K7 sharpness question

2010-08-07 Thread Christine Aguila
nothing fancy, just some test shots.  I got, as they say, an offer I 
couldn't refuse.


Question:  is anyone having problems with sharpness?  I've got it set at 
*Fine Sharpness advanced all the way to the  + sign* and I still had to 
sharpen them up a bit in Lightroom.  I know folks were in motion, but still. 
cheers, Christine


http://www.caguila.com/caguila/people/ 



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Re: K7 sharpness question

2010-08-07 Thread William Robb


--
From: Christine  Aguila
Subject: K7 sharpness question

nothing fancy, just some test shots.  I got, as they say, an offer I 
couldn't refuse.


Question:  is anyone having problems with sharpness?  I've got it set at 
*Fine Sharpness advanced all the way to the  + sign* and I still had to 
sharpen them up a bit in Lightroom.  I know folks were in motion, but 
still. cheers, Christine


http://www.caguila.com/caguila/people/


I find most lenses aren't at their best wide open. Every one of your 
pictures is listed as shot at f/4.

Perhaps stopping down a little bit would improve things?
Also, have you checked to ensure both AF and MF are accurate and in 
agreement with each other?


William Robb 



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Re: K7 sharpness question

2010-08-07 Thread Christine Aguila


- Original Message - 
From: William Robb war...@gmail.com



Perhaps stopping down a little bit would improve things?


Good point

Also, have you checked to ensure both AF and MF are accurate and in 
agreement with each other?


No, but I will.

Thanks, Bill

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RE: First impression of Photoshop CS5 and a PESO: Wolfe's Angel

2010-08-07 Thread Bob W
 
 Nice pic, though.  Unlike Bob and Doug, I like the sign.  Don't know why,
I just
 do.
 
 But since two of the best and most knowledgable photogs on the list don't
 like it, who am I to say?
 
 ;-)
 

yea, get back in yer hide, Nature-boy!




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RE: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Bob W
 Thanks for that insight Mark.  I was close to on the verge of
understanding
 that. And of course in PS, that's one of the things that bites me
frequently.
 Not damaging my original, but creating a sized version that I have trouble
 recreating later, sized differently.
 
 I feel a certain degree of ambivalence regarding workflow, because to me
it
 seems, at least with my images, that the same adjustments, a.k.a workflow,
 should NOT be applied to each image, because each is unique and therefore
 will likely require unique post-capture processing to reach its potential,
Sure
 if a series of shots are of a very closely related subject, but what about
the
 next where I turn 180 degrees and all the elements and lighting change?
 

you've misunderstood this, Tom. LR does not force you to apply any settings
to more than one image. You can work on each image individually exactly as
you describe. However you can if you wish apply the work you've done on one
image to any number of other images if you feel that's appropriate. 

You can also set up parameters to your import that will apply to all the
images in an import, if you want. This is useful for things like captions
and similar exif data. I have an import preset which puts my name, address,
copyright info etc. on everything I import. For each import I also put in
some generic caption info, eg 'Cevennes, France. 2010', and keywords
(nature, landscape, france, people, rural, ...). When I edit the individual
pictures I put in more specific caption info and keywords.

Bob


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RE: PESO -- From Conspiracy to Conspiracy

2010-08-07 Thread Bob W
 This is really a pretty lame  photograph, it since it doesn't tell a story
without
 the caption.
 
 Caption:  Former Masonic Temple now a Scientology Center.  There's no
 outward sign but this building is now a Center for Scientology, a group
even
 more secretive than the group that preceded them in ownership.
 
 http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20%20contocon.html
 

that's not a secret society. THIS is a secret society:
http://www.youtube.com/watch?v=-Zj50DmBFp0




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RE: PESOs - Pink and Blue Suede

2010-08-07 Thread Bob W
  My own blue suede shoes:
  http://www.flickr.com/photos/jb_sessoms/4867617684/
 
 Nice!  I wish I had photos of my blue suede shoes.  Unfortunately, they
 predated my interest in photography by several years, and I haven't seen
 any family snapshots that managed to capture them.  It was the mid 1970s,
 so they were two tone (robin's egg blue and navy blue) with 2
 heels ... about a fourth the length of my hair at the time. :-)  I was
about
 twelve then.

I used to wear blue suede desert boots in the mid-70s. God knows why.




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RE: PESOs - Pink and Blue Suede

2010-08-07 Thread Bob W
 Nothing but just fooling around.
 
 Elvis's pink Cadillac:
 
 http://www.flickr.com/photos/jb_sessoms/4867617482/
 

that's one for the money.

 My own blue suede shoes:
 
 http://www.flickr.com/photos/jb_sessoms/4867617684/
 

and two for the shoe.




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RE: Wolfe's angel without the sign

2010-08-07 Thread Bob W
prostitutes are cheaper, and there are more of them around.

 
 Nice light, nice angel. I could use an angel most days.
 Paul
 
 On Aug 6, 2010, at 8:23 PM, John Sessoms wrote:
 
  Still not satisfied with it, but ...
 
  http://www.flickr.com/photos/jb_sessoms/4867574190/



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Should the K10D switch batteries automatically? (and a GESO)

2010-08-07 Thread Derby Chang


Did a job for my parents this weekend. They are members of a 
philanthropic group, Australian Council for the Promotion of the 
Peaceful Reunification of China, which sounds just as long in Mandarin. 
Being it's 10th anniversary, there was a three day conference. Not 
normally my sort of thing, but you know, parents must be obeyed. Turned 
out to be interesting in parts. Lots of ambassadors, politicians, 
doctors, and professors from both sides of the Strait, and around the 
world having a good old chat.


Had the K10D with grip, the venerable *istDS and mostly primes. On the 
K10D, I have the battery selection set to grip first. I seem to recall 
it should switch automatically to the body battery when it poops out. 
But I had to change the menu setting or swap batteries. A good battery 
works in both slots, and the level indication in the menu setting works 
seems to be telling the truth. No switching goodness though.


Anyway, here's a rough gallery. Still culling

http://members.iinet.net.au/~derbyc/10/10_08/10_08_acpprc/index.htm


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Re: PESO - A Cartoon Without a Caption

2010-08-07 Thread frank theriault
On Fri, Aug 6, 2010 at 8:56 PM, Anthony Farr farranth...@gmail.com wrote:
 Very well Mr Jones, I'll make an exception this time.  But NEXT
 YEARS prostate examination will definitely be conducted in my
 consulting rooms.

I think we have a winner!

LOL

cheers,
frank

-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Quick LR3 question

2010-08-07 Thread Boris Liberman

Hi!

In Gallery mode there is a screen called Keyword list. It shows the 
tree of my LR keywords. Is there a way (I think I remember it was 
possible in LR2) to make it so that sub-keywords would count towards the 
respective keywords up in the tree???


Thanks.

Boris

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Re: K7 sharpness question

2010-08-07 Thread paul stenquist
That fine sharpness setting is only relevant if your shooting jpegs. If 
you're shooting RAW, some sharpening is always necessary with any DSLR.

Also make sure the camera and your lenses are in synch in regard to focal 
point. Test each lens for excessive front and rear focus and adjust as 
necessary.

That said, my K7 delivers sharp photos. Shooting RAW, I generally ad just a bit 
of Smart Sharpen/Gaussian after conversion and any editing tweaks.

But you really have to test shooting a target with wide open lenses off a 
tripod. Action pics are not a good way to determine if you have a problem.

Paul


On Aug 7, 2010, at 3:12 AM, Christine Aguila wrote:

 nothing fancy, just some test shots.  I got, as they say, an offer I couldn't 
 refuse.
 
 Question:  is anyone having problems with sharpness?  I've got it set at 
 *Fine Sharpness advanced all the way to the  + sign* and I still had to 
 sharpen them up a bit in Lightroom.  I know folks were in motion, but still. 
 cheers, Christine
 
 http://www.caguila.com/caguila/people/ 
 
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Re: K7 sharpness question

2010-08-07 Thread paul stenquist

On Aug 7, 2010, at 3:41 AM, Christine Aguila wrote:

 
 - Original Message - From: William Robb war...@gmail.com
 
 Perhaps stopping down a little bit would improve things?
 
 Good point

Depends on what lens you're shooting with. The DA* 50-135 is sharpest at f4. I 
believe the 16-50 is as well. 

 
 Also, have you checked to ensure both AF and MF are accurate and in 
 agreement with each other?
 
 No, but I will.
 
 Thanks, Bill
 
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Boris PESO 34 - Modern times

2010-08-07 Thread Boris Liberman

Hi!

Spotted this happy couple in the park...

http://pentax-ways.blogspot.com/2010/08/peso-2010-35-modern-times.html

Boris

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Re: Boris PESO 34 - Modern times

2010-08-07 Thread frank theriault
On Sat, Aug 7, 2010 at 7:05 AM, Boris Liberman bori...@gmail.com wrote:
 Hi!

 Spotted this happy couple in the park...

 http://pentax-ways.blogspot.com/2010/08/peso-2010-35-modern-times.html

Young love - connected by wires.

;-)

Terrific shot, Boris!

cheers,
frank

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Pentax SMC FA 24-90 mini review with samples

2010-08-07 Thread Boris Liberman

Hi!

http://pentax-ways.blogspot.com/2010/08/pentax-fa-24-9035-45-if-al-mini-review.html

All in all - I am very happy about my yet another recent acquisition.

Boris

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RE: PESOs - Pink and Blue Suede

2010-08-07 Thread Chris Mitchell
Bob W
 Sent: 07 August 2010 10:12
 To: 'Pentax-Discuss Mail List'
 Subject: RE: PESOs - Pink and Blue Suede
 
   My own blue suede shoes:
   http://www.flickr.com/photos/jb_sessoms/4867617684/
 
  Nice!  I wish I had photos of my blue suede shoes.  Unfortunately,
 they
  predated my interest in photography by several years, and I haven't
 seen
  any family snapshots that managed to capture them.  It was the mid
 1970s,
  so they were two tone (robin's egg blue and navy blue) with 2
  heels ... about a fourth the length of my hair at the time. :-)  I
 was
 about
  twelve then.
 
 I used to wear blue suede desert boots in the mid-70s. God knows why.
 
The 70s - the decade that fashion forgot?



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Semi OT: Some fond memories

2010-08-07 Thread Walter Hamler
http://www.youtube.com/watch?v=5jaiq_ZZ_eMfeature=player_embedded#

I think we all had fun with these in our time.

Walt

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Re: K7 sharpness question

2010-08-07 Thread Jack Davis
They look pretty good overall. Some are a tad flat and might benefit from your 
punching up the contrast.(?)
I've never tried sharpening totally within the camera.

Jack

--- On Sat, 8/7/10, Christine Aguila cagu...@earthlink.net wrote:

 From: Christine Aguila cagu...@earthlink.net
 Subject: K7 sharpness question
 To: pdml@pdml.net
 Date: Saturday, August 7, 2010, 12:12 AM
 nothing fancy, just some test
 shots.  I got, as they say, an offer I couldn't
 refuse.
 
 Question:  is anyone having problems with
 sharpness?  I've got it set at *Fine Sharpness advanced
 all the way to the  + sign* and I still had to sharpen
 them up a bit in Lightroom.  I know folks were in
 motion, but still. cheers, Christine
 
 http://www.caguila.com/caguila/people/ 
 
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ME-F united with AF lens

2010-08-07 Thread Chris Mitchell
John Celio's AF 35-70/2.8 arrived and is united with the ME-F that's been
sitting in a cupboard for years:
http://mitch.myzen.co.uk/PDML/_IGP5615.jpg

With new batteries throughout, it all works perfectly. AF is slow and only
works in good contrasty light. It's done by pressing a button on the lens
grip. There are two buttons for when the camera is held in landscape or
portrait. It's bulky when compared to the other M cameras, but smaller and
lighter than my K7 with the 16-50/2.8, but I can see why the format never
took off. I guess Pentax were keen to gain the accolade of introducing the
first AF SLR so had to retrofit it to a modified existing body.

