Re: [MOPO] Charlie Chaplin - The Adventurer

2011-03-05 Thread Toochis Morin
Congrats Doug!



From: Todd A. Spoor sp...@earthlink.net
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sat, March 5, 2011 7:48:00 PM
Subject: Re: [MOPO] Charlie Chaplin - The Adventurer

Doug,
Although I am not a collector of silent material, I think the poster has a 
great 
iconic image and was reasonably priced. Plus on a rarity side of things, if no 
one in the esteemed group of MOPO has never seen is before, you know it is 
super 
rare, which I love! Congrats!!!
Todd Spoor
Sent on the Sprint® Now Network from my BlackBerry®


From:  Doug Taylor douglasbtay...@hotmail.com 
Sender:  MoPo List mopo-l@LISTSERV.AMERICAN.EDU 
Date: Sat, 5 Mar 2011 22:28:38 -0500
To: MoPo-L@LISTSERV.AMERICAN.EDU
ReplyTo:  Doug Taylor douglasbtay...@hotmail.com 
Subject: Re: [MOPO] Charlie Chaplin - The Adventurer

Jeff and MOPO,
 
I purchased the poster…love the image.
 
Any MOPO opinions on whether it was a reasonable price?  Am I a sucker?
 
Also, if someone could please send me the re-release background that was posted 
a few days ago I would greatly appreciate it.
 
Thank you
 
DBT
Profile
 
From:MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Jeff Potokar
Sent: Saturday, March 05, 2011 9:53 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Charlie Chaplin - The Adventurer
 
high bid was  $3919 and change
 
 
 
jeff
 
 
 
On Mar 1, 2011, at 5:02 PM, allen day wrote:


A guess-timate: 6-8k
 
For certain: a jump  5k in the last 8 secs
 
ad

--- On Tue, 3/1/11, Neil Jaworski neiljawor...@yahoo.co.uk wrote:

From: Neil Jaworski neiljawor...@yahoo.co.uk
Subject: [MOPO] Charlie Chaplin - The Adventurer
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Tuesday, March 1, 2011, 7:37 PM
there's a CC poster on ebay that's (not surprisingly) getting significant heat 
due to its awesome image.  some knowledgeable buyers (no doubt MOPOers) have 
rightly forced the correction that this is a RR, but it's still a rare and 
brilliant poster and it will be fascinating to see what it goes forany 
guesses?  neil
 
http://cgi.ebay.com/ORIGINAL-CHARLIE-CHAPLIN-ADVENTURER-POSTER-1917-/180632385331?pt=LH_DefaultDomain_0hash=item2a0e877733#ht_1109wt_698
 
 
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Re: [MOPO] 2001 - WE HAVE A F______ HIT! I KID YOU NOT. GOD-D___, IT'S A HIT!

2011-03-05 Thread Toochis Morin
BTW I love 2001.  I saw it on TV when I was a kid and was riveted and haunted.  
When I saw it on the large screen a couple of years ago, I was blown away.

Toochis





From: David Kusumoto davidmkusum...@hotmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sat, March 5, 2011 7:01:33 PM
Subject: [MOPO] 2001 - WE HAVE A F__ HIT!  I KID YOU NOT.  GOD-D___, IT'S 
A 
HIT!

 * Almost one year ago, Freeman Fisher posted a you had to be there essay on 
MoPo about MGM's apoplectic and suicidal reaction to 2001 after it bombed in 
previews.  I thought his essay was so brilliant in content and appeal that I 
saved it.  


* To me, that we're still arguing about 2001's merits more than 40 years 
later 
is relevant because it means the film is too controversial and/or compelling to 
be forgotten.  On March 21, 2010, I remarked again that excepting sci-fi and 
comic book chick-nerds, not a single woman I know loves 2001.  And to me, the 
gender gap issue is relevant to the film's appeal.  


* Earlier that same day, some incredulous MoPo members griped about a 2001 
style B re-issue half-sheet selling at auction for $2,000.  Why?, some 
members 
asked.  Was the winning bidder out of his mind with more dollars than sense?

* In response, Freeman posted a back-story to MoPo about MGM's expectations for 
2001, closing with a single line referencing the aforementioned poster.  The 
highlight of Freeman's story is a quote from a previously downcast MGM 
publicist 
named Ted Hatfield, who, during a later screening before a paying audience, 
turned suddenly euphoric, screaming into a phone to MGM brass, WE HAVE A 
FUCKING HIT!  I KID YOU NOT. WE HAVE A FUCKING HIT!  GODDAMN IT'S A HIT

* You can read it below, copy-and-pasted in full. – d. 

===
From: Freeman Fisher
To: MoPo-L@LISTSERV.AMERICAN.EDU  
Subject: [MOPO] 2001: a space odyssey Anecdotal True Stories
Date: Sun, 21 Mar 2010 00:14:16 -0700

When I was a wee lad, I was utterly blown away by 2001: A Space Odyssey.  I 
first saw it in San Antonio where I was born and raised.  I remembered reading 
about it and even buying a comic book serialization before it ever hit the town 
learning much later as to why:  the Cinerama engagements were first roll out, 
all other cities had to wait on the engagements in a very slow deliberate 
roll-out by MGM.

Once opened, the film played exclusively at a General Cinema, 1000 seat theatre 
over a year, and literally keep getting moved to other houses for the better 
part of another year.  We are talking San Antonio guyswhere the search for 
illegal aliens was nothing special.

When I took a job in exhibition in Washington DC, that was when I hit Odyssey 
nirvana.  


The theatre chain I worked for owned the 1000 plus seat UPTOWN THEATRE a true 
Cinerama Theatre beginning in 1962, located walking distance from THE NATIONAL 
ZOO.  


But what really blew my mind was knowing the theatre was the host of the World 
Premiere of 2001: A Space Odyssey.

The theatre was shut down several months before the premiere and was completely 
renovated at a cost just north of $900,000 when $900,000.00 really meant 
somethingmind blowing given the reason for the renovation – was for the 
premiere of some space movie as told to me by the same manager still employed 
at the theatre when I started working for the circuit.  (The Washington Post 
actually did an article on him when he retired in 1986 two years after I moved 
to DC, since it was estimated that 50% of the population knew who he was.  Plus 
you can see the theatre in newsreel footage on the special DVD extras of 2001, 
but I digress). 


Further, since my job had me interacting with all studio publicists, one named 
Ted Hatfield who worked for MGM out of NYC at the time – (later moved to 
Columbia) – told me great stories of that horrible/wonderful time. 


In DC there were scheduled a series of screenings but the first was the WORLD 
PREMIERE and gala reception with NY and LA to follow.  This film was a big, big 
investment for the studio at the time.

Kubrick agreed to attend but he flexed, probably for his own amusement and 
eccentricity, some unusual demands.  Can't remember them all, but he did insist 
at the ultra deluxe and traditionally Georgian styled, Hilton Hotel, literally 
walking distance from the theatre, that one elevator be his 
exclusively..and 
be painted out completely in purple.

But he was a man under pressure, as all of MGM's brass were there along with a 
battalion of execs from NASA, McDonnell Douglas, TWA, Hilton and anyone else 
that lent their names, technology and sizeable promotional commitments. 


Did I mention there was never a test screening?

Not surprising he took control of the actual presentation demanding agonizing 
test runs with the projectionists that went on well into the evening prior.  
The 
Premiere proved a huge media event with the typical black-tie glitterati 

Re: [MOPO] Do you solely collect certain sizes of movie posters?

2011-03-05 Thread Toochis Morin
I love the artwork on the insert.  I love the one sheet because it's not 
restored.

Toochis





From: Franc fdav...@verizon.net
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sat, March 5, 2011 7:00:29 PM
Subject: Re: [MOPO] Do you solely collect certain sizes of movie posters?

Message 
The  insert is clearly the nicer of the two. I tend to collect only lobby cards 
for  myself because I have no more wall space but I'd rather have the insert.  
FRANC
-Original Message-
From: MoPo List[mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Bruce
Hershenson
Sent: Saturday, March 05, 2011 8:04 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Do you solely collectcertain sizes of movie posters?

I used to know quite a fewpeople who solely collected one-sheets or lobby 
cards, and just a few whospecialized in other sizes.

But does that make sense?

Look atthese two posters:

http://auctions.emovieposter.com/Bidding.taf?_function=detailAuction_uid1=2120112


and 

http://movieposters.ha.com/common/view_item.php?Sale_No=7035Lot_No=83033

Whichwould YOU rather have in your collection? And do YOU gravitateto 
some sizes most (or all) of the time?

Bruce

-- 
Bruce Hershenson and the other 28 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours:Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site
ourauctions

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Re: [MOPO] Do you solely collect certain sizes of movie posters?

2011-03-06 Thread Toochis Morin
 I love the Italian paper for the Bogie movies!  I hope to get one when I grow 
up.

Toochis





From: Neil Jaworski neiljawor...@yahoo.co.uk
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sun, March 6, 2011 11:36:21 AM
Subject: Re: [MOPO] Do you solely collect certain sizes of movie posters?


as someone with very similar collecting interests to my fellow londoner richard 
evans, i'm amazed that he likes the grande for The Big Sleep!  i find that 
image 
just awkward and jarring (in a bad way).  rich now need to go to the saul bass 
exhibition in east london as penance ;-)

it's funny how some campaigns swing from the sublime to the ridiculous across 
the sizes. the paper for 12 Angry Men is all just gawd-awful, except for the 
two 
half-sheets which are sublime (especially the black/dagger version which is an 
all-time classic).  it's a similar story with The Big Knife, a laughably bad 
campaign saved by two brilliantly witty and stylish half sheets.  Probably the 
most famous examples of this phenomena are the Longest Day advance 1sh and the 
On The Beach style B; happy design classics bobbing amidst a sea of  dreck.

n



--- On Sun, 6/3/11, Richard Evans evan...@blueyonder.co.uk wrote:


From: Richard Evans evan...@blueyonder.co.uk
Subject: Re: [MOPO] Do you solely collect certain sizes of movie posters?
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Sunday, 6 March, 2011, 17:36


US paper, I'd go against type and get lobby card 5.
Design on the lobbies is good on this title I think.



But, best piece for me is the grande, and I've been wanting to get one for 
years.


Heritage have sold that, at $3,800, which I though was a bargain, but bad 
timing 
for me then. 


Prefer that to the Italian paper that's also passed through there.


Though another  Italian piece that Heritage have sold does offer my personal 
favourite Bogart/Bacall image- the the 4 Fogli for To Have and Have Not.


Can turn a blind eye to Bogart being cross eyed in that one, and the art 
justifies the big 55x78 chunk of wall space.


Considering the restrictions of WB art direction at the time, the insert and 3 
are relative masterpieces.


But I'd still prefer the insert. There's less of it.


The 1 sht though, I think is a leading contender for worst art for a great 
title.








On 6 Mar 2011, at 03:55, Smith, Grey - 1367 wrote:

This seems to the most scarce piece that collectors are willing to pay for. I 
have sold it twice and both times have done well though the unrestored copy 
did 
considerably better than the restored copy.
 
http://movieposters.ha.com/common/view_item.php?Sale_No=640Lot_No=28176
 
http://movieposters.ha.com/common/view_item.php?Sale_No=617Lot_No=28676
 
 
Almost same image is insert, though the insert which I have sold as many 
times 
as the one  sheets does not seem to be exceptionally scarce. It is a shame, 
in 
my opinion, that the paper for the Warner’s titles of the 40s leave so much 
to 
be desired.
 
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Bruce 
Hershenson
Sent: Saturday, March 05, 2011 7:04 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Do you solely collect certain sizes of movie  posters?
 
I used to know quite a few people who solely collected one-sheets or lobby 
cards, and just a few who specialized in other sizes.

But does that make sense?

Look at these two posters:

http://auctions.emovieposter.com/Bidding.taf?_function=detailAuction_uid1=2120112


and 

http://movieposters.ha.com/common/view_item.php?Sale_No=7035Lot_No=83033

Which would YOU rather have in your collection? And do YOU gravitate to some 
sizes most (or all) of the time?

Bruce

-- 
Bruce Hershenson and the other 28 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site
our auctions
Visit the MoPo Mailing List Web Site at www.filmfan.com
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Re: [MOPO] Fab 70mm house in Houston now serves enchiladas

2011-03-21 Thread Toochis Morin
How sad. My aunt used to go there to see old films. It was like the New Beverly 
in LA. She took me there to my first classic (actually the first movie I ever 
saw in a theater). It was Black Narcissus. 



Sent from my iPhone

On Mar 19, 2011, at 10:38 PM, Phillip W. Ayling mro...@earthlink.net wrote:

 Kirby,
 
 On photo 5 which is described as the repurposing of Mahogany Window frames 
 into shadow boxes, those look an awful lot like beautiful one sheet frames; 
 were they?
 - Original Message - From: Kirby McDaniel ki...@movieart.net
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Sent: Saturday, March 19, 2011 7:32 PM
 Subject: [MOPO] Fab 70mm house in Houston now serves enchiladas
 
 
 You can sit there and chow down and watch MY FAIR LADY, which I saw there in 
 1964, on your iphone.
 
 Adios, Tower Theater.  How grand you were at one time.
 
 
 
 
 http://culturemap.com/newsdetail/03-16-11-buzzed-over-el-real-is-set-to-open-in-the-tower-theater-and-bring-back-your-granpa-tex-mex/
 
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Re: [MOPO] WalterFilm At LA MODERNISM SHOW

2011-04-30 Thread Toochis Morin
Wish I could be there.  

Toochis

Sent from my iPhone

On Apr 30, 2011, at 12:29 PM, Freeman Fisher flixs...@aol.com wrote:

 THIS WEEKEND ONLY
 
 For those Mopoers  in the LA Area  (and the great ones truly are...) 
 Walterfilm has a kick-ass booth in the LA MODERNISM SHOW at the Barker Hanger 
 in Santa Monica again TODAY AND TOMORROW.   Once again some great paper on 
 display (Rare Hitchcock, Rare Polish, Sci-Fi, Bad Girl, Noir, Marx Brothers 
 and more)  and available as well as virtually the entire stock of vintage 
 photos and superb lobby cards.   As for the other exhibitors present,  peruse 
 jaw dropping displays of dealers in art, furnishings, and decorative arts 
 skewed heavily toward astonishing 1940's through 1960's modern on display in 
 the enormous hanger under the azure blue skies of Santa Monica complimented 
 by the moderate roar of privately owned jets landing and taking off after 
 visiting our booth.
 
 So if not at the TCM Festival, at the Vintage Apparel Show, in line for FAST 
 FIVE, or Disneyland, or boarding, or WORKING YOUR GALLERY  ( that would be 
 you Sue Heim and Debi Jacobson)  do come by!
 
 This shameless message has been brought to you by two guys  having to stand 
 on their feet for 10 hours each day explaining that yes movie posters are 
 great sources for decorative arts, that cool people really do collect them 
 and by doing so improves one's sex-life exponentially by the money spent on 
 them.  
 
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Re: [MOPO] [Bulk] Re: [MOPO] The guy from Britain

2011-06-11 Thread Toochis Morin
Who could possibly make fun of my name?!

Toochis

Sent from my iPhone

On Jun 11, 2011, at 1:55 PM, channinglylethomson channinglylethom...@att.net 
wrote:

 Bruce -as someone named Channing, I completely agree with you.
 
 Thanks for noticing, Channing Thomson
 
 On Jun 11, 2011, at 1:24 PM, Bruce Hershenson wrote:
 
 I have had a funny name theory for a long time. It developed when I 
 noticed that the vast majority of the 30,000+ movie paper collectors on my 
 mailing list had odd names (either first, last or both), and that very few 
 had common names like Smith or Jones and most of the few that did had 
 unusual first names like Ebinezer or Grey.
 
 My funny name theory is that kids with odd names are more likely to be 
 less social and teased about their names when they are young, and that this 
 MIGHT make them more inclined to solitary pursuits like reading comic books 
 or collecting movie posters.
 
 I have no clue if this is true, but the new collectors on my list over the 
 past few years continue to bear out this theory.
 
 Bruce
 
 On Sat, Jun 11, 2011 at 12:22 PM, Doug Taylor douglasbtay...@hotmail.com 
 wrote:
 Not me.
 
 
 I’m completely normal.  Completely normal.  Completely normal.
 
 
 Regards,
 
 
 DBT
 
 
 From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Smith, 
 Grey - 1367
 Sent: Saturday, June 11, 2011 12:54 PM
 
 
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: Re: [MOPO] The guy from Britain
 
 
 Alan,
 
 My opinion only, but collectors in general are quirky, opinionated, often 
 obtuse, generally speaking.
 
 It doesn’t matter whether its posters, comics, stamps or coins. The same 
 bolt of cloth, if you will.
 
 I believe that with collectors there is a certain obsessive nature perhaps, 
 to bring some order to their world, in whatever way they can, and that is 
 what collecting is about. A need to own the tools to do so.
 
 It can lead us to be viewed as less than logical or clear minded 
 individuals, in many instances.
 
 I will say that those qualities can often make for some very fun, witty and 
 interesting exchanges, to say the least. But rarely boring!
 
 
 
 From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Alan Adler
 Sent: Saturday, June 11, 2011 11:25 AM
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: Re: [MOPO] The guy from Britain
 
 
 As a side bar to all this - and perhaps to bring it back to posters a tiny 
 bit -
 
 
 Do any of you think movie poster collectors are odd?
 
 I know I am -
 
 And the ones I've met and known over the years are some of the quirkiest 
 -and often cantankerous - folk on the planet.
 
 So what makes us so crazy?
 
 Left alone in theaters as children too long?
 
 Too many paper monsters under our beddie beds?
 
 Over the top accumulated viewings of Vertigo?
 
 Swashbuckled brain cells?
 
 Cartoon visions of relationships?
 
 Gangster mentalities?
 
 Noire-mindedness?
 
 
 Alan Adler
 
 
 On Jun 11, 2011, at 9:17 AM, Adrian Cowdry wrote:
 
 
 I did wonder if I was going to get flack, my shoulders are broad. Those in 
 the know will take all the crap below as just that.
 
 Thankfully I have too good a relationship with my friends for me to worry 
 about the misguided garbage written below.
 
 As most of you will know I had cancer in 2008 and could not attend Cinevent 
 2009. Cinevent 2010 was for me and my friends a close and very much bonding 
 time. My friends needed to see me well and I needed to see them. I didn't 
 think I'd see them again at one point. convent 2010 was a cathartic 
 experience for me, this all sounds very gay...but those concerned know who 
 they are and what they mean to me.
 
 As for Ralph, did he get a Marx brothers card? I was unaware. I think I did 
 bad mouth Ralph one night he didn't by the beers or something, we had to 
 wait till the next night.As for Andrew getting a Goldfinger 3 sheet, well 
 done, if it hand.t have been sold the owner was prepared for me to take it 
 on consignment. The fact the owner at the time sold it couldn't have been 
 better. In fact that owner and I have such a good relationship that I would 
 do anything in power to help him in anyway and I can safely say vice versa.
 
 As for the photo outside of Mitchells I needed just me and the guys whom I 
 have bonded with, Andrew was new to me. In fact all the guys who were there 
 said no to Andrew being in the shot...I was lucky to be there and it was an 
 emotional time for me and I needed just those guys...not someone I didn't 
 know and also someone who was proving to be offensive and obnoxious toward 
 my pals at the very least he was impolite.
 
 Andrew did prove to be entertainment none the least...however it is plainly 
 obvious that there is something wrong. Certainly I could care less about him 
 and his collecting. At the beginning like most of us I was willing to take 
 him into our group but the more impolite he became the worse it was and he 
 insisted on getting drunk in our company the 

Re: [MOPO] 5,658,000.00 !!!!!!

2011-06-18 Thread Toochis Morin
Wish I were there to see this!

Toochis

Sent from my iPhone

On Jun 18, 2011, at 8:11 PM, Freeman Fisher flixs...@aol.com wrote:

 Yes that is what Marilyn's white  SEVEN YEAR ITCH subway grate dress just 
 sold for at Debbie Reynold's Auction.   Add another million and a half for 
 the red dress from GENTLEMEN PREFER BLONDES (which personally I thought 
 delivered more wow, with her in or out of the dress)  I can't even think of 
 anything snarky to say..these are unbelievable numbers.
 
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Re: [MOPO] OT: Movie Poster Father's Day card

2011-06-23 Thread Toochis Morin
Fabulous!

Sent from my iPhone

On Jun 22, 2011, at 7:37 PM, dreamfact...@hollywooddreamfactory.com wrote:

 I agree with Greg its some very cool art and like the scifi retro
 stuff
 that whole 50s Robot spaceship and comic art stuff sizzles
 tell the daughter great Job Dave !
 mopo Kids Rock !!!
 Tom
 
 
  Original Message 
 From: pickmeis...@cox.net
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: Re: [MOPO] OT: Movie Poster Father's Day card
 Date: Wed, 22 Jun 2011 19:30:15 -0700
 
 As a frustrated graphic artiste, I am really impressed by your 
 daughter's work, Dave. Very cool, nice combination of retro ideas
 and 
 modern comix design.!
 Greg Douglass
 On 6/22/2011 7:03 PM, Dave Rosen wrote:
 It's a few days late but well worth the wait!
 My daughter, who's currently living in France, sent me this
 Father's 
 Day card today. It plays off my love of movie posters, sci-fi
 B-movies 
 and robots. I know I'm probably just being a proud father but I
 think 
 it's awesome and thought folks here might like to see it:
 http://www.posteropolis.com/store/images/dad_postersmall.jpg
 Dave
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Re: [MOPO] Happy Birthday to Channing

2011-08-03 Thread Toochis Morin
Hope you had a fabulous Channing day!



From: Richard Halegua Posters + Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tue, August 2, 2011 7:27:47 AM
Subject: [MOPO] Happy Birthday to Channing

Happy Birthday to Channing 
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[MOPO] A lovely young actor passes

2011-09-11 Thread Toochis Morin
Andy Whitfield was SPARTACUS on the Starz TV series SPARTACUS:  BLOOD AND SAND. 
 He was brilliant, kind and a loving family man.  He left this world too young 
and I pray for his family.  I was lucky to have met him at Comic-con and he was 
a complete joy to be with.

I'm here in NYC during the 9/11 memorials and it has been filled with much 
sadness.  Today with the loss of Andy, it is tougher.

Be thankful for having another day to live, breathe and love on this planet. 
 Life is very precious indeed.

Toochis

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Re: [MOPO] A lovely young actor passes

2011-09-12 Thread Toochis Morin
Thank you Phil.  The show is wonderful and the new Spartacus is very good but 
Andy was magical.  Such a loss.




From: Phil Edwards p...@cinemarts.com
To: Toochis Morin fly...@pacbell.net; MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sun, September 11, 2011 10:49:39 PM
Subject: Re: [MOPO] A lovely young actor passes

 
Very sad indeed.
It's going to be kind of tough to re-watch  S:BS for some time, I think.
 
Phil
- Original Message - 
From: Toochis Morin 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, September 12, 2011 2:16PM
Subject: [MOPO] A lovely young actorpasses


Andy Whitfield was SPARTACUS on the Starz TV series SPARTACUS: BLOOD AND 
SAND.  He was brilliant, kind and a loving family man. He left this world 
too young and I pray for his family.  I waslucky to have met him at 
Comic-con and he was a complete joy to be with.


I'm here in NYC during the 9/11 memorials and it has been filled withmuch 
sadness.  Today with the loss of Andy, it is tougher.


Be thankful for having another day to live, breathe and love on this
planet. 
 Life is very precious indeed.


Toochis
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Re: [MOPO] Frames for Posters

2011-10-05 Thread Toochis Morin
Agreed.  Sue is the best!




From: Richard Halegua Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Wed, October 5, 2011 1:35:35 PM
Subject: Re: [MOPO] Frames for Posters

and she is a genuinely nice person too
: - )

At 01:04 PM 10/5/2011, Doug Taylor wrote:

Not really following this email chain but saw Susan’s name and the subject and 
felt compelled to say that her framing, and understanding of the specific needs 
of poster framing, is simply outstanding.
 
There is no better place to frame, IMHO.
 
Regards,
 
DBT
 
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Susan Heim
Sent: Wednesday, October 05, 2011 3:34 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Frames for Posters
 
Hey Cory,
  Thank you for asking. My toll free number is (800) 463-2994. My website is 
www.hollywoodposterframes.com. Your client is free to call me anytime for 
information. Thank you. 

Sue Heim
 

 
Date: Wed, 5 Oct 2011 14:37:25 -0400
From: cglaber...@aol.com
Subject: [MOPO] Frames for Posters
To: MoPo-L@LISTSERV.AMERICAN.EDU

Could Sue Heim give me her information . I need to pass it onto a client. 
Thanks
Cory Glaberson
cglaber...@aol.com

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Re: [MOPO] Susan Olsen - gifted restorer - passes away

2011-10-11 Thread Toochis Morin
Oh no!  I can't believe it.  I feel so bad.  She was caring for her young 
grandson.  I hope he will be ok.  Does anyone know how to get hold of her 
family?  Does she have a memorial?  She restored my Italian Barbarella which 
hangs in our office.  She was stellar.  So sad.

Toochis




From: Susan Heim filmfantast...@msn.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tue, October 11, 2011 9:44:28 AM
Subject: [MOPO] Susan Olsen - gifted restorer - passes away

 
Hello all,
 
  I just had a note from Robert Perry at Spotlight Displays that one of our own 
has passed away. Susan Olsen was a very gifted restorer that I know many of you 
had used for your collections as she would send the posters down to me for 
framing afterwards. 

Not sure if anyone else had posted something to the group about this, but I did 
want to make you aware of it. She use to be a very active participant in our 
conversations here on the MoPo group back in the day. Quite the fireball, she 
always had very strong opinions and a quick wit. She made me laugh quite a few 
times, raucously!!  Sad news as she was only 52. 

 
Sue Heim
www.hollywoodposterframes.com 

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Re: [MOPO] Happy Birthday Bruce Hershenson

2011-10-28 Thread Toochis Morin
Happy Birthday Bruce!




From: Richard Halegua Posters + Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Fri, October 28, 2011 12:03:31 AM
Subject: [MOPO] Happy Birthday Bruce Hershenson

today is Big Boy's birthday

happy birthday Bruce

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Re: [MOPO] Is MoPo membership on a decline?

