https://www.youtube.com/watch?v=opa9Nos-vtQ
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I don't use a quill Susan, just a fountain pen with Italic or flex nib,
But it's a pleasure to do, and as I said before, necessary for me
if want to be able to read tablature on a music stand.
I use cream coloured 160g paper that doesn't get blown about.
That sa
Serendipitously, I tried the combination of Giovanni Valentini's Sonata
in D with Kamod on the Bansuri flute.
The result is extremely pleasing, probably even for opponents of the
India theory.
By combining with a "ciacona", the nature of Indian music making is
highlighted, also the cyclical nat
ignore
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recorded
artifact survives?
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
On Wednesday, December 18, 2013 6:46 PM, JarosAAaw Lipski
wrote:
WiadomoAAAe napisana przez howard posner w dniu 18 gru 2013, o godz.
23:10:
>
> On Dec
OUCH!
On 12/19/13 11:25 AM, "Dan Winheld" wrote:
> So your heart belongs to di Dadi (Cole Porter, 1938)
>
> On 12/19/2013 6:22 AM, Geoff Gaherty wrote:
>> On 19/12/13 8:27 AM, Christopher Wilke wrote:
>>> Richard Taruskin
>> Josquin's Missa "Di Dadi"
>>
>> Funny you should mention these two i
So your heart belongs to di Dadi (Cole Porter, 1938)
On 12/19/2013 6:22 AM, Geoff Gaherty wrote:
On 19/12/13 8:27 AM, Christopher Wilke wrote:
Richard Taruskin
Josquin's Missa "Di Dadi"
Funny you should mention these two in the same email. Decades ago I
attended an early music workshop in M
du
Subject: [LUTE] Re: Bream Collection... I just noticed we got so far away from
the [LUTE]-forum
This also fits in nicely with Richard Taruskin's often stated thesis
that early music performance practice today is really a modern
fabrication that seeks to apply 20th (now 21st) ce
gt;
> On Dec 18, 2013, at 1:47 PM, Dan Winheld
<[1][4]dwinh...@lmi.net> wrote:
>
>> Is it just me, or is there not something ironic about a
serious
minded 21st century LUTE-list member finding a great 20th century
musical icon (think of
; lute@cs.dartmouth.edu
Subject: [LUTE] Re: Bream Collection... I just noticed we got so far away from
the [LUTE]-forum
This also fits in nicely with Richard Taruskin's often stated thesis
that early music performance practice today is really a modern
fabrication that seeks to apply
On 19/12/13 8:27 AM, Christopher Wilke wrote:
Richard Taruskin
Josquin's Missa "Di Dadi"
Funny you should mention these two in the same email. Decades ago I
attended an early music workshop in Miami where Taruskin was one of the
instructors, and his task of the week was to lead us recorde
Good points and very well said, Chris.
Ned
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wrote:
WiadomoAAAe napisana przez howard posner w dniu 18 gru 2013, o godz.
23:10:
>
> On Dec 18, 2013, at 1:47 PM, Dan Winheld <[1]dwinh...@lmi.net> wrote:
>
>> Is it just me, or is there not something ironic about a serious
minded 21st century LUT
I'm not qualified to decide what's "right" and what's not in any art. I
said, "...from Segovia's point of view..."
I'm going to try to refrain from responding any further so as not to
raise the ire of the content police.
Back to the lute when the numbness in my left hand subsides.
Gary
On
Since this thread seems to be winding down, I just wanted to thank
everyone who has contributed to it for a stimulating, spirited and
thought provoking conversation. Thank you.
Gary
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Often the choice of a few of this or that is to stimulate the listener/
player to search out more. If those who hear it just assume those are
the ones to be played and revering only those then we end up, in a
sense, worshiping the finger that points the way.
I know, it couldn't happ
Wiadomość napisana przez howard posner w dniu 18 gru 2013, o godz. 23:10:
>
> On Dec 18, 2013, at 1:47 PM, Dan Winheld wrote:
>
>> Is it just me, or is there not something ironic about a serious minded 21st
>> century LUTE-list member finding a great 20th century m
Which doesn't mean his decisions were right...
2013/12/18 gary <[1]magg...@sonic.net>
I'm sure from Segovia's point of view in promoting his own tastes he
was protecting the integrity of the guitar and the music.