I've been on the lookout for the lens, ever since a friend gave me the ME-F
as payment for taking some family portraits, more as a curiosity than
anything. When John's appeared at a good price, I jumped at it. My daughter
used to use the ME-F with a standard 50/1.7 lens when she was learning the
ropes. It's effectively an ME Super with focus confirmation without the AF
lens. One day I'll put a film in it...

Did Pentax ever make a non-AF version of the lens? There's not one on Boz's
site so probably not then. 

Chris







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RE: Quick LR3 question

2010-08-07 Thread Bob W
 
 In Gallery mode there is a screen called Keyword list. It shows the tree
of
 my LR keywords. Is there a way (I think I remember it was possible in LR2)
to
 make it so that sub-keywords would count towards the respective keywords
 up in the tree???
 

right click on a keyword to open a context menu which includes various
options for working with keyword sets and hierarchies.

B


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Re: Boris PESO 34 - Modern times

2010-08-07 Thread Jack Davis
Cute shot of a Modern high tech couple. Very well seen, Boris!

Jack

--- On Sat, 8/7/10, Boris Liberman bori...@gmail.com wrote:

 From: Boris Liberman bori...@gmail.com
 Subject: Boris PESO 34 - Modern times
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, August 7, 2010, 4:05 AM
 Hi!
 
 Spotted this happy couple in the park...
 
 http://pentax-ways.blogspot.com/2010/08/peso-2010-35-modern-times.html
 
 Boris
 
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Re: Quick LR3 question

2010-08-07 Thread Boris Liberman

On 8/7/2010 3:12 PM, Bob W wrote:

right click on a keyword to open a context menu which includes various
options for working with keyword sets and hierarchies.

B


Hmmm... Nothing in there. If you can send me a screen shot off list, Bob...

Boris


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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread George Sinos
Just jumping in here.

I just saw a short interview with Scott Kelby.  He was asked about his
use of Lightroom and Photoshop.  He said that is a little strange that
the guy known as the Photoshop king does about 80% of  his work in
Lightroom.  He also said that when he does go to Photoshop it is for
creative as opposed to corrective or bulk work.


GS
www.GeorgesPhotos.net

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Re: HSS with af 360 and K10D

2010-08-07 Thread David J Brooks
Thanks Rick. I think i only tried it in P mode.

Still looking for it, i know its in the house some were.

Dave

On Fri, Aug 6, 2010 at 10:35 PM, Rick Womer rwomer1...@yahoo.com wrote:
 Manual page 181.

 Camera to TV or M, flash to high-speed sync.

 Rick

 http://photo.net/photos/RickW


 --- On Fri, 8/6/10, David J Brooks pentko...@gmail.com wrote:

 From: David J Brooks pentko...@gmail.com
 Subject: HSS with af 360 and K10D
 To: Pentax Discuss pdml@pdml.net
 Date: Friday, August 6, 2010, 9:43 AM
 I;m looking for my manual as i speak,
 but, i thought if i set the
 af360 to HSS i could shoot over and above the 1/180 sync
 speed. I was
 trying to use fill flash for some bluejay pic's yesterday
 but could
 only shoot as high as 1/180.

 I had the flash set on the hss mode, am i missing a step,

 Dave

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Re: Off to bicycle across Massachusetts in the PMC Challenge!

2010-08-07 Thread David J Brooks
Sounds like a decent ride. 162 miles, i'm happy just to get through my
8.5 Km ride everyday.:-)

Dave

On Fri, Aug 6, 2010 at 7:59 PM, Mark Roberts m...@robertstech.com wrote:
 Tomorrow Dr Lisa and I set off on a 162-mile bike ride (over 2 days)
 From Wellesley to Provincetown. The Pan-Mass Challenge, rather than a
 contest to see who can make the heaviest or lightest cooking pot, is a
 charity bike ride that raises money for the Dana-Farber Cancer
 Institute. One of the best research institutes of its kind on the
 world according to Dr Lisa, who should know.

 I'll be back with a report and photos on Monday (should I survive the
 ride, anyway).

 P.S. Thanks to the PDML members - you know who you are - who've
 donated a buck or two.
 http://www.pmc.org/profile/MR0239


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Re: HSS with af 360 and K10D

2010-08-07 Thread George Sinos
If it were me, it would be faster to download another copy from the
Pentax website.  GS

On Saturday, August 7, 2010, David J Brooks pentko...@gmail.com wrote:
 Thanks Rick. I think i only tried it in P mode.

 Still looking for it, i know its in the house some were.

 Dave


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Re: PESO: Monaro Drift

2010-08-07 Thread Adam Maas
On Fri, Aug 6, 2010 at 10:51 PM, Doug Franklin
jehosep...@mindspring.com wrote:
 On 2010-08-06 19:25, frank theriault wrote:

 Phil, do I understand that a Monero is the Aussie version of a Pontiac
 Grand Prix?  If so, the mechanics can't be the same, as the Pontiac is
 a FWD car, and clearly from the smoking rear tires, the Monero is RWD.
  Or is it tricked out for drifting?

 I believe it's the reverse ... the GTO (not the Grand Prix) is a US version
 of the Monaro.

 --
 Thanks,
 DougF (KG4LMZ)


The GTO was indeed a lightly restyled Monaro. Nice car, one of the few
GM did in recent memory. Didn't sell though, arguably due to poor
promotion and the restrained styling.

-Adam

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Peso Gear down.

2010-08-07 Thread David J Brooks
Spent an hour or so Friday shooting bluejays in the back yard. I tried
to get shots of them landing on the old BBQ but failed miserably.

This was the best.

http://photo.net/photodb/photo?photo_id=11391240

K10D D FA 50-200

Dave

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Re: PESOs - Pink and Blue Suede

2010-08-07 Thread P. J. Alling

On 8/7/2010 7:45 AM, Chris Mitchell wrote:

Bob W
   

Sent: 07 August 2010 10:12
To: 'Pentax-Discuss Mail List'
Subject: RE: PESOs - Pink and Blue Suede

 

My own blue suede shoes:
http://www.flickr.com/photos/jb_sessoms/4867617684/
 

Nice!  I wish I had photos of my blue suede shoes.  Unfortunately,
   

they
 

predated my interest in photography by several years, and I haven't
   

seen
 

any family snapshots that managed to capture them.  It was the mid
   

1970s,
 

so they were two tone (robin's egg blue and navy blue) with 2
heels ... about a fourth the length of my hair at the time. :-)  I
   

was
about
 

twelve then.
   

I used to wear blue suede desert boots in the mid-70s. God knows why.

 

The 70s - the decade that fashion forgot?
   

No the decade we wish fashion forgot.

--
Here's something to think about: How come you never see a headline like 'Psychic 
Wins Lottery'?
 --Jay Leno


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Re: PESO - Five Swans and Thousands of Cormorants

2010-08-07 Thread Graydon
On Fri, Aug 06, 2010 at 07:44:07PM -0400, frank theriault scripsit:
 Okay, maybe not thousands, but that almost solid line just below the
 trees is (believe it or not) a line of cormorants skimming across the
 water:
 
 http://knarfdummyblog.blogspot.com/2010/08/five-swans-and-thousands-of-cormorants.html
 
 I've seen them skimming like that in the dozens, maybe even up to 50
 or so, but never like that.  Any idea what they're up to when they do
 that?  It looks like they're just doing it for the fun of it!

It's the start of fall migration, and they're practising flocking,
probably.

You get substantial groups flying out to feed together, but that's a
migration-scale flock.

-- Graydon

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Re: Peso Gear down.

2010-08-07 Thread P. J. Alling

Nice sharp photograph of cowering peanuts...

On 8/7/2010 9:21 AM, David J Brooks wrote:

Spent an hour or so Friday shooting bluejays in the back yard. I tried
to get shots of them landing on the old BBQ but failed miserably.

This was the best.

http://photo.net/photodb/photo?photo_id=11391240

K10D D FA 50-200

Dave

   



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Here's something to think about: How come you never see a headline like 'Psychic 
Wins Lottery'?
 --Jay Leno


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Re: Peso Gear down.

2010-08-07 Thread Jack Davis
The slight over exposure of the peanuts (on my monitor) and Jay blur makes me 
curious as to the camera settings.
This sort of catch is extremely difficult due to the virtual impossibility of 
panning and then stopping on a mark.

Jack  

--- On Sat, 8/7/10, David J Brooks pentko...@gmail.com wrote:

 From: David J Brooks pentko...@gmail.com
 Subject: Peso Gear down.
 To: Pentax Discuss pdml@pdml.net, Barbara Brooks bbaro...@gmail.com, 
 Petch Dianne dianne.pe...@yahoo.com
 Cc: Home Sarah sarah.h...@firstgroup.com, Conley Leah 
 leah.con...@firstgroup.com, Smillie Dale dale.smil...@firstgroup.com, 
 Wonch Joyce joyce.wo...@firstgroup.com
 Date: Saturday, August 7, 2010, 6:21 AM
 Spent an hour or so Friday shooting
 bluejays in the back yard. I tried
 to get shots of them landing on the old BBQ but failed
 miserably.
 
 This was the best.
 
 http://photo.net/photodb/photo?photo_id=11391240
 
 K10D D FA 50-200
 
 Dave
 
 -- 
 Documenting Life in Rural Ontario.
 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 York Region, Ontario, Canada
 
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Re: PESOs - Pink and Blue Suede

2010-08-07 Thread Doug Franklin

On 2010-08-07 7:45, Chris Mitchell wrote:


The 70s - the decade that fashion forgot?


I don't think it forgot, I think it was still having flashbacks from the 
60s.


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PESO 2010 - 130 - GDG

2010-08-07 Thread Godfrey DiGiorgi

A new photo and scribbling available for your pleasure

  http://godfreydigiorgi.posterous.com/in-motion

comments always appreciated, thanks for looking.

Godfrey
--
  http://godfreydigiorgi.posterous.com


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Re: Pentax SMC FA 24-90 mini review with samples

2010-08-07 Thread gldnbearz
Glad to see you are enjoying the lens.  Paired well with the Zx-5n.
For me, the FOV was better on 35mm than APS-C because it isn't wide
enough at the short end.

 If you think that the build is plasticky, it's pretty much the same
as the FA 28-105/3.2-4.5.  They are roughly the same length when fully
extended (and slightly wobbly), with the 24-90 being just a bit larger
in circumference.

Have a nice weekend.
Pat

On Sat, Aug 7, 2010 at 4:29 AM, Boris Liberman bori...@gmail.com wrote:
 Hi!

 http://pentax-ways.blogspot.com/2010/08/pentax-fa-24-9035-45-if-al-mini-review.html

 All in all - I am very happy about my yet another recent acquisition.

 Boris

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Re: Boris PESO 34 - Modern times

2010-08-07 Thread gldnbearz
Gee, when I was younger, all we had were string can phones. lol  Nice capture.

Pat

On Sat, Aug 7, 2010 at 4:05 AM, Boris Liberman bori...@gmail.com wrote:
 Hi!

 Spotted this happy couple in the park...

 http://pentax-ways.blogspot.com/2010/08/peso-2010-35-modern-times.html

 Boris

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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread William Robb


--
From: George Sinos
Subject: Re: Adobe CS5 vs. Lightroom 3


Just jumping in here.

I just saw a short interview with Scott Kelby.  He was asked about his
use of Lightroom and Photoshop.  He said that is a little strange that
the guy known as the Photoshop king does about 80% of  his work in
Lightroom.  He also said that when he does go to Photoshop it is for
creative as opposed to corrective or bulk work.



