in tempo in the score
which have been defined for playback.
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the start of the music, put FINE under the final
measure of the refrain. Then I'd enter the music for the verse with
lyrics for all 6 verses next with D.C. al FINE at the end of the verse.
People should be able to figure out they're supposed to perform all 6
verses before observing
g the computers doesn't help you would need to
contact M-Audio's tech support or search their web-site for a FAQ or
other help with this issue.
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David H. Bailey
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Finale m
, add extra staves and explode
those chords onto the extra staves and assign each staff to its own midi
channel. That way the notes which are supposed to keep sounding won't
be affected by the note-off commands since they won't be on the same
channels.
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David H. Bailey
Do let us know how it works out for you.
David H. Bailey
On 12/22/2017 7:09 AM, martin nickless wrote:
> Thanks again David I’m sure that’s what I did but I will try again
> Thanks
> M
>
> On Fri, 22 Dec 2017 at 12:08, David H. Bailey
> wrote:
>
>>
>>
>>
se
which staff set you want to program with the staves you've selected.
3) done.
The next time you click the View Menu / Staff Sets you'll be able to
select the staff set(s) you've programmed that way.
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David H. Bailey
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g the new names?
I'm using Finale2014.5 on Windows10 -- I don't have Finale2012 installed.
David H. Bailey
On 12/22/2017 6:22 AM, Martin Nickless wrote:
> Hello there I
> Have a score where I want to write alto sax 1 for the alto sax
> I went to score manager typed that in
ning of the number.
>
She wants to move the symbol, not the number.
I don't see any way to alter the position of the multi-rest symbol.
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ou're using the
built-in Finale "export to PDF" function -- printing to an external PDF
printer won't have those mistakes.
I haven't tested the Microsoft PDF printer, but I know that many of the
independent PDF "printers" such as CutePDF produce small and effici
u can then add
the correct accidental and hide it if you need to in order to get proper
playback and still have it appear correct on the page.
David H. Bailey
On 11/14/2017 4:25 AM, Martin Nickless wrote:
> Hi there
> Can some one please help
> I have just finished a score
> When
No, none of those formats are importable into Finale.
If the person who sent you the files can't repair the page turns, I
think you'll have to enter them into Finale from scratch.
David H. Bailey
On 11/13/2017 5:15 PM, dr.a.s. weinstangel wrote:
> In the package of PDF
target metronome marking but I couldn't remember whether that could be
accomplished simply with a non-printing tempo expression.
The midi tool in Finale is an often overlooked asset that can make some
things so much easier, as you discovered.
Thanks for the reminder!
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Frame dialog with all the checkboxes, including playback, will
appear.
David H. Bailey
On 9/29/2017 8:38 PM, Lee Actor wrote:
> In Speedy Entry, you Option-click inside a measure to bring up the Edit
> Frame. One of the many items in the Edit Frame for each note is "Playback",
cut
it for you.
Printer settings would of course depend on the printer driver, which
would be different for each printer.
David H. Bailey
On 9/7/2017 7:56 PM, Howey, Henry wrote:
> Does anyone have sources?
>
> Printer settings?
>
> Henry Howey
> Sent from my iWhatever
&
o be sure
you're in scroll view), ctrl-click View and in the Program Staff Sets
dialog, click on whichever already-defined set you want to get rid of
and it becomes undefined as a staff set.
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ing, either title or
composer. You may need to delete one and recreate it so the other one
isn't of the same type of insert.
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of the staves in question so there will be a space between them
and then drag the staff with the Coda up to where you want it, on the
same level as the D.S.
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ple working with notation programs actually need or
want that deep a level of editing. Obviously they think/hope enough for
the Dorico team to put development time into it.
But for those who do need/want such deep editing capabilities, I think
Dorico is well on its way to taking over Finale&#
t/using Dorico?
>
> Interested to hear your thoughts on its engraving fine-tuning, horizontal
> spacing, handling of 20th/21st century notation etc.
>
> Playback aspects are of little interest to me.
>
> Cheers
>
> Jim
>
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David H. Bailey
dhbaile...@comcast.
ks, you may have old Midi data in there, or you may have recorded the
> velocities from your Midi keyboard.
