? Sometime in the last decade I set out to typeset some of
them, and I
made a special version of PMX
going to be rather complicated, so please don't hold your
breath.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Luigi
Cataldi
Sent: Thursday, July 22, 2004 7:44 AM
To: Typesetting music with TeX
Subject: Re: [TeX-music] Two figured bass
/
===
What's a Viool? Is that the punch line to some joke about violas?
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Andre
Van Ryckeghem
Sent: Friday, August 27, 2004 5:23 AM
To: Typesetting music with TeX
Subject: [TeX-music] Segno
slurs then I would support making them
official (after a reasonable beta-test period). Otherwise, since I've
invested so heavily in making PMX use Type-K slurs, I could not personally
support such a change.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL
for \Ioctfin?
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Andre
Van Ryckeghem
Sent: Sunday, October 17, 2004 10:28 PM
To: [EMAIL PROTECTED]
Subject: [TeX-music] pmx: is this an error?
This code is reduced from a large file.
It takes
Forgot to mention: Did you realize that PMX can generate TeX headers
including page numbers and other text with options to the P command.
--Don Simons
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the notation really means, I'm willing to
listen.
By the way, in the somewhat related notation a44x3d a a , the dot on the
first note is in fact inherited by any chordal notes.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Andre
Van Ryckeghem
of the
first 3 conditions and automagically insert extra space if needed. Perhaps a
better alternative would be to invent an option for the X command to make it
put the space right before the main note. Comments?
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL
I've just uploaded PMX beta 2.504 to
http://icking-music-archive.org/software/pmx/pmx2504.zip
The only new feature is an option X[x] to the G command, which inserts a
space of x notehead widths between a normal grace and the main note.
--Don Simons
. r4+0 in one
voice and r4b in the other.
--Don Simons
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into these
things. Both the new zip, and the new file within it, have file date 21
November 04.
http://icking-music-archive.org/software/pmx/pmx2506.zip
--Don Simons
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development
environment than simply an editor.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Friday, January 07, 2005 10:02 PM
To: [EMAIL PROTECTED]
Subject: LaTeX editor
Hello Sir,
I am using WinEdt for editing LaTeX document and it works fine
of the previous system.
At least I got this one right.
--Don Simons
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far I haven't allowed any forced beaming within xtups at all. I'll think
about it some more, but please don't hold your breath.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Andre
Van Ryckeghem
Sent: Saturday, January 29, 2005 11:43 PM
Bravo, Cornelius, for discovering some pretty useful hidden capabilities in
PMX. I'm not sure undocumented applies, since to me that would suggest
that the features were known but just not described in the manual. It'll
take me some time to analyze this.
--Don Simons
-Original Message
toggle option on the ] that closes the beam?
--Don Simons
===
1 1
3 8 3 8
0 2
1 1 20 .0
b
./
\\let\tblsav\tbl\
%1 without precautions
[u e8- D1 ze- Ct e++ zd zb b+ ze- zd ] |
%2 getting a - slope on the beam - bad ending
Cb [u+0-7 e8- D2 ze- Ct e++ zd zb b+ ze- zd ] |
%3 making
I propose leaving the code behavior the same, and rewording that statement
to the effect that any initial default or block-to-block inherited duration
is accidental. At this time I'm not inclined either to trap these violations
or to make the behavior official.
--Don Simons
-Original
results without any in-line TeX.
For the MIDI files on my web site (www.geocities.com/pchpublish) I always
ended up having to make a special PMX input file to get things just right.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of
Andre Van
commands.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of
Sass Blint
Sent: Monday, May 02, 2005 5:28 AM
To: tex-music@icking-music-archive.org
Subject: [TeX-music] --- 3 voices ---
Hi!
I sometimes need three voices in a stuff
that motion.
I don't think it's possible to express how pleasing it is for me to see
examples like this, and of course like Dirk's M-Tx, that extend PMX into areas
that I never imagined.
--Don Simons
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that you can't then easily transpose the resulting score. All I
can say about that is that I'm sorry, if you want that much flexibility,
then go spend $500 for Finale.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of
Alexander Beck-Ratzka
Sent
3
inches to the right and 1 inch up. That would then make drawing these
brackets so much easier that PMX could learn to do it really quick.
--Don Simons
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of those extra-wide spaces above lines 2 and 4 by putting in even bigger
ones above lines 3 and 5 (see modified source below).