2006-09-04 Thread Toochis Morin
It's been a busy summer for me so that's why I've not been able to participate on Mopo that often. I think that's the main reason and when we go off-topic for too long.Anyway, I hope all is resolved soon and we can get to talking about posters.ToochisClaude Litton [EMAIL PROTECTED] wrote: Richie  I am only writing one email on this subject and I feel I have a  right as I am being flamed and blamed by you for something I did not start nor  end. 
  There is no rule on MoPo for emails off of MoPo. There cannot  be such a rule because it is not on MoPo. Your theory is so wrong it  is laughable. Scott Burns cannot make rules outside of MoPo. Emails  that occur between parties outside of MoPo are private and have nothing to do  with MoPo. Are you going to tell the group that I cannot discuss a MoPo  subject on my telephone, at a poster show, at an auction or anywhere else?  Your reasoning reeks of total nonsense andI am being polite with my  words. Don't they discuss MoPo on other discussion groups? Can Scott  Burns dictate to them about not discussing a MoPo topic? The bottom line  ison MoPo, Scott Burns rules because it is his. He cannot dictate  rules outside of MoPo regardless of where the situation originated. You  are repeating the words of a person who rationalizes everything
 towards meeting  her goals.   You began by saying I started it. Are you crazy? Do you  read all the emails in sequence or just pick and choose the ones you like?  Or do you read at random? Let me refresh or explain the sequence to  you.  1. JR and I were discussing rixposterz  listings. 2. Phil made a comment refuting JR's and my comments and then  ended his email with an insult to me. 3. I answered his insult on MoPo (Up to now all words were on topic except the  insult) 4. Jeannie now entered with an insulting remark directed at  me 5. Since I did not want to get involved in a war on  MoPo and since she has tried to get me to engage in such a
 situation before, I  replied privately. I did not air it publicly and I have every right to do  this. If I did anything wrong then it is her right to take action  privately. She did not have a right to make a private email public and  Scott Burns said so. (Just to let you know, she tried to get me into a  debate on another talk group and I told her that I do not have the time like she  does. She emailed me back in a very sarcastic manner) 6. In repy to her taking the email public, I again replied  privately. she took it public again and stated she would continue to do so  in total defiance of Scott Burn's rules.   She insulted me publicly and that is the only thing that  counts. I did not attack anyone publicly and the fact that she made a  private email public is not my fault and not a violation of MoPo rules by  me. In fact, I
 just had a conversation about your email with another MoPo  member and the conversation has words about you that cannot be printed by David  K in his professional writings. Since both of us uttered words concerning  this topic which originated on MoPo, I ask you. Should we be suspended  from MoPo for a personal attack on you in a private conversation? What if  I wrote about your inane reasoning to Bruce and he published it in his email  club? Wouldit be a violation of MoPo rules if (and I say if) I wrote  that you were a  and Bruce published it? Come on now and get with  it.  You wrote "without a doubt" that I was wrong. I will not  publish a private email. I can only tell you that you are the only one  without a doubt. I can very easily print all the private emails I received  from MoPo members agreeing with me, applauding what I said privately and
 dissing  "you know who". I also did not receive a single private email telling me I  was wrong or agreeing with your "without a doubt" words.  There is also another thing you should do. Go to NSFGE and  read what is going on there. I was emailed (by a MoPo member) pages and  pages of her "discussions" with members there. She attacked our David  Lieberman and they call her The Kautix From Hell. She does nothing but  fight with others there.  You finally end your email with "do unto others as they do unto  you". You call me a hypocrite in the same email while quoting a righteous  way of living. Please explain to me how I can be insulted publicly and  that retorting privately is the same thing. Better yet, explain it to the  other members of MoPo. 
 What I find most ludicrous of all your words concerns your  statement about when someone wants to write something useful to the group they  should not be flamed. I believe I was writing something useful to the  group when I wrote about being truthful in ebay listings. I was insulted  by a person who has never written a useful thing on MoPo andyou can verify  that by checking all her past emails. I reiterated in a private email and  you have the nerve to tell me I can't do that. Show me where the rules of  MoPo follow anyone beyond the borders of the site. Did 

Re: [MOPO] Voodoo woman returns and isnt it Ironic

2006-09-16 Thread Toochis Morin
I hope he recovers soon and can get back to the work he enjoys. That way everyone gets their posters in great shape.ToochisShelly Whitworth-King [EMAIL PROTECTED] wrote: What goes around, comes around .. or something along those lines.However, could I just say once more that I hope for a happy ending for Frank Santos and those waiting customers. I am sure this will be resolved shortly.Without our health, what do we have?ShellyOriginal Message FollowsFrom: JR <[EMAIL PROTECTED]>Reply-To: JR <[EMAIL PROTECTED]>To: MoPo-L@LISTSERV.AMERICAN.EDUSubject: Re: [MOPO] Voodoo woman returns and isnt it IronicDate: Sat, 16 Sep 2006 01:14:10 -0400Susan,Thanks for making my point. Scott... does this message constitute a clear
 violation of your guidelines for no personal attacks on MOPO?- Original Message -From: susan olsonTo: MoPo-L@LISTSERV.AMERICAN.EDUSent: Friday, September 15, 2006 22:03Subject: [MOPO] Voodoo woman returns and isnt it IronicAre you referring to me. I am VooDoo Woman, a name my good friend Greg Douglas called me 10 years ago, Dario when you say why she would come on here and lay this "Guilt Trip"on us?I just felt empathy for Frank Santos and really didn't mean to critize anyone, however In empathizing with Frankand his Lax 40 Days, I had to relive my own experienes with my "One Woman Show" and my struggle  with a health crises and a  2 year old grandchild who was dropped in my lap while doing chemo.Sometimes it is hard to dissassociate.I also know that when you are in that situation and are feeling weak and scared it is sometimes very hard to communicate or acknowledge the
 monster that is breathing down your neck!This scenario has played out many times here,  as it did with the Lazarsons.JR what ever you says holds no water for me, You have no credilbility  with me sir, Mr defender of Eugene Hughes, JoeDeprenda and the Physcopath Amanda who you tried to get me moderated for after she posted my  private emailsand our private fight,to Style-B list?You are relentlessly negative and flip flop like a fucking hooked trout, and unfortunately ,I have let you troll me.I would love you to rejoin Style-B, so that I would have the pleasure of kicking you ass out  for the second time!SUSANVisit the MoPo Mailing List Web Site at www.filmfan.com___How to UNSUBSCRIBE from the MoPo Mailing ListSend a message addressed to: [EMAIL PROTECTED]In the BODY of your message type: SIGNOFF
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Re: [MOPO] in the cooler

2006-09-17 Thread Toochis Morin
I'm looking forward to those resto tips, Susan. I've got some very lovely but beat up posters.Welcome back,Toochissusan olson [EMAIL PROTECTED] wrote:   After much thought today and a flurry of private supportive emails and  requests that I not leave again, and of course if Scott the List owner doesn�t  make a ruling to banish meI will take a time out and come back and be a positive contributing member, who will not allow herself to get baited and trolled, Thankyou everyone!  if
 there are any New members who have Resto Questions or would like any do  it yourself pointers for minor flaws, I would be happy to answer any questions after my time out! Susan Visit the MoPo Mailing List Web Site at www.filmfan.com ___ How to UNSUBSCRIBE from the MoPo Mailing List  Send a message addressed to: [EMAIL PROTECTED] In the BODY of your message type: SIGNOFF MOPO-L  The author of this message is solely responsible for its content.  
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Re: [MOPO] in the cooler

2006-09-17 Thread Toochis Morin
I've had the joy of watching John's work as Susan has helped him through linebacking. It was imformative, fascinating, and lots of fun. John has linenbacked some beauties.I look forward to seeing more from both.ToochisJohn Waldman [EMAIL PROTECTED] wrote: Members of MOPO,  In all my years of collecting movie memorabilia I have never met a more generous, giving person than Susan Olson.  In this age of little free time, Susan has given her time, money, and with her limitless knowledge of poster resto to help me.   With that said let me comment on Susan’s short MOPO posting career. (No windy, long posts from me. I like to get to the point.)If Susan says someone is okay then that is good enough for me. I trust her judgment and assessment of human nature. Is she opinionated? Hell yes! Does she tell it
 like it is? Again, hell yes! Susan is one of those people who tell it like it is with no hidden agenda of her own.Call Susan Voodoo Woman if you like, but I’m proud to call her my friend.   John Waldman  Collector since 1977  Freedom Lover [EMAIL PROTECTED]
 wrote:"...who will not allow herself to get baited and trolled,  Thankyou everyone!"Susan, you're still doing it. Please just leave.  Andrea- Original Message -   From: susan olson   To: MoPo-L@LISTSERV.AMERICAN.EDU   Sent: Sunday, September 17, 2006 2:34 AM  Subject: [MOPO] in the coolerAfter much thought today and a flurry of private  supportive emails and requests that I not leave  again, and of course if Scott the List owner doesn’t   make a ruling to banish meI will take a time out  and come back and be a positive contributing member,  who will not allow herself to get baited and trolled,  Thankyou everyone!if there are any New members who have Resto Questions or would like any do it yourself  pointers for minor flaws, I would be happy to answer any questions  after my time out!  SusanVisit the MoPo Mailing List Web Site at www.filmfan.com 
 ___  How to UNSUBSCRIBE from the MoPo Mailing ListSend a message addressed to: [EMAIL PROTECTED]  In the BODY of your  message type: SIGNOFF MOPO-LThe author of this message is solely responsible for its content.Visit the MoPo Mailing List Web Site at www.filmfan.com  ___  How to UNSUBSCRIBE from the MoPo Mailing ListSend a message addressed to: [EMAIL PROTECTED]  In the BODY of your message type: SIGNOFF MOPO-LThe author of this message is solely responsible for its content.  Yahoo! Messenger with Voice. Make PC-to-Phone Calls to the US (and 30+ countries) for 2¢/min or less. Visit the MoPo Mailing List Web Site at www.filmfan.com ___ How to UNSUBSCRIBE from the MoPo Mailing List  Send a message addressed to: [EMAIL PROTECTED] In the BODY of your message type: SIGNOFF MOPO-L  The author of this message is solely responsible for its content. 
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Re: [MOPO] For the Record

2006-09-19 Thread Toochis Morin
You're doing a great job, Scott. ToochisScott Burns [EMAIL PROTECTED] wrote:  For the record:MoPo is an UNMODERATED group.I am a LISTOWNER, not a MODERATOR. There is a very critical difference:Postings are not viewed, nor approved prior to distribution. When you jointhe group, you're on your own but expected to act reasonably civil and takeresponsibility for what you write.Despite claims to the contrary, I HAVE taken action concerning recent poststhat were not acceptable to the group's guidelines--PRIVATELY.Time to move on.ScottMoPo List Owner Visit the MoPo Mailing List Web Site at www.filmfan.com   ___  How to UNSUBSCRIBE from the MoPo Mailing List
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Re: [MOPO] Changed tastes

2006-09-19 Thread Toochis Morin
Great subject. I started with Bogie because I've adored him since  I was a child. My grandfather looked and sounded like him.  Needless to say, Bogie paper runs high so I can't get as much as I  like. I then started buying silent movie posters. I pretty  much stay with stone lithos and try not to buy beyond the 30's or it  will get out of hand.I have my noir collection in my husband's office along with bad girl  and schlocky 50's monsters. The furniture is 50's, etc. So  that way I can justify going beyond my boundary. I have the  KILLER SHREWS in the office which was beautifully linenbacked and  restored by Susan Olson and it was in crappy shape. Of course, occassionallly I'll buy contemporary such as: Taxi  Driver, DS advance of UNFORGIVEN and anything on the IRON GIANT.Toochissusan olson [EMAIL PROTECTED] wrote:    Thankyou for the reply Philipp, good to hear from you.Yes it is a lot of fun, I recently got a Schlock (the water color Image of   an Ape carryin a Blonde girl off, the look on his face is so Lascivous and goofy   ) I cant help but crack up!  and then up will go Lady Frankenstein.  yes I love arty campy stuff as well and have recently gotten into Stone   Litho Caberet posters and fruit crate labelsrecently found (fruit   crate label) from the 30's titled the Gay Cock (it’s a rooster) but it   just slays me,  This week hanging on my easel I am back to bette Davis
 "Payment on   Demand"  "I made Him Now Ill Break Him"   Susan  - Original Message - From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] ; mopo-l@listserv.american.edu Sent: Friday, September 15, 2006 3:48 PMSubject: Re: [MOPO] Changed tastesGreat post Susan, my taste also change all the time but then again I always get back to the old after a cycle of change...very interesting...dont know the reason butreally love it this waysometimes I discover a new line or art on posters I love to collect and own in my
 collection...Philipp-Original Message-From: [EMAIL PROTECTED]To: MoPo-L@LISTSERV.AMERICAN.EDUSent: Thu, 14 Sep 2006 9:06 PMSubject: [MOPO] Changed tastesWhen I first started collecting movie posters, I was pretty much stuck in a Paradigm (as was my movie Viewing)only Film Noir and B/W classics.I wouldn’t even look at anything that didn’t have Bogie or Mitchum, Bette Davis or many of the others,Now I am buying posters for Yog and Schlock, Vampyres,Warhols Blood for Dracula,Frankenstein, Plan 9 from Outer SpaceI have watched movies lately that I had never heard of before, many of the above but also many many Giallos,The Horrors of Spider Island,Brides of Blood etc,and I cant seem to get enough!Horror Hotel sheesh!Movies that are so bad theyre good
 and posters that maybe only cost me 20 bucksSo my question is do you find that after many years of collecting that your tastes have changed and gone from a rather rigid position to a more affiable and fun loving place?susanVisit the MoPo Mailing List Web Site at www.filmfan.com___How to UNSUBSCRIBE from the MoPo Mailing ListSend a message addressed to: [EMAIL PROTECTED]In the BODY of your message type: SIGNOFF MOPO-LThe author of this message is solely responsible for its content.Check out the new AOL. Most comprehensive set of free safety and security tools, free access to millions of high-quality videos from across the web, free AOL Mail and   more.Visit the MoPo Mailing List Web Site at www.filmfan.com  ___  How to UNSUBSCRIBE from the MoPo Mailing ListSend a message addressed to: [EMAIL PROTECTED]  In the BODY of your message type: SIGNOFF MOPO-LThe author of this message is solely responsible for its content.   
 
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Re: [MOPO] Best Universal Horror Classic poster?

2006-09-21 Thread Toochis Morin
Wow, Ron. What an adventure. At least you touched it and gazed at it.ToochisRon Moore [EMAIL PROTECTED] wrote:  Hi Andrea and Philip!Yes, I wish I still had The Mummy one sheet as well,but, you can't go back and on the bright side, I wasable to put a downpayment on a house and add some moregreat items to my collection.As for other great finds, if you guys would reallylike to hear some, I have lots of them. Some of themare pretty entertaining- but long.  I really condensedthe one about the Mummy as there was a lot more to it.When I get a chance next week, maybe I'll type out afew. Some of them I actually acquired and a few gotaway, but they're all great stories!Ron Moore--- [EMAIL PROTECTED] wrote: Ron! Amazing
 story...any other great story finds? Love these stories.   Philipp   -Original Message- From: [EMAIL PROTECTED] To: MoPo-L@LISTSERV.AMERICAN.EDU Sent: Wed, 20 Sep 2006 9:38 PM Subject: Re: [MOPO] Best Universal Horror Classic poster?   Okay, so in all honesty I have had way more than my share in great poster finds over the years- but I've really hit the roads over the last 30 years to find them. One of the first finds included both style Pinocchio one sheets from 1940 for 50 cents each! Along with 3 Superman serial one sheets- I had to cough up a bit more for those. But for the best find of all... Sue will like this one!  Back in 1992 I tracked down a rumor regarding an original Mummy one sheet. Now, I didn't really believe it was real until
 the guy who knew about it told me that next to Karloff's image the poster said, "It Comes to Life!"  Well, you coulda knocked me over when he said that. It took me another 6 months to finally locate it and when I did... well I was expecting to see the regular Mummy one sheet- you know, the one you always see pictures of. The one Borst owns that's in his book Graven Images! But when I went to this guys house, there on his living room wall was the other style Mummy one sheet! The one no one in our hobby had seen before. For once, my usually stoic poker face slipped! The owner would not even discuss selling it.  So, I asked where did it come from.  I really had to dig into this mystery and it went all the way back to 1959 when the poster was located in a small town outside of Chicago. Apparently there
 were lots and lots of posters stacked inside of a junk dealers barn. Out of that find-  a gentleman had kept 2 She Done Him Wrong one sheets, a Ladies They Talk About one sheet, and (Hey Doug Taylor- here's where it came from ) an original All Quiet On the Western Front one sheet! I was able to acquire them all.  What happened to the rest of the stacks of posters, I was never able to find out.  oh well  After another agonizing 6 months, the owner of the Mummy one sheet finally let me buy it off of him. It was one of the best days in my entire poster collecting life.  The happiness was short term though.  I was inundated by phone calls from auction houses, people offering me cash in briefcases, calls from people I didn't even know- and they knew where I lived! The calls were coming in 3 to 5 times a
 day. It got to where I would walk by the poster, hanging magnificently on my wall, and I just couldn't stand to look at it anymore. After 6 months of harrassment, I sold it. So much for what could be one of the greatest, if not the greatest, posters in our hobby!  There have been lots of more finds since then. I love the hunt!  Ron Moore Cinema Icons  --- Susan Heim  wrote:   The Mummy lobby card was a great find. I had someone  offer me the original one sheet for Dracula back in  1982 or 1983 for $3500. Well, at that time, he could  have been asking for $35 million and it wouldn't  have been different. The guy explained to me that it  would probably be worth quite a bit more in the  future, and I
 agreed, but $3500 was almost 3 years  rent to me in those days. He offered to go down to  $3000. I told him he could go down to $300 and I  still couldn't afford it. If I had only known, I  would have borrowed from everyone I knew to buy it.  I always hoped that guy never sold it and still has  it to this day. You could see how much he loved the  poster and hated to have to sell it.  New question...Graphically, The Mummy and  The Invisible Man one sheet are my favorite of the  Universal Horror Classic one sheets. How about  everyone else?Sue www.hollywoodposterframes.com  - Original Message - From:  [EMAIL PROTECTED] To:
 MoPo-L@LISTSERV.AMERICAN.EDU  Sent: Wednesday, September 20, 2006 3:25 PMSubject: [MOPO] Are The Inmates In Charge Of The  Nuthouse?Hi,I've been collecting and dealing in movie  posters for close to 30 years. Sometimes it amazes  not only how much angry diatribe has taken over  MoPo, but it seems as if certain members ,who act as  if they have all the right answers, are so often  wrong.  ie:  a 40x60 has ALWAYS been a 40x60---never  in my years of collecting have I head it 

Re: [MOPO] AUTOGRAPHED POSTERS

2006-09-26 Thread Toochis Morin
Sad. Barbara BelGeddes was a wonderful actress and had a great career.I have a 3-sheet of Manchurian Candidate by John Frankenheimer.  He was signing laser discs of the film in the mid-90's and I was at  film school at the time. I asked him to sign it and he asked me  to open it for him. I did and he was surprised to see one.  He said he never saw one and that he thinks he should have one being  the director. He told me he would pay me $100 and I said "no,  thank you. I'm a big fan of the film and worked very hard to get  this". He then said, "I'm the director of the movie. You're  a film student. Who the hell are you?" I told him, "A film  student who's walking away with this poster. Thank you."It bummed me out. I admired him for so long. Anyway I  haven't linenbacked it yet so it's still in storage. That  encounter didn't pump my incentive at all.On
 another note, I have a signed THE HAUNTING by the writer, Nelson  Gidding and Robert Wise. The inscription from Bob is sweet, but  Nelson's, my mentor is a hoot. They signed it when I first  started studying with Nelson and the inscription is: "To a fine  student...I hope." Needless to say, it's a cherished item and  most likely of no value to anyone else.ToochisKirby McDaniel [EMAIL PROTECTED] wrote:  Presuming that an autograph is not bogus:it depends on what poster is signed and by whom.We have a one sheet for VERTIGO signed by James Stewart. It'sa great item in our current inventory. However, a VERTIGO onesheet signed by Barbara BelGeddes, while
 possibly nice for someonewho likes Barbara BelGeddes, doesn't carry the same weight.A signature by a lesser player in the film is of no help to theposter, in my opinion, and probably not as desirable as an unsignedposter. Kirby McDaniel MovieArt Original Film Posters P.O. Box 4419 Austin TX 78765-4419 512 479 6680 www.movieart.net  Visit the MoPo Mailing List Web Site at www.filmfan.com 
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Re: [MOPO] Scorcese's The Departed

2006-10-08 Thread Toochis Morin
I loved this film. Leo was quite impressive and the rest of the cast. So nice to see Nicholson work with Scorcese. While Taxi Driver is one of my favorites, this film is no disappointment. As an actor, this Scorcese film makes me wish I were a dude.Toochissusan olson [EMAIL PROTECTED] wrote:No David I wont, but your review of this film, has sparked some  interest, which says a lot for your writing, there havent been many that cause me to  want to bust out of my  paradigm. I like Scorsese's style and hard edge reality. My
 introduction to him was the "Last Waltz" ending with my recent  viewing of Casino. (all within the last year) (and all of the other good ones in between), I have also come to appreciate  Tarrentino who is not veryone's cup of tea and Like with Vincent Gallo's Buffalo 66, the cast was all there to support  Gallo and this film which said a lot about both, andit turned out to be an  exceptional film,However I learned a valuable lesson in Hero  worship and the long awaited arrival of "The Brown Bunny", where the only thing  redeemable was the fact that Gallo  stated he wished he had never made that dirge. As as an artist andlinen backer I can only empathise, I wish  they would all turn out as I envision. susan  - Original Message -From: David KusumotoTo: [EMAIL PROTECTED] ; MoPo-L@LISTSERV.AMERICAN.EDU   Sent: Saturday, October 07, 2006 5:58PM   Subject: RE: [MOPO] Scorcese's "TheDeparted" Hi Susan:   ** As I've toldothers who've privately written me since last night -- please, don't take mycomments as a hearty recommendation to see Scorcese's "The Departed." Ifyou go, bring lowered expectations. This is not
 "Goodfellas" nor is itas beautifully stylized as Scorcese's better films. Because after a jetrocket opening, about 30 minutes in I started to feel cheated, feeling thefilm was overrated. It started to bog down and became confusing. Iwas finally able, around the 60-minute mark, to sort things out and betterunderstand what was going on.   ** And by the end ofthe picture, I felt fine. The closing shotisn't subtle and feelscontrived. Such contrivances are missing from most of Scorcese's betterpictures -- and their absence may explain why he's not a household name amongmainstream audiences who don't understand what the fuss about Scorcese is allabout. So if you've followed his career, you may walk out disappointedfrom "The Departed." However, this last shot gives commercial audiencessomething Scorcese has
 historically been incapable of giving -- and that's"closure." Not happy ending "closure," but Scorcese's "idea" of whatcomes close to it.   ** I feel this is a"B+" movie for Scorcese. It's really gory, almost over-the-top violentwith racist and anti-gay and anti-religion comments sprinkledthroughout. This is what I meant by forgetting what a Scorcese picturelike this is like when you see it on a big screen vs. on home video.Many people will be put off by Scorcese's return to his violent roots.But "The Departed" proves he still has the ability to shock and pull nopunches by showing violence for what it is -- dirty,ugly,un-sanitized.I don't care that Scorcese can only dothis kind of picture. He's good at it and should stick to what he doesbest. A good Scorcese film lacks vulnerable emotion, that
 is, you don'tcry for anyone. A good Scorcese picture runs on three emotions:raw anger, getting ahead and getting even. I don't want Scorcese to domelodramas or historical pictures filled with romance.   ** I believe "TheDeparted" has enough going for it that it may become the first out-of-the-boxcommercial hit for Scorcese. He has never, the best I recall, directed afilm that has opened #1 at the box office. He has a shot here. Theintriguing question then might be: Can Scorcese handle commercialsuccess? You get the feeling nearly everyone in this cast was underpaidjust to be directed by him. I just hope "The Departed" puts an end toScorcese's "experiments" of the last decade which nearly buried him. I'mthinking now of "Gangs of New York" and "The Aviator," two films withmega-budgets and
 overblown praise. "The Departed" looks like it costpennies to make but is better than both of those films combined.   ** I think Scorceseowes the extension of his career to Leonardo DiCaprio, who stuck by him andkept mainstream audiences interested. After "Casino," he felt done tome. He got the AFI Lifetime Achievement Award. People then startedrooting for him to get an Oscar for sentimental reasons, instead ofmerit. "The Departed" gives Scorcese his most recognizable mainstreamcast in ages. And I find it incredible that this film marks the firsttime that Jack Nicholson, our man from "Easy Rider" to the present day, hasworked w/the director from New York.** (BTW, the 

Re: [MOPO] Heritage November Auction

2006-10-09 Thread Toochis Morin
Wow, Phillip. I'm after the same DANTE'S INFERNO. I just  don't have the funds now so I'm out of the running. Great luck  with your search.Toochis[EMAIL PROTECTED] wrote:  You are so correct.I cannot miss it.back to my place I   love...Dallas...miss it...but love LA...by the way met Harrison Ford last   Friday...toughbut I was able to talk to himand he did like my   accent.lets go back...pieces that are so rare that make movie poster   collectors faint and dizzy...I am still after my Dante's Inferno one sheet style   A...(I am trying to pull a "Bruce" or now "Kirby"..: but for collectors in my  
 message).(need to do this more ofternha ha ha).anyhowthis is   life I guessthis will be the auction to beI will book my flight   tomorrowI cannot wait to meet you Randymaybe I can meet other   MOPOsPhilippVisit the MoPo Mailing List Web Site at www.filmfan.com  ___  How to UNSUBSCRIBE from the MoPo Mailing ListSend a message addressed to: [EMAIL PROTECTED]  In the BODY of your message type: SIGNOFF MOPO-LThe author of this message is solely responsible for its content.
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Re: [MOPO] Fw: [MOPO] Scorcese's The Departed

2006-10-09 Thread Toochis Morin
I'd walk funny to be in a role like that.  Toochissusan olson [EMAIL PROTECTED] wrote:Boy would you ever walk funny!  Think you could get used to having a dangling participle?  talk about getting into role.  susan  - Original Message -   From: Toochis Morin  
 To: MoPo-L@LISTSERV.AMERICAN.EDU Sent: Sunday, October 08, 2006 3:42 AM  Subject: Re: [MOPO] Scorcese's "The Departed"  I loved this film. Leo was quite impressive and the rest of   the cast. So nice to see Nicholson work with Scorcese. While Taxi   Driver is one of my favorites, this film is no disappointment. As an actor, this   Scorcese film makes me wish I were a dude.Toochissusan   olson [EMAIL PROTECTED] wrote: No David I wont, but your review of this film, has sparked some interest,which says a lot for your writing, there havent been many that cause me to want to bust out of my paradigm.I like Scorsese's style and hard edge reality.My introduction to him was the "Last Waltz" ending with my recent viewing of Casino. (all within the last year)(and all of the other good ones in between), I have also come to appreciate Tarrentino who is not veryone's cup of tea andLike with Vincent Gallo's Buffalo 66, the cast was all there to support Gallo and this film which said a lot about both, andit turned out to be an exceptional film,However I learned a valuable lesson in Hero worship andthe long awaited arrival of "The Brown Bunny", where the only thing redeemable was the fact that
 Gallo stated he wished he had never made that dirge.As as an artist andlinen backer I can only empathise, I wish they would all turn out as I envision.susan  -   Original Message -   From:   David Kusumoto   To:   [EMAIL PROTECTED] ; MoPo-L@LISTSERV.AMERICAN.EDU Sent:   Saturday, October 07, 2006 5:58 PM  Subject:   RE: [MOPO] Scorcese's "The
 Departed"  Hi   Susan:  ** As I've told   others who've privately written me since last night -- please, don't take my   comments as a hearty recommendation to see Scorcese's "The Departed."   If you go, bring lowered expectations. This is not "Goodfellas" nor is   it as beautifully stylized as Scorcese's better films. Because after a   jet rocket opening, about 30 minutes in I started to feel cheated, feeling   the film was overrated. It started to bog down and became   confusing. I was finally able, around the 60-minute mark, to sort   things out and better understand what was going on.  ** And by the   end of the picture, I felt fine. The
 closing shotisn't subtle   and feels contrived. Such contrivances are missing from most of   Scorcese's better pictures -- and their absence may explain why he's not a   household name among mainstream audiences who don't understand what the fuss   about Scorcese is all about. So if you've followed his career, you may   walk out disappointed from "The Departed." However, this last shot   gives commercial audiences something Scorcese has historically been   incapable of giving -- and that's "closure." Not happy ending   "closure," but Scorcese's "idea" of what comes close to it.  ** I feel this   is a "B+" movie for Scorcese. It's really gory, almost over-the-top   violent with racist and anti-gay and anti-religion comments sprinkled   throughout. This is what I meant by forgetting what a Scorcese picture  
 like this is like when you see it on a big screen vs. on home video.   Many people will be put off by Scorcese's return to his violent roots.   But "The Departed" proves he still has the ability to shock and pull no   punches by showing violence for what it is -- dirty,   ugly,un-sanitized.I don't care that Scorcese can only do   this kind of picture. He's good at it and should stick to what he does   best. A good Scorcese film lacks vulnerable emotion, that is, you   don't cry for anyone. A good Scorcese picture runs on three   emotions: raw anger, getting ahead and getting even. I don't   want Scorcese to do melodramas or historical pictures filled with   romance.  ** I believe   "The Departed" has enough going for it that it may become the first   out-of-the-box commercial hit for
 Scorcese. He has never, the best I   recall, directed a film that has opened #1 at the box office. He has a   shot here. The intriguing question then might be: Can Scorcese   handle commercial success? You get the feeling nearly everyone in this   cast was underpaid just to be directed by him. I just hope "The   Departed" puts an end to Scorcese's "experiments" of the last d

Re: [MOPO] a bruce wanna-be

2006-10-25 Thread Toochis Morin
We're lucky to have Marty on this list. He's quite a classy guy and great seller.ToochisRichard Halegua Comic Art [EMAIL PROTECTED] wrote: Michael..  you are way off base.. Marty Davis is a longtime seller of great stuff who is also one of the partners of the Hollywood Poster Auction...He doesn't need to copy Bruce..Rich===At 08:00 PM 10/25/2006, Michael B wrote:looks like onesheet is drafting his ads/promotions to look like bruce's.quite comical.u aint no bruce!!!michaelps--  glad to read that you're feeling good, bruce!!!--Check
 out the new AOL. Most comprehensive set of free safety and security tools, free access to millions of high-quality videos from across the web, free AOL Mail and more.Visit the MoPo Mailing List Web Site at www.filmfan.com___How to UNSUBSCRIBE from the MoPo Mailing ListSend a message addressed to: [EMAIL PROTECTED]In the BODY of your message type: SIGNOFF MOPO-LThe author of this message is solely responsible for its content. Visit the MoPo Mailing List Web Site at www.filmfan.com   ___  How to UNSUBSCRIBE from the MoPo Mailing List   Send a message addressed to: [EMAIL PROTECTED]In the BODY of your message type: SIGNOFF MOPO-L   
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Re: [MOPO] a bruce wanna-be

2006-10-26 Thread Toochis Morin
How cool, Bruce. Michael, when I praised Marty, I meant nothing  against you. I hope you didn't take it this way and support you  expressing yourself.Michael, if you have more to say, I'm all ears.ToochisDavid Kusumoto [EMAIL PROTECTED] wrote:  Hey,  you 500-pound gorilla impresario of movie paper -- great to see you  back in action with your mix of blatant self promotion,  self-deprecating humor and not-so-subtle "segues" as to what you're  hawking this week. Your job and raising so many great kids  finally caught up with you. Well, you needed the rest. And  my meager winnings every other month from you continue to be delivered  not only on time, but in parcels so iron-clad packed that it takes
 the  "jaws of life" to open 'em. As far as Michael -- since he dishes  it out -- I know he can take it. I'mnot worried about  him. He seems pretty fearless and not easily intimidated  anyway. Take care...  -koose.From: Bruce Hershenson [EMAIL PROTECTED]Reply-To: Bruce Hershenson [EMAIL PROTECTED]To: MoPo-L@LISTSERV.AMERICAN.EDUSubject: Re: a bruce wanna-beDate: Thu, 26 Oct 2006 11:38:54 -0500  First  off, you guys stop beating up on poor Michael! First you run off  "Mr. Smith" (who was actually Dr. Smith, but I guess you are all too  young to remember that incredibly crappy show, or perhaps you are lucky  enough to have forgotten it), and now you are likely to run off Michael  too. Sure he is exuberant and passionate and jumps to some wrong conclusions, but  aren't HIS e-mails a breath of fresh air compared to the endless flow  of "what I have on eBay e-mails"? (Although where else would I have  learned that the words "rare style" actually mean "Australian daybill"  or that it is OK to put the original year of a poster in the title,  even if it is a re-release, as long as you bury that info somewhere in  the small text?)Second, Michael was almost correct in  what he said. He just got it backwards! Marty Davis is not "a bruce 
 wanna-be", but I very much am a "marty wanna-be". Here is a guy who  everyone likes and respects, who does a great job selling on eBay, and  "lives large" and has no regular job. Who WOULDN'T want to be just like  him.Third,  for the record, Marty and I have sold to each other and bought from  each other for over 17 years. I am happy that he is one of my friends,  and one of the best friends I have made from this hobby. He asked me in  passing several times over the past year if it was OK with me to give  my books away one week, and each time I said it was fine.My God, will you run Koose off of here next because he makes some little mistake?Can't we all just get along?BruceP.S.  I bet you are all amazed that I am not even mentioning the 954 great  items in Part I of my 7th Annual Halloween auction, currently on eBay.  Only a tireless self-promoter would do that, and my recent heart  troubles have left me a
 very tired self-promoter!Visit the MoPo Mailing List Web Site at www.filmfan.com  ___  How to UNSUBSCRIBE from the MoPo Mailing ListSend a message addressed to: [EMAIL PROTECTED]  In the BODY of your message type: SIGNOFF MOPO-LThe author of this message is solely responsible for its content.
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Re: [MOPO] Off-Topic - Check out THE LOST ROOM

2006-12-13 Thread Toochis Morin
Thanks so much, Alan.  We're very proud of these writers.   They worked their 
butts off.  (preposition ending---YIKES!)