This is how Lightroom/Photoshop should be used. I suppose it isn't 
surprising that Kelby knows this, he's the founding father and I believe the 
president of NAAP.
Anyway, I import everything via Lightroom, since I can add appropriate 
keywords and the like at that time. I use Lightroom for what I consider the 
prep work to my editing process. I use it for setting white balance, 
flagging the picks and that sort of thing. Any web galleries I've done over 
the past couple of years have been generated by Lightroom.
Once I'm past that stage, I'm pretty much done with Lightroom, and I then 
move on to Photoshop.


William Robb 



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Re: K7 sharpness question

2010-08-07 Thread William Robb


--
From: paul stenquist
Subject: Re: K7 sharpness question



On Aug 7, 2010, at 3:41 AM, Christine Aguila wrote:



- Original Message - From: William Robb war...@gmail.com


Perhaps stopping down a little bit would improve things?


Good point


Depends on what lens you're shooting with. The DA* 50-135 is sharpest at 
f4. I believe the 16-50 is as well.






Correct me if I'm wrong, but f/4 on both of those lenses is stopped down a 
bit?


William Robb 



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Re: Semi OT: Some fond memories

2010-08-07 Thread William Robb


--
From: Walter Hamler 
Subject: Semi OT: Some fond memories



http://www.youtube.com/watch?v=5jaiq_ZZ_eMfeature=player_embedded#

I think we all had fun with these in our time.



Shot my first porn with one of those.

William Robb 


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Re: Should the K10D switch batteries automatically? (and a GESO)

2010-08-07 Thread William Robb


--
From: Derby Chang
Subject: Should the K10D switch batteries automatically? (and a GESO)


Had the K10D with grip, the venerable *istDS and mostly primes. On the 
K10D, I have the battery selection set to grip first. I seem to recall it 
should switch automatically to the body battery when it poops out. But I 
had to change the menu setting or swap batteries. A good battery works in 
both slots, and the level indication in the menu setting works seems to be 
telling the truth. No switching goodness though.


Depending on the settings.
I use grip first as well. On the k10/k20, when the first battery dies, you 
have to switch the camera off and back on to make it change to the alternate 
battery.
I found it annoying at first, but realized it's a good thing to know when 
battery one has failed and the camera has switched to battery two.
If you don't like this behaviour, set the camera to use the best battery, it 
will wear them both down relatively evenly and then when the camera dies, 
you change both batteries out.


William Robb 



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Re: K7 sharpness question

2010-08-07 Thread paul stenquist

On Aug 7, 2010, at 11:10 AM, William Robb wrote:

 
 --
 From: paul stenquist
 Subject: Re: K7 sharpness question
 
 
 On Aug 7, 2010, at 3:41 AM, Christine Aguila wrote:
 
 
 - Original Message - From: William Robb war...@gmail.com
 
 Perhaps stopping down a little bit would improve things?
 
 Good point
 
 Depends on what lens you're shooting with. The DA* 50-135 is sharpest at f4. 
 I believe the 16-50 is as well.
 
 
 
 Correct me if I'm wrong, but f/4 on both of those lenses is stopped down a 
 bit?
 
 William Robb 

You're right, but I believe she was shooting at f4.
Paul
 
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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread paul stenquist

On Aug 7, 2010, at 11:08 AM, William Robb wrote:

 
 --
 From: George Sinos
 Subject: Re: Adobe CS5 vs. Lightroom 3
 
 Just jumping in here.
 
 I just saw a short interview with Scott Kelby.  He was asked about his
 use of Lightroom and Photoshop.  He said that is a little strange that
 the guy known as the Photoshop king does about 80% of  his work in
 Lightroom.  He also said that when he does go to Photoshop it is for
 creative as opposed to corrective or bulk work.
 
 
 This is how Lightroom/Photoshop should be used. I suppose it isn't surprising 
 that Kelby knows this, he's the founding father and I believe the president 
 of NAAP.
 Anyway, I import everything via Lightroom, since I can add appropriate 
 keywords and the like at that time. I use Lightroom for what I consider the 
 prep work to my editing process. I use it for setting white balance, flagging 
 the picks and that sort of thing. Any web galleries I've done over the past 
 couple of years have been generated by Lightroom.
 Once I'm past that stage, I'm pretty much done with Lightroom, and I then 
 move on to Photoshop.
 
 William Robb 
 

I spent about 45 minutes in Lightroom this morning, which is probably the most 
time I've ever given it. I can see that it might offer some advantages to my 
workflow. I may eventually use it the way you are using it.
Paul

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Re: K7 sharpness question

2010-08-07 Thread William Robb


--
From: paul stenquist
Subject: Re: K7 sharpness question



Perhaps stopping down a little bit would improve things?


Good point


Depends on what lens you're shooting with. The DA* 50-135 is sharpest at 
f4. I believe the 16-50 is as well.






Correct me if I'm wrong, but f/4 on both of those lenses is stopped down 
a bit?





You're right, but I believe she was shooting at f4.


I believe the 16-45/4 is an f/4 maximum aperture.
I could be mistaken.

William Robb 



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Re: Boris PESO 34 - Modern times

2010-08-07 Thread Ann Sanfedele

Boris Liberman wrote:


Hi!

Spotted this happy couple in the park...

http://pentax-ways.blogspot.com/2010/08/peso-2010-35-modern-times.html

Boris


that's a chuckle :)

ann



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Re: Peso Gear down.

2010-08-07 Thread David J Brooks
On Sat, Aug 7, 2010 at 9:51 AM, Jack Davis jdavi...@yahoo.com wrote:
 The slight over exposure of the peanuts (on my monitor) and Jay blur makes me 
 curious as to the camera settings.

It showed under exposure, slightly, on the LCD histogram.

However the histogram in LR showed clipping, so i eliminated it, but
one big problem i have with these blue jay shots in the peanuts being
blown out.

My one big nit with this K10D is blown high lites when they really
shouldn't be., Could be the lens used.??

 This sort of catch is extremely difficult due to the virtual impossibility of 
 panning and then stopping on a mark.

I don't pan on these Jack, i just position the camera and fire the
shutter when i thing the bird is in the FOV.


Dave

 Jack

 --- On Sat, 8/7/10, David J Brooks pentko...@gmail.com wrote:

 From: David J Brooks pentko...@gmail.com
 Subject: Peso Gear down.
 To: Pentax Discuss pdml@pdml.net, Barbara Brooks bbaro...@gmail.com, 
 Petch Dianne dianne.pe...@yahoo.com
 Cc: Home Sarah sarah.h...@firstgroup.com, Conley Leah 
 leah.con...@firstgroup.com, Smillie Dale dale.smil...@firstgroup.com, 
 Wonch Joyce joyce.wo...@firstgroup.com
 Date: Saturday, August 7, 2010, 6:21 AM
 Spent an hour or so Friday shooting
 bluejays in the back yard. I tried
 to get shots of them landing on the old BBQ but failed
 miserably.

 This was the best.

 http://photo.net/photodb/photo?photo_id=11391240

 K10D D FA 50-200

 Dave

 --
 Documenting Life in Rural Ontario.
 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 York Region, Ontario, Canada

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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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 directly above and follow the directions.






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Re: Peso Gear down.

2010-08-07 Thread David J Brooks
On Sat, Aug 7, 2010 at 9:51 AM, Jack Davis jdavi...@yahoo.com wrote:
 The slight over exposure of the peanuts (on my monitor) and Jay blur makes me 
 curious as to the camera settings.

Sorry, i forgot to add:
1/400 at f5.6 at 200mm ISO at 200.

Dave


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http://brooksinthecountry.blogspot.com/
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Re: PESO - Five Swans and Thousands of Cormorants

2010-08-07 Thread David J Brooks
I like the composition. Looks like they are getting ready to fly out
and see Bruce and Jack.;-)

Dave

On Fri, Aug 6, 2010 at 7:44 PM, frank theriault
knarftheria...@gmail.com wrote:
 Okay, maybe not thousands, but that almost solid line just below the
 trees is (believe it or not) a line of cormorants skimming across the
 water:

 http://knarfdummyblog.blogspot.com/2010/08/five-swans-and-thousands-of-cormorants.html

 I've seen them skimming like that in the dozens, maybe even up to 50
 or so, but never like that.  Any idea what they're up to when they do
 that?  It looks like they're just doing it for the fun of it!

 Not a great photo, I know.  I'm showing it more for the content (ie:
 all them damn cormorants!) than the artistic value...

 Hope you like.  Comments welcome.

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: PESO 2010 - 130 - GDG

2010-08-07 Thread David J Brooks
Well done. I like the not over bearing swirls and the rendering is wonderful

Dave

On Sat, Aug 7, 2010 at 10:36 AM, Godfrey DiGiorgi ramar...@mac.com wrote:
 A new photo and scribbling available for your pleasure

  http://godfreydigiorgi.posterous.com/in-motion

 comments always appreciated, thanks for looking.

 Godfrey
 --
  http://godfreydigiorgi.posterous.com


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Re: Peso Gear down.

2010-08-07 Thread Jack Davis
I did assume that, Dave. My point was that panning wasn't an option and that 
you had done exactly as you stated. In which case you would need a bit more 
shutter speed for the Jay. =)

Jack

--- On Sat, 8/7/10, David J Brooks pentko...@gmail.com wrote:

 From: David J Brooks pentko...@gmail.com
 Subject: Re: Peso Gear down.
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, August 7, 2010, 10:20 AM
 On Sat, Aug 7, 2010 at 9:51 AM, Jack
 Davis jdavi...@yahoo.com
 wrote:
  The slight over exposure of the peanuts (on my
 monitor) and Jay blur makes me curious as to the camera
 settings.
 
 It showed under exposure, slightly, on the LCD histogram.
 
 However the histogram in LR showed clipping, so i
 eliminated it, but
 one big problem i have with these blue jay shots in the
 peanuts being
 blown out.
 
 My one big nit with this K10D is blown high lites when they
 really
 shouldn't be., Could be the lens used.??
 
  This sort of catch is extremely difficult due to the
 virtual impossibility of panning and then stopping on a
 mark.
 
 I don't pan on these Jack, i just position the camera and
 fire the
 shutter when i thing the bird is in the FOV.
 
 
 Dave
 
  Jack
 
  --- On Sat, 8/7/10, David J Brooks pentko...@gmail.com
 wrote:
 
  From: David J Brooks pentko...@gmail.com
  Subject: Peso Gear down.
  To: Pentax Discuss pdml@pdml.net,
 Barbara Brooks bbaro...@gmail.com,
 Petch Dianne dianne.pe...@yahoo.com
  Cc: Home Sarah sarah.h...@firstgroup.com,
 Conley Leah leah.con...@firstgroup.com,
 Smillie Dale dale.smil...@firstgroup.com,
 Wonch Joyce joyce.wo...@firstgroup.com
  Date: Saturday, August 7, 2010, 6:21 AM
  Spent an hour or so Friday shooting
  bluejays in the back yard. I tried
  to get shots of them landing on the old BBQ but
 failed
  miserably.
 
  This was the best.
 
  http://photo.net/photodb/photo?photo_id=11391240
 
  K10D D FA 50-200
 
  Dave
 
  --
  Documenting Life in Rural Ontario.
  www.caughtinmotion.com
  http://brooksinthecountry.blogspot.com/
  York Region, Ontario, Canada
 
  --
  PDML Pentax-Discuss Mail List
  PDML@pdml.net
  http://pdml.net/mailman/listinfo/pdml_pdml.net
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 link
  directly above and follow the directions.
 
 
 
 
 
 
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 Documenting Life in Rural Ontario.
 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 York Region, Ontario, Canada
 
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Re: Peso Gear down.

