Got it !!! Thank you so much Arthur Ness !!!
Best wishes to all,
Jean-Marie
Le 13/06/2020 à 13:13, Jean-Marie Poirier a écrit :
I would be very grateful if a good soul among you all could send me
(private mail of course) a pdf copy of :
Philip Van Wilder, "Si vous voulez", chanson à 5.
--=_NextPart_001_0021_01D5D2E0.E8EF45C0
Content-Type: text/plain; charset="utf-8"
Content-Transfer-Encoding: quoted-printable
Dear Nicolau,
Please find attached a PDF copy of Gallot's original manuscript print PLUS a
copy of Gallot's instructions how to play his compositions, including
The T sign under a chord indicates that one should play the lowest notes with
the thumb. The upside down v sign before a note indicates an appoggiatura from
below; the upside down v sign after a note indicates a 'pincé' or mordent, as
does a v sign after or before a note .
Best,
Matthew
On
Dear Edward,
I refer specifically to a kind of letter "t" that appears under a
vertical chord of Am A (5) -E (4) -C · (3), and also to a kind of
accent sign that sometimes indicates above and times down ...
The piece is a Chaconne, La Montespan.
Thanks for your kindness.
Hi David,
I think this is more a question of social and historical context than of
translation. The CNRS edition of the works of Mouton gives possible
explanations for a number of the subtitles of the pieces, inspired by his
encounters in the Parisian salons. I can scan the relevant pages and
If only the 4th course is causing a problem then I would certainly
suspect the distance between the two strings as 3.7 is very close (4.5
would be a safer option). You could have new holes drilled by a luthier.
Obviously the thickness of the strings and tensions are other factors to
take into
Great! Thanks for your quick answer.
Regards
El 3 ene. 2017 10:14 a. m., "Matthew Daillie"
<[1]dail...@club-internet.fr> escribió:
The liner notes of Paul O'Dette's CD specify that it is the Portrait
of a Young Man with a Lute which is in the Wallace collection in
The liner notes of Paul O'Dette's CD specify that it is the Portrait of a Young
Man with a Lute which is in the Wallace collection in London:
http://www.artuk.org/discover/artworks/portrait-of-a-young-man-with-a-lute-209577#
Best,
Matthew
> On Jan 3, 2017, at 2:06, David Morales
Ronn McFarlane has Canaries from Straloch in his Mel Bay edition The
Scottish Lute page 12 and 13. In addition to this edition he has
another called The Highland King - both available on the Mel Bay web
site. John Robinson has also tab for a lot of Canaries in one of the
On 2015-11-27 1:42 PM, Nancy Carlin wrote:
Ronn McFarlane has Canaries from Straloch in his Mel Bay edition The
Scottish Lute page 12 and 13. In addition to this edition he has
another called The Highland King - both available on the Mel Bay web
site.
The tab for the first
Mel Wong will be installing these pegs in my 1968 Rubio as part of the
restoration. He has used them in the past and reports excellent
results. They are also relatively inexpensive. I am looking forward to
the experience.
A. John Mardinly, Ph.D., P.E.
Principal Materials
Tom
First a return question: what is you string material, brand, diameters
('numbers' for some brands)/tenison and last but certainly not least,
age? All these factors play a role. If strings are old, replace and
you'll feel better. If strings are gut, you might have a tough time
Sent from Yahoo! Mail on Android
__
From: William Samson willsam...@yahoo.co.uk;
To: Tom tgw...@gmail.com;
Subject: Re: [LUTE] help on tuning
Sent: Thu, Oct 10, 2013 6:53:37 AM
It sounds like your octaves
Hi Tom
Sounds like it could be a problem with the grooves in the nut. If the
octave string is set too high relative to the fundamental, it will need
that much extra tension to be pressed down onto the fret, with the
obvious tuning discrepancy that you describe. It is complicated
Thanks for the suggestions. Here is the info David asked me to include:
The strings are about a week old
NNG52 - 8 course lute 5th octave c'
NNG100 - 8 course lute 5th c
NNG68 - 8 course lute 6th octave g
KFG121 - 8 course lute 6th G
NNG76 - 8 course lute 7th octave f
David,
I forgot to mention the lute is 63 cm. Thanks for your suggestions. I
have had Chris at [1]catlines.com help calculate the tensions, but as
I've only had a lute for 3 months, the tension is a bit of a mystery at
this time.