Toochis

Alan Adler [EMAIL PROTECTED] wrote: Hi All -
I watched the first 2 parts of LOST ROOM and have to say it's one of  
the sharpest shows I've seen in a while.
Don't miss it!
Great cast.  Exciting. Visually stimulating. And a great script!
Can't wait to see the ending tonight!
Alan

On Dec 11, 2006, at 6:08 PM, Toochis Morin wrote:

 Hi all,

 I'm proud to announce our clients show is opening tonight on the  
 Sci-fi channel.

 http://www.scifi.com/lostroom/
  

 Strange and clever, The Lost Room is full of winding corridors,  
 peculiar twists and wry, oddball humor, set against a mystery that  
 recalls TV's better Stephen King productions -- before, that is, they  
 invariably fell apart in the last act. - Variety
 Peter Krause heads an impressive cast that includes Julianna  
 Margulies, Kevin Pollak, Roger Bart, Peter Jacobson, Margaret Cho and  
 other solid talents  Maybe the best thing about this miniseries is  
 the weird assortment of characters -- practically all of them everyday  
 people with personalities altered by their new powers. - The  
 Hollywood Reporter

 With Battlestar Galactica, the Sci-Fi Channel presented a  
 well-crafted miniseries that launched an excellent weekly series.   
 With The Lost Room, the network's new six-hour miniseries televised  
 in two-hour installments tonight through Wednesday at 9, that  
 triumphant trick is likely to be duplicated. - The New York Daily  
 News

 ONE of the most perfectly cast miniseries in recent history, SciFi's  
 The Lost Room, is also one of the most bizarrely complicated and  
 intriguing. - The New York Post
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 www.filmfan.com 
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 responsible for its content.



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Re: [MOPO] Peter Boyle 1935-2006

2006-12-13 Thread Toochis Morin
He was brilliant.  How sad.  What a loss.
Toochis

Dave Rosen [EMAIL PROTECTED] wrote: Yeah, I just heard about it, too. I'll 
never forget seeing him for the first
time in Joe...

Dave
Posteropolis
www.posteropolis.com




- Original Message - 
From: Scott Burns 
To: 
Sent: Wednesday, December 13, 2006 1:21 PM
Subject: [MOPO] Peter Boyle 1935-2006


 Sorry to post another RIP, but here's one that deserves mention.

 Peter Boyle has died at age 71.

 Taxi Driver, Young Frankenstein, The Candidate, 10 years on TV's
 Everybody Loves Raymond...quite a career. My personal faves, the monster
 in Young Frankenstein, and private investigator Andy Mast in Hardcore.

 Here's a link to the AP news report:

 http://apnews.excite.com/article/20061213/D8M03TUG0.html

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Re: [MOPO] Subtitles

2006-12-13 Thread Toochis Morin
The characteristic about both films:  Letters from Iwo Jima and Apocalypto is 
that they are much like silent films and you can follow them easily.  There 
isn't heavy dialogue and yet it has made both films quite compelling.

Toochis

channinglylethomson [EMAIL PROTECTED] wrote: The main problem I have with 
subtitled movies is that I prefer to 
watch a movie rather than read a movie.  That said, it's definitely 
an acquired skill that becomes easier -- but never as easy as watching 
a film produced in your native language.

Channing Thomson in San Francisco

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Re: [MOPO] A holiday message from Dan Rickard...

2006-12-25 Thread Toochis Morin
How fun!
Toochis

Bob Brooks [EMAIL PROTECTED] wrote:Hey Everybody!
  
 Just passing on a little note from Dan at  MPA.  Happy Holidays!  Bob
  
  
  
 I would personally like to wish everyone a very Merry Christmas from the  
bottom of my heart!
  
 Especially...

http://www.elfyourself.com/?userid=7ce5e8bc45737e733db33b1G06122322
  
 Dan Rickard

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Re: [MOPO] Thank you Scott!

2006-12-29 Thread Toochis Morin
Gracias, Scott.  Have a great 2007!
Toochis

Richard Del Belso [EMAIL PROTECTED] wrote: ...and I thank you too!
  Richard Del Belso

Richard Del 
Belso





From: Cindy Nemeth-Johannes 
Reply-To: Cindy Nemeth-Johannes 
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Thank you Scott!
Date: Fri, 29 Dec 2006 16:43:13 -0700

I thank you, my family thanks you and my walls thank you.

Best Regards and have an excellent New Year.

Cindy Nemeth-Johannes

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Re: [MOPO] Best 2006 Acquistitions

2006-12-29 Thread Toochis Morin
Wow, Doug those are great.  I wish I were in your league.  

One of my bests was a one-sheet of Madame Sans Jane to go with my 3-sheet and a 
3-sheet of Lady of Burlesque (my hubby got it for my birthday!).

Toochis

Doug Taylor [EMAIL PROTECTED] wrote: 
st1\:*{behavior:url(#default#ieooui) }   This year was great for me 
because I picked up a Grand Hotel US OS.  Yes, it was expensive, but I now only 
need Wings, Cavalcade and Cimarron to complete my AA Best Picture OS 
collection.  Woohoo!
   
DBT 
  
  
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Re: [MOPO] In Memory of Cinevent's John Stingley

2007-01-06 Thread Toochis Morin
How sad. I wish his loved ones comfort through this sad time.  What a loss to 
the collecting world.
  Toochis

susan olson [EMAIL PROTECTED] wrote:
Oh No, although I have never made it to Cinevent I had the absolute 
pleasure of talking to John on the phone a few years ago.
   
  I have lit a candle
   
  Susan
- Original Message - 
  From: Scott Burns 
  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  Sent: Friday, January 05, 2007 9:01 PM
  Subject: [MOPO] In Memory of Cinevent's John Stingley
  

  MoPo'ers: 
  Cinevent has been cited many times on MoPo as one of the best, if not the 
best, poster/classic movie convention in the US. It's with much sadness that I 
report that one of Cinevent's founders, John A. Stingley, passed away this 
morning.
  The last of the 3 surviving Cinevent founders Steve Haynes (a MoPo member) 
sent out notice this evening about John's loss. 
  Cinevent will go on as planned Memorial Day weekend, but it won't be the same 
without John. It really is a tremendous loss.
  John Stingley 
1947-2007 
  Scott 
MoPo List Owner 




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Re: [MOPO] Yvonne De Carlo

2007-01-10 Thread Toochis Morin
How sad.  May she be singing with the angels in heaven.
Toochis

Susan Heim [EMAIL PROTECTED] wrote:I use to watch old movies on t.v. 
as a kid as often as possible. Growing up  in the fifties, everything was black 
and white on our t.v. set, even well into  the 60's.  I was a huge Munsters fan 
and remember seeing the movie Band of  Angels on t.v. and I couldn't believe 
that beautiful lady was Lily Munster a.k.a  Yvonne De Carlo. My old framing 
warehouse use to be in North Hollywood and about  15 years ago or so, I was 
standing in line at a Thrifty drug store and she  walked up and got in line 
behind me. She had put on quite a bit of weight and  had a moo-moo on (those of 
you that grew up in the 50's and 60's know what I  mean), but she still had 
that beautiful face and hair. I remember when I went to  put my items on the 
counter she was setting her items down also and she looked  at me and smiled 
and I said hello. I don't know if she thought I recognized her  or not, but 
that was it. Every time I go into that Thrifty store,
 I have thought  of her. I was sad to hear of her passing, but she had a good 
long run and will  be remembered fondly.
  
 Sue Heim
- Original Message - 
   From: lobby card invasion 
   To: MoPo-L@LISTSERV.AMERICAN.EDU
   Sent: Wednesday, January 10, 2007 3:08PM
   Subject: Re: [MOPO] Yvonne De Carlo1922-2007
   

I find it a bit sad that for so many people De Carlo issynanymous to TV's 
The Munsters.

The older among us will surlyremember De Carlo as the sexy, feisty, fiery, 
queen of the adventuremovies of our youth.
Whether its in the Wild West(Tomahawk 1951), abord apirate ship(Buccaneer 
Girl 1950), in the treacherous dark allies of oldAlgiers(Casbah 1948), 
decorating a saloon on a gambling riverboat(RiverLady 1948), on a far away 
island in the South Seas(Hurricane Smith 1952),or in a classic Film 
Noir(Brute Force 1947), we always knew we can expecta real foxy lady.

A lot of her early movies were with UniversalInternational which produced 
some of the most beautiful posters in thelate 40's to mid 50's.  And they 
are still reasonablypriced.

Zeev




- Original Message - 
From:Richard Del Belso [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent:Wednesday, January 10, 2007 4:45 PM
Subject: Re: [MOPO] Yvonne De Carlo1922-2007


 For me, she will be best remembered for being thebad girl' opposite Burt 
 Lancaster in CRISS CROSS...AND, for beingthe first actress to sing 
 Stephen Sondheim's I'M STILL HERE, inFOLLIES on Broadway.
 She will be missed.
  RichardDB

 htmldivFONT face=Lucida Handwriting,CursiveRichard Del 
Belso/FONT/div/html




From:Scott Burns [EMAIL PROTECTED]
Reply-To:Scott Burns [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject:[MOPO] Yvonne De Carlo 1922-2007
Date: Wed, 10 Jan 2007 16:03:08-0500

Yvonne De Carlo, best known for her role as LilyMunster on TV's The
Munsters has passed on at age 84 of naturalcauses, AP reports today. In
addition to The Munsters she will bebest remembered for her role in 
The
Ten Commandments,playing Charlton Heston's (Moses) wife.

Here's a linkto the APstory:

http://apnews.excite.com/article/20070110/D8MIL1C80.html

Scott
MoPoListOwner

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Re: [MOPO] Greatest Sports Movies

2007-01-14 Thread Toochis Morin
Field of Dreams (Baseball!)

Richard Halegua Comic Art [EMAIL PROTECTED] wrote: the Natural
DUH


At 12:31 PM 1/14/2007, Roger Kim wrote:
Dear Mopo,

Watching the NFL football playoffs has inspired me to compile the 
list of the greatest sports movies of all time. In no particular 
order, here are the winners:

National Velvet (horse racing)
Bang the Drum Slowly (baseball)
Lilo and Stitch (surfing)
The Most Dangerous Game (hunting)
Lagaan (cricket)
Strangers on a Train (tennis)
The Great Santini (basketball)
The Rink (roller skating)
2001: A Space Odyssey (shadowboxing, jogging, wrestling)
On the Waterfront (boxing)

-rk
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Re: [MOPO] help please....best way to ship a linen backed SIX SHEET overseas to Japan?

2007-02-01 Thread Toochis Morin
Most of the articles I've gotten through DHL have been damaged.  They've 
reimbursed me for it but it such a pain.
Toochis

- Original Message 
From: Kirby McDaniel [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Thursday, February 1, 2007 10:54:56 PM
Subject: Re: [MOPO] help pleasebest way to ship a linen backed SIX SHEET 
overseas to Japan?


On Feb 2, 2007, at 12:51 AM, Kirby McDaniel wrote:

DHL will insure it, but FED EX will not.You know what DHL stand for, don't you.
Day and Half Late.
Kirby McDaniel
www.movieart.net

On Feb 2, 2007, at 12:17 AM, susan olson wrote:

Dave, Go to your local hardware store and get a 6 inch (width) PVC leach  line  
(not ribbed or with holes), have them cut it to your desired length (usually I 
go 6 extraa inches, for packing)
also be sure to clean the inside of the tube (I stick mine in the shower )
before inserting your rolled wrapped poster
pack ends so that poster isnt slamming around,( but not to tightly as to damage 
ends)
and then cap ends (either with appropriate sized caps, from same hardware store 
or cut cardboard caps)
cut to just fit the inside of the tube (you don’t want any lip, jutting out 
beyond tube)
 
I always use plenty of tape, over end cap running lenth wise with tube and then 
overlap these straps around the tube!
 
I have had nothing but problems with DHL
Fed-X and UPS have size restrictions (cant remember what they are, but will 
also cost you an arm or a leg,
The U.S Postal Service offers a very nice service with tracking  and insurance 
EXPRESS MAIL PRIORITY
or EMS that I have found to be Excellent!
Best, Susan
- Original Message -
From: David Lieberman
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Thursday, February 01, 2007 9:33 PM
Subject: [MOPO] help pleasebest way to ship a linen backed SIX SHEET 
overseas to Japan?


 
DHL?
 
FEDEX?
 
UPS?
 
anyone else?
 
I'm sure it will cost a small fortune.
 
thanks in advance.
 

David Lieberman
CineMasterpieces.com
602 309 0500
CineMasterpieces.com
Please vote YES for each one of our eBay GUIDES.
Check out our eBay AUCTIONS.




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Re: [MOPO] Twister in West Plains, MO

2007-03-01 Thread Toochis Morin
I hope so too.
toochis

- Original Message 
From: Douglas Ball [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Thursday, March 1, 2007 6:27:55 AM
Subject: [MOPO] Twister in West Plains, MO



 
 


I just heard this morning on MSN that a tornado 
touched down and was hit pretty hard in West Plains. MO. I hope  pray that 
our friend, Bruce Hershenson, his family, and employees are all save and 
sound,

 

Best wishes,

Doug
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Re: [MOPO] WEST PLAINS

2007-03-01 Thread Toochis Morin
WHEW!
thanks Kirby
Toochis

- Original Message 
From: Kirby McDaniel [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Thursday, March 1, 2007 8:55:44 AM
Subject: [MOPO] WEST PLAINS

I have it on the best authority that thingsare OK with emovieposter.com's world 
headquarters.


Nobody has dropped a house on them... yet!






 Kirby McDaniel
 MovieArt Original Film Posters
 P.O. Box 4419
 Austin TX 78765-4419
 512 479 6680  www.movieart.net
  

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Re: [MOPO] I Saw 300 Last Night

2007-03-11 Thread Toochis Morin
I LOVE I CLAUDIUS...you mean Jacobi or Laughton or both?  I love both.
Toochis

- Original Message 
From: Joseph Bonelli [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sunday, March 11, 2007 3:50:09 PM
Subject: Re: [MOPO] I Saw 300 Last Night

I'll stick to I CLAUDIUS !
  Joe

Kirby McDaniel [EMAIL PROTECTED] wrote:
  Sounds dreadful. Give me HELEN OF TROY.
Or at least CLASH OF THE TITANS.
Hell, I'd even settle for ALONE AGAINST ROME.
I'll just stay home and watch ROME on HBO.
In HD.
and HIFI.
Kirby

On Mar 11, 2007, at 1:32 PM, Craig Miller wrote:

 At 03:45 PM 3/10/07 -0800, channinglylethomson wrote:
 It was a terrific night at the big Imax theatre. One thing 
 crossed my
 mind -- celebrating Sparta is a little like toasting Nazi Germany. I
 hope the film inspires young viewers to learn about the reality of 
 the
 times and some of the deeper meanings of the history involved.

 I saw 300 a few weeks ago, albeit not in Imax. It was pretty

 amazing although, as drama goes, pretty poor. No one
 speaks. Everything is shouted. There's pretty much no
 characterization. And it's like a video game, except you
 don't get to actually play. Half an hour of story set up
 followed by level after level, oops, I mean wave after wave of
 different enemies come marching toward our heroes who
 fight them off. First one kind of soldier than another kind of
 soldier than this kind of animal than that kind of behemoth
 then that kind of animal. The only interesting parts -- other
 than visually -- were the encounters between Leonidas, the
 leader of the Spartans and Xerxes, leader of the Persians.

 It's visually stunning, well capturing the Frank Miller imagery
 from the comic it's based on. The movie will do huge
 business with the high school and college set. But it is
 strictly a violent popcorn movie.

 (A
 friend said two hours of homo-erotic action, which it
 surely is.)

 Craig.


 ~
 Craig Miller Wolfmill Entertainment [EMAIL PROTECTED]
 ~

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Bored stiff? Loosen up...
Download and play hundreds of games for free on Yahoo! Games.
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[MOPO] 300

2007-03-11 Thread Toochis Morin
Okay, Channing.  I saw the film at Mann's Chinese tonight with a packed house.  
Okay, the script is not the greatest and yes, there is minimal character 
development.  But, the guys are HOT in this film.  The crowd was totally into 
it.  When the 300 march with their hard pecs, perfect teeth, and awesome gear, 
you want to cheer or swoon.

I asked some straight guys why they liked it.  Most of them said it's because 
they got to see some guys fight a battle worth fighting for.  So is this movie 
going to win an Oscar?  No.  Will it change filmmaking?  Hope not.  Was it 
enjoyable?  Yes!

Toochis



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Re: [MOPO] Anyone Got a Spare Million Laying Around?

2007-03-15 Thread Toochis Morin
What an amazing collection, Todd. You must drool everyday.

For a moment I thought it was your Black Cat poster that is in the Heritage 
Auction coming up.

It's such a lovely poster.
Toochis

- Original Message 
From: Scott Burns [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Thursday, March 15, 2007 8:30:46 PM
Subject: [MOPO] Anyone Got a Spare Million Laying Around?

Anyone Got a Spare Million Laying Around?


 
 




http://cgi.ebay.com/FRANKENSTEIN-31MINTLobbySetKARLOFFUNIVERSALHORROR_W0QQitemZ120098075626QQcategoryZ60302QQrdZ1QQcmdZViewItem


If the link doesn't work search eBay for item 120098075626.


I can't imagine having a collection like Mr. Feiertag (or parting with it!). 
Wow!


Sorry, it's just not every day I see a million-dollar item on eBay.


Scott

MoPo List Owner









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Re: [MOPO] LOBBY CARDS IN THE LOBBY............

2007-03-21 Thread Toochis Morin
That is the coolest picture, Vaughan!  I have the title card from Les Girls and 
love it.  What a cool way to display them.  I've never seen a lobby card 
displayed.  I wonder what they do with them now.  I'm sure they are being made 
in Europe.  I bought some German lobby cards from The Iron Giant.

Toochis


- Original Message 
From: Susan Heim [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Wednesday, March 21, 2007 5:43:28 PM
Subject: Re: [MOPO] LOBBY CARDS IN THE LOBBY


Vaughn,
   What a treat! That's how I remember the theaters of my youth when I would 
stand staring at those posters never knowing what lay in store for me years 
down the road. I would love to own an old theater to display all the wonderful 
posters and just show old movies all the time. Unfortunately, it's just not 
cost effective. If I won the lottery and could subsidize it, that would be the 
life for me. Thanks for the great photo!
 
Sue
www.hollywoodposterframes.com
 
- Original Message - 
From: Vaughn K. Mann 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, March 21, 2007 4:52 PM
Subject: [MOPO] LOBBY CARDS IN THE LOBBY


Hi Folks,

As I was going through a bunch of old photographs today, I came across the 
photo that is linked below. I remember someone on MOPO, some time ago, asked if 
anyone could show how lobby cards were display in the theatre's of old. Well, 
this is the Outer Lobby of the Colonial Theatre in Keene, New Hampshire, It had 
marble floors and brass rails. Still up and operating! My Dad took this picture 
of one of the people that worked for him.

The left upper shows how the three sheet might be displayed (Les Girls). The 2 
portable displays could be used for one sheets or lobby cards; usually one 
sheets except in this case. More importantly, the upper right show a beautiful 
decor gold frame which held four lobby cards on each side of a one sheet all 
separated by this gold frame. Jet Pilot is Coming Soon The frame has locked 
doors. Why, I don't know.No one knew what we know; haha

Hope some of you younger enthusiasts find this interesting and helpful.

Vaughn 
Outer Lobby; Colonial Theatre, Keene, New Hampshire(1957)

http://home.earthlink.net/~vmann1/COLONIALOL.JPG



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Re: [MOPO] Heritage Live: I am at the heriate auction right now.

2007-03-30 Thread Toochis Morin
sounds like fun
Toochis

- Original Message 
From: Mark Stewart [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Friday, March 30, 2007 8:59:36 PM
Subject: Re: [MOPO] Heritage Live: I am at the heriate auction right now.

Wish I was there!!
Today was the first time I've ever phone bid with an
auction house. I bid on two lots and won!
Aloha,
Mark
--- [EMAIL PROTECTED] wrote:

 There are nine bidders on the floor.
 Typical dealers for instance Ron moore, hughes,
 rueben, and sean are in attendance. I see only four
 collectors including me in the room.
 Let's get it on..
 
 Sent via BlackBerry from Cingular Wireless  
 
 -Original Message-
 From: Michael Wong [EMAIL PROTECTED]
 Date: Fri, 30 Mar 2007 14:45:57 
 To:MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: Re: [MOPO] WTB: Killer of Sheep (1977)
 
 Hi Simon,
 That might be a tough one.  I don't believe KoS had
 a general release.  You 
 might try Posteratiti (sp?) in New York.  They had a
 collection of independent 
 film posters.
 Good luck, Michael, Cinecityposters
 
 P.S.  Anyone ever see posters from the Frederick
 Wiseman documentaries?   
 /HTML
 
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 www.filmfan.com
   

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8:00? 8:25? 8:40? Find a flick in no time 
with the Yahoo! Search movie showtime shortcut.
http://tools.search.yahoo.com/shortcuts/#news

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Re: [MOPO] OFF TOPIC AND UTTERLY FASCINATING PICASSO, BRAQUE AND THE MOVIES

2007-04-15 Thread Toochis Morin
Thank you Freeman.  I wish I could get to NYC to see this showing.  How 
wonderful.
Toochis

- Original Message 
From: lobby card invasion [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sunday, April 15, 2007 7:34:05 AM
Subject: Re: [MOPO] OFF TOPIC AND UTTERLY FASCINATING  PICASSO, BRAQUE AND THE 
MOVIES



 
 


Thank you Freeman.  What a deliciously fantastic 
story.  Truly amazing stuff!!

 

Zeev

 

 


  - Original Message - 

  From: 
  [EMAIL PROTECTED] 
  

  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  

  Sent: Sunday, April 15, 2007 4:44 
AM

  Subject: [MOPO] OFF TOPIC AND UTTERLY 
  FASCINATING PICASSO, BRAQUE AND THE MOVIES

  


  Art 
   When Picasso and Braque Went to the 
  Movies  
  
  
  
  

 RANDY 
  KENNEDY


 
  Published: April 15, 2007

   
  IT was Picasso doing the noninterview interview, decades 
  before Warhol came along to elevate it to an art form. In 1911 a writer for 
  Paris-Journal was asking Picasso about the radically new kind of painting 
  people were calling Cubism, the lightning bolt that had shot forth from his 
  studio and that of his friend Georges Braque. Picasso claimed never to have 
  heard of such a thing. “Il n’y a pas de Cubisme,” he said blithely, and then 
  excused himself to go feed his pet monkey.

  
  
  
  In part because its creators said so little about it 
  during their lifetime, guarding it like a kind of state secret, Cubism has 
  generated a library’s worth of scholarship, probably more than any other 
  artistic innovation in the last century. The general picture that has emerged 
  is one of Cubism bubbling up out of a thick Parisian stew of symbolist 
poetry, 
  Cézanne, cafe society, African masks, absinthe and a fascination with all 
  things mechanical and modern, mostly airplanes and 
  automatons.




  But while almost every aspect of these two artists’ live has been 
  scrutinized — their friends, lovers, favorite drugs, hangouts, hat sizes and 
  nicknames (Picasso called Braque Wilbourg, after Wilbur Wright) — one mutual 
  fascination has been largely overlooked: Both men were crazy about the 
  movies.

  They were also coming of age artistically in the city of the Lumière 
  brothers, where the modern moviegoing experience had just been born, starting 
  in cafes and cabarets and then moving into theaters, packed with people still 
  in disbelief as they watched a two-dimensional picture plane leap to life. 
  “The cinema was not simply in its earliest infancy,” wrote the critic André 
  Salmon, one of Picasso’s friends and fellow moviegoers. “It was wailing.”

  For more than 20 years the New York art dealer Arne Glimcher had carried 
  around a theory, more gut feeling than scholarly conjecture, that Picasso and 
  Braque had been seduced by that siren song of the early cinema, and that 
  Cubism, with its fractured surfaces and multiple perspectives, owed much more 
  to the movies than anyone had noticed.

  Five years ago Mr. Glimcher finally decided to do something about his 
  hunch. He enlisted Bernice Rose, a longtime curator at the Museum of Modern 
  Art and now director of Mr. Glimcher’s gallery, PaceWildenstein, to undertake 
  the daunting academic work of trying to find traces of the silver screen 
  hiding among the endless histories, archives, criticism and art of the early 
  Cubist years. The result of that work, which opens Friday at the gallery’s 
  East 57th Street location, is “Picasso, Braque and Early Film in Cubism,” an 
  exhibition that Mr. Glimcher calls one of the most ambitious in the gallery’s 
  47-year history.

  The gallery has gathered more than 40 paintings, collages and other works — 
  none for sale, Mr. Glimcher said — from private collections and from museums 
  around the world, including the Georges Pompidou Center, the Museum of Modern 
  Art, the Art Institute of Chicago and the Moderna Museet in 
  Stockholm. (To get one Picasso he wanted from a museum in Prague, Mr. 
Glimcher 
  even parted temporarily with a 1951 Jackson Pollock he owns, swapping the 
paintings for 
  the length of the show.)

  Besides paintings, the exhibition has rounded up rare examples of early 
  cinema’s deus ex machina, the cinematograph: a whirring hand-cranked camera 
  and projector of the kind that Picasso and Braque would have seen, not yet 
  ensconced in a booth but out among the seats, acting as a powerful mechanized 
  metaphor for the artist, absorbing the world through its eye and beaming it 
  back out again. A part of the exhibition space will also be transformed into 
a 
  simulacrum of an old Belle Époque movie house, where dozens of short movies 
  from the medium’s first years will flicker again, this time through the magic 
  of digital projection.

  For Mr. Glimcher the show is about personal obsessions in more ways than 
  one. Beginning in the early 1980s — after he had a small film role in his 
  friend Robert Benton’s “Still of the Night” as an 

Re: [MOPO] When ARE lobby cards going to be slabbed anyway?

2007-04-16 Thread Toochis Morin
Susan, I would love to see images of the Freaks program. Wow!
Toochis

- Original Message 
From: susan olson [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sunday, April 15, 2007 10:46:19 PM
Subject: Re: [MOPO] When ARE lobby cards going to be slabbed anyway?





 









great read Vaughn! 


I really wouldn’t want my lobbies looking like Dinner table 

placemats,


I am a paper freak,  I love the different colors, smells and 

textures of the years,


and do prefer older paper because of its beautiful quality inks and matte 

finishes.


I have bought newer paper because I love the movies or images but after a 

few days on my display board


I just cant handle the glare.


Slabbed comics do not appeal to me because if I cant puruse them 

occassionally then they bring no joy,


its not just about the cover art Art or back, or the piece as an 

investment.


I collect many pulp mags and I love  thumbing through them, slabbing 

would make more pieces unattainable for me as


a collector and would be a turn off.


I received a wonderful Japenese program from a friend of Todd Brownings 

Freaks and I just couldn’t imagine not being able to 


open it up.


Linen Backing, I love a deacidified linen backed poster, with the colors 

just tits up and popping!


and if one is done correctly, I don’t hesitate to buy!