>
Thank you for clarifying that and for pointing to the correct tool for
remedying the problem if that is indeed it.
I had been trying to say that but had forgotten the procedure using
an Playback
ignore the recorded MIDI data for Continuous Data, Velociy, Start/Stop
Time, Tempo. If any of those have been changed to "Incorporate Data"
then try changing those.
I hope others chime with advice -- this can be such a frustrating problem!
Good luck!
--
*
David H
lex software
should allow them to begin immediately working on their major projects.
Unfortunately that's not the case -- that would be like starting
driver's education and at the first behind-the-wheel driving lesson
trying to drive across the country going through the heart of every
majo
able
also, even if we never get anywhere close to professional level on it.
Just understanding the technical aspects of the different families we
write for can help us produce better music for them.
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David H. Bailey
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_
est thing is to get the 2009 user manual and buy the Finale
2014: Trailblazer printed book and work from there.
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don't want the double-bar to show, for
example, and there's no repeat sign you want to place) you can define a
staff style that has the "barlines" box unchecked under "Items To
Display" and then apply that staff style to the measure before the key
change.
I know
our end. Can you provide more specific
instructions?" Whereupon you simply resend your initial request for
help because you spelled out the specific instructions to replicate the
problem.
But through it all the program itself remains very powerful and very
capable.
Good luck,
David H. Bai
s unmarked unless there is something you
definitely want on an up-bow or a down-bow. And mark those sparingly.
Leave such things to the people who will be playing the parts.
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David H. Bailey
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_
ad copyrighted it and Pete said he didn't think so. So the manager
registered the copyright for him. I don't think Pete was all that
interested in the business end of things.
And I agree with your final statement -- once the bean counters get hold
of things, the nice collegial feeling of
ng for help in this group is a
great resource. You'll get answers faster and in many cases more
correct than some answers you'll receive from Finale's tech support
team, and definitely you'll receive the answers much faster and with
less bother than going through Finale&#x
27;ve found that editing incorrigable lines that way
usually works.
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ht be different
than Sibelius expects, but it would be worth a try.
What's happening here is that MusicXML has moved on from when Sibelius
last released its upgrade.
Let us know how well it works simply renaming myfile.musicxml to
myfile.xml and importing into Sibelius.
--
*
se it exclusively or shared?
Sonar Platinum works fine with WASAPI in either mode, so it's not WASAPI
on my computer that's the problem -- it's the notation software that
doesn't know how to interact with it that's the problem apparently.
--
On 7/13/2017 4:17 PM, Dennis Bathory-Kitsz wrote:
> David, thanks very much.
>
> On Thu, July 13, 2017 3:32 pm, David H. Bailey wrote:
>> WASAPI is an audio output protocol. Most computers have several
>> different ones installed -- my Win10 machine has WASAPI as well as
>> W
5 disables
it so it shows as disabled in Device Manager, it's a simple matter to
re-enable it.
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part of the usual compound meter
feel of 6/8 and so people seem to be more apt to pay attention to it.
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t note in the bottom was mis-written and it's
supposed to come just before the first note on the bottom, in which case
there are 8 separate notes.
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David H. Bailey
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ore
set for one size paper but then added material and the new pages added
at the end were the default size and not the custom size I had set.
Changing the page size setting once the new pages were added fixed that
for me. I don't know if that is germane to this problem, though.
--
On 4/30/2017 9:01 AM, Dennis Bathory-Kitsz wrote:
> On Sun, April 30, 2017 8:54 am, David H. Bailey wrote:
>> There is a setting in Windows Explorer (which is where programs get the
>> info for their file open/save dialogs) to show or hide system folders
>> and files. This c
der should show up in
Windows Explorer and also in the File/Open or File/Save dialogs.
David H. Bailey
On 4/30/2017 7:40 AM, Dennis Bathory-Kitsz wrote:
> On Sun, April 30, 2017 6:37 am, Michael Lawlor wrote:
>> [2014.5]
>>
>> I have a folder that I can see from Windows Explo
der should show up in
Windows Explorer and also in the File/Open or File/Save dialogs.
David H. Bailey
On 4/30/2017 7:40 AM, Dennis Bathory-Kitsz wrote:
> On Sun, April 30, 2017 6:37 am, Michael Lawlor wrote:
>> [2014.5]
>>
>> I have a folder that I can see from Windows Explo
tently set that is causing this?