2010-08-07 Thread David J Brooks
Opps, sorry.:-)

Ya i think i need 800 or higher. I'll be working on this for a while.
I'm still on vacation for another 4 weeks,. Hopefully i can get one
good shot.:-)

Dave

On Sat, Aug 7, 2010 at 1:51 PM, Jack Davis jdavi...@yahoo.com wrote:
 I did assume that, Dave. My point was that panning wasn't an option and that 
 you had done exactly as you stated. In which case you would need a bit more 
 shutter speed for the Jay. =)

 Jack

 --- On Sat, 8/7/10, David J Brooks pentko...@gmail.com wrote:

 From: David J Brooks pentko...@gmail.com
 Subject: Re: Peso Gear down.
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Saturday, August 7, 2010, 10:20 AM
 On Sat, Aug 7, 2010 at 9:51 AM, Jack
 Davis jdavi...@yahoo.com
 wrote:
  The slight over exposure of the peanuts (on my
 monitor) and Jay blur makes me curious as to the camera
 settings.

 It showed under exposure, slightly, on the LCD histogram.

 However the histogram in LR showed clipping, so i
 eliminated it, but
 one big problem i have with these blue jay shots in the
 peanuts being
 blown out.

 My one big nit with this K10D is blown high lites when they
 really
 shouldn't be., Could be the lens used.??

  This sort of catch is extremely difficult due to the
 virtual impossibility of panning and then stopping on a
 mark.

 I don't pan on these Jack, i just position the camera and
 fire the
 shutter when i thing the bird is in the FOV.


 Dave
 
  Jack
 
  --- On Sat, 8/7/10, David J Brooks pentko...@gmail.com
 wrote:
 
  From: David J Brooks pentko...@gmail.com
  Subject: Peso Gear down.
  To: Pentax Discuss pdml@pdml.net,
 Barbara Brooks bbaro...@gmail.com,
 Petch Dianne dianne.pe...@yahoo.com
  Cc: Home Sarah sarah.h...@firstgroup.com,
 Conley Leah leah.con...@firstgroup.com,
 Smillie Dale dale.smil...@firstgroup.com,
 Wonch Joyce joyce.wo...@firstgroup.com
  Date: Saturday, August 7, 2010, 6:21 AM
  Spent an hour or so Friday shooting
  bluejays in the back yard. I tried
  to get shots of them landing on the old BBQ but
 failed
  miserably.
 
  This was the best.
 
  http://photo.net/photodb/photo?photo_id=11391240
 
  K10D D FA 50-200
 
  Dave
 
  --
  Documenting Life in Rural Ontario.
  www.caughtinmotion.com
  http://brooksinthecountry.blogspot.com/
  York Region, Ontario, Canada
 
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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Cotty
As a slight aside here, I have been using Photoshop CS (version 8) for a
few years and never updated past that - but since I have effectively
stopped my stills photography, I am now using CS more and more for  a
lot of my video graphics. The nice thing about it is I can save the
artwork as .PSD files and they import straight into Final Cut, even as
layers if required. This gives me excellent control in Final Cut and it
all looks great.

If I were starting out again in stills and wanted to organise my work,
I'd try Lightroom and Aperture for sure - I think the workflow thing
with a prolific photographer would be pretty crucial.

That said, I'm so comfortable with CS that I wouldn't give it up.


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Re: K7 sharpness question

2010-08-07 Thread paul stenquist

On Aug 7, 2010, at 1:12 PM, William Robb wrote:

 
 --
 From: paul stenquist
 Subject: Re: K7 sharpness question
 
 
 Perhaps stopping down a little bit would improve things?
 
 Good point
 
 Depends on what lens you're shooting with. The DA* 50-135 is sharpest at 
 f4. I believe the 16-50 is as well.
 
 
 
 Correct me if I'm wrong, but f/4 on both of those lenses is stopped down a 
 bit?
 
 
 
 You're right, but I believe she was shooting at f4.
 
 I believe the 16-45/4 is an f/4 maximum aperture.
 I could be mistaken.
 
I thought she was shooting with the 16-50, which of course is a 2.8 and is 
sharpest at f4. Mea culpa. 
 William Robb 
 
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OT - Balanced Audio Question, Rob, Cory?

2010-08-07 Thread Cotty
Was going to write to Rob and Cory off list but I'll throw it open as
I'm a glutton for punishment and someone somewhere might glean a tidbit here.

Wiring explanation please!

I'm coming out of a portable computer and going into a Fostex squawkbox.
The computer audio out is stereo 3.5mm TRS (mini-jack) and the Fostex is
a standard XLR in.

Obviously I'm wanting to take the stereo signal and listen to it through
a single mono speaker.

I've bought a 3.5mm male to XLR male lead but the sound is crap and only
hearing one side! In my Land Rover I use a stereo system - a 3.5mm lead
out of the Macbook to 2 RCA females and then another lead with  2 RCA
males leading to 2 XLR males which go into 2 Fostex speakers (don't ask,
it's what I had in the parts bin). This gives me left and right audio as
needed while editing.

I took half of this setup off the Land Rover and popped it onto my
single Fostex in the house and that works fine. But the lead I bought
doesn't :-(

So - take me through from the 3.5mm jack into the lead and at the XLR
end, what should be connected to what? Obviously I've got 3 wires from
the 3.5mm jack - tip, ring and sleeve - which goes to which of the 3
terminals on the XLR - 1 Chassis, 2 hot, 3 return.

Answers on a postcard please. Then copy by hand onto a reply email :-)))

--


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  Cotty


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Re: Peso Gear down.

2010-08-07 Thread Ken Waller

I'm still on vacation for another 4 weeks,. Hopefully i can get one
good shot.:-)


MARK !

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: David J Brooks pentko...@gmail.com

Subject: Re: Peso Gear down.



Opps, sorry.:-)

Ya i think i need 800 or higher. I'll be working on this for a while.
I'm still on vacation for another 4 weeks,. Hopefully i can get one
good shot.:-)

Dave

On Sat, Aug 7, 2010 at 1:51 PM, Jack Davis jdavi...@yahoo.com wrote:
I did assume that, Dave. My point was that panning wasn't an option and 
that you had done exactly as you stated. In which case you would need a 
bit more shutter speed for the Jay. =)


Jack

--- On Sat, 8/7/10, David J Brooks pentko...@gmail.com wrote:


From: David J Brooks pentko...@gmail.com
Subject: Re: Peso Gear down.
To: Pentax-Discuss Mail List pdml@pdml.net
Date: Saturday, August 7, 2010, 10:20 AM
On Sat, Aug 7, 2010 at 9:51 AM, Jack
Davis jdavi...@yahoo.com
wrote:
 The slight over exposure of the peanuts (on my
monitor) and Jay blur makes me curious as to the camera
settings.

It showed under exposure, slightly, on the LCD histogram.

However the histogram in LR showed clipping, so i
eliminated it, but
one big problem i have with these blue jay shots in the
peanuts being
blown out.

My one big nit with this K10D is blown high lites when they
really
shouldn't be., Could be the lens used.??

 This sort of catch is extremely difficult due to the
virtual impossibility of panning and then stopping on a
mark.

I don't pan on these Jack, i just position the camera and
fire the
shutter when i thing the bird is in the FOV.


Dave

 Jack

 --- On Sat, 8/7/10, David J Brooks pentko...@gmail.com
wrote:

 From: David J Brooks pentko...@gmail.com
 Subject: Peso Gear down.
 To: Pentax Discuss pdml@pdml.net,



 Date: Saturday, August 7, 2010, 6:21 AM
 Spent an hour or so Friday shooting
 bluejays in the back yard. I tried
 to get shots of them landing on the old BBQ but
failed
 miserably.

 This was the best.

 http://photo.net/photodb/photo?photo_id=11391240

 K10D D FA 50-200

 Dave




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Re: PESO - Five Swans and Thousands of Cormorants

2010-08-07 Thread Jerry in Arizona
Can't wait for all those migratory birds to come down and winter here in the 
Valley of the Sun!

Jerry

From: David J Brooks pentko...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO - Five Swans and Thousands of Cormorants
Message-ID:
    aanlktimrp5wvy8achdm_-nf+snun2y9eiumvsp0dz...@mail.gmail.com
Content-Type: text/plain; charset=ISO-8859-1

I like the composition. Looks like they are getting ready to fly out
and see Bruce and Jack.;-)

Dave

On Fri, Aug 6, 2010 at 7:44 PM, frank theriault
knarftheria...@gmail.com wrote:
 Okay, maybe not thousands, but that almost solid line just below the
 trees is (believe it or not) a line of cormorants skimming across the
 water:

http://knarfdummyblog.blogspot.com/2010/08/five-swans-and-thousands-of-cormorants.html
l

 I've seen them skimming like that in the dozens, maybe even up to 50
 or so, but never like that. ?Any idea what they're up to when they do
 that? ?It looks like they're just doing it for the fun of it!

 Not a great photo, I know. ?I'm showing it more for the content (ie:
 all them damn cormorants!) than the artistic value...

 Hope you like. ?Comments welcome.

 cheers,
 frank


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Re: PESO 2010 - 130 - GDG

2010-08-07 Thread Godfrey DiGiorgi
Thanks Dave!

On Sat, Aug 7, 2010 at 10:31 AM, David J Brooks pentko...@gmail.com wrote:
 Well done. I like the not over bearing swirls and the rendering is wonderful

 Dave

 On Sat, Aug 7, 2010 at 10:36 AM, Godfrey DiGiorgi ramar...@mac.com wrote:
 A new photo and scribbling available for your pleasure

  http://godfreydigiorgi.posterous.com/in-motion

 comments always appreciated, thanks for looking.

 Godfrey
 --
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 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 York Region, Ontario, Canada

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  godfreydigiorgi.posterous.com

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re: another slight aside

2010-08-07 Thread Godfrey DiGiorgi
Cotty, are you still running Apple-PowerPC systems or are you on
Apple-Intel systems now? If you're on Apple-Intel systems, you really
want to move to Photohop CS3 at least for performance reasons. CS/CS2
are PowerPC executables, running in emulation on the current
generation of Apple hardware. CS3 is the first native-code version of
Photoshop for Apple-Intel systems: the performance improvement is
substantial.

On Sat, Aug 7, 2010 at 11:19 AM, Cotty cotty...@mac.com wrote:
 As a slight aside here, I have been using Photoshop CS (version 8) for a
 few years and never updated past that - but since I have effectively
 stopped my stills photography, I am now using CS more and more for  a
 lot of my video graphics. The nice thing about it is I can save the
 artwork as .PSD files and they import straight into Final Cut, even as
 layers if required. This gives me excellent control in Final Cut and it
 all looks great.

 If I were starting out again in stills and wanted to organise my work,
 I'd try Lightroom and Aperture for sure - I think the workflow thing
 with a prolific photographer would be pretty crucial.

 That said, I'm so comfortable with CS that I wouldn't give it up.


 --


 Cheers,
  Cotty


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 ||   (O)  |     People, Places, Pastiche
 --      http://www.cottysnaps.com
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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Tom C
In my world at least,and I suspect in many others, proflic  great,
prolific  good.

The good ones, ones worth keeping are far and few between, and the
excellent ones even more rare.

So routinely running a bunch of images through a workflow, only to
have done so, and then writing them to some directory on a hard drive,
possibly not to be viewed again (the vast majority not worthy of
further processing), is a bit akin to taking a roll of film down to
the local 'one size fits all 1 hour mini-lab', getting the prints and
negs back, and then throwing them in a box somewhere.

Again this is for me, and the way I work. I can tell quickly when
looking at the RAW images, which are worthy of futher consideration
and which are dustbin fodder. And those worthy of further
consideration, aside from a handful, here or there, will likely not
benefit from the same post-processing.

So do those of you using workflow do it largely for organizational purposes?

Tom C.



 If I were starting out again in stills and wanted to organise my work,
 I'd try Lightroom and Aperture for sure - I think the workflow thing
 with a prolific photographer would be pretty crucial.

 That said, I'm so comfortable with CS that I wouldn't give it up.