But you know that really depends on whats available, if there are plenty of 

them, Ill pass on a backed one,


 


Ha but I am like the Mercedez mechanic who drives a pinto, unless they come 

that way to me many of mine 


remain untouched.


Susan


 




  - Original Message - 


  From: Vaughn K. 

  Mann 


  To: MoPo-L@LISTSERV.AMERICAN.EDU 

  


  Sent: Sunday, April 15, 2007 11:41 

  AM


  Subject: Re: [MOPO] When ARE lobby cards 

  going to be slabbed anyway?


  

Good Morning Folks,

When I first started collecting and, 

  of course, starting selling, Linen 
Backing was done by folks that belonged 

  to the country clubFor 
those that do not understand that analogy, 

  I'm talking about folks that 
only had the money to do so and the only 

  people that linen backed were 
those that had expensive item to linen back 

  and of course linen backing was 
super expensive.

Today everyone 

  belongs to the country club and every one linen backs, even 
the lesser 

  expensive pieces. The cost has gone down considerably. My 
experience has 

  been that for the most part, many, perhaps not all, buyers 
would rather 

  have a good, very fine or whatever piece of motion picture 
history rather 

  than something that has been fixed and, to them, no longer 

  
authentic.

That, in a nutshell, expresses my feeling about 

  slabbing. I, personally, 
would rather hold that gorgeous 11 x 14 

  Laura lobby card in my hands, 
frayed border and all, then something that 

  certainly appears to be a card, 
but I can't get at 

  it..and have no idea what has been 
done to it to fix 

  it.

No offence to those of you on the listserv that do Linen Backing. 

  If I had 
a mint (unused) 1sht of My Darling Clementine a gorgeous 1946 

  litho; 
wanted to Keep it,  I would have one of you people linen back 

  for me. 
However, if I were to sell it or buy one.wouldn't 

  consider 
a Linen Back! Thus, slab away, but I personally would never buy 

  
oneMy personal thoughts, of course! Take care; stay happy 

  
all..Vaughn



At 09:41 AM 4/15/2007 -0500, Bruce 

  Hershenson wrote:
I notice MoPo is mahty slow as of late (mostly FA or 

  FS posts from people 
like myself) so I thought maybe I could get a 

  conversation going with this 
question:

Considering that 

  slabbing has taking over just about every other 
collectible other 

  than ours, and considering that the main proponents of 
slabbing are 

  major sellers of movie paper, then why HAVEN'T they started 
slabbing 

  lobby cards (obviously, posters would be much more complicated to 
do, 

  but lobby cards could easily be slabbed in such a way that the front 

  
and back can be completely seen, with just a small strip on the side 

  or 
bottom or top with the slabbing info, and there could easily be 

  frames 
that show the card but hide the slabbing info, so they could be 

  displayed 
great)?

Of course, only that company can 

  explain why or when they will start 
pushing slabbing, but in the 

  meantime, I would like top dealers and 
collectors here to weigh in 

  with their thoughts on slabbing of lobby cards.

1) Would you 

  like to see it happen?
2) If it does, do you anticipate you would have 

  some or all of your 
collection/inventory slabbed?
3) Would it 

  make you more likely to buy slabbed items over un-slabbed 

  ones?

Etc. If this happens, it will be the biggest thing to 

  happen to this hobby 
since my first Christie's auction. If there are 

  any significant number of 
follow-ups to this post, 

Re: [MOPO] A shift in thinking, linen-backing slabbing?

2007-04-16 Thread Toochis Morin
I have to compliment Susan Olson on her restoration abilities.  I know you're 
retired, Susan.  I had a large 2-panel Italian Barbarella that Susan 
linen-backed and restored.  It's gorgeous and the colors pop amazingly.  Sue 
Heim framed it and it hangs in our conference room.  

I'm partial to linen backing because the large pieces I have would be brittle 
if they weren't put through the linen backing process.  I have other posters in 
terrific shape that are framed as is.  I think if one cannot afford a pristine 
piece, the linen backing is a great option.  I like to be flexible.

I used to collect first edition American signed fiction.  There are some books 
in my collection which I would love to have rebound.  The books were lovingly 
read, in some cases over a hundred years ago.  To keep them in this condition 
would not do my collection nor the book any good.  Of course, I would love the 
book in great shape, however some are so rare, I was lucky to get the copy I 
have.

I went to a gallery here in Los Angeles and they have a wonderful drawing of a 
nude by George Grosz who is one of my favorite artists.  It goes for tons of 
money and the gallery owner said it needed some restoration.  It doesn't need 
it on the image but rather the paper near the image because it's foxing.  As 
with books, foxing is a terrible condition that threatens many paper works.  If 
I had the money for the piece and to restore it, I would.  

When I have the funds, I'll get some resto on some of my other posters and 
certainly my books.  The problem usually is that I use the funds to buy more 
paper rather than restore what I have.

Toochis

- Original Message 
From: susan olson [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sunday, April 15, 2007 11:02:27 PM
Subject: Re: [MOPO] A shift in thinking, linen-backing  slabbing?





 









Excellent Koose, I can also get a very nice copy of Attack of the 50 foot 

Woman, King Kong etc


for about $15.


and have done so in the past as gag gifts for friends who are unable or 

unwilling to go that expense


and I have no doubt what happened to those copies (ingrats)


But it just isnt the same, we are not Collectors for the sole purpose 

of


interior decorating


we are true conniseurs of epthemera.


Susan


Disclaimer


retired linen backer restoration artist ( I have no monetary 

motivation)




  - Original Message - 


  From: David Kusumoto 


  To: MoPo-L@LISTSERV.AMERICAN.EDU 

  


  Sent: Sunday, April 15, 2007 11:36 

  PM


  Subject: Re: [MOPO] A shift in thinking, 

  linen-backing  slabbing?


  

my DOUBLE INDEMNITY one sheet has no missing pieces 

  anywhere, but does have 
seam separation.  colors are 

  vibrant.  it has been framed for 20 years.  
you can see the 

  imperfections.  fair to value it at 3000 plus?   i could 

  
get a mint repro for ten bucks.  get it?

Nope, I don't get 

  it.  If I owned your poster, maybe I wouldn't linen-back 
it 

  either.  But if I took your line of reasoning a few steps further -- it 

  
sounds like you believe your Indemnity poster on linen with its fold 

  
separation touched up would plunge its value below $3,000.  Moreover, 

  when 
you drag into your argument:  i could get a mint repro for ten 

  bucks -- 
this sounds like you think backing and restoring would make your 

  poster look 
too perfect, like a repro, raising questions about its 

  authenticity.  When 
you ask, what's the point? -- it sounds like 

  you believe that backing and 
rstoring would undercut the rationale to 

  spend a lot of money for -- and to 
preserve the value of -- an original 

  poster w/defects that you're proud to 
own.

For you, preserving 

  value and authenticity means this -- don't touch 
anything.  But to 

  me, it also means -- let the natural effects of aging run 
their course on 

  paper more than 60 years old that you have chosen to 
DISPLAY.  Well, 

  I don't think sophisticated collectors with several thousand 
dollars to 

  spend -- are unable to spot the differences between a folded, 

  
conservatively restored, 1944 Double Indemnity 27x41 poster on linen -- 

  with 
a $10 glossy 26x39 rolled repro with no fold lines.  I know 

  you're 
passionate with your anti-backing and anti-restoration beliefs, but 

  I think 
you're too optimistic about the life span of old paper decorated 

  with 
colored inks.  I might be wrong, but this is my 

  view.

-koose.

Original Message Follows

From: 

  Michael B [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: 

  Re: A shift in thinking, linen-backing  slabbing?  

  THUNDERBIRD
Date: Sun, 15 Apr 2007 20:17:52 -0400

i already gave my 

  thoughts today on restoration.

why do people seem that they have to 

  compare other artifacts?  posters are 
unique.

but, since 

  people compare other hobbies, think about this..  i have 
a 

  neighbor who has the brightest white 

Re: [MOPO] A shift in thinking, linen-backing slabbing?

2007-04-16 Thread Toochis Morin
Beautiful, Doug.  Who did the restoration?
Toochis

- Original Message 
From: Doug Taylor [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sunday, April 15, 2007 11:07:20 PM
Subject: Re: [MOPO] A shift in thinking, linen-backing  slabbing?

I'm flattered to be mentioned as a serious collector.

Regarding Grand Hotel, it had to be backed.  It was probably VG before
backing.  I list it as F in my collection.  I've posted before and after
pics here, if anyone is interested:

http://s73.photobucket.com/albums/i214/douglasbtaylor/


DBT


|-Original Message-
|From: MoPo List [mailto:[EMAIL PROTECTED] On Behalf Of David
|Kusumoto
|Sent: Sunday, April 15, 2007 10:50 PM
|To: MoPo-L@LISTSERV.AMERICAN.EDU
|Subject: Re: [MOPO] A shift in thinking, linen-backing  slabbing?
|
|I am a relatively a new small time collector/dealer, but prefer linen
|backing and it seems that high
|end collectors do as well. If someone like Doug pipes in and says he wants
|all natural then I might think differently.
|
|I believe you're correct, Brek.  If the high-end market shifts away from
|backing for one-of-a-kind posters like Grand Hotel, others might follow.
|I like that you refer to Doug, as in Doug Taylor, our MoPo guy who
|collects Best Picture posters.  Yes, he's a good benchmark, like the
|Feiertags and Fischlers of our world.  We'd all prefer near mint and
folded
|but otherwise pristine.  But for some titles, that's like waiting for
|another Hope Diamond to turn up.  Your Grand Hotel was made better and
|more presentable for display when it was cleaned up and backed.  The
|carping about its condition and graphics became secondary after we saw its
|hammer price display it's value at that snapshot in time.
|
|Original Message Follows
|
|From: Brek Anderson [EMAIL PROTECTED]
|Reply-To: Brek Anderson [EMAIL PROTECTED]
|To: MoPo-L@LISTSERV.AMERICAN.EDU
|Subject: Re: A shift in thinking, linen-backing  slabbing?
|Date: Sun, 15 Apr 2007 21:33:45 -0600
|
|David,
|
|I agree as well.
|
|I think that linen backing is a real plus for rare posters and even not so
|rare. Time is not going to help any poster. If you linen back a rare poster
|it is some what locked into the condition of the time and if restoration is
|needed it will be less than at a future date would require if not linen
|backed. When I sold the Grand Hotel through Grey at Heritage, there was no
|discussion of what would be best to do as far as linen backing. It was just
|assumed it was a must to linen back even though the original wasn't that
bad
|(a couple of chips and sight damage in one corner). I really don't see what
|the problem is when a piece meant to be thrown away after a few weeks on
|display is preserved to last as long as possible. I am a relatively a new
|small time collector/dealer, but prefer linen backing and it seems that
high
|end collectors do as well. If someone like Doug pipes in and says he wants
|all natural then I might think differently. I will linen back posters as I
|can afford and make economic sense and to market them through Bruce, Grey,
|MPB or my eBay account.
|
|Cheers,
|Brek
|
| Visit the MoPo Mailing List Web Site at www.filmfan.com
|
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|
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[MOPO] Restoration Question

2007-04-16 Thread Toochis Morin
Hi all,

Does anyone have an image of the 3-sheet of SIN OF NORA MORAN?  I have 2/3 of a 
three-sheet and it needs restoration.  Of course, I'll need the image so that I 
can have a restorer be able to tackle this.

Thanks, 
Toochis


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Re: [MOPO] Fwd: Fw: Did you know ?]

2007-04-23 Thread Toochis Morin
This forum is really not the place for this.  I need Mopo as a refuge from all 
this.  Movieposters are a joy.
Toochis

- Original Message 
From: Richard Clark [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, April 23, 2007 4:18:22 PM
Subject: [MOPO] Fwd: Fw: Did you know ?]



 

Hi Folks...I am sending this on in an effort at fairnessWhich side is 
right?Your guess is as good as mineMaybe both.Dick 
C.   



See what's free at AOL.com. 
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Interesting, very interesting.  JW


- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, April 23, 2007 8:51 AM
Subject: [Fwd: Did you know ?]



  Subject: Did you know ?

 Some more very interesting reading, please pass this on so us common 
 folks learn of the good stuff going on over there.  Thanks.  God bless 
 America and more importantly our troops, wherever they serve.  Peace,  C.

























 SUBJECT: DID YOU KNOW ?

 Did you know


   Did you know that 47 countries  have reestablished their embassies in 
 Iraq ?

   Did you know that the Iraqi  government currently employs 1.2 million 
 Iraqi people?

   Did you know that 3100 schools have  been renovated, 364 schools are 
 under rehabilitation, 263 new schools are now under construction and 38 
 new schools have been completed in Iraq ?

   Did you know that  Iraq 's higher educational structure  consists of 20 
 Universities, 46 Institutes or colleges and 4 research centers,  all 
 currently operating?

   Did you know that 25 Iraq students departed for  the United  States in 
 January 2005 for the re-established  Fulbright program?

   Did you know that the Iraqi Navy is operational?  They have 5 -100 foot 
 patrol craft, 34 smaller vessels  and a naval infantry regiment.

   Did you know that Iraq's Air Force consists of three  operational 
 squadrons, which includes 9 reconnaissance and 3 US C-130 transport 
 aircraft (under Iraqi operational control) which operate day and night, 
 and will  soon add 16 UH-1 helicopters and 4 Bell Jet Rangers?

   Did you know that Iraq has a counter-terrorist unit and a Commando 
 Battalion?

   Did you know that the Iraqi Police Service has over 55,000 fully 
 trained and equipped police officers?

   Did you know that there are 5 Police Academies in Iraq that produce 
 over 3500 new  officers each 8 weeks?

   Did you know there are more than 1100 building projects going on in 
 Iraq?  They include 364 schools,  67 public clinics, 15 hospitals, 83 
 railroad stations, 22 oil facilities, 93 water facilities and 69 
 electrical facilities.

   Did you know that 96% of Iraqi children under the age of 5 have 
 received the first 2 series of polio  vaccinations?

   Did you know that 4.3 million Iraqi children were enrolled in primary 
 school by mid October?

   D id you know that there are 1,192,000 cell phone subscribers in Iraq 
 and phone use has gone up 158%?

   Did you know that  Iraq has an independent media that  consists of 75 
 radio stations, 180 newspapers and 10 television stations?

   Did you know that the Baghdad Stock Exchange opened in June of 2004?

   Did you know that 2 candidates in the Iraqi presidential election had a 
 televised debate recently?

   OF COURSE WE DIDN'T KNOW!



   WHY DIDN'T WE KNOW?



   OUR  MEDIA WOULDN'T TELL US!


   Instead of reflecting our love for our country, we get photos of flag 
 burning incidents at Abu Ghraib and people throwing snowballs at the 
 presidential motorcades.

   Tragically, the lack of accentuating  the positive in Iraq serves two 
 purposes: It is intended to undermine the  world's perception of the 
 United States thus minimizing  consequent support, and it is intended to 
 discourage American citizens.

   Above facts are verifiable on  the Department of Defense web site. This 
 link is so interesting!!

   http://www.defenselink.mil/



   Pass it on!  Give it a Wide  Dissemination!



   SUPPORT OUR TROOPS !








 

 AOL now offers free email to everyone. Find out more about what's free 
 from AOL at AOL.com.

 


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Re: [MOPO] problem with ebay seller

2007-05-04 Thread Toochis Morin
Sorry to hear this Walter.  I agree about buying from reputable dealers.  It 
cuts much misery.  There are sellers on this list who I've purchased from and 
am quite happy.  When your poster gets restored, it will be a beauty.  I hope 
that helps a little.

Toochis

- Original Message 
From: Walter Reuben [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Thursday, May 3, 2007 11:57:17 AM
Subject: [MOPO] problem with ebay seller



 
 


hello everybody

I bought this on ebay for $434.99:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemrd=1item=140103386017ssPageName=STRK:MEWN:ITih=004

 

After it arrived,it turned out that the poster 
was in much worse condition than either the 
picture or the description indicated.  And, to add insult to injury, this 
poster had been simply been shipped in a soft envelope without any protection 
whatsoever.

The poster in fact falling apart and in 
unbelievably fragile condition.

 

We wrote to him and told him that we were very 
unhappy with the poster to which he replied:

Hi There, 

I clearly described this poster 
as unrestored with holes and a detatched prtion. If you're telling me that it 
was damaged in shipping, I would like you to send photos of the damage. It was 
packed well and I will start a claim as soon as you send photos of the damage. 

Darren.

 

We wrote to him a second time and emphasized that 
we were extremely unhappy with the poster and he wrote back:


Hi 
There,


   Actually you initially did indicate it was 
damaged during shipping.  What 
exactly are you suggesting I 
misrepresented about this poster?  I used 
several pictures during the 
auction and feel it was described accurately.   
I am not a 
business, and it costs me time and money with shipping charges 
etcso I 
don't gernally accept returns, for no reason.
Darren.

 

It seemed to me 
futile (and I was on vacation at the time) so I asked my assistants to send the 
damn poster to Studio C, have it restored, and put this business behind 
me.

Today Studio C 
writes and says that the cost will be between $1800 and 2200, that is how bad 
the condtion of this poster is.

 

I feel that I 
have been flat out cheated and would really appreciate any comments from other 
Moop members as to how to proceed.

Can I go to 
PayPal and ask for a refund?

 

As of now, my 
bottom line feeling is this---I HAVE HAD IT WITH BUYING FROM INCOMPETENT EBAY 
SELLERS.  From now on, I will only buy from dealers whom I already know or 
else only if a money back guarantee is made.

I am sick and 
tired of this stuff happening.  The worst part of this is---how many hours 
do I have in a day to waste in getting my money back when I have been 
cheated?


 

Walter Reuben



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Re: [MOPO] A note from Dan...

2007-05-11 Thread Toochis Morin
Ira,

You are so right.  We're seeing release windows shrinking drastically and the 
films that are being financed as similar as ever.  Now studios only want large 
4 quadrant movies.  If film theatrical release windows reduce drastically, 
expect the print advertising to do the same and film posters will become a 
thing of the past.

I know it's hard with the crud out there, but please go see movies.  I would 
hate to only watch them on TV or computer.

Toochis

- Original Message 
From: Rubenstein, Ira [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Friday, May 11, 2007 6:00:28 PM
Subject: Re: [MOPO] A note from Dan...



 
 


Next to Russia,   CANADA is the single largest 
source of CAM Copies of our films.I can't get into how they 
know this,  but they do.   

 

Maybe Freeman can speak to this,  but theatres are 
really only good at selling tickets and popcorn.   There are a lot of 
young employees at these chains across America.  They struggle with just 
keeping the popcorn going.

 

  Years ago they tried to sell Movie Posters and other 
Film Related product.  TOTAL BUST.   They can't do 
it.   Don't have the space in the lobby,  don't have the 
expertise to merchandise, etc...   Same thing would be true for 
DVDs.   

 

That being said,   the time will come when the 
release windows will collapse and you will see DVD's or On Demand Viewing of a 
film on the same day.   Just expect to pay a huge premium for that 
benefit. And expect the Theatre Owners to fight it every 
way they can.(You can ask Mark Cuban or read his blog,  
he has tried it on his films)   

 

 

Ira






From: MoPo List 
[mailto:[EMAIL PROTECTED] On Behalf Of Bob 
Brooks
Sent: Friday, May 11, 2007 11:57 AM
To: 
MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] A note from 
Dan...








STUDIOS PULLING OUT OF SCREENING FILMS IN 
CANADA

 

Dear Movie Fans

 

Warner Brothers will no longer be previewing 
films in Canada. They have cancelled screenings of Ocean's 13 , Harry 
Potter and the new Nancy Drew film. WB is fed up with the laws of piracy in 
Canada which (at this time) say that it's not illegal to videotape a movie in a 
Canadian cinema. In fact all the theatre owner can do is ask the person to 
leave 
the theatre. The only way charges can be laid is if it can be proven that the 
person making the tape plans on marketing the film commercially, which we all 
know is impossible to prove. They estimate that 25% of all camcorder movies 
sold 
around the world were shot in Canadian cinemas (what they don' t tell you is 
the 
ethnic groups responsible for that but that would be racist). 20th Century Fox 
has come on board saying that they are thinking of releasing films in Canada a 
few weeks after they come out in the U.S. due to this very problem.

 

So I say  why not release the DVD's in 
theatres the same day as the films are released theatrically?

 

Cut out Blockbuster and Rogers and Wall Mart and 
distribute the films through the exhibitors (theatre chains). This way if you 
go 
see a film at the theatre and really like it you can buy it on the way out. You 
would also be permitted to buy the movie poster which would also be available 
for sale there (give those people behind the popcorn stand something to do when 
they are not selling popcorn and Coke's for $15). This way the studios would 
only have to spend advertising costs once and not twice (once when the film 
comes out and once when it comes on DVD). You'll always get the people who want 
to see the film on the big screen and for those of us who want to watch it 
in our home, we can buy the movie at the theatre for say $15.00 on the 
Monday after opening weekend. This way the studios can get their big weekend 
grosses and recoup their budgets.

 

Then a few months later the studios can milk 
the release of the special edition with bonus features and new 
endings and sell us the Beatles White album all over again.

 

This would solve the problem of piracy and we can 
go back to having screenings which I have been fortunate enough to watch for 
over 30 years until now.

 

 

 

Dan Rickard

The artist formally known as Dan of 
MoviePosterAuthentication
www.movieposterauthentication.com
Authenticating 
Movie Posters 1970-2000


PS-I'm clearing out my office at home next 
weekend and if you want any movie material drop me a line at [EMAIL PROTECTED]

 




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The 

Re: [MOPO] the ugliest movie poster ever

2007-05-21 Thread Toochis Morin
That's pretty damned ugly.
Toochis

- Original Message 
From: David Lieberman [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sunday, May 20, 2007 9:48:40 PM
Subject: [MOPO] the ugliest movie poster ever



 

http://cgi.ebay.com/THE-LONGEST-YARD-ORIG-MOVIE-POSTER-INSERT-C9-1974_W0QQitemZ180112684912QQihZ008QQcategoryZ2322QQrdZ1QQcmdZViewItem

 

David A. 
Lieberman
CineMasterpieces.com
602 309 0500





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Re: [MOPO] Framing question

2007-05-30 Thread Toochis Morin
I've had a large Italian 2-panel of Barbarella framed by Sue and it looks 
great.  It also was easy to hang.

Toochis

- Original Message 
From: JEFF POTOKAR [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Wednesday, May 30, 2007 5:29:31 PM
Subject: Re: [MOPO] Framing question

i was debating having a 47x63 large french panel framed... i think it would 
weigh almost too much to hang, tho.

the other question to consider... what is your BADLANDS poster worth? the frame 
might be of more value than this particular poster.




On May 30, 2007, at 11:45 AM, chris quarles wrote:

I have 60 by 40 of Badlands that I'd like to frame.
   
  I'd rather not spend the $400 my local guy would want.
   
  I noticed that Sue's Hollywood Poster Frames website indicates up to 31x46.
   
  Can you go bigger Sue?
   
  Anyone else had a 40 X60 framed?
   
  Discuss.
   
  chris quarles
   

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Re: [MOPO] Sopanos Aftermath

2007-06-11 Thread Toochis Morin
I just finished it on the West Coast and cried because it was so brilliant.  
They played a song that my hubby and I listened to when we started dating 
because we loved the Journey song when we were children.

That ending got me so tense because we got to see how it is to live the life of 
not knowing what's coming next and that anything could trigger something awful.

It was brilliant.  David Chase kicks ass!
Toochis

- Original Message 
From: Kirby McDaniel [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sunday, June 10, 2007 10:04:48 PM
Subject: Re: [MOPO] Sopanos Aftermath

I agree.

The ending was, in my opinion, the T.S. Eliot ending: not with a   
bang but a whimper.

We loved it.


Kirby McDaniel
MovieArt


On Jun 10, 2007, at 11:52 PM, David Kusumoto wrote:

 And let's not forget another reason why the Sopranos was great.  It  
 left us with 86 shows since 1999 -- and in my view, only about 20  
 of 'em could be called duds (and even those have to be qualified  
 because they weren't total stinkers).  Its detractors rightly were  
 disgusted by the language and sex and other elements, but David  
 Chase created an alternate universe so convincingly that even when  
 you hated to watch, once you did, you were hooked.

 Any show that allowed us to see the legendary Lauren Bacall get  
 smacked and then deliver an f-bomb with such smoothness and  
 assurance was worth something.  Everyone knows Betty Bacall is  
 closer to what we saw in the Sopranos -- than our idealized version  
 of her in movies.  In real life, she swears off camera like a  
 sailor.  There were a lot of great episodes and star-turns, but I  
 have to say that that episode, along with College in season 1 and  
 the episodes involving Janice popping her husband after hitting her  
 -- and Ralphie getting killed by Tony in the kitchen, arguing over  
 a HORSE -- stick out in my mind.  Oh and before I forget; the  
 singular episode (and probably the only) where Lorraine Bracco got  
 to show her acting chops -- after she's sexually attacked and has  
 to decide whether, when she sees her assailant later, to tell Tony  
 to help her exact revenge.  Just a great show...

 -koose.

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Re: [MOPO] Sopanos Aftermath

2007-06-11 Thread Toochis Morin
I also want to add the episode where Joey Pants beats the stripper to death as 
Tony is having feelings toward her which represent his daughter.  Also when 
Paulie and Christopher get stuck in the middle of the forest in snow.  Those 
were so amazing.  I loved Terrence Winter's writing and anything that Tim Van 
Patten directed on the show.  All those who participated were great but their 
work stuck out in a strong way for me.  David Chase directed the finale with 
precision and left us breathless.

Oh, also who could forget Big Pussy.  We had  rescued an abandoned cat around 
the same time and gave him the nickname Medium Pussy.

Toochis

- Original Message 
From: David Kusumoto [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sunday, June 10, 2007 9:52:29 PM
Subject: [MOPO] Sopanos Aftermath

And let's not forget another reason why the Sopranos was great.  It left us 
with 86 shows since 1999 -- and in my view, only about 20 of 'em could be 
called duds (and even those have to be qualified because they weren't 
total stinkers).  Its detractors rightly were disgusted by the language and 
sex and other elements, but David Chase created an alternate universe so 
convincingly that even when you hated to watch, once you did, you were 
hooked.

Any show that allowed us to see the legendary Lauren Bacall get smacked 
and then deliver an f-bomb with such smoothness and assurance was worth 
something.  Everyone knows Betty Bacall is closer to what we saw in the 
Sopranos -- than our idealized version of her in movies.  In real life, she 
swears off camera like a sailor.  There were a lot of great episodes and 
star-turns, but I have to say that that episode, along with College in 
season 1 and the episodes involving Janice popping her husband after hitting 
her -- and Ralphie getting killed by Tony in the kitchen, arguing over a 
HORSE -- stick out in my mind.  Oh and before I forget; the singular episode 
(and probably the only) where Lorraine Bracco got to show her acting chops 
-- after she's sexually attacked and has to decide whether, when she sees 
her assailant later, to tell Tony to help her exact revenge.  Just a great 
show...

-koose.

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Re: [MOPO] ***1000**************1000******************1000***

2007-06-20 Thread Toochis Morin
Sue, you're the best. Congrats, Rich.  What a great site.
Toochis

- Original Message 
From: Susan Heim [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Wednesday, June 20, 2007 3:15:34 PM
Subject: Re: [MOPO] ***1000**1000**1000***



 




Yea, Yea!!  I have a stack of MoviePosterBid flyers on my counter and 
I have to replenish them about every two weeks. People see the flyer and want 
to 
know about it. I have had many people come in with a poster they bought on the 
site to frame and said they loved going to a place that was just about movie 
posters and easy to work with. We also put a flyer in each box of frames we 
ship 
and many of my customers have bought from the site with the same comments. So, 
congratulations Rich and great going.

 

Sue Heim

www.hollywoodposterframes.com

 


  - Original Message - 

  From: Shelly Whitworth-King 

  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  

  Sent: Wednesday, June 20, 2007 2:47 
  PM

  Subject: Re: [MOPO] 
  ***1000**1000**1000***

  

Good going, slugger!

Shelly


Original 
  Message Follows
From: Freedom Lover [EMAIL PROTECTED]
Reply-To: 
  Freedom Lover [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: 
  Re: [MOPO] ***1000**1000**1000***
Date: Wed, 20 
  Jun 2007 08:02:49 -0500

Yay Richie

- 
  Original Message - From: Richard Halegua Comic Art 
[EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: 
  Wednesday, June 20, 2007 3:23 AM
Subject: [MOPO] 
  ***1000**1000**1000***


WE'VE DONE 
  IT

YEAH.. YIPP.. HOOORAY

MoviePosterBid.com 
  has just gotten it's 1000th member

1000 people with a like 
  interest in movie posters that want to buy stuff 
and sell 
  stuff

1000 Movie Poster fans

**ONE 
  THOUSAND

It took a little longer than I expected. I 
  though we would have them by May 
1st, so I missed by 6 weeks. But we 
  have them.. 1000 members.

It took 14 months for me to get 600+ 
  signups (the site had a few less than 
400 when I took it 
  over)

But I think the next 1000 will happen much faster.Only 
  time will tell

so everyone, hold your glass up  toast 
  because now we only have 
299,999,000 more members to catch up to 
  eBay.