Gary
On 2013-12-17 13:13, Braig, Eugene wrote:
. . . N
On Dec 18, 2013, at 1:47 PM, Dan Winheld wrote:
> Is it just me, or is there not something ironic about a serious minded 21st
> century LUTE-list member finding a great 20th century musical icon (think of
> him what one will otherwise) "outdated"?
Not at all. Implicit
Subject: [LUTE] Re: Bream Collection... I just noticed we got so far away from
the [LUTE]-forum
Is it just me, or is there not something ironic about a serious minded 21st
century LUTE-list member finding a great 20th century musical icon (think of
him what one will otherwise) "outdated"?
Is it just me, or is there not something ironic about a serious minded 21st century
LUTE-list member finding a great 20th century musical icon (think of him what one will
otherwise) "outdated"?
No doubt Mel Neusidler found papa Hans outdated. Maybe Downland thought he was
outdate
I'm not a guitarist, but I am a cellist. I do wonder what is meant here about
both Segovia and Casals being unmusical, though perhaps this lute forum has
wandered far enough afield already.
Ned
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In the latest ad from ArkivMusic i noticed advertised the Complete RCA Album
Collection of Julian Bream. Cost is $99.99 and it includes 40 CDs and 2 DVDs,
for anyone interested.
Ned
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Obviously I meant kids "upbringing" ;-)
JL
Wiadomość napisana przez r.turov...@gmail.com w dniu 18 gru 2013, o godz. 20:47:
> One could argue that the municipal authorities bullied Rosenmüller, and
> caused his flight to Italy (on account of his molestation of minors).
> They should have resor
One could argue that the municipal authorities bullied Rosenmüller, and
caused his flight to Italy (on account of his molestation of minors).
They should have resorted to physical punishment rather than bullying.
RT
On 12/18/2013 2:24 PM, Jarosław Lipski wrote:
It's scattered among several d
;> The Segovia film is nice in its own way, it was probably interesting for at
>>> least a part of the audience at the time it was recorded,
>>> sounds completely outdated and boring for most people today,
>>
>> It's fine with me if you don't find it interesting.
sting for at
least a part of the audience at the time it was recorded,
sounds completely outdated and boring for most people today,
It's fine with me if you don't find it interesting. It's just a personal taste
(for many his playing is still very attractive - see comments under
It's scattered among several documents (letters etc). I don't have enough time
to dig in all of them now, but if you are really interested I could send it to
you in my spare time.
Another thing is what could be called bullying at times of Bach. Probably many
behaviors that we don't accept wouldn
Hi,
> The Segovia film is nice in its own way, it was probably interesting for at
> least a part of the audience at the time it was recorded,
> sounds completely outdated and boring for most people today,
It's fine with me if you don't find it interesting. It's jus
On 19 Dec, 2013, at 1:22 AM, "erne...@aquila.mus.br"
wrote:
>
> And the arab / turkish / syrian lutes in use nowadays?
> And so it goes...
i'd say the Arab lute is far more relevant to this list than Segovia is.
τούτο ηλεκτρονικόν ταχυδρομείον εκ είΦωνου εμεύ επέμφθη.
Hæ litteræ ele
On Dec 18, 2013, at 9:07 AM, Geoff Gaherty wrote:
> I recall reading that he was fired from an early gig for improper relations
> with one of the women in the choir.
I don't doubt you read something of the sort, as there is a lot of rubbish
written about Bach. He was reproved for a number o
The Segovia film is nice in its own way, it was probably interesting for at
least a part of the audience at the time it was recorded,
sounds completely outdated and boring for most people today,
and may be rediscovered in the future for some reason we would never even think
of.
Is it somehow re
On 18/12/13 11:37 AM, howard posner wrote:
On Dec 18, 2013, at 8:00 AM, Jarosław Lipski wrote:
> Bach was known for bullying kids from his choir
Really? Do you have a source for this?
I recall reading that he was fired from an early gig for improper
relations with one of the women in t
On Dec 18, 2013, at 8:00 AM, JarosÅaw Lipski wrote:
> Bach was known for bullying kids from his choir
Really? Do you have a source for this?
--
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Segovia could have been polite and gentle providing that a student followed his
remarks, fingerings etc. This is nothing extraordinary in music, and there are
similar reported cases from the past centuries . Some big Maestros were known
for bullying un-subjugated pupils. (Bach was known for bull
I'm not one to
embrace the popular by virtue of its simple popularity; I tend to go looking
for stuff I like. If that happens to be Segovia, Chapdelain, O'Dette,
bubblegum pop, or Scandinavian prog, so be it. I suspect that sentiment is
commonplace among those who participate in someth
The irony is that Michael's turn to steel string guitar and pop/folk
music would only have confirmed Segovia in his disdain.