 --


 Cheers,
  Cotty


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FS - 645 and lenses

2010-08-07 Thread Scott Loveless
Hi gang.  I need to sell my 645 kit.  Included are the manual focus
body with front and rear caps, 120 and 220 film magazines with
holders, A200/4, A120/4 Macro (best lens ever, IMHO), A45/2.8 with
45-125 hood, A35/3.5 with case.  The A35 has the original front cap,
the 200 and 120 have newer Pentax caps and the 45 has a generic cap.
All four have original rear caps.  Also included are a #1 extension
tube, an extra rear lens cap and one of those big D-shaped eyepieces.
$600US plus shipping for all of it.

Thanks!

-- 
Scott Loveless
http://www.twosixteen.com/fivetoedsloth/
__o
  _'\,_
 (*)/  (*)

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last call for August PUG - Speed

2010-08-07 Thread Scott Loveless
Submit photos here:  http://pdmlpug.org/?page_id=54

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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Godfrey DiGiorgi
On Sat, Aug 7, 2010 at 12:43 PM, Tom C caka...@gmail.com wrote:

 ... So do those of you using workflow do it largely for organizational 
 purposes?

The question is rather odd. The term workflow can be applied to any
sequenced series of steps that take you from one state to another in
accomplishing a task. Conceptually, a computer program is a very
precise workflow. We use workflows to do everything ...

Surely you don't mean that you do your image processing by randomly
pushing and shoving on various controls until something looks good?
That's a scary thought: a terribly inefficient way to do it.

-- 
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Re: OT - Balanced Audio Question, Rob, Cory?

2010-08-07 Thread Cory Waters

Cotty,
I think this should work:
http://www.mediacollege.com/audio/connection/xlr-jack-stereo.html

In addition, here's a LOT of words and some photos that are likely more 
than most people want to know about TRS and TS and TRRS connectors:

http://en.wikipedia.org/wiki/TRS_connector

And if you want to send some of those Fostex speakers you have lying 
about over there, I'll gladly accept them.  I have several of the 6301s 
in use at the Dome.  They're heavy (read: Rugged) and louder than the 
ought to be for their size.


Cory


On 8/7/2010 2:36 PM, Cotty wrote:

Was going to write to Rob and Cory off list but I'll throw it open as
I'm a glutton for punishment and someone somewhere might glean a tidbit here.

Wiring explanation please!

I'm coming out of a portable computer and going into a Fostex squawkbox.
The computer audio out is stereo 3.5mm TRS (mini-jack) and the Fostex is
a standard XLR in.

Obviously I'm wanting to take the stereo signal and listen to it through
a single mono speaker.

I've bought a 3.5mm male to XLR male lead but the sound is crap and only
hearing one side! In my Land Rover I use a stereo system - a 3.5mm lead
out of the Macbook to 2 RCA females and then another lead with  2 RCA
males leading to 2 XLR males which go into 2 Fostex speakers (don't ask,
it's what I had in the parts bin). This gives me left and right audio as
needed while editing.

I took half of this setup off the Land Rover and popped it onto my
single Fostex in the house and that works fine. But the lead I bought
doesn't :-(

So - take me through from the 3.5mm jack into the lead and at the XLR
end, what should be connected to what? Obviously I've got 3 wires from
the 3.5mm jack - tip, ring and sleeve - which goes to which of the 3
terminals on the XLR - 1 Chassis, 2 hot, 3 return.

Answers on a postcard please. Then copy by hand onto a reply email :-)))

--


Cheers,
   Cotty


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Re: another slight aside

2010-08-07 Thread steve harley

On 2010-08-07 13:26 , Godfrey DiGiorgi wrote:

If you're on Apple-Intel systems, you really
want to move to Photohop CS3 at least for performance reasons. CS/CS2
are PowerPC executables, running in emulation on the current
generation of Apple hardware. CS3 is the first native-code version of
Photoshop for Apple-Intel systems: the performance improvement is
substantial.


while it's not as fast, CS2 runs without problem on Intel Macs (my 
experience is up through Mac OS X 10.5); the Intel-native version is 
quicker and has new features, and is an obvious choice for commercial 
production use, but for basic work where speed isn't the crucial factor, 
i've found CS2 to be completely adequate


the PowerPC emulation in Mac OS X is surprisingly good; in fact i just 
did some basic editing on some 200 MB TIFFs (scans of plat maps) the 
other day and didn't really notice any lags (i have 8GB RAM, which 
helps); it sure beats the Quadra 950 with 128MB of RAM with which i used 
to do compositing for prepress


i'm likely to upgrade sometime soon, but it won't be because CS2 is too slow

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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Tom C
I don't find it odd at all.  Of course, I asked it.

What I find odd is that one would use an *automated* *image adjustment
workflow* in a manner that is like taking ones images to a 3rd party
processor and having all images processed using the same parameters.
One might get consistently mediocre or even decent results, but likely
not optimal, unless each image in the batch being processed was very
similar, and the adjustments were tuned to that batch or standard set
of shooting conditions.

No surely, I don't mean that, and surely you don't believe me to be
that stupid.

Tom C.


On Sat, Aug 7, 2010 at 4:05 PM, Godfrey DiGiorgi gdigio...@gmail.com wrote:
 On Sat, Aug 7, 2010 at 12:43 PM, Tom C caka...@gmail.com wrote:

 ... So do those of you using workflow do it largely for organizational 
 purposes?

 The question is rather odd. The term workflow can be applied to any
 sequenced series of steps that take you from one state to another in
 accomplishing a task. Conceptually, a computer program is a very
 precise workflow. We use workflows to do everything ...

 Surely you don't mean that you do your image processing by randomly
 pushing and shoving on various controls until something looks good?
 That's a scary thought: a terribly inefficient way to do it.

 --
 Godfrey
   godfreydigiorgi.posterous.com

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Re: OT - Balanced Audio Question, Rob, Cory?

2010-08-07 Thread Cotty
On 7/8/10, Cory Waters, discombobulated, unleashed:

Cotty,
I think this should work:
http://www.mediacollege.com/audio/connection/xlr-jack-stereo.html

Thanks mate I will - Mrs has a DVD of Crazy Heart which I am told I have
to watch. Then I will have a look at above.

In addition, here's a LOT of words and some photos that are likely more
than most people want to know about TRS and TS and TRRS connectors:
http://en.wikipedia.org/wiki/TRS_connector

And if you want to send some of those Fostex speakers you have lying
about over there, I'll gladly accept them.  I have several of the 6301s
in use at the Dome.  They're heavy (read: Rugged) and louder than the
ought to be for their size.

I have 3 X 6301B speakers - 2 in the Land Rover and one I use as a
squawk box for demos etc. Hey, I know I could use a pair of cheapo
computer speakers but when I arrive in a client's conference room and
ask them to 'just put this speaker over there would you' I like to watch
their eyebrows ;-)

--


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  Cotty


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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread William Robb


--
From: Tom C
Subject: Re: Adobe CS5 vs. Lightroom 3


In my world at least,and I suspect in many others, proflic  great,
prolific  good.

The good ones, ones worth keeping are far and few between, and the
excellent ones even more rare.

So routinely running a bunch of images through a workflow, only to
have done so, and then writing them to some directory on a hard drive,
possibly not to be viewed again (the vast majority not worthy of
further processing), is a bit akin to taking a roll of film down to
the local 'one size fits all 1 hour mini-lab', getting the prints and
negs back, and then throwing them in a box somewhere.

Again this is for me, and the way I work. I can tell quickly when
looking at the RAW images, which are worthy of futher consideration
and which are dustbin fodder. And those worthy of further
consideration, aside from a handful, here or there, will likely not
benefit from the same post-processing.

So do those of you using workflow do it largely for organizational 
purposes?





That's about all I use Lightroom for.
While I am an inveterate hoarder, someone who bins images that they don't 
thin worth keeping would have a great time with Lightroom, since you can go 
through a directory very quickly, sort out the gobbets of fresh meat from 
the cesspool of entrails and trash what looks yucky very quickly.


William Robb 



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Re: PESOs - Pink and Blue Suede

2010-08-07 Thread John Sessoms

From: Doug Franklin

On 2010-08-06 20:49, John Sessoms wrote:

 My own blue suede shoes:
 http://www.flickr.com/photos/jb_sessoms/4867617684/


Nice!  I wish I had photos of my blue suede shoes.  Unfortunately, they 
predated my interest in photography by several years, and I haven't seen 
any family snapshots that managed to capture them.  It was the mid 
1970s, so they were two tone (robin's egg blue and navy blue) with 2 
heels ... about a fourth the length of my hair at the time.  :-)   I was 
about twelve then.


Other than a period of about 4 years in the mid to late 70s while I was 
married, I've had a pair since the 60s. Those are just a pair of Hush 
Puppies I ordered through a local department store ... I'd guess maybe 
in the late 90s. Don't wear them enough to wear them out.


Some idiot might step on 'em.  ;-D

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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread steve harley

On 2010-08-07 13:43 , Tom C wrote:

So do those of you using workflow do it largely for organizational purposes?


yes, my workflow is largely about organization; early on i set aside the 
larger portion of images, but i also quickly process them in order to be 
able to find them later, except for those i completely discard


these first passes take only a few minutes for a day's worth of photos; 
it is after this that i work on adjustments and selections among a 
smaller set of photos; Aperture (or Lightroom) makes it easy to focus on 
more worthy images after the initial filtering has been done


in my consulting i have a specialty in workflow for publishing and other 
environments; it is not only in photography that one can have large sets 
of items to organize and act upon; i have often found myself working 
with fairly limited tools to construct a workflow, so it's very 
refreshing how highly evolved Lightroom and Aperture are as workflow 
tools; nonetheless one still has to think and be open to experimentation 
to develop an effective workflow


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Re: last call for August PUG - Speed

2010-08-07 Thread Ann Sanfedele

Scott Loveless wrote:


Submit photos here:  http://pdmlpug.org/?page_id=54

 


ok - I'll get one in this evening!

ann



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Re: Semi OT: Some fond memories

2010-08-07 Thread Walter Hamler
Why does that NOT surprise me  :-)

Walt

On Sat, Aug 7, 2010 at 11:13 AM, William Robb war...@gmail.com wrote:

 Shot my first porn with one of those.

 William Robb

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Re: Should the K10D switch batteries automatically? (and a GESO)

2010-08-07 Thread Derby Chang

William Robb wrote:


--
From: Derby Chang
Subject: Should the K10D switch batteries automatically? (and a GESO)


Had the K10D with grip, the venerable *istDS and mostly primes. On 
the K10D, I have the battery selection set to grip first. I seem to 
recall it should switch automatically to the body battery when it 
poops out. But I had to change the menu setting or swap batteries. A 
good battery works in both slots, and the level indication in the 
menu setting works seems to be telling the truth. No switching 
goodness though.


Depending on the settings.
I use grip first as well. On the k10/k20, when the first battery dies, 
you have to switch the camera off and back on to make it change to the 
alternate battery.
I found it annoying at first, but realized it's a good thing to know 
when battery one has failed and the camera has switched to battery two.
If you don't like this behaviour, set the camera to use the best 
battery, it will wear them both down relatively evenly and then when 
the camera dies, you change both batteries out.


William Robb



Thanks Bill, that makes sense. I do have a feeling I might have switched 
the camera off and on, but I should check it.


Derby

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Re: K7 sharpness question

2010-08-07 Thread Christine Aguila


- Original Message - 
From: paul stenquist pnstenqu...@comcast.net

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Saturday, August 07, 2010 1:34 PM
Subject: Re: K7 sharpness question




On Aug 7, 2010, at 1:12 PM, William Robb wrote:



--
From: paul stenquist
Subject: Re: K7 sharpness question



Perhaps stopping down a little bit would improve things?


Good point


Depends on what lens you're shooting with. The DA* 50-135 is sharpest 
at f4. I believe the 16-50 is as well.






Correct me if I'm wrong, but f/4 on both of those lenses is stopped 
down a bit?





You're right, but I believe she was shooting at f4.


I believe the 16-45/4 is an f/4 maximum aperture.
I could be mistaken.

I thought she was shooting with the 16-50, which of course is a 2.8 and is 
sharpest at f4. Mea culpa.