Ebay.. lookout!!! I'm coming to get 
  ya

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- Release Date: 6/18/2007 3:02 
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Re: [MOPO] a General Question

2007-06-26 Thread Toochis Morin
I started as an actress under Stella Adler and still dabble in it.  I've worked 
Off-Bwy, on films, and tv.  I studied writing under mentors Nelson Gidding and 
Frank Daniel at USC.  I'm currently in the business.

Toochis

- Original Message 
From: Phil Edwards Cinema Arts [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, June 25, 2007 9:28:11 PM
Subject: Re: [MOPO] a General Question

Working directly in film distribution (marketing and publicity) cinema 
exhibition (programming a major circuit and selected arthouses) for a 
combined 20 plus years, along with acting as consultant on publicity and 
marketing of various films from arthouse indies to major release promotions, 
and another 15 years plus years working as a film journalist very closely 
with both marketing and publicity people, and being on first name terms with 
many major distributor senior executives and marketing people over many 
years has added a wealth of background to what I bring to my knowledge of 
film posters, their production, distribution and real availability.

I'm still working in the film industry at a much earlier stage of production 
than any of the above now, along with running Cinema Arts with my wife.

Actively seeking out old hands here in Australia who were involved in 
marketing throughout the 50s and 60s, and finding a couple of the older guys 
(now sadly deceased) who were hand litho artists and printers in the 40s and 
50s, and being able to pick their brains on such matters as hand litho 
history, print run numbers, how distributors worked with poster printers, 
how film prints were booked and worked, how posters were circulated and 
re-circulated, etc, etc has also added to my storehouse of knowledge.

It has also added an aspect to the radar when one works in the film 
business - from pre-production to all the way to knowing how to strike a 
carbon arc - and that's an increasing ability to detect the BS factor of 
many people who deal in movie posters and what they say they know about them 
in their efforts to sell them.

It is never less than entertaining.

By the way, anyone genuinely interested in film posters, their art, history 
and creation as part of the promotion of films and not just in it for the 
trophy hunting, should get a hold of Sim Branaghan's BRITISH FILM POSTERS. 
It is probably the single most important book on film posters yet published.

Phil E.


- Original Message - 
From: lobby card invasion [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tuesday, June 26, 2007 1:15 PM
Subject: Re: [MOPO] a General Question


 Sorry Jeff, but I don't see why one needs to be in the BIZ in order to be 
 knowledgable or have an opinion about movie posters?
 Also, I bet you Thalberg knew bubkes about Minty Whites.
 That's all I have to say.

 Zeev


 - Original Message - 
 From: JEFF POTOKAR [EMAIL PROTECTED]
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Sent: Monday, June 25, 2007 8:47 PM
 Subject: [MOPO] a General Question


 hi MOPO'ers,

 just a general question.siilar to a poll. how many in here are  ACTUALLY 
 involved in the film business? and i dont mean you had a  relative or 
 friend that has explained things to you..but are actually  WORKING in 
 this business. i do. so many throw comments around in here  as if they 
 were irving thalberg, stacey snider, or sherry lansing...

 jeff

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Re: [MOPO] RECOMMENDED: SICKO

2007-07-01 Thread Toochis Morin
I went to the second LA premiere of this film and found it quite compelling.  
The first LA premiere was held on Skid Row and was a fund raiser for the 
mission.  The theater was packed and the tag message at the end is quite strong.

I think he did a good job at what he does best.

Toochis

- Original Message 
From: Kirby McDaniel [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Saturday, June 30, 2007 10:29:14 PM
Subject: [MOPO] RECOMMENDED: SICKO

That wicked polemicist Michael Moore is at it again.  Thepre-election hysteria 
of FAHRENHEIT 911 will not 
juice up audience numbers for SICKO, but I think this
may be Michael Moore's most accessible film.  Certainly
some of the film is over the top, but once 

proves that his considerable heart is in the right - or should
I say LEFT - place as he looks at the U.S. medical care
conundrum: the best doctors and hospitals in the world
but don't count on seeing them if, as Woody Guthrie once
said, you ain't got the dough-re-mi.


Kirby










 Kirby McDaniel
 MovieArt Original Film Posters
 P.O. Box 4419
 Austin TX 78765-4419
 512 479 6680  www.movieart.net
  

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Re: [MOPO] Character Actor Charles Lane 1905-2007

2007-07-11 Thread Toochis Morin
I loved his work.  What a wonderful actor.
Toochis

- Original Message 
From: Scott Burns [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tuesday, July 10, 2007 7:55:04 PM
Subject: [MOPO] Character Actor Charles Lane 1905-2007

Character Actor Charles Lane 1905-2007


 
 




Charles Lane passed away yesterday at age 102.  If you don't recall the name, 
you certainly know his face.



With 338 IMDB credits (that must be a record), Lane's career spanned more than 
60 years. His first credit was in 1931, his last in 2006. He appeared in many 
Hollywood classics including  It's a Wonderful Life, Mr. Deeds Goes to 
Town, Cat and the Canary (1939), Twentieth Century, and Arsenic and Old 
Lace. He appeared frequently on television, probably best remembered for the 
role of  Homer Bedloe, the mean railroad man,  in Petticoat Junction and 8 
episodes of Bewitched, usually playing Darrin Stephen's client. He 
frequently appeared in I Love Lucy in the 1950's. No movie fan could have 
avoided Charles Lane!


What a wonderful life! What a wonderful career!



For more here's a link to the AP story:



http://apnews.excite.com/article/20070711/D8QA3DIG0.html



Scott


MoPo List Owner



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Re: [MOPO] Congratulations Glenn!!

2007-07-31 Thread Toochis Morin
Awesome Glenn.

Congrats!
Toochis

- Original Message 
From: Freedom Lover [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tuesday, July 31, 2007 3:40:25 PM
Subject: Re: [MOPO] Congratulations Glenn!!



 



Congratulations, Glenn!  That's 
fabulous!!!

 

Andrea


  - Original Message - 

  From: 
  Susan 
  Heim 

  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  

  Sent: Tuesday, July 31, 2007 2:26 
PM

  Subject: [MOPO] Congratulations 
  Glenn!!

  


  Hello all,

I wanted to let you all know, as he would never tell you himself, 
  that one of our members, Glenn Taranto, sold a script that he has been 
working 
  on for quite awhile. It is now being developed for film along with all the 
if, 
  ands, or buts that comes with it, casting it, where to shoot it, etc.  He 
  is now involved in rewrites and all the added bonuses of selling a script 
  (that's when the real work begins!). Since Glenn is an actor by 
  trade, he may even have a part in it. I just wanted to publicly congratulate 
  him and let him know he has my admiration and support. It couldn't happen to 
a 
  nicer guy!! Truly!! 

   

  Sue

  www.hollywoodposterframes.com

   

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Re: [MOPO] Eugene Hughes moved to Texas?

2004-08-03 Thread Toochis Morin
Hi David,

Did you email the ebay seller?  I think this may be
Ray Bell who is offering his linenbacking services.
He was linenbacking just outside of Houston and did
some work for me.  He was quite good, but shut
operations because he had some back problems.  My
posters took a long time due to his great prices and
the large volume.

I think he knows Eugene and has gotten great tips from
him.  I haven't used Eugene before but maybe he is
going through the same sort of health thing.

As far as Eugene answering the list, I don't know.  I
hope this whole situation gets resolved and that
Eugene is okay.

This community needs to keep our talented
linenbackers.  My fingers are crossed for you,
Toochis
--- David Jackson [EMAIL PROTECTED] wrote:

 Take a look at the Item Location for Eugene's most
 recent listings: Houston,
 Texas.



 http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem

http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItemcategory=2321item=38310921
 54 category=2321item=3831092154



 David




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Re: [MOPO] Eugene Hughes moved to Texas?

2004-08-03 Thread Toochis Morin
Whew.  Their feedback looks good.  Who knows.
Toochis
--- Offaleater [EMAIL PROTECTED] wrote:

 only because I assume the link was from someone
 browsing on ebay.uk


http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemcategory=2321item=3831092154

 same item, but ebay  in the good ol'  US of A.




 - Original Message 
 From: Toochis Morin [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 [EMAIL PROTECTED]
 Subject: Re: [MOPO] Eugene Hughes moved to Texas?
 Date: 04/08/04 05:47

 
  Wow.  I just noticed the UK!  That's weird.  ebay
 has
  to get this kind of stuff under control.
  Toochis
  --- [EMAIL PROTECTED] wrote:
 
  gt; Take a look at the internet address and the
 amount
  gt; of your bid.  The internet
  gt; address is U.K. and the price is in English
 pounds.
  gt; Yet the item location is
  gt; given as Houston, Texas.  Something smells
 here.
  gt;
  gt; claude
  gt;
 
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 www.filmfan.com
 

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 Message sent using
 Dodo Internet Webmail Server

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Re: [MOPO] [Style-b] Check out this cool pic

2004-08-17 Thread Toochis Morin
Congrats!  Great picture.  I adore that Dead Reckoning
piece...WOW!
Toochis
--- Richard Halegua Comic Art [EMAIL PROTECTED]
wrote:


-
this cool pic is being used for the City Life weekly
here coming out on
Thursday.

http://www.electro-comicsonline.com/temp/citylife.jpg

they're giving me a short write up  I will be the
City's Pick and be
placed like on about page 15 or so...and be about 5x6

I am thrilled. There is nothing like an article in the
local papers. It's
so much better than advertising in the same issue that
there isn't any
comparison. Most everyone reads this page in
particular as I will share
similar pics with 3 others, usually Las Vegas shows 
concerts..

150K people see that paper.. if 1/10 of 1% comes in
that's 150 folks...
about as many as I can handle in a week's time.. lol

woh



Remembering...
Fay Wray
All this month on Style-b

For the full [Style-b] experience
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send an email to...
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Re: [MOPO] What is this??????????????????????//

2004-08-18 Thread Toochis Morin
I don't like this seller's feedback but I have seen
this poster before and it's a beauty.  I think it went
for about $600.-800. from a reputable dealer.
Toochis
--- [EMAIL PROTECTED] wrote:

 Is tthis a rip off or what?
 What size is this?




_http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=3833384153fromMakeTrack=t
 rue_

(http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=3833384153fromMakeTrack=true)

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Re: [MOPO] (MOPO) L'SHANA TOVA

2004-09-15 Thread Toochis Morin
Happy Jewish New Year everyone!
Toochis
--- Susan Heim [EMAIL PROTECTED] wrote:

 Happy New Year to all who celebrate Rosh Hashana. Be
 safe to all those in Ivan's path and have a great
 week everyone!

 Sue Heim
   - Original Message -
   From: lobby card
 invasionmailto:[EMAIL PROTECTED]
   To:

[EMAIL PROTECTED]mailto:[EMAIL PROTECTED]

   Sent: Wednesday, September 15, 2004 10:54 AM
   Subject: [MOPO] (MOPO) L'SHANA TOVA


   Hello MOPO

   This is the Greeting for a Happy Jewish New Year.

   According to Jewish tradition, it will be the
 5765th anniversary of
   completion of The Creation !  Jewish New Year
 begins tonight, and its
   customary to get the entire family  together for a
 festive meal, and attend
   service at the synagogue.

   Rosh Hashana, as it is known, begins the 10 High
 Holy Days.  The belief is
   that during these 10 days, God writes books about
 the lives of people on
   Earth -- who will live, who will die and who will
 have a good year.
   The 10 days end with Yom Kippur (Day of
 Attonement),  the traditional day of
   fasting, repentance and prayer.

   Rosh Hashana is also a period when individuals get
 in touch with friends and
   family to wish them a Happy New Year, and it is
 also a time to forgive,
   forget old grievances, and start a new clean
 slate.

   On this occasion, I'd like to wish everybody on
 MOPO a happy, healthy New
   Year, and all the very best to you and your
 families.

   Zeev

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Re: [MOPO] Fom Morrie Everett re HP Auction Shipping Rates

2004-09-20 Thread Toochis Morin
I hate to chime on this because I adore the Everetts,
but I couldn't agree more with JR.  A while ago I won
an Everett auction and paid $35.00 for a half-sheet to
be shipped.  It was packed barely okay, but they did
not insure it.  For $35.00 that's the least I could
have gotten.  I hope they got another service.

Most likely I will still bid on their auctions when I
can (they have amazing posters!), but with the buyer
premium and the really high shipping, it's tough.

Toochis
--- J R [EMAIL PROTECTED] wrote:

 Sorry -- I'm having a hard time buying the idea that
 a $40 shipping charge is your shipper's fault and
 there's nothing you can do about it. If that's his
 minimum, find another shipper or start doing it
 yourself -- you're losing a lot of business with
 this absurd $40 charge. I myself would never bid on
 any auction that had a stated shipping charge like
 this and I think a lot of people feel the same way.
 If you can't find another shipper to charge a
 reasonable rate, learn to do it yourself or hire
 someone local to you and train them how to do it
 part time or something. Everyone else manages to
 handle their shipping obligations for a lot less, so
 why not you?  Bruce often ships over 1,000 posters
 per week and charges $8 bucks. Other folks ship 3 a
 week, or 10 a week, and charge $5.50 to $10.00 --
 even from Australia to the U.S. -- no reason you
 cannot do something similar.

 Who forced you to live in Ohio and run an auction in
 California, anyway?

 Your business, of course, so it's your choice. But
 it clearly puts you at a competitive disadvantage.

 -- JR
   - Original Message -
   From: [EMAIL PROTECTED]
   To: [EMAIL PROTECTED]
   Sent: Sunday, September 19, 2004 20:37
   Subject: [MOPO] Fom Morrie Everett re HP Auction
 Shipping Rates


   Hi guys,
   Well I had a feeling we would get flack about
 shipping charges. When you live in Ohio and run an
 auction in California, you have to hire someone or
 some company to do the shipping.

   As you know, many (not all) auctions do the same.

   The shipper has to make a profit, or else why
 would he do it? I have had to pay as much as $75
 shipping for only one item from New York City.  And
 I also hate it.

   Our shipper (and we checked with others who were
 MORE expensive) said he would not ship any package
 for less than $40 to cover his time, materials,
 mailing costs, insurance, labor, gasoline, and
 storage.

   So we are stuck.

   This money does NOT stay with us.  It goes to the
 shipper.  So I am sympathetic. But my hands are
 tied. If anyone knows of a California - Hollywood or
 LA shipper who is less expensive, I will be glad to
 use them next year. Our shipper from last year
 refused to do it again because he said it wasnt
 worth it for the time and aggravation!

   This shipper must be willing to hold 400-500
 posters up to three months and use the US Postal
 Service, UPS, and FEDEX.

   See you in Atlantic City October 16th  17th and
 NYC at the Pennsylvania Hotel on November 21.

   Regards,

   Morrie Everett Jr.
   LMPC and Hollywood Poster Auction



   More than two thousand years ago, at a time when
 the people in the British Isles and in most parts of
 Western Europe were living the lives of savages,
 occupied in fighting, hunting, and fishing, dwelling
 in rude huts, clad in skins, ingnorant of everything
 that we call civilization, Rome was the centre of a
 world in many ways as civilized as ours is now...
 - Page 6, Ancient Rome, The Lives of
 Great Men, by Mary Agnes Hamilton, Oxford
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 University  Press, 1924.
 (Yes! 1924!)

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Re: [MOPO] NEED YOUR HELP Stolen posters

2004-10-01 Thread Toochis Morin
I feel horrible, Dominique.  I've always been happy
with my purchases from you and you don't deserve this.
 I pray the posters turn up.  This topic has certainly
been food for thought.
Toochis
--- Tom Martin
[EMAIL PROTECTED] wrote:

  SEE IF THE SALVAGE AREAS OF THE   courior
 carrie/CARRIER CAN FIND IT/
 OFFER A REWARD  CALL THE MAIN HEADQUARTERS AND GET
 INTERNAL
 INVESTIGATIONS INVIKVER
 TRACE THE ENTIRE PATH
 they can trace all the stops as the items are
 scanned!!
 they must have it in a lost and FOUND

 Prayers from TOLEDO
 best, Tom

 J R wrote:

  Dominique, This is heart-breaking! Please send to
 MOPO a complete
  condition description of each poster -- that will
 help in identifying
  them if they turn up for sale somewhere. I'm sure
 everyone is saddened
  by your loss and wishes you all the best in a
 recovery (fingers
  crossed). Of course, you must report this to UPS
 (even if it was not
  insured -- tell your customer to keep the box and
 turn it over to UPS.
  If your customer can produce the box they
 received, then it means the
  posters were stolen by a UPS employee and they may
 be able to trace it
  if they have the box and all the original shipping
 information. If
  your customer cannot produce the box, that is
 suspicious and reason to
  think that perhaps the customer actually did
 receive the posters after
  all). This sad event serves to remind everyone
 about the dangers of
  shipping expensive posters. Even if they are
 insured, the loss and
  hassle to get repaid can be immense, and if they
 are not insured, the
  loss can be devastating. Here's one approach I've
 seen used in the
  past: When shipping several expensive posters,
 send them in *separate*
  packages, mailed at least 1 day apart. This
 breaks up the set and
  reduces the possibility of all of them being lost
 or damaged to
  near-zero. Yes, it means paying a little more
 postage and spending a
  little more time executing the shipment. But it's
 much safer. I hope
  Dominique can recover something. -- JR -
 Original Message -
 
   From: DOMINIQUE BESSON
   To: [EMAIL PROTECTED]
   Sent: Friday, October 01, 2004 9:46
   Subject: [MOPO] NEED YOUR HELP Stolen posters
Hello from France, I need your help to stop
 some Poster
   Thieves !! I sent via UPS, 3 weeks ago, 8
 Audrey Hepburn
   posters to a customer in California sent in a
 strong tube (5
   feet long). The customer received a box
 (about 30x20x10in)
   EMPTY INSIDE UPS is still looking for my
 package, but I have
   little hope. Here is the list of the
 posters :
   Monte carlo baby55 x 78
   Italian
 4.000
   euros
 
   Sabrina55 x 78
   Italian
24.000
   euros
 
   Breakfast at TiffanyísA20 x 28
   Italian
   750 euros
 
   Breakfast at TiffanyísB20 x 28
   Italian
750
   euros
 
   Breakfast at TiffanyísC20 x 28
   Italian
   750 euros
 
   Breakfast at Tiffanyís13 x 28
   Italian
   1.500 euros
 
   Audrey Hepburn (original artwork)20 x 26
   Italian
   original artwork by Brini   3.800
 euros
 
   Funny face55 x 78
   Italian
  4.500
   euros
 
   You can see all of them on following link :
 
 

http://www.dominiquebesson.com/photos_gm/hepburnstolen.jpg
 
   We can assume that these posters are not
 lost and some of
   them will surface very soon. As you know, the
 Sabrina
   poster is a very rare and very expensive one.
 This is the
   only known copy and its very very valuable.
 This artwork by
   Brini is the only copy, it is a one of a
 kind.
 
   If you come across some of these posters, any
 help will be
   much appreciated.
 
   Sincerely
 
   Dominique BESSON
 
   DOMINIQUE BESSON AFFICHES
   Chemin de la Loube
   13650 Meyrargues
   France
   Phone : 33.442.634.944
   Fax : 33.442.634.188
   [EMAIL PROTECTED]
   http://www.dominiquebesson.com
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Re: [MOPO] STOLEN POSTERS

2004-10-04 Thread Toochis Morin
I would try to contact the Consumers Union who print
the Consumer Reports Magazine.  They are always on top
of these types of things.  We should all keep these
lists and be on the watch if any of these posters turn
up on ebay.
I'm so sorry, Dominique.
Toochis
--- Andy Johnson [EMAIL PROTECTED] wrote:

 I have been following the story with avid interest.
 I am a professional photographer (part time
 collector) who recently undertook a photographic
 shoot in the US, I am based in the UK.

 I always use FedEx for delivering, on this occasion
 I insured the package of original transparencies for
 £3,000 which was the cost of the shoot.

 The package arrived at the clients address but had
 been opened and 99% of the transparencies were
 missing.  What had obviously happened is that an
 employee of FedEx had seen the high insurance value
 on the small package and decided to make a quick
 buck.  They had obviously realised once the package
 was open that it was worthless to them but in order
 to cover their tracks they sent the package on with
 only a few images.

 After 30-40 phone calls and numerous letters and
 three internal investigations by FedEx, they
 eventually coughed up the £3,000 admitting their
 liability.

 There should be numerous checks that they could
 carry out to pinpoint where the switch took place,
 but they should pay out what the item was insured
 for once their searches fail to produce any results.

 Andy
   - Original Message -
   From: DOMINIQUE BESSON
   To: [EMAIL PROTECTED]
   Sent: Monday, October 04, 2004 10:10 AM
   Subject: [MOPO] STOLEN POSTERS


Hello from France,

   Firstly, many many thanks to all of you who called
 me or sent e-mails  with kind words. The true story
 is worse, my client did not receive an empty box,
 but a box containing toilet paper rolls ... Of
 course, he  received a box, and not the tube I
 had sent, and the accompanying  customs invoice was
 not with the airway bill. My client confirmed
 receipt of the box, and the toilet paper was
 American and not French, therefore the exchange of
 toilet paper for posters was made after arrival in
 the USA. Many of you asked me for a description of
 the posters :

   All of them are linenbacked (except the original
 gouache). Here's more description on each poster :

   - Sabrina prior to linenbacking poster was folded
 in near mint condition, no special other info
   - Monte Carlo baby prior to linenbacking poster
 was folded in near mint condition, some touch up
 along fold lines in the head of the blue face of the
 man
   - Funny face prior to linenbacking poster was
 ROLLED in mint condition and came from personnal
 Brini's archives
   - Audrey Hepburn's portrait From personnal Brini's
 archives, original gouache artwork (painting) on
 strong paper
   - Breakfast at Tiffany's locandina prior to
 linenbacking poster was folded in excellent
 condition - Blues censor stamp with red ink with
 date (you can check JPEG)
   - Breakfast at Tiffany's 3 photobusta prior to
 linenbacking posters wer folded in good condition
 with some pin holes at each corners

   Some of you advised me to send e-mails to the
 press agencies (CNN, Reuters, AFP, etc ...), to
 other carriers (FEDEX, TNT, DHL, etc ...), to
 economic forum on the net for trying to put pressure
 on UPS. What do you think about this ? Any other
 ideas ? Any good addresses for posting my story ?

   Sincerely

   Dominique BESSON



   DOMINIQUE BESSON AFFICHES
   Chemin de la Loube
   13650 Meyrargues
   France
   Phone : 33.442.634.944
   Fax : 33.442.634.188
   [EMAIL PROTECTED]
   http://www.dominiquebesson.com



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Re: [MOPO] Surprise hometown endorsement

2004-10-29 Thread Toochis Morin
Since we're in Halloween season, any thoughts on
favorite horror posters, movie paper?

I love the Halloween OS, Dracula (Lugosi),
Frankenstein (Karloff), Dead of Night, Devil Doll,
Body Snatcher...the list goes on.

Toochis
--- [EMAIL PROTECTED] wrote:

 Diana - I thought this was about movie posters.
 This is now your second
 endorsement of Bush on MoPo.  I think you should
 read the New York Times editorial
 two Sundays ago endorsing Kerry and I believe that
 newspaper is a little
 higher up on the prestige ladder than the one you
 mentioned.  The two column
 editorial was right on target.

 However, I prefer to stick to movie posters here and
 will not mention this
 subject again.  I hate discussing politics but it
 eats me up when I read
 endorsements in places where they have no place.
 Just my two cents.  Claude Litton

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Re: [MOPO] Political Movie?

2004-10-30 Thread Toochis Morin
Mine are JFK, The Candidate, The Manchurian Candidate,
Mr. Smith Goes to Washington, Thirteen Days, All the
Presidents Men and believe it or not, Fritz Lang's
M.  To me it poses a strong political dilemna.
Toochis
--- Tom A. Pennock [EMAIL PROTECTED] wrote:

 Ok, we can't talk politics. What is your favorite
 political movie? Nixon,
 JFK, All The Presidents Men?
 Regards,
 Tom Pennock :)

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Re: [MOPO] Happy Halloween Mopo

2004-10-30 Thread Toochis Morin
We watched THE BLOB, THE EXORCIST, PSYCHO, and now
CABIN FEVER.
Happy Fright Night
Toochis

PS - Don't forget to set your clocks!
--- Movielegends [EMAIL PROTECTED] wrote:

 We decided to play HOUSE OF WAX w/Vincet Price
 tonight
 and were just wondering about any group comments
 about
 the below notation of Director Andre De Toth.

 I did see this film in full 3-D in the late 1970's 
 early 1980'S Re Release to packed houses.v (It was
 released twice in 3-D)

 Happy Halloween Members!

 Probably his best known film is House of Wax a
 Vincent Price horror film shot in 3-D. As De Toth
 only
 had one eye, that put him in the somewhat odd
 position
 of shooting a film in a process in which he would
 never be able to see the result. That didn't seem to
 matter, though; the film was a critical and
 financial
 success, and is generally considered to be the best
 3-D film ever made.

 Trick-or-Treat!
 Kevin Cosgrove
 Movielegends




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Re: [MOPO] Political Movies - How about...

2004-10-31 Thread Toochis Morin
How about Bull Durham and the Iron Giant?
Toochis
--- Phil Edwards [EMAIL PROTECTED] wrote:

 .THREE KINGS... TWILIGHT'S LAST GLEAMING DR.
 STRANGELOVE (of
 course!)... EXECUTIVE ACTION the sub-plot of
 LONG KISS GOODNIGHT
 just about any Costa-Gavras film THE MANCHURIAN
 CANDIDATE (both versions
 for different reasons - how right on the money was
 the original about the
 growing power of the media?) the political
 sub-plot of THE DEAD ZONE...
 choose a favourite subtext from INVASION OF THE BODY
 SNATCHERS (original
 version)...




 Phil Edwards Cinema Arts Pty Ltd
 26 Vista Avenue
 Soldiers Point
 NSW 2317
 AUSTRALIA
 Email: [EMAIL PROTECTED]
 Phone/Fax (International Dial) 0011 61 2 49847233
 Phone/Fax  (Domestic Dial) 02 4984 7233
 Website: www.cinemarts.com
 - Original Message -
 From: Helmut Hamm [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Sunday, October 31, 2004 8:58 PM
 Subject: Re: [MOPO] How about...


  BEING THERE with Peter Sellers.
 
   One of my favorite political films is Undercover
 Brother.
  
   -rk
  
From: avplanet [EMAIL PROTECTED]
Reply-To: avplanet [EMAIL PROTECTED]
Date: Sat, 30 Oct 2004 16:12:11 -0400
To: [EMAIL PROTECTED]
Subject: [MOPO] How about...
   
Hi Everyone,
Politico-flix...
   
Animal Farm (1955)
Mouse That Roared (1959)
One Two Three (1961)
Lord Of The Flies (1963)
Dr Strangelove (1964)
Fail Safe (1964)
1776 (1972)
Swept Away (1975)
Being There (1979)
Brazil (1985)
   
-Donnie
   
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Re: [MOPO] Greetings Ghouls...

2004-11-01 Thread Toochis Morin
I experienced it too.  Wow, what a great magazine!
Keep it up, Donnie!
Toochis

PS - I hope the Eugene Hughes matter is settled soon.
I can't imagine what you guys are going through.
--- Freedom Lover [EMAIL PROTECTED] wrote:

 I lucked out.  I just now went to the style-b
 magazine where I was totally
 floored!  Donnie, you are amazing, man!  Those
 posters, the story, and the
 ending!!!

 I have no sound (my bad) because I played with my
 software and screwed up.
 Without sound, in the light, it was still
 foreboding.  The Rosemary's Baby
 poster is fantastic.  The whole thing was great, but
 my favorite part was
 the gravestones.  All this spook stuff makes me
 homesick.

 You're too much!

 Andrea
 - Original Message -
 From: avplanet [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Sunday, October 31, 2004 12:01 PM
 Subject: [MOPO] Greetings Ghouls...


  Happy Halloween to everyone in Postercity!
  Here's wishing that you are frightened, or
 disturbed by
  something today...
 
  In an attempt to provoke just that kind of
 reaction...
  I humbly draw your attention to the Free online
  MoviePoster Magazine...
  Style-b Cinema Magazine
  http://www.style-b-cinema.com
  The current issue (Number 2) was designed to
  give you a chill or two in honor of the season.
 
  If you haven't checked it out...
  Or even if you have...
  Improved navigation and page-loads should
  add to your disturbing experience...
  Well, one can only hope.
 
  Be sure to check out the feature
  which is loaded with stunning MoviePoster images,
 film-reviews,
  and even a music-score...
  Additionally, there is a an added bonus in Issue
 Number 2
  called epitaph
  This series of photographs, and appropriate
 environmental sounds
  showcases some of the oldest, and most interesting
 grave-stones
  in the USA...
  Stay scared!
  -Donnie
  http://style-b-cinema.com
 
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 www.filmfan.com
 

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Re: [MOPO] Concerning Eugene Hughes linenback.com

2004-11-16 Thread Toochis Morin
Thanks, Scott for being so understanding of Donnie's
situation.  You have alot of integrity in handling
this  fiasco.  I hope it is all resolved soon.
Toochis
--- Scott Burns [EMAIL PROTECTED] wrote:

 I wanted to remind those concerned about the
 situation with Eugene Hughes
 and his linenbacking services that Eugene is NOT
 currently a member of MoPo.
 He may be reading MoPo posts via the Mail Archive if
 he so chooses, but he
 can not reply to the group.