Gary
On 2013-12-17 13:26, Braig, Eugene wrote:
Chapdelain was the first-ever winner of the Guitar Foundation of
America competition, but now specializes in fingerstyle
How does one go about preventing the tastes of one person from "shaping
the tastes of an art"? Van Gogh couldn't sell a painting to save his
life during his own time because of the prevailing taste of his era.
Popularity is a factor in determining an era's tastes in art. It seems
unfair to faul
I just listened to some of his arrangements. I really like is interpretation
(a romantic on the lute page - what the heck).
Thank you for the link. It looks like he moved on nicely from his encounter
with Segovia. Many would have been destroyed.
David
-Original Message-
From: lute
fine ale is much more
entertaining than watching it on Youtube. Eugene -Original
Message- From: lute-...@cs.dartmouth.edu
[mailto:lute-...@cs.dartmouth.edu] On Behalf Of Ed Durbrow Sent:
Tuesday, December 17, 2013 8:00 AM To: LuteNet list Subject: [LUTE] Re:
Bream Collection... I just
bject: [LUTE] Re: Bream Collection... I just noticed
Jeez, that kid deserved a medal for courage under fire! He also still appeared
to be brainwashed. Poor talented kid. Probably a venerated master by now.
On Dec 14, 2013, at 8:53 PM, David van Ooijen wrote:
> This is referred to often:
>
st
Subject: [LUTE] Re: Bream Collection... I just noticed
Really? What about the others? What about Tarrega's disciples
(specially Pujol), Barrios, and all the other latin american
guitarists? They wouldn't exist without Segovia? I don't think so.
There are so many forgot
as posted referring to Andres Segovia as a
> "bully". I think that's a little harsh, I know it's become popular
> to bash Segovia and that he had a huge ego, but I don't recall him
> actually bullying anyone into agreeing with his views. It seems t
I heard he made himself ten years younger early in his career, so it must have
been impressive for a man in his nineties or even older...
Am 16.12.2013, 22:27 Uhr, schrieb Paul Overell :
In message <57-52ae0970.3010...@tobiah.org>, Tobiah
writes
On 12/15/2013 10:52 AM, Chris Barker wrote:
I
In message <57-52ae0970.3010...@tobiah.org>, Tobiah
writes
>On 12/15/2013 10:52 AM, Chris Barker wrote:
>
>I wonder too about other recent comments that suggest
>that he may have played in public longer into his years
>than he had ought.
Not at all ...
I saw Segovia play on three occasions, the
Segovia's collection of Sor has value as a pedagogical tool regardless
of its source.
Re: Segovia's name is larger than Sor's on the book. It occurred to me
that this may have been at the suggestion of the publisher. Segovia was
probably more well known than Sor at the time so his name would s
ubject: [LUTE] Re: Bream Collection... I just noticed
Really? What about the others? What about Tarrega's disciples
(specially Pujol), Barrios, and all the other latin american
guitarists? They wouldn't exist without Segovia? I don't think so.
There are so many forgotten names
telist
Subject: [LUTE] Re: Bream Collection... I just noticed
Really? What about the others? What about Tarrega's disciples
(specially Pujol), Barrios, and all the other latin american
guitarists? They wouldn't exist without Segovia? I don't think so.
There are so many
for twenty six
years. Please help to make that rest peaceful.
Chris Barker
-Original Message-
From: [2]lute-...@cs.dartmouth.edu
[mailto:[3]lute-...@cs.dartmouth.edu] On Behalf Of Tobiah
Sent: Sunday, December 15, 2013 11:27 AM
To: 'lutelist'
Subject: [
My cursory perusal of the available
YouTube videos show mostly an aging man. I'll make an
effort to expose myself to more of his recordings.
Toby
Be careful: his recording may sue you for gross indecency.