>
When you're in the file-selection window in Finale try hitting F5 to
refresh the display.
Or restart Finale.
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dhbai...@davidbaileymusicstudio.com
http://www.davidbaileymusicstudio.com
___
is just another reason that percussion remains a huge black hole
for most Finale users -- there are several places within the program we
need to go to ensure that our percussion parts look correct and also
playback correctly.
Thanks for the correction, Skjalg!
--
David H. Bailey
dhbai...@davi
libraries loaded in each.
But it's important to remember that no libraries are saved automatically
by Finale - we have to manually save whichever libraries we want to move
from one document to another.
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David H. Bailey
dhbaile...@comcast.net
http://www.davidbaileym
the tempo in the playback window, or anything. Any advice will be
> helpful, thank you!
>
When was the last time you did a full reboot of your computer? If
that's not working in any version of Finale I suspect it's a computer
problem and not a Finale problem.
--
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David H. B
Does that happen if you zip the file up first and send it that way?
David H. Bailey
On 4/12/2017 3:30 PM, Andrew Levin wrote:
> Hi, all,
>
> Does anyone have trouble emailing musx files? In recent months, some
> colleagues of mine at the university and I are having trouble sending m
with the tuplet number, I think that on that particular tuplet using the
bracket along with the number can make things clearer when a fermata occurs.
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choose "Create Shortcut" and then have Windows place
the shortcut on your desktop.
If you're using a Mac you'll need to wait for someone else to answer.
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David H. Bailey
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___
et counted, but it's not a big deal.
David H. Bailey
On 3/29/2017 2:43 PM, dr.a.s. weinstangel wrote:
> Thank you!
>
> I've also figured out that possibility.
>
> Was just hoping that there was a way of placing it "after the barline" like a
> clef, or dragging
et counted, but it's not a big deal.
David H. Bailey
On 3/29/2017 2:43 PM, dr.a.s. weinstangel wrote:
> Thank you!
>
> I've also figured out that possibility.
>
> Was just hoping that there was a way of placing it "after the barline" like a
> clef, or dragging
Place the note on the note where you want the courtesy accidental and
hit the * key. That places an accidental on the note. If you want it
in parenthesis place the cursor on the note and hit the p key.
David H. Bailey
On 3/20/2017 4:04 PM, Linda Worsley wrote:
> Fin Mac 2014.5
> Ho
t;
> Graeme, the way I would do that particular task is transpose the
> chords instead, which is only one operation. This can be found in
> Utilities menu>Change>Chords… Transpose. Make sure you transpose the
> chords up a minor third if the notes are in in alto key.
>
> Christoph
notes in the key of A but with the chord still
showing as C7.
I think that's essentially what you want.
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On 3/13/2017 11:04 PM, Craig Parmerlee wrote:
> On 3/11/2017 5:26 AM, David H. Bailey wrote:
>> Instead of asking this list, you really should just try things.
> I don't really think that is adequate advice. Finale is really quite
> obtuse in several areas, specifical
it on the wall in your office or something.
There isn't always a way to simplify some things.
David H. Bailey
On 3/11/2017 5:51 PM, Oliver Pospiech wrote:
> But if I do this it looks like:
>
>
>
> but I would like to get:
>
>
>
> what looks even nicer! I can get th
d your chord library for each new file or open
a default document and then load the chord library and then save the
default document as a template. Then use that for any new projects and
your chord suffixes will be available without having to load the library
each time.
--
f to see the list.
>
> Enjoy!
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>
>
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dhbai...@dav
you for sharing your
solution with us (now to keep my fingers crossed I never need to utilize
it!)
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dialog
that you can import into any document you want.
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ension of 2014.5 and not the totally new
version they advertised it as.
Why can't software companies be more honest with their users?
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F
ext to Create Multimeasure Rests is actually checked. If that is
already checked, then I'm out of ideas.
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ct the parts, then change the score
back to Display In Concert Pitch.
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To
an
turn off that "check for updates" function. Or simply ignore that
message when it appears.
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on but cannot find an option to generate the
> part name. Is this possible anymore?