 Eugene submitted a request to rejoin the group over
 the weekend, but I have
 not approved his return, pending a rational
 explanation of his business
 practices and an apology for the way he left MoPo in
 August. Eugene has not
 replied to my personal e-mail.

 I just wanted to make it clear that more than likely
 he is not seeing
 anything posted about him on MoPo, but I can't
 verify that.

 That said, I must confess I totally understand
 Donnie's anger. I would feel
 exactly the same way if my name were posted on
 Hughes' web site and slurred
 in such an outrageous way. So lets give Donnie a
 break and allow him to
 vent. In this case he certainly is justified. If you
 don't want to be kept
 up-to-date on the mess, simply delete any posts that
 are not of interest to
 you. (which should be SOP on MoPo anyway.) I am very
 interested in the
 outcome of this situation and do appreciate being
 kept in the loop, rants
 and all. :)

 Scott
 MoPo List Owner

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Re: [MOPO] Godzilla has added Scott to his enemies list...

2004-11-17 Thread Toochis Morin
Okay, I'm exhausted still under a writing deadline.
It's now 2:31 am and I realize I made a mondo mistake.
I wrote a posting as if Donnie made this horrible URL.

I'M SO SORRY!

I'm now so confused with all of this due to lack of
sleep.

How the hell can Eugene have all this time on his
hands to make such a horrible statement?  And he can't
finish business?!

With all due respect to Eugene and I have little.  A
line from The Ref comes to mind...No, I can't write
it, it's too cruel.  I can't be like him.

Has anyone written to Tojo or Tristar about Eugene
using the Godzilla image with such ugly smut?

I don't think they would be too happy.  How dare he
exploit Godzilla in that manner.

BACK TO DONNIE - I've been watching my birthday THING
DVD so much that it's about to melt.  I play it in the
background as I write.

DONNIE, YOU ARE THE TOP.  CLASSY. KIND. A JOY. AND A
TRICKSTER.  I think that's why I f'd up so royally.

YOU DESERVE SO MUCH BETTER THAN YOU ARE GETTING FROM
THIS PERVE.

He should be arrested.
Your fan,
Toochis
--- avplanet [EMAIL PROTECTED] wrote:

 Greetings MoPo,
 Well, I'm betting that this next move on the big
 G's part will
 send even his biggest defenders/supporters running
 for
 the exits?

 In a truly demented/unexpected twist
 Godzilla has updated his URL website.
 Unfortunately,  it has become perhaps the most
 offensive/vile
 destination on the web.

 WARNING: Only a mentally-disturbed sexual-deviant
 would be...
 (a) in possesion of these images
 (b) be able to even conceive of ideas such as these.

 This new official announcement from a respected
 member of
 the linenbacking community
 has added Scott to the enemies list


http://linenback.com/DudeWhereAreMyFuckingPosters.html

 I have no further comment at this time.
 -Donnie

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Re: [MOPO] A Sad, But Disturbing Situation...

2004-11-17 Thread Toochis Morin
Dear Scott, 
Please don't take this too much to heart. You have shown Eugene such kindness. I don't know his situation, but one thing is blantantly clear. He is a sadistic individual who victimizes others. It is apparent in his taking the questions about valuable posters as being victimized then victimizing the victims (those who questioned him). Unfortunately this is typical for this type of personality.

I hope people get their posters back and that he stays away from all of us. I don't wish him bad at all. Just away.
ToochisSusan Heim [EMAIL PROTECTED] wrote:





Dear Scott,
 I wouldn't take it personally. It would appear at this point that anything for shock value is fair game. It's like a child who gets a rise and accelerates the bad behavior for more attention. What a waste of enery.

Sue

- Original Message - 
From: Scott Burns 
To: [EMAIL PROTECTED] 
Sent: Wednesday, November 17, 2004 8:52 AM
Subject: [MOPO] A Sad, But Disturbing Situation...
MoPo'ers:I'm unbelievably disappointed...I met Eugene Hughes once at Cinevent in Columbus and found him a friendly,likeable guy. I've reviewed his past posts to the group (he was a member ofMoPo for 4 years) and found nothing that would lead me to believe himcapable of such a disturbing display of cyber-anger that now appears on hisweb site.I posted yesterday that I hadn't heard from Eugene. When I checked my e-mailat home last night I found a reply from Mr. Hughes. While it didn't offerany explanations concerning his recent personal problems or an apology abouthis nasty exit from MoPo in August, it was a non-threatening e-mail,pointing out that he had been a productive member of MoPo for those 4 years.After reading this e-mail, I considered approving his subscription requestthus restoring his posting privileges.Then today I see that my name has been added to Hughes' "revised" toxic
 website, simply because I publicly stated I could understand Donnie's anger atbeing attacked. Truth be told, I would offer the same statement of supportfor any  all so attacked on a ranting web page.Why Eugene would feel the need to do this is beyond me. This vile action onhis part is simply ridiculous and totally uncalled for. I have never had anycross words with him and have never attacked him in any way, yet he hasdetermined that I am now the enemy for simply wanting to understand what thehell is going on with him. I'm deeply saddened that he would treat me (andall the others mentioned on his site) with such disrespect.Needless to say, his bridges have been burned and I will not welcome himback to MoPo.I am absolutely shocked and disturbed by this whole ridiculous affair. We'vehad problems on MoPo before, but nothing as bizarre as this incident.What did I do to deserve this?ScottMoPo!
  List
 Owner Visit the MoPo Mailing List Web Site at www.filmfan.com ___ How to UNSUBSCRIBE from the MoPo Mailing List Send a message addressed to: [EMAIL PROTECTED] In the BODY of your message type: SIGNOFF MOPO-L The author of this message is solely responsible for its content.
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Re: [MOPO] [Style-b List] Sergeant York one sheet

2004-11-19 Thread Toochis Morin
Heritage Auctions went up in my book.  Sue, I'm glad
it worked out!
Toochis
--- Susan Heim [EMAIL PROTECTED] wrote:


-
Hello all,
   I wanted to let you know the outcome of my
situation with yesterday's Heritage auction. I want to
publicly thank Tricia Gonzales at Heritage and her
supervisors that bought the Sergeant York one sheet
back from the high bidder and secured it for me. I had
to pay more than the final gavel price, but was
willing to do it as I had said in my previous emails,
to fulfill an obligation to a customer of mine.
Firstly, I wanted to make sure that the highest bidder
that had won the sheet was not going to be hurt by
giving it up. As it turned out, I was told it was a
person who was not a collector but saw it and thought
it was attractive but was willing to give it up. I
don't know who they are, but want to thank them
profusely. I don't do well with something hanging over
my head and I have searched for two years to find the
replacement poster due to the Joe Hernandez theft of
my posters. As I had said, there were two items in the
auctions that I was not called on. The first being the
Sergeant York one sheet.  The second item was for me
personally and while I am upset that the situation
happened, I do realize that mistakes happen, even
though I was told that it was inexcusable and due to
check systems they have in place, should have never
happened. So it goes.I hope everybody that
was bidding got some little tidbit for their
collection. Many thanks also to Grey. It was a
beautiful auction and I appreciate your behind the
scenes help in securing the Sergeant York.

Sue Heim
  - Original Message -
  From: [EMAIL PROTECTED]mailto:[EMAIL PROTECTED]
  To:
[EMAIL PROTECTED]mailto:[EMAIL PROTECTED]

  Sent: Thursday, November 18, 2004 5:57 PM
  Subject: [MOPO] Heritage Very Apologetic


  I may have to cut this email short  for I am
expecting a call from Heritage for placing client
bids.   My experience has been nothing but total
professionalism.  I just made mention  of Sue's
misfortune to my friendly Heritage Hostess (think Jan
Hooks at the Alamo in Pee Wee's Big Adventure) and she
was aware of situation and that people felt badly and
trying  to minimize such gaffs. Apologies were made.
  Sue,  Gray knows a lot of people,  perhaps you
could ask him to source you other posters.  I am sure
he would be most pleased to accomodate.  He is just
that kind of guy.

  freeman fisher
  8601 west knoll #7
  west hollywood, CA
  90069
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Re: [MOPO] What Did We Do To Deserve This? LONG!!!

2004-11-22 Thread Toochis Morin
Dear Scott,

So sorry you're going through this. I think it's growing pains even after you've had a successful list for quite a while. 

It's been a terrible month. Although I do not agree with Tom's feelings about Eugene, I do think that your list is going quite well.

Some people are going to rub others the wrong way. Period. That's human nature. And too bad it's the list who will be attacked. Rest assured most people love MoPo but it has been a very tough month.

I feel for you. 

You're doing a great job, Scott.
ToochisTom Martin [EMAIL PROTECTED] wrote:
Dear Scott and Mopo. - there isno problem on MOPO. Mopo has been freedom forall.and thats why it will survive to 10 and longer. Since ive been on Mopo Ive seensome nice discussions, some rants about who screwed who... If You all thinkback its easy to discern whois who.. the thing about people that spread false rumors is there storys arebuilt on untruths..which disapate after Time. because they can misalighn and spread rumors . ButActions speak louder than words. How can someone say they wish to help theafflicted when they attack the afflicted? There are many that I feel havemisguided people on Mopo, customers, and fellowbusiness people However I have hoped they would see the wrongs and change orturn around instead of crucifying them. I am not sure what is said on B-list asive been unsubscribed for months.However, as to M!
 opo what
 amazes me is that accusations are made before theparty has time to say something.. and in Hughes case. It appeared that thereason for a slowdown was due to personal problems.. and as was stated by manyhe never had acted in any way like that prior so this wassaid to be highly unusual,, Ok has anyone ever been in a divorce, had death,lost anything??well this causes you to act Goofy and somtimes strikeout at others,, whatwierd is the abused can abuse others ..so.. what do we do..? castrate them? ortry to help, comfort, and restore.I am not a social worker, or claim to have any profound answers/ But it seemsthat what society hasin all areas is a breakdown in communication of the spirit. because the thing Isee in all the hurt instigators that cause more Hurt is that they are Hurt andwhere probably hurt by someone they trusted.Now mopo is the same excepttheroot hurt involves Posters.. so we have peoplewhose life is h!
 eldby
 poster.. people do this with pets inaniamte objects.. TODAYs sun Blade did aarticle on Hoarding that now has City govermemnts assigning people to deal withunsafe hoarders.because people associate stuff with security..People The stuff does not Help... ITs people..! You have seen how a Donniecan offer solutionshow many unlikly people can if they feel part of a positive force. and yes theones that have little understand as they know how a gesture of care means somuch...Giving isnt about Money its about a sincere care.. thats why 1.00 to someonefreezzing can mean so much.. like a coffee.The other day I refused a man 1.00 standing outside.. why?? because he wasintimadateing . Black, and had a eyey like Forest whitiker!! he said can iborrow a dollar! I said what?? and got closer and i thought hey I wont giveyou a dollar because You are shaking me down!NOyou cant have a Dollar.. Then I got in my Van and i thought You
 idiot...he asked for a dollar! not 5. 10 100.. but 1,00 and with all my blessings andpeoople that have spent 100s that were like Gifts I wouldnt give a Dollar...well I was embarraced.. and i thought.. well..maybei schoud drive back and givehim 5 well i didnt and as you see I am sorry as what did he think about menand sociaty that night... what did he do?? was he on drugs?? what? well wenever knowwhat prompts people to do things..But what Ive learned is they are spirituallysick... and they dont want to be if you ask them.. and they can be helped andalso help others. so its in my opinionour job as much as giving good service, and describing items well to helpthese peoplethats why all the personalities on Mopo make life interesting and Scott as therest of us has a lifeand issues and he needs a Hug and to know its OK.some name callers and send rumors as a way to create havoc and distrust offellow business peopl!
 eas a
 sort of spin doctor approach.. this is wrong and if you think back overlast few years the track record of who started them and the sources are thesame. these busineespeople will also tell others that they have been discussed3rd party. I suggest If anyone every says so and so says..that you question thesource and speack to the person DIRECT on the phone before listening tohearsay.From my experiance most of the rumors are unfounded and when asked for factsthey disapate.stop a moment and retrace the last 3 years.. How many dealers were accused ofsomething.without nameing everyone.. now ask what was the outcome? was there everfacts?threats, namecalling and verbal abuse. thats all.Now what i would like to see are stories How mopo has helped collectors..Itsben a way to compare notes on 

Re: [MOPO] [Style-b List] Happy Birthday, Mr. Karloff!

2004-11-23 Thread Toochis Morin
Happy Birthday to the only voice who could do the
Grinch!
Tocohis
--- Yafet [EMAIL PROTECTED] wrote:


-
On this date in 1887, William Henry Pratt, our
beloved Boris
Karloff, was born.

I see that I'm the first today to salute his
memory.  From the first
time I saw him onscreen in The House of Frankenstein,
I have been his
devoted admirer.

 This gracious and gentle man ironically spent
most of his
professional life giving us the stuff that screams
are made of, but he
could make us laugh and smile and cry, too.

Happy Birthday, Mr. Karloff.  There has never been
anyone like you
and never will be again.  We love you.

Nathalie





Have you seen Style-b Cinema Magazine?
Number 2 now available at...
http://www.style-b-cinema.com

For [Style-b List] discussion community
membership/enrollment information...
log onto the [Style-b List] web-site at...
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The views expressed in this
communication do not
necessarily reflect those of the author,
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Re: [MOPO] Movie Theaters

2004-11-28 Thread Toochis Morin
What a wonderful site, Jerry.  I've been a supporter
of restoring the old movie theatres in Los Angeles.
It's a shame that some of these glorious movie palaces
are now swap meets.

I've also been heartbroken over the drive-in.  there
was a lovely one, THE FIESTA which we attended up to
three years ago.  The neon sign and the decor in the
stands were amazing.

It was torn down for a warehouse.
Toochis
--- 42nd Street Memories [EMAIL PROTECTED]
wrote:

 Great story, Joe. I have often wondered if I would
 EVER find a poster with a direct connection to my
 childhood theaters. And I lived in Manhattan! I
 thought the odds would be in my favor.

 Off topic but anyone interested in movie theaters
 should check out www.cinematreasures.com

 Jerry the K
 www.42ndstreetmemories.com
   - Original Message -
   From: Joseph H. Bonelli
   To: [EMAIL PROTECTED]
   Sent: Sunday, November 28, 2004 8:30 AM
   Subject: Re: [MOPO] MyMoviePosters Weekend Update
 November 28th 2004


   Dear Dan,
   These posts are very interesting and informative.
   You wrote:

   When I think of what an original movie poster is
 in my mind, it's
   probably one that you or I (or for that matter any
 of us who collect
   movie posters), might have stood staring at - in
 awe maybe -
   outside/inside of a cinema as a kid. When I think
 of what an original movie poster is in my mind, it's
   probably one that you or I (or for that matter any
 of us who collect
   movie posters), might have stood staring at - in
 awe maybe -
   outside/inside of a cinema as a kid. 

   One of my prize possessions is a half-sheet from a
 film called Seven Cities of Gold-- an early Fox
 CinemaScope release.  It's a nice poster, but what
 makes it special to me is that on the back is
 written in pencil, Joy Theater- Vicksburg,
 Mississippi.  Which means that this particular
 poster was displayed there during the original run
 in 1954 or 1955 and that eleven or twelve-year-old
 Joe Bonelli stared at it-- the very poster that I
 own fifty years later.
   It's not framed but will be one day-- with the
 back visible.
   It always reminds me that I've loved the movies
 since I was five.
   Thanks and keep it up!
   Joe

   PS-- Please excuse the abrupt change in fonts, but
 computers do what they want!
   Joe








   MyMoviePosters [EMAIL PROTECTED] wrote:
 MyMoviePosters Weekend Update November 28th 2004

 New this week...

 I was really impressed by all the responses that
 were sent in on last week's question.There were some
 really great points made! Thank you all for your
 input.I was very pleased!

 Here are just some of the comments..

 For me, original has to be first print run for
 the first release of the movie. The only difference
 between
 a used and an unused original is in the rarity
 value of the unused poster, although the romance of
 having something which was actually displayed at
 the time is also a draw.

 Actually Sent out to a theatre, overseas,
 etc., by the Studio for the theatrical presentation
 of the film.

 When I think of what an original movie poster is
 in my mind, it's
 probably one that you or I (or for that matter
 any of us who collect
 movie posters), might have stood staring at - in
 awe maybe -
 outside/inside of a cinema as a kid. That's
 obviously not a technical
 definition of what is, or is not, original. just
 a nostalgic
 definition or something.

 But I guess original would be any poster that
 was printed for that
 first release. Or any subsequent poster printed
 specifically for a
 rerelease...??

 I think an original movie poster is any poster
 that was manufactured
 exclusively for the purpose of promoting a movie
 release.It doesn't matter
 if it was sent to movie theaters in my view for
 example, the studio-issued
 Empire Style A one sheet is a valid as an NSS
 one), or used or displayed.
 In terms of the original release only, I think
 that does not matter as long
 as the poster is clearly different or otherwise
 marked as being from a
 subsequent re-release.  In other words, I
 consider the Empire R-81 and R-82
 to be originial movie posters, if that's what
 you are getting at.

 I am of the mind that it has to have been issued
 by the studio for the films theatrical release.

 I include re-releases in the original
 definition, but the poster has to have been printed
 with
 the intent to use it to promote the release of
 the film in theaters (either original release or
 re-release).
 it can't be a special edition printed up and
 sent to club members, or made specifically to be
 sold
 over-the-counter through various stores. it has
 to be the poster specifically printed to be sent to
 theaters and should be from the print run done
 for that purpose, not from a subsequent print run
 that was done to provide additional copies to
 dealers. that part is the hardest to identify and
 

Re: [MOPO] This is very sad and not for the easily outraged

2004-12-02 Thread Toochis Morin
He looked happy and healthy.  You should see how some
of the stars today look when I'm out walking my dogs!
The only one who ever looks good and in great clothes
is Bob Barker.
Toochis
--- Edmund R Flood [EMAIL PROTECTED] wrote:

 The little guy looks comfortable.  Nothing wrong
 with that.


 - Original Message -
 From: Glenn Taranto [EMAIL PROTECTED]
 Date: Thursday, December 2, 2004 10:10 pm
 Subject: [MOPO] This is very sad and not for the
 easily outraged

  Richard,
 
  The poor guy signing autographs in his underwear
 and wearing a
  shirt that has more stains than can be counted?
 
  It made me very sad to see what seemed to be
 exploitation.
 
  Glenn
   - Original Message -
   From: Richard Halegua Comic Art
   To: Glenn Taranto ; [EMAIL PROTECTED]
   Sent: Thursday, December 02, 2004 7:00 PM
   Subject: Re: [MOPO] This is very sad and not for
 the easily outraged
 
 
   gee Glenn, I looked at the lising... I didnt see
 anything wrong
  with it.
 
   Rich===
 
 
   At 06:38 PM 12/2/2004, Glenn Taranto wrote:
   I saw this auction on eBay.  I want your
 opinion.
   
   My attitude is thus...
   
   I can't believe that someone would take these
 picture let alone
  use them
   in an auction.  I know Joe Cobb is dead but this
 is really
  outrageous...  
 
 

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemcategory=32988item=3857436756rd=1http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemcategory=32988item=3857436756rd=1
  
   Glenn
   Visit the MoPo Mailing List Web Site at
 www.filmfan.com
 

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   The author of this message is solely responsible
 for its content.
 
  Visit the MoPo Mailing List Web Site at
 www.filmfan.com
 

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 Mailing List
 
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 [EMAIL PROTECTED]
 In the BODY of your message type:
 SIGNOFF MOPO-L
 
 The author of this message is solely
 responsible for its content.
 
 

  Visit the MoPo Mailing List Web Site at
 www.filmfan.com


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 Mailing List

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Re: [MOPO] [Style-b List] Vintage Hollywood Auction madness

2004-12-19 Thread Toochis Morin
I do hope that Bruce tries a Vintage Hollywood Auction
on Movie Poster Bid someday.  I think these folks from
ebay would flock to Movie Poster Bid.  They could just
see the news on Bruce's site.

Congrats to Bruce.  I think many people bid because of
reliability.  Also the auction is such a cool set-up
that he makes it an event.  That's part of the lure.
He's worked very hard to get it.  I love buying from
other sellers as well.

Toochis
--- [EMAIL PROTECTED] wrote:


-
I have been watching tonight's action over at the
Bruce Hershenson Annex to the U.S. Mint and I don't
know if some of these prices are records, but they
are climbing way up there, that's for sure. And not
just for the few premier items either. The spending
mania seems to have spread to all the lots. Once
again, Bruce is to be congratulated on mounting a
super auction -- and it will be going on for another 3
days!

But also, as usual, it was almost impossible to bid a
reasonable amount in this auction and actually win
anything.

I can understand this high bidding mania when it comes
to things like the Universal Horror and other classic,
high-end desirable pieces. We've all come to accept
that this will happen. But, c'mon folks, take a look
at some of these final bids on some of the more
average everyday stuff:
 3859206939#388 SHOOTIST 1sh'76 classic Amsel John
Wayne portrait! sold for $ 192.50

... A nice poster, but it comes up fairly often. There
was one up for auction on MoviePosterBid two weeks
ago, very similar in condition, from a long-time,
reliable, well-known seller with a starting price of
$119.00 and there were no bidders.
http://www.movieposterbid.com/itemdetl.asp?id=4470

  3859207258#392 SATURDAY NIGHT FEVER 1sh'77
John Travolta classic! sold for $92.82

...Originals of this one in excellent condition show
up almost every week on eBay from reliable sellers.
You've all seen them, and they go for $20.00 to $40.00

  3859207905#400 GREASE one-sheet '78 John
Travolta, Newton-John! sold for $103.50

...Another one that pops up on eBay all the time.
Again, $20 to 40 bucks, almost any week.

  3859197180#293 WHEN WORLDS COLLIDE LC#1 '51
full spaceship image! sold for $380.00


...While not exactly common, I was tracking this card
on eBay last week. It sold for $36.50. Again, from a
long-time, reliable seller. Yes, there is a condition
variance between the two cards, but this much?
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemcategory=60331item=3858584246rd=1

Now there is no question that Bruce's operation does a
great job -- in presentation, promotion, execuction
and shipping after the sale. But so do a lot of other
long-time, reliable sellers on eBay, MoviePosterBid
and elsewhere, including those who send their FA lists
to MOPO and Style B every week. Surely this
reliability factor alone can't account for these
steep variances in prices from the norm?

Maybe I'm just out of the loop, but I can't understand
why people will go out of their way to bid each other
up on this more common material and pay two, three,
four times what it normally sells for. Sometimes even
more. It don't make no sense to me, and I can only put
it down to the kind of bidding madness that sets in.
What, do people get so upset that they were outbid on
the $1,500 or $3,000 item that they say, Damn it, I'm
gonna buy *something* from Bruce's auctions tonight,
no matter what it is or how much I have to pay for
it!

Is this really what happens?

Suffering from Shock and Awe,

-- JR






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A random contribution to the...
Sue Brown Fund [Leukemia Society]
PayPal account# [EMAIL PROTECTED]
wins the original Star Trek TV series!
[All 79 episodes on 40 new/sealed DVD's]

Have you seen Style-b Cinema Magazine?
Number 2 now available at...
http://www.style-b-cinema.com

For [Style-b List] discussion community
membership/enrollment information...
log onto the [Style-b List] web-site at...
http://groups.yahoo.com/group/style-b-list

The views expressed in this
communication do not
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whether living or dead.









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Re: [MOPO] A holiday thank you to all you Mopo and MPT members...

2004-12-22 Thread Toochis Morin
So well said!  I want to also thank Donald
Rumsfeld for showing that you don't have to be
competent to lead a war.

Thank you Mr. President for showing that you don't
have to balance anything that has to do with money.
That you don't have to listen to anybody because you
have capital.

Thank you to the Pentagon for sending young men to war
unprotected and forcing them to show their ingenuity
by welding scrap metal onto their ill-made Hummers.

Thank you to the Hummer manufacturers showing that you
don't give a crap about the environment or space or
gas.

You've inspired me so much to pass along my lump of
coal to the next person.

Ho-Ho-cough,
Toochis
--- Robert D. Brooks [EMAIL PROTECTED] wrote:

 With the Christmas season fast upon us (and the
 recent passing of Ramadan and Hanukkah), it's once
 again time to give thanks for what the past year has
 brought us:

 Thanks to the Rochester Connection for once again
 proving that no matter how evil you are, the
 authorities won't lift a finger to stop you.

 Thanks to Tom Martin for showing us that a paragraph
 need be no longer than two sentences - and, that you
 don't even need to reach the end of the second
 sentence to start a new paragraph.

 Thanks to eBay for their continual 'improvements'
 that are a Godsend for all of us users.  Thank you
 for fully testing all of them so that they don't
 ruin all our auctions.  And, also, a hearty thank
 you for policing fraudulent auctions (and fraudulent
 bidders) with the same determined intensity that you
 guard your bottom line (and VERO rights holders').

 Thanks to Bruce Hershenson for proving that it is
 not a contradiction in terms to state that you get
 both the highest prices in the business for your
 consignors as well as the greatest bargains for your
 bidders.

 Thanks to Kirby McDaniel for bringing the term
 'advanced prices' into the common lexicon.

 Thanks to all the major auction houses for
 accurately describing every poster in their
 auctions.

 Thanks to David Lieberman for proving that long
 elusive posters such as the Caddyshack HS, ET HS,
 Animal House Ins., Shining HS and others actually
 exist - and not just in our imaginations.

 Thanks to Randy Petersen for single-handedly
 doubling the price of every rare modern poster
 classic...  Thanks a whole hell of a lot!...

 Thanks to myself for once again making it a whole
 year without opening my mouth and pissing off even a
 single other movie poster collector or dealer.

 Thanks to Dan Rickard for knowing EVERYTHING.  And,
 also a thanks for moving his site off of my server -
 now I don't have to look forward to a nuisance suit
 from the Rochester boys.

 Thanks to David Kusumoto for his re-emergence into
 poster commentary.  And, thank you for keeping all
 your posts short, concise and directly to the point.

 Thanks to Dario Casadei for running all his posts
 through a gramatical and spell checker before
 sending them on.

 Thanks to people like Ioan Baicu, Rick Toler, Jack
 Gold, Sam Sarowitz, Marty Davis, Todd Feiertag and
 others for using the forums as more than just a
 marketing tool, passing their vast knowledge down to
 the public at large.

 Thanks to Sue Heim for being the only framer who
 knows what they're talking about.

 Thanks to the UK dealers, who make me feel like a
 fool for pricing the same poster for 5% of what
 they're asking for it  But, I guess, it also
 works the other way:  Hey, my $50 eBay purchase is
 actually worth 500 Pounds!  Whoopee!!!

 Thanks to JR for believing that he could actually
 compete with eBay.

 Thanks to Mrs.Miniver (and others) for starting
 their auctions at a reasonable price and not gouging
 their customers.

 Thanks to Eugene Hughes for his quick turn-around
 and pleasant demeanor.

 Thanks to every American dealer that realizes that
 no one outside the US deserves to buy their posters,
 and refuses to sell to them.

 Thanks to all the zero feedback Thai poster sellers
 who have such phenomenal posters to sell me.

 Thanks again to eBay for respecting their customers
 and not charging for every single little feature
 they provide on their auctions.

 Thanks to PayPal for being so user friendly - and
 for taking the side of every single zero feedback
 bidder over the seller with nothing but one thousand
 plus positives.

 Thanks to Movie Poster Talk for proving that every
 idiot on Earth absolutely LOVES the Star Wars
 series.

 And, as a side note, thanks to George Lucas for
 worrying more about his fans than his pocket book.

 And, while I'm side tracked, thanks to more than
 half the population of the United States for proving
 that your country is not just filled with xenophobic
 bible-bashers - proving yet again, that the general
 public is too stupid to be allowed to vote (and this
 is coming from a political conservative, mind you).
 And, thanks for proving that greed ALWAYS wins out
 over good and common sense.

 Thanks to Hollywood for giving us one
 thought-provoking movie 

Re: [MOPO] What Did We Do To Deserve This? LONG!!!

2004-12-22 Thread Toochis Morin
I know that these two lists have some of the same
members, but can we dispense with the forwarding of
messages from one list to the other?

Let's face it, there are times when some of us will be
frustrated on the list.  It's human nature.

I love both lists and appreciate the differences.
Don't let this kind of listing get you down, Scott.
It was written on Style B so that it wouldn't get to
you.  They just wanted to vent, I'm sure.

I just got a comment privately about something I said
on MoPo. I could have mentioned it on Style B and MoPo
and gotten people in a huff. But the person and I had
a wink over it and it's done.

I want the freedom to vent about MoPo on Style b when
I want and visa versa.  I have not had reason to do
either nor do I think I ever will.  I understand the
differences.

I just wonder why people want to forward these types
of things to the list leaders.  Don't they get punched
up enough?

Donnie, is a generous and sweet guy who offered
another list not to compete but to give an option.

Scott is a wonderful man who got an awesome list
together to provide a forum for people to talk about
posters.