--
Sincerely,
Tom
--
References
1.
Thank you so much Ken ! I do appreciate your kind and fast gesture.
Hope I can help you back some time !
All the best,
Jean-Marie Poirier
=
== En réponse au message du 16-03-2012, 22:04:58 ==
I've attached the article for you.
Ken Brodkey
On 3/16/2012 1:53
Martin,
I can help. as I have both of those editions. It seems from your
request that you need just the voice and tablature parts. I shall
scan and send in a few minutes.
ed
At 05:23 PM 3/12/2012, Martin Eastwell wrote:
Hi!
Years ago, my copy of the London Pro Musica edition of Verdelot
Al--
I can't help with a teacher recommendation, but based on my own
experience (10 yr hiatus), I would encourage you to at least get started
working from what you already know. It will come back!
Regards,
Leonard Williams
/[ ]
/ \
| * |
\_=_/
Hello Julia and all,
You can find on Oscar Chilesotti's Book.
Spagnoletta is introduced as Nr.64 (Titolo indecifrabile) on the book Da
un Codice Lauten-Buch del Cinquecento.
These books are introduced on my blog.
http://kakitoshilute.blogspot.com/2011/04/oscar-chilesotti.html
Try one of these:
http://www.sca.org.au/del/ddb/music/caroso_spagnoletta_transcribed.pdf
http://sca.uwaterloo.ca/~praetzel/phaedria/SPAGNOLE.pdf
On Apr 24, 2011, at 11:52 AM, Julia Seager-Scott wrote:
Hello all,
I am a triple-harp player looking for the original source of Respighi's
Hi Julia,
Respighi based ancient Airs and Danses on Oscar Chilesotti's Da un Codice
del Cinquecento for guitar which is republished by Editions Orphee.
The Spagnoletta should be in there.
Check out http://www.editionsorphee.com/lute/codice.html
Hope this helps.
Cheers,
Lex
Op 24 apr 2011, om
This can be found in Caroso's dance treatise 1600. There is a modern
transcription by Julia Sutton, I think.
On Apr 25, 2011, at 3:52 AM, Julia Seager-Scott wrote:
Hello all,
I am a triple-harp player looking for the original source of
Respighi's
Siciliana from Ancient
Thank you Howard, Lex and Ed for your help and very quick responses!
What a wonderful resource to have stumbled upon!
Take care,
Julia
On 24-Apr-11, at 8:41 PM, Ed Durbrow wrote:
This can be found in Caroso's dance treatise 1600. There is a modern
transcription by Julia Sutton, I think.
sent to your email..
Andrew
On 31/03/2011, at 7:02 AM, Jean-Marie Poirier wrote:
Dear all,
Would anyone affiliated with JSTOR be kind enough to forward the following
article : http://www.jstor.org/pss/20532372 (Some Liturgical Motets for the
French Royal Court: A Reconsideration of
I agree with Howard. I remember meeting Robert Meadow in the mid-70's,
and he seemed fairly committed to historical construction, so barring a
special order, I would doubt that's one of his.
howard posner howardpos...@ca.rr.com 5/11/2010 11:41 PM
On May 11, 2010, at 7:47 PM,
I received a very thorough reply from Steve Ramey, which I've included
below. I hope it is okay for me to repost his email so that the list
may see it? He replied to my email only. This is my first mailing
list subscription and I am not sure on protocol.
I thought I would
__
From: Samuel Jacques dei...@yahoo.com
To: lute@cs.dartmouth.edu
Sent: Wed, May 12, 2010 8:26:09 AM
Subject: [LUTE] Re: Help identifying 40 year old lute!
I received a very thorough reply from Steve Ramey, which I've
included
below. I hope it is okay for me to repost his
:
From: Steve Ramey stevera...@sbcglobal.net
Subject: [LUTE] Re: Help identifying 40 year old lute!