William Robb



Yep, I used the 16-45 f4.  Help very much appreciated guys!   Cheers, 
Christine 



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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Godfrey DiGiorgi
On Sat, Aug 7, 2010 at 1:33 PM, Tom C caka...@gmail.com wrote:

 What I find odd is that one would use an *automated* *image adjustment
 workflow* in a manner that is like taking ones images to a 3rd party
 processor and having all images processed using the same parameters. ...

a) Who said anything about an *automated image adjustment workflow*?
b) Where do you find this to be the case in the use of Lightroom?

You can apply the same adjustments to as many or as few image
simultaneously as you want.
You can apply any specifically different adjustments you want to any
individual image you want at any time you want.

In other words, with Lightroom, you can automate doing as much, or as
little, of the workflow as is sensible for what you are trying to
achieve.

You're speaking as someone who presumes quite a lot but knows quite
little about using Lightroom. I suggest you go to one of the several
free sites offering Lightroom tutorials and work your way through a
few of them so that you understand it better before you make
statements about how it works.

-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: K7 sharpness question

2010-08-07 Thread Christine Aguila


- Original Message - 
From: Jack Davis jdavi...@yahoo.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Saturday, August 07, 2010 7:12 AM
Subject: Re: K7 sharpness question


They look pretty good overall. Some are a tad flat and might benefit from 
your punching up the contrast.(?)

I've never tried sharpening totally within the camera.

Thanks, Jack.  I'll take another look at the contrast.  Much appreciated. 
Cheers, Christine 



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Re: Semi OT: Some fond memories

2010-08-07 Thread P. J. Alling

Cam you imagine what it was like?

On 8/7/2010 5:08 PM, Walter Hamler wrote:

Why does that NOT surprise me  :-)

Walt

On Sat, Aug 7, 2010 at 11:13 AM, William Robbwar...@gmail.com  wrote:
   

Shot my first porn with one of those.

William Robb
 
   



--
Here's something to think about: How come you never see a headline like 'Psychic 
Wins Lottery'?
 --Jay Leno


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Re: PESOs - Pink and Blue Suede

2010-08-07 Thread Christine Aguila


- Original Message - 
From: Bob W p...@web-options.com

To: 'Pentax-Discuss Mail List' pdml@pdml.net
Sent: Saturday, August 07, 2010 4:11 AM
Subject: RE: PESOs - Pink and Blue Suede



 My own blue suede shoes:
 http://www.flickr.com/photos/jb_sessoms/4867617684/

Nice!  I wish I had photos of my blue suede shoes.  Unfortunately, they
predated my interest in photography by several years, and I haven't seen
any family snapshots that managed to capture them.  It was the mid 1970s,
so they were two tone (robin's egg blue and navy blue) with 2
heels ... about a fourth the length of my hair at the time. :-)  I was

about

twelve then.


I used to wear blue suede desert boots in the mid-70s. God knows why.


When I was young, I had a pair of Converse blue suede gym shoes. They were 
beautiful to look at.  But, my natural foot perspiration caused the blue dye 
to stain my feet or socks--mostly feet, since I seldom wore socks with gym 
shoes in the summer.  Took a while for that blue dye to go away.  Cheers, 
Christine 



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OT: some progress

2010-08-07 Thread John Sessoms
I've spent the day in Bridge re-organizing my back catalog. I'm trying 
achieve a consistent naming scheme that identifies the camera and keeps 
all the files in the sequence they were taken - e.g. istD_n.xxx, 
K10D_.xxx ... five digits allows for when the shutter goes past 
. I preserve the original file name when I do a batch rename in Bridge.


IIRC, I got my K10D in late March 2007 and didn't notice the date was 
wrong (527 days 5 hours) until sometime in August. Even though I reset 
the date, I actually did not get it set completely correctly until October.


It makes me crazy because I organize in folders by date 
mmdd_location-job_name, and having the wrong date in the EXIF 
makes it very difficult to figure out what the date should be for the 
folder.


Finally figured out how to get Exiftool to work and what arguments to 
pass to it so the date would be adjusted correctly. Tested it out on 
copies in a different folder until I was sure the correction was getting 
the right date.


Now Date Created shows up correctly in Bridge Metadata, but the Date 
File Modified is still wrong, showing the original screwed up date. 
Eventually I'll get that one figured out too.


Just realized I have to 2005 and fix the ist-D files because I forgot to 
change the Time-Zone when I got home from Iraq and Iraq is about 11 
hours ahead. IIRC, I finally noticed that some time in 2006.


Made sure I checked and set all the dates/times today ... *istD was off 
by an hour (not set to daylight time) and K10D was 53 min fast - K20D 
was 1 min fast. All had the correct time zone.


I still need to go back and start key-wording my back catalog. I'm 
expecting to pick up Lightroom 3 this next semester. Would it be better 
to key-word with that or to continue in Bridge.


Will Lightroom update the sidecar files I've already created using 
Bridge, or does it keep it's own key-word list?


Or, looking at it from the other direction, will Bridge see the 
key-words that Lightroom adds?


Got out to shoot yesterday, and I'll probably get out again this evening.

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Re: another slight aside

2010-08-07 Thread Godfrey DiGiorgi
On Sat, Aug 7, 2010 at 1:29 PM, steve harley p...@paper-ape.com wrote:
 while it's not as fast, CS2 runs without problem on Intel Macs (my
 experience is up through Mac OS X 10.5); the Intel-native version is quicker
 and has new features, and is an obvious choice for commercial production
 use, but for basic work where speed isn't the crucial factor, i've found CS2
 to be completely adequate

 the PowerPC emulation in Mac OS X is surprisingly good; in fact i just did
 some basic editing on some 200 MB TIFFs (scans of plat maps) the other day
 and didn't really notice any lags (i have 8GB RAM, which helps); it sure
 beats the Quadra 950 with 128MB of RAM with which i used to do compositing
 for prepress

I'll extend your compliment to the PowerPC emulation engineers at
Apple. The three leads on that part of the system are buddies of mine
since 1991. :-)

I didn't say CS2 had problems running on the Apple-Intel box; I said
performance was *significantly* improved.

I just received a new Mac Mini with Core-Duo 2.66Ghz and 8G RAM,
running Mac OS X Snow Leopard. Since I need Rosetta installed anyway
for other applications, my first interest was to compare performance
between CS2 and CS4. And since my PowerMac G5 (10.5.6, 8G RAM, etc) is
still up and running with both applications installed, I tested it
there too.

test 1: I have a 250 step image manipulation script which stamps a
start and end time into the image for this testing. I threw the same
60 Megabyte TIFF image file at both CS2 and CS4, running the identical
script, three times each, on both machines. CS4 on the PowerPC system
runs the script approximately 10% faster on average than CS2. CS2 on
the Mac Mini runs the script approximately 5% faster than on the G5;
CS4 on the Mac Mini runs the script approximately 60% faster than on
the G5.

test 2: CS4+ACR 5.7 processes 100 native K10D PEF files in 30% of the
time that CS2+ACR 3.7 consumes on the Mac Mini. (I didn't run this
test on the G5.)

To me, performance improvements like that make the CS2 to CS4 upgrade
fee trivial when I consider how much time it will save. It also means
editing becomes FAR more responsive and fun. :-)

-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Tom C
As is often the case, you assume I know much less than I do, and
therefore interpret what I write as if I'm a total neophyte which is
not the case.  Maybe that's because you perceive yourself as superior?

You didn't tell me one thing there that I didn't already know. Nor did
I make a statement regarding how Lightroom works, in the post you just
responded to.

If you'd read everything I wrote you'd see I was talking about two
different kinds of workflow.

And of course, I don't know ALOT about using Lightroom as in my
opening post I stated I downloaded the trial version of LR3.

Go talk down to someone else.

Tom C.



On Sat, Aug 7, 2010 at 5:18 PM, Godfrey DiGiorgi gdigio...@gmail.com wrote:
 On Sat, Aug 7, 2010 at 1:33 PM, Tom C caka...@gmail.com wrote:

 What I find odd is that one would use an *automated* *image adjustment
 workflow* in a manner that is like taking ones images to a 3rd party
 processor and having all images processed using the same parameters. ...

 a) Who said anything about an *automated image adjustment workflow*?
 b) Where do you find this to be the case in the use of Lightroom?

 You can apply the same adjustments to as many or as few image
 simultaneously as you want.
 You can apply any specifically different adjustments you want to any
 individual image you want at any time you want.

 In other words, with Lightroom, you can automate doing as much, or as
 little, of the workflow as is sensible for what you are trying to
 achieve.

 You're speaking as someone who presumes quite a lot but knows quite
 little about using Lightroom. I suggest you go to one of the several
 free sites offering Lightroom tutorials and work your way through a
 few of them so that you understand it better before you make
 statements about how it works.

 --
 Godfrey
   godfreydigiorgi.posterous.com

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Re: last call for August PUG - Speed

2010-08-07 Thread Pete McIntosh

 On 8/08/2010 06:01, Scott Loveless wrote:

Submit photos here:  http://pdmlpug.org/?page_id=54


Phew - made it!

Regards,

Pete Mac in western Sydney

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NorCal PDML Dinner in San Francisco

2010-08-07 Thread gldnbearz
If any of the NorCal PDMLers want to join Larry, Igor, and myself for
dinner on Sunday, we will be meeting at the City College of San
Francisco  Wellness Center (Ocean Avenue at Howth St) at 6:20pm.  Then
we'll be heading off for dinner at Ninki Sushi at 1439 Taraval St
(x-street 24th Ave).

Pat

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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Godfrey DiGiorgi
As is so often the case, what you wrote evidently didn't match what
you meant to say. I'm sorry, I can't divine your intended meaning if
you don't know how to write comprehensible English.

I've been using Lightroom through all beta and release versions for
five years, have produced 6,000+ completed images for paid
assignments, personal projects and gallery exhibitions with it. I've
been teaching Lightroom and Photoshop in workshop classes and 1:1
consulting sessions for two years. I've documented and reported 165
bugs with LR since 2006, 138 of which have been verified by Adobe and
fixed in subsequent releases. I don't consider myself to be the
definitive expert in LR: I continue to learn new aspects of using it
as I work on new types of projects and produce more and more work with
it.

But I bet that I know a feck of a lot more about using it than you do,
Tom. You might consider spending some time to learn how it is supposed
to work and gaining skill in using it before pronouncing stupid
judgments and making statements that express your lack of
understanding.


On Sat, Aug 7, 2010 at 2:38 PM, Tom C caka...@gmail.com wrote:
 As is often the case, you assume I know much less than I do, and
 therefore interpret what I write as if I'm a total neophyte which is
 not the case.  Maybe that's because you perceive yourself as superior?

 You didn't tell me one thing there that I didn't already know. Nor did
 I make a statement regarding how Lightroom works, in the post you just
 responded to.

 If you'd read everything I wrote you'd see I was talking about two
 different kinds of workflow.

 And of course, I don't know ALOT about using Lightroom as in my
 opening post I stated I downloaded the trial version of LR3.

 Go talk down to someone else.

 Tom C.



 On Sat, Aug 7, 2010 at 5:18 PM, Godfrey DiGiorgi gdigio...@gmail.com wrote:
 On Sat, Aug 7, 2010 at 1:33 PM, Tom C caka...@gmail.com wrote:

 What I find odd is that one would use an *automated* *image adjustment
 workflow* in a manner that is like taking ones images to a 3rd party
 processor and having all images processed using the same parameters. ...

 a) Who said anything about an *automated image adjustment workflow*?
 b) Where do you find this to be the case in the use of Lightroom?

 You can apply the same adjustments to as many or as few image
 simultaneously as you want.
 You can apply any specifically different adjustments you want to any
 individual image you want at any time you want.

 In other words, with Lightroom, you can automate doing as much, or as
 little, of the workflow as is sensible for what you are trying to
 achieve.