Let's let them do what they do best and be supportive.

Toochis



--- Michael Spampinato [EMAIL PROTECTED] wrote:

 Scott - You hit us with a long post and am gonna hit
 you back. Have been reviewing many missed posts.
 Since I rwead your in its entirety you must read
 mine in its entirety1 ;-)

 I confess to not being active in Mopo for a while
 now but my poster collecting interests have
 returned. I never lost interest in posters but was
 spending more time researching and acquiring
 pre-code horror comic books. But I knew I would get
 back into poster collecting. And now, for the first
 time in my life, I seem to have achieved a balance
 betyween the two.

 ANYWAY - Scott - not even sure if you remember me
 but man - don't turn out the lights because of the
 classic internet mindset. People forget they are
 people talking to people and often say and do things
 they would never do in real life - like Mopo isn't
 real life!

 Even when I was deepest in comic books I knew I
 would return to posters, and why? Because of Mopo.
 Mopo is the one thing in the poster world that seems
 a constant. A refuge, as it were, to a world that
 really just don't get it!

 I have loved movies since I was a kid. I remmeber in
 the 50's watching Creature Feature and Creatuire
 Double Feature and Sherlock Holmes and Charlie Chan
 on the relatuively new IHF television (we got one of
 those special antennas that let you tune to UHF on
 your VHF TV). And I found my self almost addicted to
 movies - and expecially the black and white ones. I
 remember when Channel 38 (as I recall) in Boston had
 a Humphrey Bogart film festival. They showed maybe a
 dozen of Bogie's best (and some lessers) and I was
 introduced to folks like James Cagney, Edward G
 Robinson, Lauren Bacall and a host of others.
 Suddenly those old movies were just amazing.

 So I started collecting videotapes when VCRs came
 out. But that never really felt right. I didn;t feel
 like I was collecting a part of the movie itself. So
 one day, I am in The Outer Limits comic book shop in
 Waltham Massachusetts, and I see a Mothra insert on
 the wall. I asked what it was and Steve Higgins, the
 most excellent owner of that shop, told me it was an
 insert from Mothra. We talked about movie posters
 for a bit and turned out he had some oither pieces.
 Suddenly everything clicked. THIS was how to own
 a movie. The comic book collector (aka paper lover)
 in me responded immediately.

 Not too long from then I discovered Rudy Franchi's
 The Nostalgia Factory in Boston. Man did I have a
 time. Rudy was just great. He seemed willing to chat
 with me for some time when he realized I had a
 genuine love of both movies and movie paper. I
 bought many pieces from him of lesser things that
 reflected my horror interests: but all in the $25 -
 1oo range.

 Well, one day, I walk in and Rudy looks at me with a
 twinkle in his eye. He says You have to see this
 and he pulls out an original Frankenstein Meets The
 Wolf Man lobby card with the great closeup of the
 monster carrying the Baroness. Well, we talked a bit
 but I could NOT take my eyes off that lobby. It was
 literally the first Universal Horror pice I had ever
 seen. And the Universal Horror films were and are,
 hands down, my favorites.

 I don;t know who was more surprised, myself or Rudy
 when I pulled out a credit card and bought what was,
 by far, the most expensive piece I had even bought.

 Well, I bring it home and am looking at it and it
 suddenly dawned on me You can DO this!. Meaning, I
 can actually get pieces form the Universal films I
 love so much.

 And by gum, I DID! I started hitting ebay. I hit
 Deke's Poster Palace (I still have some pieces from
 him I bought years ago, including a gorgeous Jungle
 Captive 1-sheet and a stunning Realart title card to
 Werewolf Of London). I started 

Re: [MOPO] What Did We Do To Deserve This? LONG!!!

2004-12-23 Thread Toochis Morin
Hi Mike,
Let me be clear.  I did not cite your posting.  I was
responding to Scott being pummeled.

Okay.  I usually don't get into this type of string.
I just think Scott and Donnie do so much hard work and
deserve to be supported.

Again, I did not use your posting.  Hope your have a
great holiday and that all is settled and nice in the
New Year.  We ALL deserve it.
Toochis
--- Michael Spampinato [EMAIL PROTECTED] wrote:

 Man I have had it. Really had it. WHY is my post
 being cited for this? I don;t even know what the
 heck Style B IS, did not MENTION Style B and my only
 reason for the post was to express my pleasure at
 having a place like Mopo and assure Scott it is
 worth it.

 Earlier, I post what I THINK is a complimentary
 email about my results on Bruce's auctions and Bruce
 makes that post the poster boy for expressing
 disapporval.

 Earlier still I post very clear examples and
 questions as to the whole high-end thing and am
 accused of trying to read between the lines or
 reading thigs that arfen;t there.

 Know what? I will just post FOR SALE and WTB
 messages. Lord forbid I should express myself beyond
 that.

 And Merry Christmas and Happy New Year anyway.

 Pov


 Toochis Morin [EMAIL PROTECTED] wrote:
 I know that these two lists have some of the same
 members, but can we dispense with the forwarding of
 messages from one list to the other?

 Let's face it, there are times when some of us will
 be
 frustrated on the list. It's human nature.

 I love both lists and appreciate the differences.
 Don't let this kind of listing get you down, Scott.
 It was written on Style B so that it wouldn't get to
 you. They just wanted to vent, I'm sure.

 I just got a comment privately about something I
 said
 on MoPo. I could have mentioned it on Style B and
 MoPo
 and gotten people in a huff. But the person and I
 had
 a wink over it and it's done.

 I want the freedom to vent about MoPo on Style b
 when
 I want and visa versa. I have not had reason to do
 either nor do I think I ever will. I understand the
 differences.

 I just wonder why people want to forward these types
 of things to the list leaders. Don't they get
 punched
 up enough?

 Donnie, is a generous and sweet guy who offered
 another list not to compete but to give an option.

 Scott is a wonderful man who got an awesome list
 together to provide a forum for people to talk about
 posters.

 Let's let them do what they do best and be
 supportive.

 Toochis



 --- Michael Spampinato
 wrote:

  Scott - You hit us with a long post and am gonna
 hit
  you back. Have been reviewing many missed posts.
  Since I rwead your in its entirety you must read
  mine in its entirety1 ;-)
 
  I confess to not being active in Mopo for a while
  now but my poster collecting interests have
  returned. I never lost interest in posters but was
  spending more time researching and acquiring
  pre-code horror comic books. But I knew I would
 get
  back into poster collecting. And now, for the
 first
  time in my life, I seem to have achieved a balance
  betyween the two.
 
  ANYWAY - Scott - not even sure if you remember me
  but man - don't turn out the lights because of the
  classic internet mindset. People forget they are
  people talking to people and often say and do
 things
  they would never do in real life - like Mopo
 isn't
  real life!
 
  Even when I was deepest in comic books I knew I
  would return to posters, and why? Because of Mopo.
  Mopo is the one thing in the poster world that
 seems
  a constant. A refuge, as it were, to a world that
  really just don't get it!
 
  I have loved movies since I was a kid. I remmeber
 in
  the 50's watching Creature Feature and Creatuire
  Double Feature and Sherlock Holmes and Charlie
 Chan
  on the relatuively new IHF television (we got one
 of
  those special antennas that let you tune to UHF on
  your VHF TV). And I found my self almost addicted
 to
  movies - and expecially the black and white ones.
 I
  remember when Channel 38 (as I recall) in Boston
 had
  a Humphrey Bogart film festival. They showed maybe
 a
  dozen of Bogie's best (and some lessers) and I was
  introduced to folks like James Cagney, Edward G
  Robinson, Lauren Bacall and a host of others.
  Suddenly those old movies were just amazing.
 
  So I started collecting videotapes when VCRs
 came
  out. But that never really felt right. I didn;t
 feel
  like I was collecting a part of the movie itself.
 So
  one day, I am in The Outer Limits comic book shop
 in
  Waltham Massachusetts, and I see a Mothra insert
 on
  the wall. I asked what it was and Steve Higgins,
 the
  most excellent owner of that shop, told me it was
 an
  insert from Mothra. We talked about movie posters
  for a bit and turned out he had some oither
 pieces.
  Suddenly everything clicked. THIS was how to
 own
  a movie. The comic book collector (aka paper
 lover)
  in me responded immediately.
 
  Not too long from then I discovered Rudy Franchi's
  The Nostalgia

Re: [MOPO] Linenbacker praise

2005-01-04 Thread Toochis Morin
I have to add praises to Jaime Mendez.  He restored a
HOT CAR GIRL O.S. for me to immaculate shape.  The
colors are vibrant and wonderful and the price was
more than fair.  He responds quickly to emails and is
just a great guy all round.
Toochis
--- Craig Goebel [EMAIL PROTECTED] wrote:

 I concur with Saul's recommendation of Dario.
 Dario's done nearly 50 posters for me - one sheets
 and Oz d/bs - to excellent effect and prices related
 to the effort. Several have been reclamation
 projects, including a couple old, rare items that
 needed much work - Quebec and Blood and Sand.
 Knowledgable and oh so courteous. Craig, Vancouver.
   - Original Message -
   From: Saul H. Chapman PhD
   To: MoPo-L@LISTSERV.AMERICAN.EDU
   Sent: Tuesday, January 04, 2005 12:57 PM
   Subject: [MOPO] Linenbacker Malaise


   Did I say malaise?  I meant PRAISE!  Rather than
 linenbacker mashing I just feel like its time to do
 a bit of linenbacker Splashing!  I've had some
 really nice linenbacking and restoration work done
 by two of our more outstanding artisans and
 craftsman, Jaime Mendez and Dario Casadei.  These
 guys are truely exacting and passionate in their
 work and turn out very good quality product.  I
 highly recommend both of these gentleman and will
 continue to send posters to them.

   If you haven't yet sent something to Jaime or
 Dario perhaps you should give them a try.  I don't
 think you will be disappointed.  Examples of their
 restoration work can be found on each of their
 websites.
   You can find Dario at www.vintagemovieart.ca and
 Jaime at www.restorationbyjm.com

   Also, I recently purchased an old Italian Foglio
 from Capitol Posters  Restoration.  At the time of
 this purchase I had a chance to talk to Fontaine
 Ayala, a young and apparently quite talented
 linenbacker and restoration artist with Capitol.
 She sent me some photos of her restoration work
 which appears very impressive and I certainly plan
 to give her a chance to show her stuff and will have
 her linenback and do restoration work on the Italian
 piece.

   Okay, give 'em a try!

   Regards, Saul
   Visit the MoPo Mailing List Web Site at
 www.filmfan.com


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 www.filmfan.com


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Re: [MOPO] Just my take ...on movie poster collecting. What's yours?

2005-01-04 Thread Toochis Morin
I collect Humphrey Bogart and started around 1998.  I
also love art deco graphics.  The posters which have
eluded me are:  Sins of Nora Moran, Dantes Inferno,
and several others.  The problem I have is that I have
not narrowed my focus enough.  I end up buying other
posters which do not fit my profile but that I love. I
love bad girl posters too!  I stop as late as Taxi
Driver but for the most part stick with Bogey and
deco.

The Bogey has gotten more and more expensive so I'm
afraid I'll never get my collection larger, but oh
well...

As far as new posters, gosh I do my best to stay away.
 I'll never have a life!!
Toochis
--- Michael Spampinato [EMAIL PROTECTED] wrote:

 I collect to own a piece of a movie so to speak. I
 could collect 35mm film but they would get rather
 redundant framed and hung on the wall. :-)

 I actually have a method to my collecting. I am
 collecting a single piece from each Universal,
 Monogram and PRC (Monogram and PRC being the main
 Poverty Row Studios) horror films of the 30's and
 40's. Realart and Astor etc. re-releases up to the
 early 50's as well as foreign (especially Belgian
 but also have seen some interesting Australian
 daybills) as long as they are 4-color.

 If anyone here collects coins - think of my
 collecting as a type set. Lobby cards are my
 favorite for ease of framing/matting. But I like to
 center a wall with a one-sheet or insert
 surrounded by relevant lobby cards.

 I'm not overly concerned with the image. The several
 original Universal lobbies I got from Bruce's latest
 auction don't show the monsters but they show scenes
 I know and remember well. And that is the key for
 me. Any piece that tweaks my memory of the film is
 fair game, and if I can get 2 or 3 dead cards for
 the price of a live card I will do so, as I do
 love them all equally.

 I AM approaching completion. From the major
 Universal films I have an example from all of the
 Mummy pieces except the first Mummy and Mummy's Hand
 (Dang why didn;t Realart re-release that one? A fine
 film too!). Do need Frankenstein, Bride Of
 Frankenstein and Son of Frankenstein to complete the
 Frankenstein series. Need only Dracula to complete
 the Dracula series. Need only Invisible Man Returns
 and Invisible Agent to complete the Invisible Man
 series. And only The Wolf Man to complete the Wolf
 Man series (luckily I got from Deke many years ago
 the title card (Realart) to Werewolf Of London
 (phew!). Have most of the
 2nd tiers completed as well (all the 2nd Black Cat,
 Jungle Woman series, Old Dark House, Mad Ghoul,
 She-Wolf of London, Cobra Woman etc.).  I will be
 putting in requests for the missing pieces here on
 Mopo as my budget grows.

 As far as the Poverty Row pieces, Devil Bat has
 proven to be my downfall. Dashed difficult to find
 and apparantly nothing in 4-color? Does anyone know
 if any Devil bat material was proiduced in 4-color?
 But have about 70% of the Monogram and PRC
 represented.

 I expect it to take more time to complete this set.
 After that? I will continue to collect. My side
 collection is the major detective series - Sherlock
 Holmes (Rathbone/Bruce). Mister Wong. Mister Moto.
 Charlie Chan. Have a nice smattering of these but
 still need a Toler Chan to have every Chan
 iteration.

 Such are my collecting proclivities. Each piece I
 have tickles me and reminds me of the films I love.

 Pov

 Yafet [EMAIL PROTECTED] wrote:
 Dear Saul and MoPo,

 I have always collected stuff, from little
 on.  Movie paper started as an interest, grew to a
 hobby and is now a passion for more years than I
 care to reveal.
 My approach is similar to Saul's.  Love the
 actress/actor.  Love the movie.  Love the artwork.
 The movie is awful but is always good for a few
 laughs or other exclamation points.  To me, it's all
 very personal.  I do not collect for investment.  My
 collection spans both ends of the price spectrum and
 several genres.
 Movie paper is also a tangible piece of the
 film.  Rather like, You are there!  Moviegoers
 probably (unless the piece is unused) walked past
 your paper and looked at it.  Hard to duplicate that
 kind of feeling.

 Nathalie Yafet



 Saul H. Chapman PhD wrote:
 Dear MOPO Brothers and Sisters,

 I guess I've been collecting posters now for close
 to two and a half years (not including my purchases
 of Hard Day's Night, Help, Let It Be and
 Yellow Submarine 3-Sheets in the early 1980's).  I
 virtual newbie compared to many of the listserve
 members.  I used to collect fine art limited edition
 prints (lithographs, serigraphs, silkscreens,
 etchings) and signed/autographed Beatles
 memorabilia, but sold many of these and have moved
 over to movie posters (and an occasional concert
 poster).  I'd moved over to movie posters, not for
 investment purposes, but because the images on the
 posters either better fulfilled some nostalgic need
 or because the posters artwork stirred me in some
 very positive way that the fine art 

Re: [MOPO] Prices Sci Fi POsters

2005-01-25 Thread Toochis Morin
Helmut, if I had the $$, I'd be all over your
stuff  You've been a terrific seller and I've
enjoyed buying from you.  These are great items and a
wonderful opportunity.  That Wasp Woman rules!
Toochis
--- Richard Halegua Comic Art [EMAIL PROTECTED]
wrote:

 Look folks, I think that almost all of you are so
 badly missing the boat on
 what is going on in Helmut's offerings.

 as a dealer (and collector as JR said.. we all have
 a habit) when I see the
 list of posters that Helmut (who is top class all
 the way folks) is
 offering, I say to myself...

 A) Helmut has a consignment from a collector who
 wishes to sell.. the
 collector isn't in cheap, and then Helmut has to
 make money, and then eBay
 is making money etc..
 okay I understand that.. !

 or

 B) Helmut is selling some of his own stuff, and he
 knows, like all of us
 do... that the Sci-fi stuff is one of the most solid
 selling areas of the
 market and as he will no longer spend the kind of
 money a Wasp Woman would
 command for his own collection - if he sells his own
 - ..
 okay I understand that too...!!

 or

 C) Helmut just wants alot of money for this
 collection he just bought
 because he had to pay a fortune to get it because
 there isn't any collector
 (including you MoPo members) who will sell me a
 collection of this stuff
 again for a fair price, so I want to maximize on
 this type of collection
 that is getting almost impossible to find.
 okayI definitely understand that as well.

 well I actually know these are Helmut's posters, so
 anyone who guessed B
 wins the prize

 I actually don't think that all of that stuff is so
 out-priced as many of
 you who have commented do. A Wasp Woman at $5000
 seems right to me, or if
 it is high.. by what??  $500 ??

 Listen if any of you who have so harshly flamed
 Helmut will sell me his
 similar collection for a fair price, I have cash
 here waiting for you, and
 if I don't have enough money, I'll beg, borrow or
 steal it (okay I won't
 steal it) just to be able to buy the collection for
 myself so I can ask
 what you think I should be selling the stuff for so
 all the gripe-ster
 collectors can buy cool stuff at the prices that
 you think is fair... !!

 any takers.. PLEASE EMAIL ME NOW!!!

 Rich===







 At 06:51 PM 1/25/05, Phil Edwards Cinema Arts wrote:
 I have to agree with JR on this one, and add that
 no one is being forced
 to pay the prices being asked by Helmut, one of the
 longest-established
 and most professional dealers around the poster
 business. I don't see
 people running out to take other long-time pro
 dealers like Sam Sarowitz,
 John Hazelton, John Kisch, Freeman Fisher et al to
 task for the prices
 they ask publicly or privately for their rarer
 items.
 
 If some folks find Helmut's prices on the high side
 then I presume they
 also find some of the prices that posters end up on
 auctions absurd as
 well. I was astonished recently to see a reissue
 daybill for DAY THE EARTH
 STOOD STILL go over US$200 on one of Bruce's
 auctions. A poster that has
 been around in quantity for some time (even if
 supplies are dwindling
 compared to a couple of years ago) and can often be
 found as a BIN for $25
 to $50 from numerous sellers. But as the auction
 game demonstrates, it
 only takes two or more people who really want
 something to drive a price
 through the roof for a particular item. Some people
 just gotta have
 something sometimes, and rationality about price
 and other availability
 can go out the window.
 
 I better start rummaging through my boxes again and
 find the rest of those
 DAY daybills, I guess. I know I put 'em somewhere.
 Damn these senior
 moments! Maybe Helmut will trade me something for a
 couple of them.
 Phil
 
 
 Phil Edwards Cinema Arts Pty Ltd
 26 Vista Avenue
 Soldiers Point
 NSW 2317
 AUSTRALIA
 Email:
 mailto:[EMAIL PROTECTED][EMAIL PROTECTED]
 Phone/Fax (International Dial) 0011 61 2 49847233
 Phone/Fax  (Domestic Dial) 02 4984 7233
 Website:
 http://www.cinemarts.comwww.cinemarts.com
 - Original Message -
 From: mailto:[EMAIL PROTECTED]J R
 To:

mailto:MoPo-L@LISTSERV.AMERICAN.EDUMoPo-L@LISTSERV.AMERICAN.EDU
 Sent: Wednesday, January 26, 2005 1:04 PM
 Subject: Re: [MOPO] Prices Sci Fi POsters
 
 Randy and others,
 
 While I am also often floored by the retail asking
 prices I see from some
 sellers there is one motivation/rationale that
 probably accounts for it
 more than anything else -- and one that is
 prefectly understandable,
 honorable and ethical:
 
 Many sellers are also collectors. Most of them in
 fact. Now, you've got a
 great poster in your collection, you love it. What
 if someone came into
 your house and offered to buy one of your favorite
 posters? Would you sell
 it? Maybe, maybe not -- but you would certainly ask
 a high price. The
 price you would ask you NOT be the low price one
 *might* be able to get it
 at auction someday... nor would it necessarily even
 be an 

Re: [MOPO] I like to be helpful, but...

2005-01-26 Thread Toochis Morin
I agree with Michael, Bruce.  I think you should stay
on because you have been quite informative and
helpful.  I think it's great you offer links to other
sellers.  Your frustration is acknowledged and I wish
it were different.  Although this is a forum of movie
paper lovers, there will be a competitive spirit.

Please stay on.  As far as private bidders, the only
reason I mind is that there are certain people who I
do not want to bid against. I like them so I can lose
the auction at that time or I email them and ask them
if they really want it.

You've raised the bar in this business and even though
there are many dealers who are providing the same
quality, there will be others who resent it.

I'd hate to see MoPo lose you.
Toochis


--- Michael Greenwood [EMAIL PROTECTED] wrote:

 Hello all

 I think Bruce should stay because I feel he still
 offers plenty to the
 community, including both new and older persons.
 You've got a thick skin but it
 needs to be thicker.  Your place in the hobby is
 such that you have an effect on
 every facet and you are going to be discussed on all
 fronts and have lots of
 negative hits.  Obviously, anybody who
 'cyber-stalks' is bothersome and I don't
 blame you for leaving MPT.  It's too bad that the
 forum couldn't have had that
 user removed with greater ease but I assume the
 person would just re-subscribe.

 Anyway, that's too bad but I do want you to stay and
 contribute in the same way
 I want everybody to stay.  I'm sorry that the poster
 hobby isn't 100% behind you
 but that's always going to be the story.  Your
 record still stands for itself.

 All the best,
 Michael

 Bruce Hershenson wrote:

  Ever since I began my weekly Internet auctions, I
 have tried to be very
  helpful to all dealers and collectors (except for
 the outright crooks and
  creeps).  I have maintained a large links page,
 with links to many
  smaller dealers who likely greatly benefit from
 my link, but where I
  doubt I get much benefit if any from their link.
 I have many times ran
  e-mails in my club praising other dealers (my
 direct competition!) and I
  don't see that doing so helps me at all.  I have
 also always tried to
  answer all questions by phone or e-mail, even when
 I have not had the time,
  and when the answer does not benefit me in any
 way.
 
  For years I have participated in all three online
 discussion forums, and
  have linked to them from my website, and from my
 e-mail club, no doubt
  adding lots of members to each.  I have also made
 hundreds of posts to each
  where I give answers to questions, or share my
 views on subjects under
  discussion, usually where I have nothing to gain,
 except knowing I have
  helped someone find their answer.
 
  Around a month ago I had an unfortunate experience
 on the Movie Poster Talk
  site.  I picked up a cyberstalker, who posted
 soon after almost every
  post I made, often fairly incoherently, and
 sometimes vaguely threatening
  (My finger is on my trigger and it is itchy).  I
 asked him to stop, but
  to no avail.  It became very unpleasant to read
 these posts, and it made me
  question why I was there.  I de-listed myself
 from the site, and real
  honestly, I find I don't miss it, and it gives me
 more time to not post,
  and time is my most precious commodity right now.
 Strangely (or not so
  strangely), my cyberstalker has pretty much quit
 posting, now that I am gone.
 
  Now I am reading posts on MoPo which seem to say
 that those who buy from me
  are very foolish, as they pay me far higher prices
 than they could find
  elsewhere on eBay, and I am wondering why I am
 sending my buyers to the
  MoPo site.  I rarely post anymore except to
 announce my latest offerings,
  and I have not found what has been posted all that
 interesting reading (a
  lot of it covers ground that has been covered many
 times in the past, which
  would of course be far more interesting to newer
 collectors).  Why should I
  send my customers to a site where they will read
 jealous rants against me,
  and be told not to buy from me?
 
  So I am strongly considering quitting MoPo, and
 greatly reducing my LINKS
  page, and I am asking for others' opinions before
 I make this move.  Of
  course if the response is a bunch of anti-Bruce
 rants, then you will be
  making my decision easy!
 
  I can't help but think that most of the members of
 the online forums who
  buy posters from me are also members of my e-mail
 club (3,000 members), so
  I will still be reaching them if I quit both
 forums.  And I imagine there
  might be some people who quit buying from me if I
 don't support the online
  forums, but if so, I can accept that.  All I want
 to do is keep selling
  posters in a 100% honest way (honestly described,
 well packed, un-enhanced
  images, etc) and therefore I would think most
 collectors would still want
  to do business with me whether or not I am in the
 online forums!
 
  I looked at Movie Poster Talk to see if I was
 being 

Re: [MOPO] FS: Announcing a new vintage poster website, and my first Mo-Po post

2005-02-09 Thread Toochis Morin
Dave,
You couldn't have picked a better icon than Bogey. I adore him and your website.
Congratulations,
ToochisDave Ressler [EMAIL PROTECTED] wrote:

Hello Phil  Mila,

Many thanks for your well-wishes. As a bit of an explanation of the Bogartrant on the home page (for those who might be interested), it is actually all of his spoken lines as Duke Mantee in The Petrified Forest, strung togetheras a continuous dialog. If I have a dozen favorite Bogart lines, at least half of them are here. Perhaps my #1 favorite: "I spent most of my time since I grew up in jail -- it looks like I'll spend the rest of my life dead". Classic stuff.Bogart had his lines honed from doing the play on Broadway, andjust listening toBogart's deliveryis enough to understand why Leslie Howard refused to make the film without him. And of course this was the rolethat putBogie over the top and made him a star.

The image on the home page is NOT from The Petrified Forest, but from King Of The Underworld instead.However, it is my favorite Bogart image of all time, and theembodiment of "cool". I couldn't resist using it.

Dave
Phil Edwards Cinema Arts [EMAIL PROTECTED] wrote:




Dave - All good luck with your website and for the future. It has some very nice pieces and the Bogart rant is a riot!
Regards,
Phil  Mila

Phil Edwards Cinema Arts Pty Ltd26 Vista AvenueSoldiers PointNSW 2317AUSTRALIAEmail: [EMAIL PROTECTED]Phone/Fax (International Dial) 0011 61 2 49847233Phone/Fax (Domestic Dial) 02 4984 7233Website: www.cinemarts.com

- Original Message - 
From: Dave Ressler 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, February 09, 2005 7:22 PM
Subject: [MOPO] FS: Announcing a new vintage poster website, and my first Mo-Po post

Hello All,

A late night note from the east coast, but I wanted to get this out before hitting the sack. At the recommendation of a friend and Mo-Po subscriber, as well as gracious Mo-Po emcee Scott Burns, I wanted to introduce my new website to all Mo-Po members. This is also my first Mo-Po post, so I thought a brief introduction would be in order.

My name is Dave Ressler, and I'm located in the Cincinnati, Ohio area. I have collected all manner of things, a disease of sorts I suppose,ever since I was a kid growing up in Pennsylvania. I moved to Ohio in 1986 and began working at Procter and Gamble shortly thereafter in research and development. I'll bemarried for 20 years this coming August, and have a 15 year-old daughter. About a year after I moved here I somehowstumbled across an issue of Movie Collector's World, which introduced me to what I consider to be the ultimate collectible in vintage film posters and lobby cards. I've dealt with many dealers and collectors over the years, and remember making my first purchases from guys like Todd Feiertag and Bill Luton (at a time when theystill sent outcatalogs). Scanning over the Mo-Po archives, I notice posts from many that I have known from the past, or have dealt with in recent years on eBay.

I have sold a fair number of items on eBay over the past 6 years,but not a great deal. Although it certainly has its merits, I have always found eBay to be a bit impersonal, andhadoften thought about doing my own website as a better _expression_ of myself. However, getting from the concept to the finish line was no simple task, and took longer than I had hoped. But I'm finally "on the air".

For those who might consider purchasing from me, I guarantee a pleasant experience. I will never be the biggest dealer (and I'm certainly awed by some sites out there which offer thousands of items), but I do promise excellent service and products. I'll provide accurate descriptions and images (and if there is more that you'd like to know about an item, please ask). I guarantee all items to be exactly as described, or will fully refund your money, no questions asked. I ship promptly and package items extremely well, and can honestly say that- to my knowledge - I have never had an unsatisfied customerin this or any other hobby. I'll bemore thanhappy to supply references to anyone in doubt. But as I interpret my being a member of Mo-Po, I'm opening myself up to a world of hurt if I do you wrong!

Ordering and contact informationcan be found on the site. Email contact is the easiest (and cheapest) way to reserve items, but you can also phone me or fax your request. Other collectibles are featured on the site, but the majority of the material will be vintage filmposters from the 1920'son up. I just updated the site tonight, so as I send this out all of the itemsare currently available.I will mark the home page with a new date every time I update the site, so you may want to mark it as a favorite and check it out every now and then -- if the date at the top has changed, new items will have been added.