To: lute@cs.dartmouth.edu
Date: Wednesday, May 12, 2010, 12:43 PM
No, I don't mind that you've reposted my reply. I sent it off-list
due
to its length and the fact I'd
Subject: [LUTE] Re: Help identifying 40 year old lute!
To: lute@cs.dartmouth.edu
Date: Wednesday, May 12, 2010, 12:43 PM
No, I don't mind that you've reposted my reply. I sent it off-list
due
to its length and the fact I'd included several photos, which won't
post
From: Samuel Jacques dei...@yahoo.com
though. here are the pictures:
http://s778.photobucket.com/albums/yy65/deides/lute/
and the description (sorry for the size):
* Vintage 8 Course Renaissance Lute w/ original case and wooden peg
tuner * 640 mm scale * The action at the 8th fret
Could the initials be RM? Robert Meadow? he was building 30 years ago.
ed
At 07:28 PM 5/11/2010, Samuel Jacques wrote:
Hello! I have to admit I am new to the list, and to lute playing in
general. I started off by practicing on a cheap paki flat back lute
(300$) just to see if I
Dear Samuel,
Though I cannot be definitive, years ago I purchased on ebay a 13 cs baroque
lute having similar features and price which was made by a highly skilled
Englishman or Irishman named A.(Anthony) Murphy. It had unique not entirely
historical features including a laterally doubled
on the instrument, no?
again, thank you for the thoughful reply.
--- On Tue, 5/11/10, gonzornumpl...@roadrunner.com
gonzornumpl...@roadrunner.com wrote:
From: gonzornumpl...@roadrunner.com gonzornumpl...@roadrunner.com
Subject: [LUTE] Re: Help identifying 40 year old lute!
To: lute
ago. I was hoping to see pictures of lutes made by them to
compare.
--- On Tue, 5/11/10, gonzornumpl...@roadrunner.com
gonzornumpl...@roadrunner.com wrote:
From: gonzornumpl...@roadrunner.com gonzornumpl...@roadrunner.com
Subject: [LUTE] Re: Help identifying 40 year old lute
On May 11, 2010, at 7:47 PM, Samuel Jacques wrote:
Does anyone know where I can find pictures of lutes made by either
Robert Meadows or Anthony Murphy?
I don't think Meadow made heavy lutes with metal frets.
To get on or off this list see list information at
Thanks Val!
The piece of this poem (see below) is now in
http://www.youtube.com/watch?v=w-kXRdzDrBs
and also
http://www.vimeo.com/9646790
And the translation provided by you by the help of google is also there. My
google wasn't so clever...;-)
Thanks!
Arto
On Thu, 18 Feb 2010 08:44:31
Thanks Val and Dennis!
Now I know, what should be the mood in that piece! :-)
Arto
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
The french text is a poem :
A que je sens de penchant à me rendre
Si mon Berger savait par où me prendre
Hélas ! comment pourrais-je me défendre
Contre un amant si fidèle et si tendre
Google translation give
Ah, I feel inclined to surrender
If my Shepherd knew where to take me
Alas! how could
Arto Wikla écrit:
I would like to find out, what certain 4 lines of French text say. The
handwriting is not very clear, not to speak of the meaning... ;-)
The text is in ms. Saizenay 279.153, page 3 at the end of Sarabande La
Mignone, and here is the link:
Hi, all,
I agree, a great link to the Capirola translation.
Just a note -- the LH thumb technique mentioned has only recently been
universally frowned on in the classical guitar world, and primarily
since the Segovia revolution (I know -- here he goes again!). For one
I've always played this Capirola passage with my thumb stopping the Bb on
course 6. Also some passages in Newsidler and Francesco da Milano.
As Stephen says, it is a question of having the right 6 course, as this
technique is only possible on a narrow neck. Most modern makers who produce
copies
I play the B flat chord striking the D only on the octave string of
the 5th course, or I play it as writ on a smaller lute
dt
At 06:24 PM 1/20/2010, you wrote:
I've been working on Capirola's Baleto da balar bello. The middle section
has some simple looking but tricky chord shifts which I've
Leonard Williams wrote:
I've been working on Capirola's Baleto da balar bello. The middle section
has some simple looking but tricky chord shifts which I've been trying in
various ways to make a smooth transition. Any recommendations? The section
is below in ascii tab (use a monospace font).