>
Place a text box where you want the part name and then use the Insert
function from the Text menu to place the Score/PartName.
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David H. Bailey
dhbaile...@comcast.net
http://www
eping the stress on 1, 3, 5.
Ultimately it comes down to each situation compositionally and each
situation from the performers' perspective. How the composer chooses to
write it and how the conductor chooses to conduct it matters only in as
much as the music comes out properly.
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*
pages if necessary for page turns, page headers/footers, etc.)
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ch indicates that there *is*
an attack on the 4th quarter note (in a measure containing 6 quarter
notes) which he doesn't want stressed.
So how would you indicate stresses on 1, 3, and 5 in a measure
containing 6 quarter notes without using accents or tenuto lines or any
oth
aining 6 quarter
notes) which he doesn't want stressed.
So how would you indicate stresses on 1, 3, and 5 in a 6/4 measure
without using accents or tenuto lines or any other articulation, but
rather simply by the meter, which was the original question?
--
David H. Bailey
dhbai...@davi
ndicate the stresses if they used 6/4.
It's been like a discussion where someone asked which sort of pin to use
in a particular sewing project and people were all of a sudden
discussing how many angels can dance on a pin instead of actually
helping the person solve the problem.
--
David
t "Mood Indigo."
And people think that discussions about 6/4 or 3/2 would cause problems?
I'm so glad that MM (or whatever the company's called these days) spent
time including this new articulation library. It's ever so much more
important than actually fixing problems w
the meter is indicated, putting the stress on
1, 3, 5 in the 3/2 sections as the original poster intends.
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g the score 50 years from now and
choosing to perform it) would understand how the music should sound?
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he emphasis should be on 1,
3, and 5 and not 1, 4. So nothing is really gained by doing it one way
or another.
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David H. Bailey
dhbaile...@co
include the
text "q = q" over the meter changes.
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Finale25) could do the
conversion for you.
Sorry I can't help.
David H. Bailey
On 12/4/2016 8:02 PM, Simon Troup wrote:
> They're on tour and can't access the files for a week.
>
>
> --
>
> Simon Troup | BA Hons (Mus)
> http://www.digitalmusicart.com
>
>
MusicXML files as well.
David H. Bailey
On 12/4/2016 1:45 PM, Simon Troup wrote:
> Hello,
>
> is anyone able to open two Sibelius scores for me and export them as
> MusicXML. I have Sibelius 7.5 but it seems these are from a newer version.
> If I used Sibelius more than once every
s constant (an 8th-note is an
8th-note regardless of the meter on that specific part).
What Dorico can't do yet is to have the barlines line up such that
having one part in 2/4 and another in 6/8 with the duple feeling of both
parts be equal.
--
David H. Bailey
dhbai...@davidbai
s constant (an 8th-note is an
8th-note regardless of the meter on that specific part).
What Dorico can't do yet is to have the barlines line up such that
having one part in 2/4 and another in 6/8 with the duple feeling of both
parts be equal.
--
David H. Bailey
dhbai...@davidbai
e. We all just need to have flexible comfort zones -- I can
work well in both Finale and Sibelius (and am fairly fluent in
MuseScore) and am working to be just as much at home in Dorico. Once
they get the manual completed and offer tutorial projects to help new
users get comfortable with the softwa
Thank you very much, Jan! I can't begin to imagine how much work you
put into those, and when I'm a little bit more flush with cash I intend
to make a donation to support your work!
Thanks,
David H. Bailey
On 11/29/2016 8:07 AM, Jan Angermüller wrote:
> I have updated the free E
frankly can't afford that any more.
So I'm out on this upgrade, even for $99. And possibly out for all the
future ones as well.
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adds the new staff to every system and staff set. Does anyone
> know a way to not have this happen?
After it gets added, use staff tool to select that added staff and use
the "Hide Empty Staves" command in the Staff menu and any systems where
there aren't notes on that staff won'
eir heads wondering why so few people
are upgrading to Finale25 . . .
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have been
no reports here from Finale25 users telling us that long-standing bugs
have been fixed. I guess it's easier to take things out than to
actually fix things which are broken.
Oh well.
--
David H. Bailey
dhbai...@davidbaileymusicstudio.com
I'm not trying to
convince anybody to make the jump to Dorico, but the development team
has paid a lot of attention to the frustrations and wishes that many of
us have posted in these groups over the years.