 You're speaking as someone who presumes quite a lot but knows quite
 little about using Lightroom. I suggest you go to one of the several
 free sites offering Lightroom tutorials and work your way through a
 few of them so that you understand it better before you make
 statements about how it works.

 --
 Godfrey
   godfreydigiorgi.posterous.com

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 follow the directions.


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-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: OT: some progress

2010-08-07 Thread George Sinos
John -

One of the biggest advantages of converting to DNG is the elimination
of sidecar files.  Since Adobe understands the file layout, they can
embed the information directly in the DNG.

One less thing to keep track of.

This has been a typical internet answer to a question that wasn't
asked, all the while not answering the question you actually asked.

George Sinos

gsi...@gmail.com
www.georgesphotos.net



On Sat, Aug 7, 2010 at 4:28 PM, John Sessoms jsessoms...@nc.rr.com wrote:
 I've spent the day in Bridge re-organizing my back catalog. I'm trying
 achieve a consistent naming scheme that identifies the camera and keeps all
 the files in the sequence they were taken - e.g. istD_n.xxx,
 K10D_.xxx ... five digits allows for when the shutter goes past . I
 preserve the original file name when I do a batch rename in Bridge.

 IIRC, I got my K10D in late March 2007 and didn't notice the date was wrong
 (527 days 5 hours) until sometime in August. Even though I reset the date, I
 actually did not get it set completely correctly until October.

 It makes me crazy because I organize in folders by date
 mmdd_location-job_name, and having the wrong date in the EXIF makes it
 very difficult to figure out what the date should be for the folder.

 Finally figured out how to get Exiftool to work and what arguments to pass
 to it so the date would be adjusted correctly. Tested it out on copies in a
 different folder until I was sure the correction was getting the right date.

 Now Date Created shows up correctly in Bridge Metadata, but the Date File
 Modified is still wrong, showing the original screwed up date. Eventually
 I'll get that one figured out too.

 Just realized I have to 2005 and fix the ist-D files because I forgot to
 change the Time-Zone when I got home from Iraq and Iraq is about 11 hours
 ahead. IIRC, I finally noticed that some time in 2006.

 Made sure I checked and set all the dates/times today ... *istD was off by
 an hour (not set to daylight time) and K10D was 53 min fast - K20D was 1 min
 fast. All had the correct time zone.

 I still need to go back and start key-wording my back catalog. I'm expecting
 to pick up Lightroom 3 this next semester. Would it be better to key-word
 with that or to continue in Bridge.

 Will Lightroom update the sidecar files I've already created using Bridge,
 or does it keep it's own key-word list?

 Or, looking at it from the other direction, will Bridge see the key-words
 that Lightroom adds?

 Got out to shoot yesterday, and I'll probably get out again this evening.

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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Tom C
You still didn't get it.

On Sat, Aug 7, 2010 at 6:05 PM, Godfrey DiGiorgi gdigio...@gmail.com wrote:
 As is so often the case, what you wrote evidently didn't match what
 you meant to say. I'm sorry, I can't divine your intended meaning if
 you don't know how to write comprehensible English.

 I've been using Lightroom through all beta and release versions for
 five years, have produced 6,000+ completed images for paid
 assignments, personal projects and gallery exhibitions with it. I've
 been teaching Lightroom and Photoshop in workshop classes and 1:1
 consulting sessions for two years. I've documented and reported 165
 bugs with LR since 2006, 138 of which have been verified by Adobe and
 fixed in subsequent releases. I don't consider myself to be the
 definitive expert in LR: I continue to learn new aspects of using it
 as I work on new types of projects and produce more and more work with
 it.

 But I bet that I know a feck of a lot more about using it than you do,
 Tom. You might consider spending some time to learn how it is supposed
 to work and gaining skill in using it before pronouncing stupid
 judgments and making statements that express your lack of
 understanding.


 On Sat, Aug 7, 2010 at 2:38 PM, Tom C caka...@gmail.com wrote:
 As is often the case, you assume I know much less than I do, and
 therefore interpret what I write as if I'm a total neophyte which is
 not the case.  Maybe that's because you perceive yourself as superior?

 You didn't tell me one thing there that I didn't already know. Nor did
 I make a statement regarding how Lightroom works, in the post you just
 responded to.

 If you'd read everything I wrote you'd see I was talking about two
 different kinds of workflow.

 And of course, I don't know ALOT about using Lightroom as in my
 opening post I stated I downloaded the trial version of LR3.

 Go talk down to someone else.

 Tom C.



 On Sat, Aug 7, 2010 at 5:18 PM, Godfrey DiGiorgi gdigio...@gmail.com wrote:
 On Sat, Aug 7, 2010 at 1:33 PM, Tom C caka...@gmail.com wrote:

 What I find odd is that one would use an *automated* *image adjustment
 workflow* in a manner that is like taking ones images to a 3rd party
 processor and having all images processed using the same parameters. ...

 a) Who said anything about an *automated image adjustment workflow*?
 b) Where do you find this to be the case in the use of Lightroom?

 You can apply the same adjustments to as many or as few image
 simultaneously as you want.
 You can apply any specifically different adjustments you want to any
 individual image you want at any time you want.

 In other words, with Lightroom, you can automate doing as much, or as
 little, of the workflow as is sensible for what you are trying to
 achieve.

 You're speaking as someone who presumes quite a lot but knows quite
 little about using Lightroom. I suggest you go to one of the several
 free sites offering Lightroom tutorials and work your way through a
 few of them so that you understand it better before you make
 statements about how it works.

 --
 Godfrey
   godfreydigiorgi.posterous.com

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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Godfrey DiGiorgi
Ah, you want to be a clown. I get it.


On Sat, Aug 7, 2010 at 3:10 PM, Tom C caka...@gmail.com wrote:
 You still didn't get it.

 On Sat, Aug 7, 2010 at 6:05 PM, Godfrey DiGiorgi gdigio...@gmail.com wrote:
 As is so often the case, what you wrote evidently didn't match what
 you meant to say. I'm sorry, I can't divine your intended meaning if
 you don't know how to write comprehensible English.

 I've been using Lightroom through all beta and release versions for
 five years, have produced 6,000+ completed images for paid
 assignments, personal projects and gallery exhibitions with it. I've
 been teaching Lightroom and Photoshop in workshop classes and 1:1
 consulting sessions for two years. I've documented and reported 165
 bugs with LR since 2006, 138 of which have been verified by Adobe and
 fixed in subsequent releases. I don't consider myself to be the
 definitive expert in LR: I continue to learn new aspects of using it
 as I work on new types of projects and produce more and more work with
 it.

 But I bet that I know a feck of a lot more about using it than you do,
 Tom. You might consider spending some time to learn how it is supposed
 to work and gaining skill in using it before pronouncing stupid
 judgments and making statements that express your lack of
 understanding.


 On Sat, Aug 7, 2010 at 2:38 PM, Tom C caka...@gmail.com wrote:
 As is often the case, you assume I know much less than I do, and
 therefore interpret what I write as if I'm a total neophyte which is
 not the case.  Maybe that's because you perceive yourself as superior?

 You didn't tell me one thing there that I didn't already know. Nor did
 I make a statement regarding how Lightroom works, in the post you just
 responded to.

 If you'd read everything I wrote you'd see I was talking about two
 different kinds of workflow.

 And of course, I don't know ALOT about using Lightroom as in my
 opening post I stated I downloaded the trial version of LR3.

 Go talk down to someone else.

 Tom C.



 On Sat, Aug 7, 2010 at 5:18 PM, Godfrey DiGiorgi gdigio...@gmail.com 
 wrote:
 On Sat, Aug 7, 2010 at 1:33 PM, Tom C caka...@gmail.com wrote:

 What I find odd is that one would use an *automated* *image adjustment
 workflow* in a manner that is like taking ones images to a 3rd party
 processor and having all images processed using the same parameters. ...

 a) Who said anything about an *automated image adjustment workflow*?
 b) Where do you find this to be the case in the use of Lightroom?

 You can apply the same adjustments to as many or as few image
 simultaneously as you want.
 You can apply any specifically different adjustments you want to any
 individual image you want at any time you want.

 In other words, with Lightroom, you can automate doing as much, or as
 little, of the workflow as is sensible for what you are trying to
 achieve.

 You're speaking as someone who presumes quite a lot but knows quite
 little about using Lightroom. I suggest you go to one of the several
 free sites offering Lightroom tutorials and work your way through a
 few of them so that you understand it better before you make
 statements about how it works.

 --
 Godfrey
   godfreydigiorgi.posterous.com

 --
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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Tom C
And you want to be an ***.


On Sat, Aug 7, 2010 at 6:10 PM, Tom C caka...@gmail.com wrote:
 You still didn't get it.

 On Sat, Aug 7, 2010 at 6:05 PM, Godfrey DiGiorgi gdigio...@gmail.com wrote:
 As is so often the case, what you wrote evidently didn't match what
 you meant to say. I'm sorry, I can't divine your intended meaning if
 you don't know how to write comprehensible English.

 I've been using Lightroom through all beta and release versions for
 five years, have produced 6,000+ completed images for paid
 assignments, personal projects and gallery exhibitions with it. I've
 been teaching Lightroom and Photoshop in workshop classes and 1:1
 consulting sessions for two years. I've documented and reported 165
 bugs with LR since 2006, 138 of which have been verified by Adobe and
 fixed in subsequent releases. I don't consider myself to be the
 definitive expert in LR: I continue to learn new aspects of using it
 as I work on new types of projects and produce more and more work with
 it.

 But I bet that I know a feck of a lot more about using it than you do,
 Tom. You might consider spending some time to learn how it is supposed
 to work and gaining skill in using it before pronouncing stupid
 judgments and making statements that express your lack of
 understanding.


 On Sat, Aug 7, 2010 at 2:38 PM, Tom C caka...@gmail.com wrote:
 As is often the case, you assume I know much less than I do, and
 therefore interpret what I write as if I'm a total neophyte which is
 not the case.  Maybe that's because you perceive yourself as superior?

 You didn't tell me one thing there that I didn't already know. Nor did
 I make a statement regarding how Lightroom works, in the post you just
 responded to.

 If you'd read everything I wrote you'd see I was talking about two
 different kinds of workflow.

 And of course, I don't know ALOT about using Lightroom as in my
 opening post I stated I downloaded the trial version of LR3.

 Go talk down to someone else.

 Tom C.



 On Sat, Aug 7, 2010 at 5:18 PM, Godfrey DiGiorgi gdigio...@gmail.com 
 wrote:
 On Sat, Aug 7, 2010 at 1:33 PM, Tom C caka...@gmail.com wrote:

 What I find odd is that one would use an *automated* *image adjustment
 workflow* in a manner that is like taking ones images to a 3rd party
 processor and having all images processed using the same parameters. ...

 a) Who said anything about an *automated image adjustment workflow*?
 b) Where do you find this to be the case in the use of Lightroom?

 You can apply the same adjustments to as many or as few image
 simultaneously as you want.
 You can apply any specifically different adjustments you want to any
 individual image you want at any time you want.

 In other words, with Lightroom, you can automate doing as much, or as
 little, of the workflow as is sensible for what you are trying to
 achieve.

 You're speaking as someone who presumes quite a lot but knows quite
 little about using Lightroom. I suggest you go to one of the several
 free sites offering Lightroom tutorials and work your way through a
 few of them so that you understand it better before you make
 statements about how it works.

 --
 Godfrey
   godfreydigiorgi.posterous.com

 --
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 PDML@pdml.net
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   godfreydigiorgi.posterous.com

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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread steve harley

On 2010-08-07 14:33 , Tom C wrote:

I don't find it odd at all.  Of course, I asked it.