Hi Dan and All,
I think Dan's fingering is good, and it follows a good principle - the
further you have to reach, the longer the finger you use. We have
mostly been taught to play two notes on the same fret by turning the
hand to use the first finger for the note nearest the bass and the
OK--I've had a chance to try out Dan's solution (YMMV--I happen to be a
little inept). Works a lot better than the barring I was attempting. The
second and third occurrences present a different shift to the d6f3d2.
Middle finger on the previous d3 moves to d6, while index slides from c2 to
d2?
This is the fingering I sent to Leonard. Any thoughts, improvements? Is
it clear?
__
In the 4th measure, 2nd beat, prepare by fingering the c-a with the
index finger, then the d-f with either index sliding up to d or
Hi Mike,
my old and very basic version is in page
http://www.cs.helsinki.fi/u/wikla/mus/PastimeMin.jpg
Perhaps you can start developing your version from that?
Arto
On Thu, 15 Oct 2009 15:39:55 +, Mike Madden
mikemadden200...@hotmail.com wrote:
Dear fellow enthusiasts
I realise
From: wi...@cs.helsinki.fi
Subject: [BAROQUE-LUTE] Re: Help with Tudor Lute Music
Hi Mike,
my old and very basic version is in page
http://www.cs.helsinki.fi/u/wikla/mus/PastimeMin.jpg
Perhaps you can start developing your version from that?
Arto
] Re: Help with Tudor Lute Music
Hi Mike,
my old and very basic version is in page
http://www.cs.helsinki.fi/u/wikla/mus/PastimeMin.jpg
Perhaps you can start developing your version from that?
Arto
On Thu, 15 Oct 2009 15:39:55 +, Mike Madden
mikemadden200...@hotmail.com
Hi all,
thanks again to Andreas and others for clearing the name of a piece:
ou este Vous allé = J.-B.Lully, Trios de la Chambre: LWV 35/11 SMT I, p.84
Now I've made a (modest) version of that piece (see the tab in
http://www.cs.helsinki.fi/u/wikla/mus/Tiorba/Res1106/OuEsteF36.pdf)
to the
ou este Vous allé = J.-B.Lully, Trios de la Chambre: LWV 35/11
SMT I, p.84
Andreas
Am 03.06.2009 um 09:43 schrieb Arto Wikla:
Dear Collective Wisdom,
I try to interprete a handwritten name of a piece in ms. Rés-1106,
but I cannot be sure, how it really reads. To me it could be ohi
este
Great Andreas! Thanks!
It did not take many minutes to get the answer! Lutelist is marvellous!
Thanks again!
Arto
Andreas Schlegel wrote:
ou este Vous allé = J.-B.Lully, Trios de la Chambre: LWV 35/11
SMT I, p.84
Andreas
Am 03.06.2009 um 09:43 schrieb Arto Wikla:
Dear Collective Wisdom,
On Wed, Jun 3, 2009 at 9:43 AM, Arto Wikla wi...@cs.helsinki.fi wrote:
Dear Collective Wisdom,
I try to interprete a handwritten name of a piece in ms. Rés-1106, but I
cannot be sure, how it really reads. To me it could be ohi este Vous allé
or ohi affe Vous allé. Could someone help? I have a
Wow, you beat me with a quicker answer. And more complete!
David
On Wed, Jun 3, 2009 at 9:52 AM, Andreas Schlegel lute.cor...@sunrise.ch wrote:
ou este Vous allé = J.-B.Lully, Trios de la Chambre: LWV 35/11
SMT I, p.84
Andreas
Am 03.06.2009 um 09:43 schrieb Arto Wikla:
Dear Collective
Funny, the mark of my copy reads Paris, Bibliothéque Nationale, Rés.
1575 (not 1106). Andreas is certainly correct with Ou este vous allé.
Blessed are those who speak French. When I got my copy, I transcribed
the words as Air - Elle voul aller. My oh my...