By the way I tried to play this, but I'm not very good in 2/5 meter :-)
--Don Simons
===
32 2 2 2 5 0 -1
1 516 .08
btt
PMX only issues \nostartrule if there is only one staff per system.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Olivier
Vogel
Sent: Thursday, June 30, 2005 2:39 PM
To: Typesetting music with TeX
Subject: [TeX-music] concatenating
===
1 1 4 4 4 4 0 0
1 1 20 0
t
.\
c24 \loffset{1.5}{\lpar5}\loffset{1.5}{\rpar5}\ c+s.4 /
===
Looks kind of awkward, if you ask me.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL
Am I missing something? What's so sinister about these requests? Is there
something in the tone of the language? I don't know German at all.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of
Jean-Pierre Coulon
Sent: Wednesday, July 27, 2005
another definition for lower brackets.
I hope you plan to put the Rameau cantatas in the archive.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Trent J
Sent: Thursday, July 28, 2005 5:28 AM
To: tex-music@icking-music-archive.org
Subject: [TeX
of the characters.
You might also be able to figure out the character number by looking in
musixtex.tex for a macro that uses the character.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Trent J
Sent: Saturday, July 30, 2005 10:34 PM
To: tex
Anything that happens when you try to beam across a bar line in PMX is an
accident. PMX assumes beams don't cross bar lines. If I had to do it, I'd
use inline TeX.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Trent
Johnston
Sent: Monday
} in the source, and only
by compiling with elatex.
--Don Simons
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I've just uploaded a new beta version of PMX to
http://icking-music-archive.org/software/pmx/pmx2508.zip
Recent list traffic has shamed me into enabling grace notes within xtuplets.
I hope I haven't screwed anything up. I'd appreciate reports of any
problems.
--Don Simons
be grateful.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Andre
Van Ryckeghem
Sent: Thursday, December 01, 2005 7:25 AM
To: Typesetting music with TeX
Subject: Re: [TeX-music] musixtex - \changecontext
Thanks for helping, Jean-Pierre
\toppageno
defined in pmx.tex, which PMX uses for inserting page numbers and optional
text into a header. In fact its pretty unfancy, because you have to perturb
it in order to get different header text on alternate pages.
--Don Simons
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To all--
I'm almost as offended by the poor English as by the hijacking of my email
address. But there's nothing I can do about either.
--the real Don Simons
-Original Message-
From: maurizio codogno [mailto:[EMAIL PROTECTED]
Sent: Monday, December 12, 2005 3:26 AM
To: Typesetting
of ptmr7t.vf, 8r.enc, and how I can get a
postscript version of this font without having a .pfb file???
--Don Simons
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elaborate had I realized that \hb existed).
In this case it could be argued that for reasons of clarity, the notation
might be replaced by printing side-by-side noteheads, and that is easily
achievable in PMX:
a23r //
a83 a+ c a /
--Don Simons
-Original Message-
From: [EMAIL PROTECTED
in
interpretation between using a stem and beam instead of an eighth
rest.
I don't have any quarrel with that either, and I never suggested otherwise.
--Don Simons
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improve the package, I would appreciate your making your work
available for inclusion in the archive (either contact me personally or the
list).
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Elie
Roux
Sent: Wednesday, December 28, 2005 1:41 PM
which keeps it from working right when there are two voices per
line, such as in this case. But fear not, I found the bug, corrected it, and
just uploaded version 2.509 to the archive. For example ?-1 will left-shift
the arpeggio by 1 notehead width.
--Don Simons
. There was a time when
this didn't work for type 1 inline TeX, but I fixed that long ago.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Helge
Kruse
Sent: Tuesday, January 10, 2006 11:05 AM
To: 'Typesetting music with TeX'
Subject: RE: [TeX-music] Coda
, it would be
nice if TeX-input after the last note of a block (with the
input-commands of any type) could be inserted and would not be ignored
as they are now. Would it take major efforts to make such changes or
additions?
Yes.
--Don Simons
Please privately email me the file that's causing the problem.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Helge
Kruse
Sent: Friday, February 03, 2006 10:09 PM
To: 'Typesetting music with TeX'
Subject: [TeX-music] too many records
passed that
section last week.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Helge
Kruse
Sent: Sunday, February 05, 2006 7:51 AM
To: 'Typesetting music with TeX'
Subject: [TeX-music] Need ornament: flageolett
Hello,
how can I define
.