What I find odd is that one would use an *automated* *image adjustment
workflow* in a manner that is like taking ones images to a 3rd party
processor and having all images processed using the same parameters.
One might get consistently mediocre or even decent results, but likely
not optimal, unless each image in the batch being processed was very
similar, and the adjustments were tuned to that batch or standard set
of shooting conditions.


i'm reading this carefully and trying to understand how it is relevant; 
i suppose a naive user of Lightroom might create one preset and push 
every last image through it with mediocre or garish results; like 
hammering screws; one coudl do that, but that's not at all what 
Lightroom is designed for -- might as well use a Photoshop action 
instead -- so i'm not sure whom it is you think would do what you find odd



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Re: another slight aside

2010-08-07 Thread steve harley

On 2010-08-07 15:36 , Godfrey DiGiorgi wrote:

I didn't say CS2 had problems running on the Apple-Intel box; I said
performance was *significantly* improved.


indeed it is improved; i simply wanted to reassure Cotty that the 
performance for many purposes is good enough and that CS2 is otherwise 
quite workable



To me, performance improvements like that make the CS2 to CS4 upgrade
fee trivial when I consider how much time it will save. It also means
editing becomes FAR more responsive and fun. :-)


it's a significant but not enormous difference, and it is quite seldom 
that i sit and wait for Photoshop CS2 anyway; so i think for many people 
the fee is non-trivial (and note that CS, and for obscure reasons my 
version of CS2, don't get an upgrade price)


otoh, if i were in production, it would be a no-brainer to buy the 
latest; of course in a production situation i'd probably also buy a Mac 
Pro, lots of RAM and fast drives ...



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Re: another slight aside

2010-08-07 Thread Cotty
On 7/8/10, Godfrey DiGiorgi, discombobulated, unleashed:

Cotty, are you still running Apple-PowerPC systems or are you on
Apple-Intel systems now? If you're on Apple-Intel systems, you really
want to move to Photohop CS3 at least for performance reasons. CS/CS2
are PowerPC executables, running in emulation on the current
generation of Apple hardware. CS3 is the first native-code version of
Photoshop for Apple-Intel systems: the performance improvement is
substantial.

Intel.

Interesting! I will consider the upgrade. I'm still getting over the
shock of having to buy Final Cut Studio and that was nearly three years ago!!!

--


Cheers,
  Cotty


___/\__
||   (O)  | People, Places, Pastiche
--  http://www.cottysnaps.com
_



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Re: another slight aside

2010-08-07 Thread Cotty
On 7/8/10, steve harley, discombobulated, unleashed:

indeed it is improved; i simply wanted to reassure Cotty that the
performance for many purposes is good enough and that CS2 is otherwise
quite workable

Hey, you wanna try rendering some complicated stuff in Final Cut on a
2.4 15 MBP - compared to that, CS is a breeze!

--


Cheers,
  Cotty


___/\__
||   (O)  | People, Places, Pastiche
--  http://www.cottysnaps.com
_



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Re: Pentax to Release Mirrorless Camera? The Answer Might Be YES

2010-08-07 Thread Cotty
On 6/8/10, Michael Beacom, discombobulated, unleashed:

Finally- a Pentax Rangefinder!
Except it's a fantasy that 8 or maybe 10 people share.

11.

--


Cheers,
  Cotty


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--  http://www.cottysnaps.com
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Re: another slight aside

2010-08-07 Thread Godfrey DiGiorgi
On Sat, Aug 7, 2010 at 3:37 PM, steve harley p...@paper-ape.com wrote:
 To me, performance improvements like that make the CS2 to CS4 upgrade
 fee trivial when I consider how much time it will save. It also means
 editing becomes FAR more responsive and fun. :-)

 it's a significant but not enormous difference,

Well, enormous is a judgment call. I only go into Photoshop these
day to do complex things that can't be done in Lightroom, so when I go
in there it needs be to do some serious heavy lifting. Doing lens
corrections, blending, compositing, stitching, etc are MUCH MUCH
faster in CS4 on the Mac Mini than in CS2. (Lightroom is also quite a
lot faster too, and when I get back from a trip like I did this week
with 800+ exposures that I want to work with, it cuts the
preview-build time from import to 'ready to work' substantially.)
-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Godfrey DiGiorgi
Being called an *** by a clown reflects on the clown more than the ***.

On Sat, Aug 7, 2010 at 3:22 PM, Tom C caka...@gmail.com wrote:
 And you want to be an ***.


 On Sat, Aug 7, 2010 at 6:10 PM, Tom C caka...@gmail.com wrote:
 You still didn't get it.

 On Sat, Aug 7, 2010 at 6:05 PM, Godfrey DiGiorgi gdigio...@gmail.com wrote:
 As is so often the case, what you wrote evidently didn't match what
 you meant to say. I'm sorry, I can't divine your intended meaning if
 you don't know how to write comprehensible English.

 I've been using Lightroom through all beta and release versions for
 five years, have produced 6,000+ completed images for paid
 assignments, personal projects and gallery exhibitions with it. I've
 been teaching Lightroom and Photoshop in workshop classes and 1:1
 consulting sessions for two years. I've documented and reported 165
 bugs with LR since 2006, 138 of which have been verified by Adobe and
 fixed in subsequent releases. I don't consider myself to be the
 definitive expert in LR: I continue to learn new aspects of using it
 as I work on new types of projects and produce more and more work with
 it.

 But I bet that I know a feck of a lot more about using it than you do,
 Tom. You might consider spending some time to learn how it is supposed
 to work and gaining skill in using it before pronouncing stupid
 judgments and making statements that express your lack of
 understanding.


 On Sat, Aug 7, 2010 at 2:38 PM, Tom C caka...@gmail.com wrote:
 As is often the case, you assume I know much less than I do, and
 therefore interpret what I write as if I'm a total neophyte which is
 not the case.  Maybe that's because you perceive yourself as superior?

 You didn't tell me one thing there that I didn't already know. Nor did
 I make a statement regarding how Lightroom works, in the post you just
 responded to.

 If you'd read everything I wrote you'd see I was talking about two
 different kinds of workflow.

 And of course, I don't know ALOT about using Lightroom as in my
 opening post I stated I downloaded the trial version of LR3.

 Go talk down to someone else.

 Tom C.



 On Sat, Aug 7, 2010 at 5:18 PM, Godfrey DiGiorgi gdigio...@gmail.com 
 wrote:
 On Sat, Aug 7, 2010 at 1:33 PM, Tom C caka...@gmail.com wrote:

 What I find odd is that one would use an *automated* *image adjustment
 workflow* in a manner that is like taking ones images to a 3rd party
 processor and having all images processed using the same parameters. ...

 a) Who said anything about an *automated image adjustment workflow*?
 b) Where do you find this to be the case in the use of Lightroom?

 You can apply the same adjustments to as many or as few image
 simultaneously as you want.
 You can apply any specifically different adjustments you want to any
 individual image you want at any time you want.

 In other words, with Lightroom, you can automate doing as much, or as
 little, of the workflow as is sensible for what you are trying to
 achieve.

 You're speaking as someone who presumes quite a lot but knows quite
 little about using Lightroom. I suggest you go to one of the several
 free sites offering Lightroom tutorials and work your way through a
 few of them so that you understand it better before you make
 statements about how it works.

 --
 Godfrey
   godfreydigiorgi.posterous.com

 --
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Re: Should the K10D switch batteries automatically? (and a GESO)

2010-08-07 Thread Cotty
On 7/8/10, Derby Chang, discombobulated, unleashed:

Anyway, here's a rough gallery. Still culling

http://members.iinet.net.au/~derbyc/10/10_08/10_08_acpprc/index.htm

Well done Derbs, and you *still* manage to get a few pretty girl shots!

--


Cheers,
  Cotty


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--  http://www.cottysnaps.com
_



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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Joseph McAllister

Tom!

I just spent some of my valuable time left in my life reading every  
one of these posts about P.S., Lightroom, Aperture. I'm not sure why.


But I will say that it appears to me that you are the one not getting  
it.  You asked the question. These others are trying to help you  
understand how the two LR/Aperture programs work in making life easier  
for photographers. You are impeding their attempts.


Remove the term workflow from all the previous posts. To me it does  
seem to impose some limitation to getting the job done.


First off, you forgot and left your K-7's white balance set on  
cloudy from the shoot the day before. Damn. So you find the  
appropriate sheet of Blue Wratten filter to lay out on the light table  
to correct the white balance for the sunny day that it was. (batch WB  
correction before examining the slides)


Lay DUPLICATES of all your slides from a day's shoot out on them. Use  
a Sharpie marker to mark each one that is exposed correctly and has  
the subject sharp and within the frame with a dot. Take the others and  
throw them away, or store in a bad shots bin for later interpretive  
manipulation. Now go through the ones on the light table again and put  
a second dot on the slides that are the best of each particular subject.


Take all those two dot slides and look at them very carefully, maybe  
project them, maybe just use a loupe. Choose the best of those, the  
very best, and make minor corrections in WB, color matching with more  
Wratten Filters, and put a third dot on them. Take that batch and show  
them to the client. Put a fourth dot on the ones the client chooses as  
the ones he thinks would meet the criteria of the project he has you  
working on. Set all the Two and Three dot slides aside.


Now, Tom, you ARE that client and can now communicate to the lab who  
will be making the finished prints (also you) what changes you want  
made by dodging or burning, retouching, cropping, horizon  
straightening, lens distortion repair, etc. on each and every final  
image. Then you must annotate each image with key words, dates, etc.  
on a mini-label for easy retrieval later before  you place it  
carefully alongside the original slide in the appropriate filing  
cabinet, after making yet another dupe to be sent to archival storage  
in an abandoned bomb shelter. Up to this point, LR/Aperture would do  
the job for you, rapidly.


Now you must send the final print on to the graphics dept. for titling  
and anything else that is needed for finished copy. This final step is  
for Photoshop.


Maybe now you will have gotten it.

On Aug 7, 2010, at 15:31 , steve harley wrote:


On 2010-08-07 14:33 , Tom C wrote:

I don't find it odd at all.  Of course, I asked it.

What I find odd is that one would use an *automated* *image  
adjustment

workflow* in a manner that is like taking ones images to a 3rd party
processor and having all images processed using the same parameters.
One might get consistently mediocre or even decent results, but  
likely

not optimal, unless each image in the batch being processed was very
similar, and the adjustments were tuned to that batch or standard set
of shooting conditions.


i'm reading this carefully and trying to understand how it is  
relevant; i suppose a naive user of Lightroom might create one  
preset and push every last image through it with mediocre or garish  
results; like hammering screws; one coudl do that, but that's not at  
all what Lightroom is designed for -- might as well use a Photoshop  
action instead -- so i'm not sure whom it is you think would do what  
you find odd


Joseph McAllister
pentax...@mac.com

http://gallery.me.com/jomac








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Re: Wolfe's angel without the sign

2010-08-07 Thread Cotty
On 7/8/10, Bob W, discombobulated, unleashed:

prostitutes are cheaper, and there are more of them around.

Especially where you live.

--


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  Cotty


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Re: Adobe CS5 vs. Lightroom 3

2010-08-07 Thread Cotty
On 7/8/10, Godfrey DiGiorgi, discombobulated, unleashed:

Being called an *** by a clown reflects on the clown more than the
***.

You guys should count your blessings. I am regularly called a * ***
*** * ** .

--


Cheers,
  Cotty


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Re: Should the K10D switch batteries automatically? (and a GESO)

2010-08-07 Thread Joseph McAllister


On Aug 7, 2010, at 16:17 , Cotty wrote:


On 7/8/10, Derby Chang, discombobulated, unleashed:


Anyway, here's a rough gallery. Still culling

http://members.iinet.net.au/~derbyc/10/10_08/10_08_acpprc/index.htm


Well done Derbs, and you *still* manage to get a few pretty girl  
shots!



To each their own, Cotty!  :-)

http://members.iinet.net.au/~derbyc/10/10_08/10_08_acpprc/08.htm


Joseph McAllister
pentax...@mac.com

“ The early bird gets the worm, but the second mouse gets the cheese.”
— Kevan Olesen


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