Mathias
wi...@cs.helsinki.fi schrieb:
On Thu, May 28, 2009 at 8:09 AM, Jean-Marie Poirier
jmpoiri...@wanadoo.fr wrote:
I am desperately lookinf for tis article : Keneth Jay LEVY. Susanne un jour
: the history of a 16th century chanson. which appeared in Annales
Musicologiques, Volume I, 1953p. 375-408.
It's in the library here
There seem to be many articles online to cite the Levy article, but I can't
seem to find the Levy article itself, Including on JSTOR.
Sorry,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Jean-Marie Poirier
Sent: Thursday,
On Thu, May 28, 2009, Eugene C. Braig IV brai...@osu.edu said:
There seem to be many articles online to cite the Levy article, but I can't
seem to find the Levy article itself, Including on JSTOR.
The suffolk county library system used to be a client of JSTOR, with
access open to all
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of dem...@suffolk.lib.ny.us
Sent: Thursday, May 28, 2009 9:56 AM
To: 'Lute'
Subject: [LUTE] Re: help, please !
On Thu, May 28, 2009, Eugene C. Braig IV brai...@osu.edu said
Thank you Eugene and Dana for trying to find this article online. In fact David
van Ooijen joined me and proposed to send a copy of the article. So
everything's OK !
Thank you and all the best,
Jean-Marie
On Thu, May 28, 2009, Eugene C. Braig IV brai...@osu.edu said:
There seem to be many
On Thu, May 21, 2009, angevin...@att.net said:
What the lute world
lacks is a great pedagogue.
not entirely convinced of that.
We have some folk who are paying their dues and earning my respect, Ron
McFarlane being just one. His column in the LSA Q, his videos, and his
dedication to not
On May 22, 2009, at 1:29 AM, chriswi...@yahoo.com
chriswi...@yahoo.com wrote:
Roman,
Pat is indeed a great pedagogue, but only available
regularly to
those in NYC. Word has it that he's been working on a method
book for
the past 30 years or so. No plans for release in
Stephen,
You've hit the nail on the head as far as lute tutors. I never
used a method book. Instead, I sought out some very good teachers.
Even though I would often drive for hours to take a lesson, I was
fortunate to live so close to people who knew what they were doing.
On Thu, May 21, 2009, chriswi...@yahoo.com said:
here's 150 pieces, including virtuoso fantasias by Dowland and Milano;
Some of that is useful, both as a challenge, and giving notes to what you
have memorized from recordings. Also, often times its what makes the book
interesting to a
A major problem is that those who would do this best are struggling to
stay awake at the wheel as they drive from one gig to another, paying
bills and eating the small profits.
Frederick Noads books for Guitar come to mind,
The lute world has great performers. The lute world has great
Have you ever heard of Pat O'Brien?
RT
From: angevin...@att.net
The lute world has great performers. The lute world has great teachers
for those in the more advanced states of learning. What the lute world
lacks is a great pedagogue. Some one with the depth of teaching
experience and
, Roman Turovsky r.turov...@verizon.net wrote:
From: Roman Turovsky r.turov...@verizon.net
Subject: [LUTE] Re: help for 'improving' lute and vihuela players
To: angevin...@att.net, lute-cs.dartmouth.edu
lute@cs.dartmouth.edu
Date: Thursday, May 21, 2009, 12:18 PM
Have you
PM
Subject: Re: [LUTE] Re: help for 'improving' lute and vihuela players
Roman,
Pat is indeed a great pedagogue, but only available regularly to those in
NYC. Word has it that he's been working on a method book for the past 30
years or so. No plans for release in the foreseeable future
On May 21, 2009, at 12:02 PM, angevin...@att.net wrote:
The lute world has great performers. The lute world has great
teachers
for those in the more advanced states of learning. What the lute
world
lacks is a great pedagogue. Some one with the depth of teaching
experience and knowledge
I don't really disagree with any of this. But just because lute
method books are not adequate in and of themselves without some
form of guided instruction from a teacher, does NOT mean that they
would not be of benefit, even very great benefit, to people between
their lessons 2 or 3 times a year.