RT
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~
nt: Sunday,
December 15, 2013 11:27 AM To: 'lutelist' Subject: [LUTE] Re: Bream
Collection... I just noticed
On 12/14/2013 5:45 AM, Chris Barker wrote:
Re: Gary's comments on Segovia... If it were not for Segovia's
efforts, the guitar, lute, and kindred instruments would not
occupy
er 15, 2013 11:27 AM
To: 'lutelist'
Subject: [LUTE] Re: Bream Collection... I just noticed
On 12/14/2013 5:45 AM, Chris Barker wrote:
Re: Gary's comments on Segovia... If it were not for Segovia's
efforts, the guitar, lute, and kindred instruments would not occupy
the places t
ecember 15, 2013 11:27 AM
To: 'lutelist'
Subject: [LUTE] Re: Bream Collection... I just noticed
On 12/14/2013 5:45 AM, Chris Barker wrote:
Re: Gary's comments on Segovia... If it were not for Segovia's
efforts, the guitar, lute, and kindred instruments would not occupy
the pla
make that rest peaceful.
Chris Barker
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Tobiah
Sent: Sunday, December 15, 2013 11:27 AM
To: 'lutelist'
Subject: [LUTE] Re: Bream Collection... I just noticed
On 12/14/2013 5:45 A
decade ago when the young
guitarist seated to my left referred to Andres Segovia "as just an
uninformed old man with poor performance practice who could be only
be heard on a bunch of scratchy LP"s. I took my first guitar lessons
in 1958. We all considered Andres Segovia a saint. And now,
Howard,
On Sun, 12/15/13, howard posner wrote:
> In Segovia's edition of Sor studies (which
> features Segovia's name in much bigger type than Sor's on
> the cover) he changed it to "con calma." Up yours,
> Fernando...
It was shown some time ago t
On 15/12/13 4:47 AM, William Samson wrote:
Segovia's early years seem to be unclear. Does anybody know where he
learned to play? Did he study with a master?
The Wikipedia article on Segovia gives some of his early history, though
I don't know how reliable it is.
http://en.wikipedia.org
I've heard that Segovia's response to Julian Bream's success was, "An
Englishman playing guitar is an abomination," although I don't think
that constitutes bullying, just the crankiness of an extremely
opinionated man whose opinions were not always correct. Br
rg 40
D-14806 Belzig OT Borne
franz.mechs...@gmx.de
+49(0)33841-441362
Gesendet: Sonntag, 15. Dezember 2013 um 11:07 Uhr
Von: gary
An: lutelist
Betreff: [LUTE] Re: Bream Collection... I just noticed
On 2013-12-14 03:53, David van Ooijen wrote:
I don't see any bul
On 2013-12-14 03:53, David van Ooijen wrote:
I don't see any bullying here, as uncomfortable as it is to watch. And
in the student's discussion of the event, he says Segovia's criticisms
and behavior were justified and an eye opener. That same student later
plays for Segovia who praises his per
Segovia's early years seem to be unclear. Does anybody know where he
learned to play? Did he study with a master?
Most of us need to stand on the shoulders of giants, one way or
another. Nowadays we are fortunate to be able to attend summer schools
where we can have a lesson with
Wise words, Franz
Whilst still at Conservatory, we had the opportunity of having lessons
with many of the great musicians in early music. Not all were great
teachers. But if we prepared ourselves well, we could get the best out
of any lesson by asking the right questions and preparin
On Dec 14, 2013, at 8:46 PM, Franz Mechsner wrote:
> I think Segovia had dedicated so much genius and effort into his views
> on music, interpretations, fingerings etc. that he was unable to
> imagine that a student could have done better
Never mind students; he thought he knew better than
9 Uhr
Von: "Franz Mechsner"
An: "howard posner"
Cc: lutelist
Betreff: [LUTE] Re: Bream Collection... I just noticed
There are many stories out there about Segovia, among them quite a few
about rude manners toward students who would not use his fingerings or,
via's performances, declined
to comment.
---
Dr. Franz Mechsner
Zum Kirschberg 40
D-14806 Belzig OT Borne
franz.mechs...@gmx.de
+49(0)33841-441362
Gesendet: Sonntag, 15. Dezember 2013 um 00:30 Uhr
Von: "howard posner"
An: lutelist
On Dec 14, 2013, at 3:44 AM, gary wrote:
> Recently, a message was posted referring to Andres Segovia as a "bully". I
> think that's a little harsh, I know it's become popular to bash Segovia and
> that he had a huge ego, but I don't recall him actually bullying anyone into
> agreeing with his
topherwilke.com
On Sat, 12/14/13, Mayes, Joseph wrote:
Subject: [LUTE] Re: Bream Collection... I just noticed
To: "r.turov...@gmail.com" , "Chris Barker"
, "'gary'" , "'lutelist'"
Date: Saturday, December 14,
Gary,
On Sat, 12/14/13, gary wrote:
> I have never heard
> of any actual bullying on Segovia's part. Rather, the onus
> for any intimidation would be on the shear number and ardor
> of his admirers.