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*
David H. Bailey
dhbaile...@comcast.net
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tivation from both Sibelius and Finale
so I can continue to use them on my laptop as well as my new desktop.
So the software protection aspect of Dorico really isn't a big deal.
David H. Bailey
On 10/22/2016 7:58 AM, Dennis Bathory-Kitsz wrote:
> Just a warning that Dorico uses Ste
ok<http://aka.ms/weboutlook>
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> fina
about
the shaky financial status of Avid nor worry about whomever the current
owner of Finale is and when they will decide to sell it off again or
simply let it die.
All the while it will be interesting to see what new things get added to
Finale, Sibelius and MuseScore to pick up on
to minimize the problems that
others have had with constant crashes or other problems but rather to
let people know that not everybody is having the issues which are being
reported. Of course, if you are one of those people it would be very
very frustrating.
--
*
David H
On 10/19/2016 1:35 PM, Eric Dannewitz wrote:
> Or when it can open/import Finale files
>
Heck, as witnessed by the many discussions on failed file openings by
later versions of Finale, not even Finale can open/import Finale files
all the time! Don't let that stop you! ;-)
On 10/19/2016 1:35 PM, Eric Dannewitz wrote:
> Or when it can open/import Finale files
>
Heck, as witnessed by the many discussions on failed file openings by
later versions of Finale, not even Finale can open/import Finale files
all the time! Don't let that stop you! ;-)
t out.
And there are the forums at Steinberg which anybody can join.
It'll be an interesting next few months definitely!
David H. Bailey
On 10/19/2016 1:30 PM, Michael Lawlor wrote:
> I was wondering if anyone has been looking at Steinberg's Dorico
> notation programme and if it i
t out.
And there are the forums at Steinberg which anybody can join.
It'll be an interesting next few months definitely!
David H. Bailey
On 10/19/2016 1:30 PM, Michael Lawlor wrote:
> I was wondering if anyone has been looking at Steinberg's Dorico
> notation programme and if it i
Nor on mine either -- looks like it must be an e-mail client setting
that got changed for him.
David H. Bailey
On 10/12/2016 9:13 AM, Raymond Horton wrote:
> Wow! Nothing like that on my end.
>
> Raymond Horton
> Composer, Arranger
> Minister of Music, Edwardsville (IN) United M
or not.
Just stick with what you've got since it's obviously working for you.
David H. Bailey
On 9/26/2016 9:32 AM, Craig Sylvern wrote:
> Thanks David!! H…let’s see… I think I’ll spend $149 to have to go
> through more steps to get my work done. Wow…there’s a good busi
On 9/26/2016 10:21 AM, John Witmer wrote:
> Yes, but how do you scan into Finale from a 3rd party scanner?
> John Witmer
Sharpeye and Photoscore allow you to save as MusicXML or MIDI, either of
which you can import into Finale.
--
David H. Bailey
dhbai...@davidbaileymusicstudio.co
edy entry?
>
> Thanks for the advice.
>
Scan it using an earlier version of Finale, save as MusicXML, import
that into Finale v25.
--
David H. Bailey
dhbai...@davidbaileymusicstudio.com
http://www.davidbaileymusicstudio.com
___
Finale mail
e it seems to
me that it's the importing function in Finale which might not be working
properly if you've already tried two different scanning programs and you
get the same error message both times.
--
David H. Bailey
dhbai...@davidbaileymusicstudio.com
http://www.davidbaileymusi
on so that the contrabass will play
back (if you have a sound library which actually has a contrabass flute
patch) with the correct sound at the correct pitch.
--
David H. Bailey
dhbai...@davidbaileymusicstudio.com
http://www.davidbaileymusicstudio.com
___
us or Notion or Forte or whatever
certainly isn't making any of us happy.
Thanks for reading -- I realize you may not be able to answer my
questions, but perhaps you could pass them along to whomever in the
corporation sets the pricing and the scheduling of interim updates.
--
Da
iately -- it's as if they forgot to test the
Print routine at all!
--
David H. Bailey
dhbai...@davidbaileymusicstudio.com
http://www.davidbaileymusicstudio.com
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