Of course the reason that there's no particular command for the flageolett
is that it never rose to the level of interest where I felt it deserved one.
Both the plus and especially the double slash are likewise very obscure, but
I happened to have needed both for my own purposes.
--Don Simons
/msg01128.html
(unfold if necessary)
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of
Sebastiano Giussani
Sent: Tuesday, February 21, 2006 3:37 AM
To: tex-music@icking-music-archive.org
Subject: [TeX-music] ossia
Hallo,
I'm a new entry
system.
No time to check now, I'm busy packing and collecting music for a weekend
baroque workshop in San Antonio.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Andre
Van Ryckeghem
Sent: Thursday, February 23, 2006 9:21 PM
To: Typesetting
I think our postings crossed. This does almost exactly what I did. But
Olivier used letter references to the pitches. This could get you into
trouble because of the way the transpose register keeps track of the octave.
If you aren't going to transpose the piece, then it's better to use numbers
for
As I said before, if you are not planning to transpose, it is ALWAYS safest
to use numerical values for pitches in in-line TeX! That would avoid any of
these problems with runaway octaves.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf
notes. I'll repeat once again: Unless you want to be able to transpose the
piece, it is ALWAYS better to use numerical values for pitches in inline
TeX.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Helge
Kruse
Sent: Saturday, March 25
four
different ways of entering inline TeX into a PMX file. Please try to figure
out a way to do what you want from within the PMX file.
==Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of
[EMAIL PROTECTED]
Sent: Tuesday, April 04, 2006 4:50 AM
\huforqu{\def\qu##1{\hu{##1}\let\qu\qut}}\
%
c25 g0 |
c-2x3nf f g
\huforqu\xnum{2.31}93\ovbkt{14}{2.00}{-4}\ a4 rb1 X-1 gd8x2n f
g2x3nf eD /
e24 d0 | c2 a4 b2 c4 /
rp | rp /
g44 c d b.a b | c2.b g2 /
It sure would be easier if PMX could handle this :-)
--Don
I have absolutely no idea what you are asking for. If the line were
transparent, you wouldn't be able to see it at all! What am I missing?
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Hermann
Hinsch
Sent: Monday, April 10, 2006 6:15 AM
will not skip over any occurrances, and could very well be more
accurate.
--Don Simons
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Then perhaps either Dirk or Olivier would like to volunteer to edit the
index for the upcoming (but not necessarily soon), completely revised
version of musixdoc.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Olivier
Vogel
Sent
curious why you didn't come
across \setclef...\changeclefs from the current manual, and also why
Jean-Pierre didn't recommend this approach. Maybe I'm missing something
here.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Bernhard
Lang
Sent
to
fiddle with catcodes, then please describe more clearly exactly what you
want to do, and I can try to figure out what the problem is, but no
promises.
--Don Simons
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separate HOWTO's in the archive on installation for both OS's.
--Don Simons
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that I noticed in bar 7 of
barsant.pmx where an accidental crash did occur. I think I've fixed that.
I'm a little surprised no one else ever noticed this bug.
Apart from this, I also changed the PMX source for barsant.pmx by including
Apl to make the line-breaking ties look better.
--Don Simons
Thanks to Christian Mondrup, MAC OSX users can now find the latest PMX beta
at
http://icking-music-archive.org/software/pmx/pmx2511-OSX.zip
--Don Simons
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line is
precisely /. I'd appreciate it if people would test this beta version out on
their old scores containing terminal repeats.
The link for downloading is
http://www.icking-music-archive.org/software/pmx/s2p2511.zip
--Don Simons
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that one out.
--Don Simons
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and
\tbu are non-spacing commands. For example, in the bass clef bar 2,
c43x5 \tbu1\ c \ibbu130\ c c c
works just fine. Remember, by using numbers for pitches instead of letters,
you preserve the octave register.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL
goes
away.
--Don Simons
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to do
it with in-line TeX.
If your problem is that you can get the heights to line up approximately but
you want them to be exact, then please say so, and I'll explain how you can
do that either in MusiXTeX or PMX.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL
in the order they come in each part, instead of having to parse them into
equal-duration groups and then jump all over the place vertically.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of
[EMAIL PROTECTED]
Sent: Sunday, November 12, 2006
. You found a real live bug in PMX. I'm
trying to track it down and will report back as soon as I find it.