That still sounds like bullying to me. Take the st
y years after we die.
Joseph Mayes
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] On Behalf Of
r.turov...@gmail.com [r.turov...@gmail.com]
Sent: Saturday, December 14, 2013 9:19 AM
To: Chris Barker; 'gary'; 'lutelist'
Subjec
cal Guitar society almost a decade ago when the
young guitarist seated to my left referred to Andres Segovia "as just an uninformed
old man with poor performance practice who could be only be heard on a bunch of scratchy
LP"s. I took my first guitar lessons in 1958. We all conside
y left referred to Andres Segovia "as just an
> uninformed old man with poor performance practice who could be only be
> heard on a bunch of scratchy LP"s. I took my first guitar lessons in
> 1958. We all considered Andres Segovia a saint. And now, much older
> and wiser, are sti
On 14/12/13 8:42 AM, Gary R. Boye wrote:
It reminded me that I often think that someone transported from another
century--even the 19th like Segovia, but especially the early music
period--would be horrified at how noisy our modern world is.
I've lived in the country for the past 7 years, and h
On 14/12/13 8:45 AM, Chris Barker wrote:
And now, much older and wiser, are still of the same opinion, and we hold his
critics in great disdain.
My main memory of that concert by Segovia, aside from the escalotor
incident, is of a grumpy looking old man sitting alone on a huge stage
with 300
to my left referred to
Andres Segovia "as just an uninformed old man with poor performance practice
who could be only be heard on a bunch of scratchy LP"s. I took my first guitar
lessons in 1958. We all considered Andres Segovia a saint. And now, much
older and wiser, are still of the
Dear Geoff,
Interesting story. It reminded me that I often think that someone
transported from another century--even the 19th like Segovia, but
especially the early music period--would be horrified at how noisy our
modern world is. Not just concert halls, but everywhere: cars, buses
On 14/12/13 7:31 AM, Gary R. Boye wrote:
Thanks for this; it is worth watching the *whole video* . . . I'm not
sure Chapdelaine felt he was being needlessly bullied
Yes, it's interesting to hear Chapdelaine's reaction to the "bullying."
Segovia was amazingly sensitive to the slightest things.
across to
students, but when they come into a masterclass just wanting to play for
someone and not expecting to actually learn anything, maybe that's just
what happens . . . sort of what Michael says afterwards.
Gary
--
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State Uni
his views. It seems to
me that he just expressed his views and his admirers, of which there
were many, gleefully adopted them as guitar gospel, bedazzled by his
mastery of the guitar. I have never heard of any actual bullying on
Segovia's part. Rather, the onus for any int
Recently, a message was posted referring to Andres Segovia as a "bully".
I think that's a little harsh, I know it's become popular to bash
Segovia and that he had a huge ego, but I don't recall him actually
bullying anyone into agreeing with his views. It seems to me th
. The gut versus no or partial gut discussion
5. The lute versus guitar discussion
6. The Segovia-Bream-Hoppy discussion
as well as a few others.
So, a real amalgam of discussions in just the one thread!
Great! It clarifies many things, at least for me, and like sometimes
happens, a few golden
Ron,
On Thu, 12/12/13, Ron Andrico wrote:
> Stubbs did not come to the lute from the typical classical guitar
> background and thus has no reason to justify his
> technique.
Ron, with this crowd, ya gotta justify everything ;-)
Chris
Dr. Chri
3540520662&type=1&theater¬if_t=photo_reply
Alexander
Original Message
Subject: [LUTE] Re: Bream Collection... I just noticed
Date: Thu, 12 Dec 2013 09:18:19 -0800
From: Dan Winheld [2][3]
To: Mayes, Joseph [3][4], Christopher Wilke
ubject: [LUTE] Re: Bream Collection... I just noticed
Date: Thu, 12 Dec 2013 09:18:19 -0800
From: Dan Winheld [2]
To: Mayes, Joseph [3], Christopher Wilke
[4], Bruno Correia [5],
List LUTELIST [6]
Thank you also, Chris for your last post. Very enlightening, your
experience of na
--- Original Message
Subject: [LUTE] Re: Bream Collection... I just noticed
Date: Thu, 12 Dec 2013 09:18:19 -0800
From: Dan Winheld [2]
To: Mayes, Joseph [3], Christopher Wilke
[4], Bruno Correia [5],
List LUTELIST [6]
Thank you also, Chris for your last post. Very enligh
I've just listened to his Kellner recording and for my taste, honestly,
it has an unpleasant sound (even with his great playing). I don't know
if he is playing with nails, but as the sound is so metallic it
confirms your statement. Now, that is a true silvery tone, no
0:09:33 -0500
> To: chriswi...@yahoo.com; bruno.l...@gmail.com; lute@cs.dartmouth.edu
> From: ma...@rowan.edu
> Subject: [LUTE] Re: Bream Collection... I just noticed
>
> Thanks, Chris
>
> You've raised the level of discourse.