That's about it for the sales pitch. I won't bend everyone's ear to this extent again, although I will probably post short messages when I update the site. Thanks to all for 

Re: [MOPO] Something interesting for Eastwood fans

2005-02-10 Thread Toochis Morin
Eastwood is tops in my book!
Toochis
--- Kirby McDaniel [EMAIL PROTECTED] wrote:

   The New York Times
 February 13, 2005
 FRANK RICH
 How Dirty Harry Turned Commie

 THE day the left died in Hollywood, surely, was the
 day that a few too
 many Queer Eyes had their way with Michael Moore as
 he set off on his
 Oscar campaign. The baseball cap and 1970's leisure
 ensemble gave way
 to quasi-Libeskind eyeglasses and spiky hair that
 screamed I am worthy
 of a cameo on 'Entourage.'  But not worthy of an
 Oscar. Fahrenheit
 9/11 got zero nominations, leaving the Best Picture
 race to five
 apolitical movies. Since none of those five has yet
 sold $100 million
 worth of tickets, let alone the $350-million-plus of
 a Lord of the
 Rings-level megahit, the only real drama accruing
 to this year's Oscar
 telecast was whether its ratings would plunge as low
 as the Golden
 Globes.

 But two weeks out from the big night, the prospects
 for a little
 conflict are looking up. Just when it seemed that
 Hollywood had turned
 a post-election page in the culture wars, the
 commissars of the right
 cooked up a new, if highly unlikely, grievance
 against Holly-weird,
 as they so wittily call it. This was no easy task.
 They couldn't
 credibly complain that The Passion of the Christ
 was snubbed by the
 movie industry's elite (translation: Jews), since
 it nailed three
 nominations, including one for makeup (translation:
 really big noses).
 That showing bested not only Fahrenheit 9/11 but
 Shrek 2, the
 year's top moneymaker. Nor could they resume
 hostilities against their
 perennial bogeymen Ben Affleck, Susan Sarandon, Sean
 Penn, Barbra
 Streisand and Whoopi Goldberg. All are nonplayers in
 this year's
 awards.

 So what do you do? Imagine SpongeBob tendencies in
 the carefully
 sanitized J. M. Barrie of Finding Neverland?
 Attack a recently
 deceased American legend, Ray Charles, for demanding
 that his mistress
 get an abortion in Ray? No, only a
 counterintuitive route could work.
 Hence, the campaign against Clint Eastwood, a former
 Republican
 officeholder (Mayor of Carmel, Calif., in the late
 1980's), Nixon
 appointee to the National Council of the Arts and
 action hero whose
 breakthrough role in the Vietnam era was as a
 vigilante cop, Dirty
 Harry, whom Pauline Kael famously called fascist.
 There hasn't been a
 Hollywood subversive this preposterous since the
 then 10-year-old
 Shirley Temple's name surfaced at a House
 Un-American Activities
 Committee hearing in 1938.

 No matter. Rush Limbaugh used his radio megaphone to
 inveigh against
 the liberal propaganda of Million Dollar Baby,
 in which Mr.
 Eastwood plays a crusty old fight trainer who takes
 on a fledgling
 girl boxer (Hilary Swank) desperate to be a champ.
 Mr. Limbaugh
 charged that the film was a subversively encoded
 endorsement of
 euthanasia, and the usual gang of ayotallahs chimed
 in. Michael Medved,
 the conservative radio host, has said that hate is
 not too strong a
 word to characterize his opinion of Million Dollar
 Baby. Rabbi
 Daniel Lapin, a longtime ally of the Christian
 right, went on MSNBC to
 accuse Mr. Eastwood of a cultural crime comparable
 to Bill Clinton
 having brought the term 'oral sex' to America's
 dinner tables.

 What do you have to give these people to make them
 happy? Mr.
 Eastwood asked when I phoned to get his reaction to
 his new status as a
 radical leftist. He is baffled that those who
 expound from the right
 on American values could reject a movie about a
 heroine who is
 willing to pull herself up by the bootstraps, to
 work hard and
 persevere no matter what to realize her dream.
 That all sounds like
 Americana to me, like something out of Wendell
 Willkie, he says. And
 the villains in the movie include people who are
 participating in
 welfare fraud.

 What galls the film's adversaries - or so they say -
 is a turn in the
 plot that they started giving away on the radio and
 elsewhere in
 December, long before it started being mentioned in
 articles like the
 one you're reading now. They hoped to spoil the
 movie and punish it
 at the box office, though there's no evidence that
 they have succeeded.
 As Mr. Eastwood has pointed out, advance knowledge
 of the story's
 ending did nothing to deter the audience for The
 Passion of the
 Christ. My own experience is that knowing the
 ultimate direction of
 Million Dollar Baby - an organic development that
 in no way resembles
 a plot trick like that in The Sixth Sense - only
 deepened my second
 viewing of it.

 Here is what so scandalously intrudes in the final
 third of Mr.
 Eastwood's movie: real life. A character we love -
 and we love all
 three principals, including the narrator, an old
 boxing hand played by
 Morgan Freeman - ends up in the hospital with a
 spinal-cord injury and
 wants to die. Whether that wish will be granted, and
 if so, how, is the
 question that confronts not just the leading
 characters but also a
 young and orthodox Roman 

Re: [MOPO] Please stop giving away plot twists for newly released films!

2005-02-13 Thread Toochis Morin
David, I couldn't agree with you more.  I was also
offended when Frank Rich wrote that Passion of the
Christ's nomination for make-up was for big noses.
How low does he have to go to get attention?
Obviously very low.

I loved Million Dollar Baby and just tell people to go
see it.  Whatever one hears about it they cannot help
but be moved by this impressive film.

I'm glad Clint also got nominated for best actor.
Toochis
--- David Kusumoto [EMAIL PROTECTED] wrote:

 What really makes these critics hate Million
 Dollar Baby is not its
 supposedly radical politics - which are nonexistent
 - but its lack of
 sentimentality.

 I don't know what the hell Frank Rich is talking
 about here.  My wife and I
 cried our eyes out when we watched Million Dollar
 Baby, and it's my pick
 (along with Sideways) as the Best Picture of 2004.
  The Aviator is more
 old fashioned, has more nominations, is more
 handsomely produced, but
 doesn't emotionally connect with most audiences.
 (And I'm angry Scorcese
 decided against tacking on a text post-script
 about the fate of Howard
 Hughes, as he did with great success in
 Goodfellas, his last truly great
 picture which DID deserve the Best Picture Oscar
 over the p.c. Dances with
 Wolves.)

 The Frank Rich column Kirby cites is one of Mr.
 Rich's better efforts.

 ---

 *** But I hate the fact that Rich on the left and
 others on the right
 have chosen to spoil the plot twist of one of
 Eastwood's finest films.
 Moreover, because he works for the left leaning,
 hasn't-endorsed-a-Republican-candidate-for-President
 in more than 50 years
 New York Times (but still the most historically
 important paper in the
 United States) -- Rich has elevated the so-called
 controversy against
 Million Dollar Baby -- to a level of legitimacy
 and attention that I think
 most movie lovers can do without.  He just threw
 kerosene on a dimly lit
 fire, since I don't believe most who are paying to
 see Million Dollar Baby
 -- either know about the pseudo-controversy -- and
 if they did, don't give
 two s***s about it.

 In my view, Frank Rich, a failure as an op-ed
 columnist for the New York
 Times, has been an equal failure ever since he was
 pushed into that
 paper's Sunday's Arts and Leisure section.  Every
 week, he incessantly use
 any arts related subject as a launching pad to
 write Maureen Dowd-like
 diatribes against the ultra-right (but without
 Dowd's fabulous sense of
 humor, her gift for satire and without her
 Pulitzer).  He's a Maureen Dowd
 wannabe, which is why everything he writes for
 Sunday Arts MUST be connected
 to left and right wing politics.

 ---

 The sad thing is Mr. Rich is a genuine arts scholar
 but has none of the wit
 and subtlety for language that, let's say, his NY
 Times colleagues have,
 such as critics Ben Brantley or A.O. Scott.  He only
 wants to write about
 politics.  So he's stuck at Arts and Leisure, taking
 every subject about
 theater and film and connecting-his-dots back to
 the White House or to
 right wing wackos.  His abandonment of Michael Moore
 after he cleaned up
 his wardrobe is as embarrassing as his endorsement
 of Fahrenheit 9/11, a
 masterpiece of partisan entertainment, but a
 documentary it was not.

 Clint Eastwood was already an an icon and a legend
 before he became a GREAT
 director.  His politics here in California are
 truly, as Mr. Rich correctly
 notes, hard to pin down.  He doesn't need Frank
 Rich's help to raise the
 impression that he's an underdog, now a Commie,
 or to prove his
 theories correct about the heinous ultra-right.  I
 will bet that Mr.
 Eastwood, the class act he is, didn't understand the
 big deal about his
 film until he picked up the phone and took Mr.
 Rich's kiss-a** questions.
 If Million Dollar Baby wins Best Picture, I can
 already see Mr. Rich
 writing his next column about how Eastwood's victory
 represents a triumph
 over the evil right.  The fact is, the storm over
 Baby is nothing
 compared to what we saw in 2004 with Gibson's
 Passion and with Moore's
 Fahrenheit.  If Eastwood wins, I wanna believe
 that even in left-leaning
 Hollywood, it's because he did a great job directing
 a fine story, not
 because of any noise being made by wackos of any
 stripe, be they red or
 blue.

 ---

 Giving away a plot twist in a film that much of
 America still hasn't seen --
 is the worst thing anyone, whether they're on the
 radio or in print -- can
 do.  So shame on both sides of this non-issue for
 ruining movies for the
 rest of us.

 -d.

 Original Message Follows

 From: Kirby McDaniel [EMAIL PROTECTED]
 Reply-To: Kirby McDaniel [EMAIL PROTECTED]
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: Something interesting for Eastwood fans
 Date: Thu, 10 Feb 2005 22:40:05 -0600

 The New York Times
 February 13, 2005
 FRANK RICH
 How Dirty Harry Turned Commie

 THE day the left died in Hollywood, surely, was the
 day that a few too
 many Queer Eyes had their way with 

Re: [MOPO] READ ONLY if YOU LOVE CLINT

2005-02-13 Thread Toochis Morin
Thanks, David.
Toochis
--- David Kusumoto [EMAIL PROTECTED] wrote:

 Well lookee here:

 I just found, buried on page three of the BACK
 section of today's Arts 
 Leisure -- a BETTER story about Clint -- appearing
 in print, in the same
 paper, on the same day.

 If it had been up to me, I would've put David Carr's
 story below about Clint
 on the front page and pushed Frank Rich into some
 corner where nobody would
 notice.

 After reading this, you will love Clint more.

 -d.

 --

 NEW YORK TIMES
 February 13, 2005
 Clint Eastwood, Still Fighting for the Green Light
 By DAVID CARR

 BURBANK, Calif. -- FIVE times in a dozen years,
 Clint Eastwood, director,
 has given Warner Brothers, a studio otherwise short
 on Oscar winners, a
 ticket to the Academy Awards.

 He directed a best picture, Unforgiven, in 1993
 and two years ago
 delivered a best picture nominee, Mystic River.

 Meryl Streep received an acting nomination for his
 Bridges of Madison
 County, a 1995 Warner film.

 Even Space Cowboys, the old-guy space romp he made
 for the studio in 2000,
 picked up a nomination for its sound effects.

 But the green light still doesn't come easy for a
 74-year-old pro who has
 called the Warner lot his professional home since
 1975, and has now
 produced, directed and/or starred in some 30
 pictures for the company since
 Dirty Harry in 1971.

 When Mr. Eastwood proposed his Million Dollar
 Baby, the studio balked,
 citing audience aversion to boxing pictures, just as
 it had first turned
 down Mystic River, a crime-and-friendship story
 that was first deemed too
 dark.  Warner executives only budged when an outside
 financier, Lakeshore
 Entertainment, agreed to share the cost.

 In the shadow of a large sign boasting of the
 picture's seven Academy Award
 nominations, including best picture and best
 director, the studio president,
 Alan F. Horn, is more than happy to eat some crow.

 If I were sitting here talking about how I let
 'Million Dollar Baby' go to
 another studio, I would be more than chagrined, he
 said. In retrospect,
 his instincts were right, stunningly right. At the
 end of the day, and
 sometimes these are very long days, we did the
 pictures.

 Never simple, often tested, sometimes downright
 tense, the marriage between
 Mr. Eastwood and his home studio has ultimately
 proved to be an
 astonishingly productive relationship in an industry
 that defines a
 three-year contract as a long-term deal.

 To Warner, the aging Mr. Eastwood - who started in
 Sergio Leone's spaghetti
 westerns and became embedded in American
 consciousness as Dirty Harry - has
 brought unexpected cachet, along with hundreds of
 millions of dollars in
 revenue over the years.

 The actor-turned-filmmaker and Warner have not
 always been on the same page
 of the script. But with the kind of bumps and
 pushback one comes to expect
 from a lifelong mate, the partnership has somehow
 wrung the best from a
 blue-collar auteur who, well into his 70's, makes
 good to great movies with
 the constancy of a factory worker.

 Asked about Warner's reluctance over Million Dollar
 Baby, Mr. Eastwood
 sounded crusty but not bitter.

 I explained to them that it wasn't a boxing movie,
 it was a love story, he
 said, but I must say, other studios had the same
 opinion, although many of
 them had expressed interest in working with me.  I
 told them, 'Hey, I'm not
 the kind that looks good in tights or can play a
 superhero,' and if they
 don't want to do this, and they don't want to do
 dramas, why are they even
 in the movie business?

 By and large, the Warner-Eastwood relationship
 operates on a handshake. Mr.
 Eastwood has no overriding contractual commitment to
 the studio, but works
 picture by picture, and will do his next, Flags of
 Our Fathers, for
 DreamWorks SKG, with some Warner backing.
 (DreamWorks owns the rights to the
 story.)

 But the comfort of Mr. Eastwood's connection to
 Warner's sprawling Burbank
 lot was apparent in a recent visit to Mr. Eastwood's
 office on the lot, the
 bungalow once used by Harry Warner and now home to
 the filmmaker's Malpaso
 Productions, even amid the slight buzz of Oscar
 electricity.

 His wife, Dina Ruiz Eastwood, stopped in and quietly
 giggled with the staff
 about what clothing and jewelry she would wear to
 the Oscars while Mr.
 Eastwood took press calls in his office. She turned
 down the $10,000 loaner
 watch in favor of her own $60 watch that keeps time
 just fine:
 understatement is one of the cornerstones of the
 Eastwood franchise.

 After a few minutes, Mr. Eastwood emerged from his
 office in the back of the
 bungalow and his wife asked him if she should pick
 up anything at the
 market. Let me see - Viagra, Levitra and, yeah,
 some Cialis, he deadpanned
 to shrieks of laughter from the staff and Ms.
 Eastwood.

 He can make that kind of joke, not just because he
 has seven children,
 including an 8-year-old daughter, but also because
 he is not given 

Re: [MOPO] Good 'ol Clint...

2005-02-13 Thread Toochis Morin
Hi David,
I couldn't agree more about Clint being a great
artist. He only gets better and continues to astonish
me.  My prayer is to work with him someday.

I do have to say that when I was in the theatre in my
teen years in NY, many people wanted to kill Frank
Rich.  For some reason, he didn't just slam with his
harsh criticism but managed to really slam people in a
personal way.  I remember attending the opening of a
Broadway show of a well-respected playwright.  The
show was great but afterwards at the party when the
reviews were read, Frank Rich's was particularly
scathing.  The playwright wanted to know who was close
enough to Mr. Rich so he could have him poisoned.

I was in a show that Mr. Rich destroyed, but he was
very kind to me in the review.  I have nothing
personal against him.  He's been great to me, but I
know the ire Mr. Rich draws.

Toochis
--- David Kusumoto [EMAIL PROTECTED] wrote:

 Hi Toochis:

 In fairness, the hatred between Frank Rich and Mel
 Gibson is mutual, and it
 started when Rich accused Gibson of anti-semitism
 and brought Mel's father
 into the discussion as a Holocaust-denier.  It
 escalated when Gibson made a
 death threat against Rich in an interview w/the New
 Yorker.

 But as far as Clint getting nominated for Best Actor
 -- I was also happy.
 Though everyone says Jamie Foxx is a slam dunk in
 this category, it's nice
 to see Clint get nominated because in Million
 Dollar Baby, it's the first
 time I've seen Clint showing a decent amount of
 range.

 Clint reminds me of those great actors who always
 play themselves and
 audiences don't care.  John Wayne always played John
 Wayne, Woody Allen
 always plays Woody Allen and Cary Grant, the best
 example, always played
 Cary Grant.  Of the three, Cary Grant NEVER won an
 Oscar except a special
 statue long after he retired.

 Clint always plays Clint and we don't care.  But in
 Baby, his acting had
 my wife in tears.  He's tremendous; and in any other
 year, he might be the
 favorite to win an acting Oscar.  But who knows?
 Clint already has 2
 statues for Unforgiven (and I like Million Dollar
 Baby a lot more), and
 John Wayne had to wait until 1970, 8 years before
 his death, when he won
 Best Actor for 1969's True Grit.

 The huge difference is that Clint has proven himself
 a great artist, perhaps
 underrated, as an independent producer dating back
 to the early 1970s with
 his still running Malpaso company.  I love the guy
 even though he's going up
 against another maverick I adore, Martin Scorcese.
 The problem with
 Scorcese and Oscar is his material is rarely
 mainstream.  And if and when
 Scorcese wins, I want it to be because of merit, not
 sentiment.  It still
 pains me that Al Pacino got his Oscar, for example,
 for Scent of a Woman,
 and not for his Godfather pictures, Serpico or Dog
 Day Afternoon.  I can't
 even watch Pacino in that film, anymore than I can
 watch Dustin Hoffman in
 Rain Man.  (Though Dustin was the best thing in
 Meet the Fockers; he'll
 always find work.)

 Anyway, more than anyone wanted to hear from me;
 sorry; it's been a while.

 -d.

 Original Message Follows

 From: Toochis Morin [EMAIL PROTECTED]
 Reply-To: Toochis Morin [EMAIL PROTECTED]
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: Re: Please stop giving away plot twists for
 newly released films!
 Date: Sun, 13 Feb 2005 01:33:55 -0800

 David, I couldn't agree with you more.  I was also
 offended when Frank Rich
 wrote that Passion of the Christ's nomination for
 make-up was for big noses.
   How low does he have to go to get attention?
 Obviously very low.

 I loved Million Dollar Baby and just tell people to
 go see it.  Whatever one
 hears about it they cannot help but be moved by this
 impressive film.

 I'm glad Clint also got nominated for best actor.
 Toochis




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Re: [MOPO] BUZZ BUNNY

2005-02-17 Thread Toochis Morin
I couldn't agree with you more, Kirby.  WB get a f'n
clue!
Toochis
--- Kirby McDaniel [EMAIL PROTECTED] wrote:

 I tivoed the CBS Evening News today and just watched
 it.  I caught a
 report about Warner Brothers
 extreme makeover of Bugs Bunny.  Warner's proposes
 to turn the wascally
 wabbit into some kind
 of crimefighting INCREDIBLES-like (only not as
 good) hipster figure
 along with all the other immortal Looney Tunes
 characters.

 The powers that be at Time-Warner should take the
 people at Warner's
 animation who thought this up
 and summarily fire every one of them.  This was
 reported in this
 morning's Wall Street Journal as well.
 If this isn't a mistake on the order of the Coca
 Cola makeover of
 several years ago, I don't know what is.
 I can tell you I was just sickened by it.  And this
 isn't just
 nostalgia either.  Those Warner characters have
 lots of life left in them, if the idiots at Warner's
 knew how to use
 them.

 No doubt some will be found who will rise to
 Warner's defense in this
 dubious enterprise, but yours
 truly will not be among them.  Sometimes you just
 have to wonder who
 these people are that make
 these nutty decisions.  In the past, animators
 brought Bugs and friends
 into fine-tuned versions of themselves
 that was, in my opinion, perfected in the 1950s.
 But this is radical
 and just destructive of wonderful
 intellectual property.

 If it's not broke, don't fix it.

 Please excuse the rant.

 Kirby McDaniel
 MovieArt Original Film Posters
 P.O. Box 4419
 Austin TX 78765-4419
 512 479 6680
 www.movieart.net

  Visit the MoPo Mailing List Web Site at
 www.filmfan.com


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 Mailing List

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Re: [MOPO] [Style-b List] Maltese Falcon

2005-02-17 Thread Toochis Morin
I love The Maltese Falcon and that story. Wish I could
be there.
Toochis
--- [EMAIL PROTECTED] wrote:


-
The link did not work, here's the story...




Posted on Thu, Feb. 17, 2005


`Maltese Falcon's' leaden star flies in

TOWN THAT HATCHED STORY GETS VISIT FROM ARTIFACT

By Mary Anne Ostrom

Mercury News


The most storied bird in cinema history, Dashiell
Hammett's ``The Maltese
Falcon,'' is winging its way back home to San
Francisco to star in the 75th
anniversary celebration of a book that helped create
the ``hard-boiled''
American mystery genre.

Getting the black bird -- or rather, the 50-pound lead
prop used in the 1941
screen version -- from Southern California to San
Francisco, where Hammett
lived and wrote from 1921 to 1929, could very well
make a Hammett-style pot
boiler all its own.

Now valued at $2 million, the statue Sam Spade so
doggedly pursued will arrive
with armed security. Two San Francisco Police
Department officers have been
assigned to, uh, bird watching. After a short viewing
at a private party at
John's Grill, it will spend the night in a bank vault.

Depending on whom you ask, Hammett wrote his most
popular novel either at
John's Grill on Ellis Street, where he would lunch, or
at his apartment on Post
Street. His office was in the famous Flood Building on
Market Street.

Sam Spade (Humphrey Bogart) and the evil Kasper Gutman
(Sydney Greenstreet)
believed the bird was of ``incalculable value,'' but
that isn't the reason for
all the security.

``It's a requirement of the insurer,'' said Gary
Milan, a retired Beverly Hills
dentist who has owned Hollywood's most famous bird for
some two decades. He
loans it out for special events, and then the falcon
returns to its roost in a
Warner Bros. studio museum.

``It's very, very valuable,'' Milan added -- somewhere
around $2 million. Milan
also owns the piano from ``Casablanca'' but believes
that the falcon, because
it serves as the title of a book and a movie, and has
such a pivotal role in
both, is ``the most important piece of film
memorabilia there is.''

Not Dorothy's ruby slippers?

``There were six pairs of ruby slippers,'' huffed
Milan, ``in three different
sizes.''

``The Maltese Falcon'' -- considered Hammett's most
influential work of
detective fiction that became one of director John
Huston's best films -- was
first published in serial form in Black Mask magazine
in 1929. It appeared as a
novel on Valentine's Day, 1930.

Last week, Sen. Dianne Feinstein authored a senate
resolution declaring that
Hammett helped San Francisco become ``the center of
hard-boiled crime
fiction.'' Today, a short parade is planned near Union
Square at 5 p.m. An icon
of a later generation, Wavy Gravy, dressed in trench
coat and hat, will lead
the march of Sam Spade look-alikes to John's Grill.
The San Francisco Public
Library has a special exhibit on the falcon,
co-curated by Hammett's
granddaughter, Julie Rivett.

Asked why the bird and story still command such
attention, Rivett said: ``It's
a wild story. It's a juxtaposition of wild fantasy and
real-as-a-dime dialogue
and personalities.''

She also gives a lot of credit to Huston's film, with
its evocative black and
white images of San Francisco and Bogart as Spade.
And, of course, the
mysterious black bird of ``incalculable value.''



Contact Mary Anne Ostrom at [EMAIL PROTECTED] or
(415) 477-3794.





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Re: [MOPO] 1995-2005: 10 Years of MoPo!

2005-02-24 Thread Toochis Morin
Happy Birthday MoPo.  Congratulatons Scott!
Toochis
--- Scott Burns [EMAIL PROTECTED] wrote:

 Let's congratulate ourselves:

 The MoPo List is 10 years old today!

 On February 24, 1995 MoPo was born--with a grand
 total of 11 subscribers:
 Mahtab Moayeri, Michael Danese, Rob Ellis, Donna
 Tschetter, Goh Kai Shen,
 Evan Zweifel, George Nichol, Cynthia
 Nemeth-Johannes, Adam Ehrlich, our
 name-deprived AOL'er, Static555, and me, your
 humble List Owner.
 Thanks to everyone, past and present, who has helped
 MoPo survive for 10
 glorious years. What a ride it has been! Sometimes
 bumpy, often frustrating,
 occasionally helpful...but ALWAYS fun! What more
 could you ask?
 I hope you all hang in there for our next 10!
 Scott
 MoPo List Owner










  Visit the MoPo Mailing List Web Site at
 www.filmfan.com


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Re: [MOPO] MOPO Do the Oscars Hate New Yorkers?

2005-03-05 Thread Toochis Morin
I am not worried about Scorcese.  He's represented at
the Firm and runs around with a very elite Hollywood
crowd. Do we know for sure he doesn't have a place in
Bellaire?  Perhaps Malibu?  Beverly Hills?  I don't he
doesn't have a place here.  By the way, Hilary Swank
lives in NYC 98% of the time.

I love Scorcese and while I enjoyed The Aviator, I
don't think it was one of his best.  The timing sucks
for him.  He's working on a very high-profile project
with Leo again and it's being filled with major stars.
 Scorcese will get his Oscar.  He's not over yet by a
long shot.

Toochis
--- Jim Episale [EMAIL PROTECTED] wrote:

 Saturday, March 05, 2005
 By Roger Friedman
 Does Oscar Hate New Yorkers?

 All week I've been fielding one question about the
 Oscars: How did Million
 Dollar Baby triumph over The Aviator? It's a good
 question. I don't know
 if there is one answer to it.

 First of all, there's no debate about the quality of
 Million Dollar Baby.
 It's a finely wrought film, particularly the first
 half, which focuses on
 boxing. Some may find the second half a bit sappy
 and Hilary Swank's movie
 family a little stereotyped. But overall, the
 performances are of the
 highest quality. Clint Eastwood continues to
 surprise and awe us all as an
 actor and a director. He deserves all the acclaim
 he's received.

 But Eastwood already had a best director statue for
 Unforgiven. What about
 Martin Scorsese? Why does the Academy hate him? How
 is it possible that the
 director of Mean Streets, Taxi Driver, Alice
 Doesn't Live Here
 Anymore, King of Comedy, Raging Bull, After
 Hours, Goodfellas, The
 Age of Innocence, Gangs of New York and now The
 Aviator has no award
 for his gargantuan achievements? Is it something
 about him?

 I think yes and no. You saw on Sunday that the
 Academy had to give a
 lifetime achievement award to Sidney Lumet. Somehow
 they'd managed to ignore
 him previously for Prince of the City, Serpico,
 Daniel, Fail-Safe,
 12 Angry Men, Network and Dog Day Afternoon.
 Pretty wild, right?

 But Robert Altman has no Oscar. Woody Allen has two
 for Annie Hall and
 Hannah and Her Sisters, but not for Crimes and
 Misdemeanors, Zelig,
 Broadway Danny Rose or Manhattan. Crazy, right?

 But Scorsese, Allen, Altman and Lumet are all
 considered outsiders by the
 Academy -- New York directors who are not part of
 the purring economy called
 Hollywood. So far, three of Scorsese's five losses
 have been to popular
 actors who dabble in directing: Eastwood, Kevin
 Costner and Robert Redford.
 That's not a coincidence. At various times those men
 have been huge
 moneymakers for Hollywood, where most Academy
 members live and thrive.

 How else also to explain Mel Gibson winning best
 director for Braveheart
 in 1996 over Mike Figgis, Michael Radford and Tim
 Robbins? Nine years later,
 their work on Leaving Las Vegas, Il Postino and
 Dead Man Walking holds
 up as superior in every way to the violent,
 hackneyed swashbuckling in
 Braveheart.

 But those three were all outsiders, and Gibson was
 the blue-eyed moneymaker
 of Lethal Weapon. He might as well have been
 running for class president.

 Scorsese et al. represent a weird cast of
 interlopers who have no vested
 interest in Bel Air mansions, Rolls Royces or Ed
 Limato's buffet dinner to
 the Academy voters.

 You can also throw in a bunch of deceased and
 important directors like
 Martin Ritt, John Cassavetes and Hal Ashby, who
 never got Oscars but will be
 long remembered when many winners are forgotten.
 They were also outsiders
 who didn't care what the Academy thought.

 In the new generation, add the names of the Coen
 brothers, Quentin
 Tarantino, Spike Lee and Wes Anderson to that list
 as well. Hollywood
 doesn't like 'em.

 They'll give them nominations, but the actual award
 is an uphill battle all
 the way. How else to explain Forrest Gump beating
 Pulp Fiction, an
 influential classic, for best picture in 1995?

 HBO has the same problems with the Emmys as Miramax
 and other East Coast
 producers have with the Oscars. Even though they get
 rafts of nominations
 every year, the actual awards are hard to come by.
 It was only this past
 fall that The Sopranos finally got best drama.
 Sex and the City only won
 once in 2001.

 Otherwise, the Hollywood TV community likes its
 hometown heroes: West
 Wing, Everybody Loves Raymond, etc. It could be
 argued that HBO wins so
 many mini-series and movies-for-TV awards because
 the networks long ago
 abandoned those genres. HBO also makes really good
 ones, which helps.

 So don't cry for Martin Scorsese. There isn't a
 serious director in the
 world who wouldn't want to trade places with him in
 a second. Historically,
 and for posterity, he is set. If he stopped making
 films tomorrow, Scorsese
 would still be considered the king of kings.

 In the end, he, Altman, Lumet, Francis Ford Coppola
 (save for The
 Godfather) and Allen don't need any more Oscars.
 They are the Supreme Court
 of 

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