; [1]lute-cs.dartmouth.edu
lute@cs.dartmouth.edu; Roman Turovsky r.turov...@verizon.net
Sent: Thursday, May 21, 2009 6:29:44 PM
Subject: [LUTE] Re: help for 'improving' lute and vihuela players
Roman,
Pat is indeed a great pedagogue, but only available regularly to
those
2009/5/19 Martin Shepherd [1]mar...@luteshop.co.uk
More, please!
Sure, but we also need to hear from the shy lurkers here as to what
they would like us to cover. And you yourself, Martin, could have
something more tailored to lute players on your site, if time and
energy
Dear Rob,
As one definitely in the not-so-advanced (yes, you may say that) category, I
greatly appreciate your efforts. It was very interesting and instructive to
get a glimpse of the kind of things you keep in mind when approaching a
piece, and I for one would welcome any and all forms of help
shy lurker
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Stephen Arndt
Sent: Wednesday, May 20, 2009 3:18 PM
To: lute-cs.dartmouth.edu
Subject: [LUTE] Re: help for 'improving' lute and vihuela players
Dear Rob,
As one definitely
I guess I would consider myself more of an early intermediate player
now, but I remember clearly the time of being a beginner - one living
far away from a teacher or anybody else who played lute really. These
are the things that I wanted, or that I think would have helped me
more.
This is all good food for thought. I'm sure there are players on this
list who could help. For thumb under technique I would look at Valerie
Sauvage's videos. I don't play thumb under myself, in fact I find it
impossible. A close up video would indeed be helpful. I'll try to do
some
Two days a week I teach guitar. For my really young pupils and their
mothers (fathers?) I made a few videos explaining and showing basic
techniques and exercises. These children are too young to remember my
instructions for the week in between lessons, are often awed or
distracted in the lessons
__
From: David van Ooijen davidvanooi...@gmail.com
To: Rob MacKillop luteplay...@googlemail.com
Cc: angevin...@att.net; lute@cs.dartmouth.edu Lute@cs.dartmouth.edu
Sent: Wednesday, May 20, 2009 5:46:31 PM
Subject: [LUTE] Re: help for 'improving' lute and vihuela players
Dear Rob,
You're right, we don't discuss these things enough, and these duos are
the ideal place to start. One of the frustrations of the lute net is
how we get sidetracked by the complexities of technique, often of very
difficult pieces, while ignoring the fundamentals of trying to make
Thank you Arthur and Sean for your kindness but it won't be necessary to bother
you as Ron Andrico and Donna Curry have kindly supplied the Van Wilder's song I
was after.
In fact, I needed this version to understand the duet by Marchant mentioned by
Ward (alas, no, I haven't got this
...@wanadoo.fr
Subject: [LUTE] Re: Help, please !
Thank you Arthur and Sean for your kindness but it won't be necessary
to bother you as Ron Andrico and Donna Curry have kindly supplied the
Van Wilder's song I was after
All you have to do is mutter to yourself unintelligibly. It will sound
Norwegian.
Be careful not to do the muttering perkily or assertively, because that
would sound Danish.
RT
- Original Message -
From: Charles Browne [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent:
Hey, who is the assertive perk around here!!
AK
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: Charles Browne [EMAIL PROTECTED]; Lutelist
lute@cs.dartmouth.edu
Sent: Saturday, November 08, 2008 9:57 PM
Subject: [LUTE] Re: help wanted for correct pronounciation
18, 2008 2:01 AM
Subject: [LUTE] Re: ...help !
| Dear Arthur,
|
| Thank you very much for your kind and, as usual, very complete answer to
my query. Your argumentation comforts my own conclusion. I had taken a
look at the various sources I had at hand (your introductions to FdM's
works
Dear Arthur,
Thank you very much for your kind and, as usual, very complete answer to my
query. Your argumentation comforts my own conclusion. I had taken a look at the
various sources I had at hand (your introductions to FdM's works, to the Siena
ms, your Herwart's thesis, H. C. Slim's
- Original Message -
From: Jean-Marie Poirier [EMAIL PROTECTED]
To: lute lute@cs.dartmouth.edu
Sent: Wednesday, September 10, 2008 8:52 AM
| Dear collective wisdom,
|
| Could anyone on this list give me some precisions about the attribution
of some pieces in Galilei's Fronimo (1584
I may have it, I will look...