--Don Simons
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, normal and after-graces with and
without accidentals and with lots of pitch changes including octave jumps or
more.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Diane
Blaurock
Sent: Sunday, November 12, 2006 2:01 PM
To: tex-music@icking
for
reason (1), that's what I do.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of
Eva-Raphaela Jaksch
Sent: Wednesday, December 27, 2006 4:51 AM
To: tex-music@icking-music-archive.org
Subject: [TeX-music] MikTeX 2.5 font troubles
Hello all
,
positioning, and scaling right.
Any ideas? Has anyone ever encountered the dvidvi problem? Has anyone ever
used pstops or psnup? Could someone print out and post or privately email me
the man pages from the *nix versions of these codes?
--Don Simons
-Original Message-
From: [EMAIL
) but you should
be able to figure that out. In plain TeX you would probably use raised
boxes.
I have to say that I've played jazz piano and clarinet for about 50 years
and have never been handed anything laid out this way. But on the other hand
there's certainly no question how to interpret it.
--Don
, and maybe an extra brank line.
Any ideas?
--Don Simons
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}\contpiecesav}\
\\\def\alaligne{\let\alaligne\myalaligne\stoppiece\setclefs30\sets
taffs31\contpiece}\
Andre
- Original Message -
From: Don Simons [EMAIL PROTECTED]
To: Typesetting music with TeX tex-music@icking-music-archive.org
Sent: Sunday, February 18, 2007 1:03 AM
Subject: RE: [TeX
be possible, if its really necessary, again
using in-line TeX commands in the PMX input file.
--Don Simons
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Test
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compile OK.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Hermann
Hinsch
Sent: Wednesday, June 13, 2007 2:24 AM
To: Werner Icking Music Archive
Subject: Re: [TeX-Music] 128th notes within PMX
Am Dienstag, 12. Juni 2007 17:26 schrieb
Hermann--
Possibly because your longer score invokes MIDI. If it doesn't, yet still
causes the error, please post or privately email it to me.
--Don Simons (dsimons at roadrunner.com)
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Hermann
Hinsch
Sent
Simons
Hermann Hinsch wrote
Am Donnerstag, 14. Juni 2007 16:39 schrieb Don Simons:
I've just realized that there is a way to allow MIDI 128th notes without
PMX completely choking. But the resulting MIDI file will be flawed. The
fundamental quantum of MIDI time is a MIDI tic which PMX
defines
tabxampl.tex bear this out. Looks bad (i.e. black boxes) in
dvi wiewer, but looks fine in a postscript viewer. Is that your problem?
Have you looked at a postscript file or tried to print it out?
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf
explicitly make a postscript file, then convert
it to pdf? Can't tell you how to do that on a Mac; on a pc it's just dvips
and then gsview.
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of Patrick
Schmidt
Sent: Sunday, June 24, 2007 7:04 AM
, put it IMMEDIATELY before the PMX command for a note
or rest.
\toctfin1 doesn't work because \toctfin is shorthand for \Toctfin0 . It does
seem that there's an error in pmxccn.pdf . And even if the reference were
changed to \Toctfin1 , there's still and issue with its positioning.
Cornelius?
--Don
{\raise#1\internote\hbox{\varline0{6pt}{20}\
\\def\arpgu#1{\arpg{#1}{.8}}\
%
\arpgu7\ g2u4 zd zb zg /
--Don Simons
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of
Jean-Pierre Coulon
Sent: Monday, July 02, 2007 11:14 PM
Tourterelles. Rondeau
%
% Bar 1-3
%
\\indivbarrules\sepmultibarrule1\
\segno {11}\ \roffset{24}{\lmidstaff{\medtype\it Mouvement de Sarabande}}\
...
===
For some reason, if I don't \input curly, I get an error (Rainer?)
--Don Simons
-Original Message-
From
Christian Mondrup wrote
For a piece from Orazio Vecchi's Selva I need a 'hanging' tie at the
end of a 1. repeat. See bar 12a in the attached, yet incomplete score.
I haven't found an M-Tx/PMX level way of achieving that and have
therefore faked the tie as shown in this M-Tx code excerpt
Music Archive
Subject: Re: [TeX-Music] Ties at repeats
Don Simons wrote:
Christian Mondrup wrote
For a piece from Orazio Vecchi's Selva I need a 'hanging' tie at the
end of a 1. repeat. See bar 12a in the attached, yet incomplete score.
Did I overlook a PMX feature doing what I want
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