>
> Best,
nts, who need nails for their guitar work but want to do as well as
they can on lutes and other double course, historically problematic
instruments.
Don't know why this nail business has to be such an emotionally hot
button issue (as it always seems to have been, even just amongst the
gu
l.)
>
> Joe, I think you have some valid points which are well worth considering
> seriously.
>
> Chris
>
>
>
> Dr. Christopher Wilke D.M.A.
> Lutenist, Guitarist and Composer
> www.christopherwilke.com
>
>
>
-
On Thu, 12/12/13, Mayes, Joseph wrote:
Subject: [LUTE] Re: Bream Collection... I just noticed
To: "Bruno Correia" , "List LUTELIST"
Date: Thursday, December 12, 2013, 8:01 AM
OK good people, this will be my final
post on this subject. I grow weary of
the g
right, too.
>
>I thought this list was supposedly a place to discuss lute performance
>practice and not each ones taste. Some people may prefer to play with
>nails on carbon single strings and with amplification. What does it
>have to do with HIP?
Lute performance p
ngle strings and with amplification. What does it
have to do with HIP?
But, as I say, I'm not trying to convince anyone of anything. Play
any way you want to, just leave the dogma on the porch.
Joseph Mayes
From: [2]lut
le strings and with amplification. What does it
have to do with HIP?
But, as I say, I'm not trying to convince anyone of anything. Play
any way you want to, just leave the dogma on the porch.
Joseph Mayes
From: [2]lute
Do you think he needed it?
2013/12/10 Tom Draughon <[1]t...@heartistrymusic.com>
With Viagra he may have had more!
--
References
1. mailto:t...@heartistrymusic.com
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
m>, List LUTELIST
<[4]lute@cs.dartmouth.edu>
Subject: [LUTE] Re: Bream Collection... I just noticed
I play the lute, archlute and vihuela with nails for the same reason
that I
play the classical guitar with nails: because it sounds better!
Of course, by that I mean it sounds
Ah, the "just leave your dogma on the porch" dogma.
Gary
On 2013-12-10 18:20, Mayes, Joseph wrote:
Well, I was sort of fearing some push-back from the "tap-dancing
barefoot" crowd. I don't know how you can speak for most of the
lutenists out there. I certainly o
quot;thub, thub" one achieves
without them is so unsatisfying as to be lamentable.
No - that's not actually what I think - It's just the same sort of
tone that I'm responding to.
Tarrega played with nails until he lost them due to fungus - He
convinced his late-in-life stud
t them is so unsatisfying as to be
lamentable.
No - that's not actually what I think - It's just the same sort of tone that
I'm responding to.
Tarrega played with nails until he lost them due to fungus - He convinced his
late-in-life student Pujol that flesh was the way to go
an
-Original Message-
From: "Mayes, Joseph" <[2]ma...@rowan.edu>
Sent: Dec 10, 2013 11:23 AM
To: Bruno Correia <[3]bruno.l...@gmail.com>, List LUTELIST
<[4]lute@cs.dartmouth.edu>
Subject: [LUTE] Re: Bream Collection... I just noticed
I play the lute, archlu
--
>> From: "Mayes, Joseph" <[2]ma...@rowan.edu>
>> Sent: Dec 10, 2013 11:23 AM
>> To: Bruno Correia <[3]bruno.l...@gmail.com>, List LUTELIST
> <[4]lute@cs.dartmouth.edu>
>
>> Subject: [LUTE] Re: Bream Collection... I just noticed
>
fun.
Allan
-Original Message-
>From: "Mayes, Joseph" <[2]ma...@rowan.edu>
>Sent: Dec 10, 2013 11:23 AM
>To: Bruno Correia <[3]bruno.l...@gmail.com>, List LUTELIST
<[4]lute@cs.dartmouth.edu>
>Subject: [LUTE] Re: Bream Collecti
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