Bruno
On Fri, May 23, 2008 at 8:46 AM, Stewart McCoy [EMAIL PROTECTED] wrote:
Dear Jean-Marie,
There is an article by Colin Slim in _Early Music_ on this subject. I
can provide details if need be.
Best wishes,
Stewart McCoy.
-Original Message-
Old LSA Journals are still available. There's a list of the contents
on the LSA web site at
http://www.cs.dartmouth.edu/~lsa/publications/JLSA-Index.html
To get any of them contact Anne Burns at
[EMAIL PROTECTED]
Nancy Carlin
Dear collective wisdom,
I am looking for an article from an old
On Apr 29, 2008, at 8:19 PM, Roman Turovsky wrote:
A friend of mine is wring a short article on the state of affairs
in contemporary composition for lutes/citterns, and he asked me to
assist in gathering the information.
I don't know whether the planned new lute composition index by
Lynda
Dear Tracy,
Thanks for asking. I am uncertain as to the exact painting, but you can
probably find it on this site, but it will require searching. It sounds as
though it is Dutch.
ed
At 09:35 PM 6/19/2007 +0100, tracy mcmenamin wrote:
Hi,
I wonder if anyone can help me. I have an old
Oh gosh, I forgot to give the link. here it is:
http://www.wga.hu/index1.html
ed
At 09:35 PM 6/19/2007 +0100, tracy mcmenamin wrote:
Hi,
I wonder if anyone can help me. I have an old postcard with an
intriguing picture and would love to find out who the artist is.
The picture is
It would be helpful if the lady posted a scan of the postcard.
RT
- Original Message -
From: Edward Martin [EMAIL PROTECTED]
To: tracy mcmenamin [EMAIL PROTECTED]; lute@cs.dartmouth.edu
Sent: Tuesday, June 19, 2007 7:53 PM
Subject: [LUTE] Re: help to find an artist?
Oh gosh, I
At 02:40 PM 6/3/2007, [EMAIL PROTECTED] wrote:
It is nice for both customer and for builder when an instrument in stock
will suit the customer, avoiding the delay of a custom build. However,
the need to warehouse stock is an issue, both space and insurance. There
is also the hassle of customers
On Sat, Jun 2, 2007, Craig Robert Pierpont [EMAIL PROTECTED] said:
In my experience, unless the builder is set-up to do only retail or do only
wholesale, the whole thing becomes somewhat of an awkward dance.
It is nice for both customer and for builder when an instrument in stock
will suit
makers make instruments on spec, so you don't
necessarily have to wait for an instrument to be made.
Best wishes,
Stewart McCoy.
- Original Message -
From: Narada
To: 'Daniel F Heiman' ;
Cc:
Sent: Saturday, June 02, 2007 12:46 PM
Subject: [LUTE] Re: help
Shumo,
As Daniel say's
wishes,
Stewart McCoy.
- Original Message -
From: Narada
To: 'Daniel F Heiman' ;
Cc:
Sent: Saturday, June 02, 2007 12:46 PM
Subject: [LUTE] Re: help
Shumo,
As Daniel say's you can buy a Lute from the Early Music Shop here in the
UK. I purchased my 8 course from them
Shiro:
Up front you need to realize that buying a lute is a serious financial
commitment. They are not generally available over the counter except in
a place like the Early Music Shop in Bradford, England. There are
several hundred luthiers around the world who can build you one, custom
made to
On Friday 13 April 2007 07:15, Omer katzir wrote:
i mean theory from the medieval and earlier to the end of the
romantic period
i have enough books for modern and jazz music, but im looking for the
good old stuff
books in english or in hebrew.
thank you all!
Donington - the
Thank you Antonio and Manolo for your help, this clears things up quite a bit.
It's interesting since Valderrabano's vihuela intabulation is in the form of a
duo. I have the Cancionero de Palacio, and I'll check it out to see if it's a
two voice part as well. This conversational quality definitely
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